Anyone who’s been watching “Entourage” for a while knows that the show portrays Hollywood as a sort of suspended reality, but there’s no way that any director in the movie business is even half the crybaby that Verner is. For the last two weeks, it’s been unknown whether Verner simply didn’t like Vince or actually had a viable argument about his ability as an actor, but after the two disagree over Vince’s performance during the filming of a pivotal scene this week, I’d lean more towards latter. In fact, Verner doesn’t even seem to hate Vince so much as the idea that the actor was forced upon him, but if he knew that Vince was attached to the project before he signed on, why did he even agree to do the movie?
I wish that Vince would have called him out on that, but instead, he just points out that Verner is acting more like a dictator than a director. Maybe it has something to do with the language barrier. Regardless, Verner takes the comment one step further by firing Vince from the film. Of course, he doesn’t really have the power to make such a decision, and before you can Super Jew, Ari is on the scene to settle the dispute. When asked what he could possibly do to help Vince’s situation, Ari coolly replies: “Because the Jew has arrived and he doesn’t like Germans.” Plus, Dana Gordon owes him big after he hooked her up with that sweet gig at Warner Brothers. I just wonder how long Ari will be able to milk that connect before Dana gets tired of returning all the favors.
It’s her first big movie as head of production and she’s not about to let anyone ruin it for her, so she calls a meeting with Verner and allows Ari, Vince and Eric to tag along. What she doesn’t expect, however, is for Verner to turn into the world’s biggest crybaby right in the middle of the office. When Ari tries to trick Verner into thinking he’s just been replaced by Peter Berg, however, the German goes ape shit and starts running through the building looking for John Ellis to plead his case. The fact that this was all happening with Rammstein’s “Du Hast” playing in the background only made the scene even funnier. Verner would have been better off not opening his big mouth in the first place, though, because instead of getting his way, Ellis just shuts down the whole movie. The consolation is that it appears it wasn’t Vince’s fault at all – in fact, Ellis thought Vince was great in the few scenes he had filmed – but with no money and no prospect for another job, Vince decides to head back to Queens.
The rest of the guys jump on the plane with him, and poor Turtle is forced to say goodbye to Jamie-Lynn, who he’s just spent the weekend with after she called him up looking for a booty call. Turtle thinks he’s just being used at first, and he’s totally okay with it, but as the day goes by, he finds out that Jamie-Lynn is actually interested him. Go figure. Here’s hoping the “Sopranos” star sticks around for a little while longer, because she really brings out a side of his character that we rarely see. Plus, we finally learned why he goes by the name Turtle – because his real name (Sal) is more embarrassing. Unfortunately, that relationship might have hit a dead-end now that the gang is back in New York, but even though Vince can’t get a job, Eric and Drama still have careers waiting for them in LA. How long will they stick by Vince’s side while he tries to put his life back together, and now that Turtle’s finally been given some well-deserved character development, how long will we have to wait for more?
