Tag: Deadwood (Page 2 of 4)

Lost 5.10 – He’s Our You

“A 12-year-old Ben Linus just brought me a chicken salad sandwich. How do you think I’m doing?”

It seems like forever since we’ve had a Sayid-centric story, so I was really excited to discover that tonight’s episode was all about everyone’s favorite Iraqi torture specialist. Unfortunately, for as many great lines as there were, it actually ended up being one of the flatter episodes of the season. That probably had something to do with the strange collection of flashbacks and flash forwards that accompanied the present day (or new present, anyway) storyline, because with the exception of Sayid’s introduction to Ilana – who doesn’t appear to be a federal marshal at all, but rather some sort of bounty hunter – we didn’t really learn anything new about the time between his rescue and return.

Even the action on the island was pretty dull. Well, not dull so much as just really thin. I mean, how many different times did we really need to see Sawyer trying to convince Sayid to cooperate with the Dharminians? And why didn’t Sayid want to take the easy way out by telling them that he was just trying to escape from the Others? I brought this up last week because it didn’t make any sense for Sayid to want to remain silent, and now it makes just as much sense after declining Sawyer’s offer to become one of them. If all he cared about was killing young Ben Linus, wouldn’t it have been easier to do so from within that circle of trust?

Apparently not, because Sayid didn’t budge one bit, and as a result, Horace took him to go see Oldham (William Sanderson of “Deadwood” fame) in order to get some answers. It was pretty obvious that Oldham was Dharma’s torture specialist the moment his name was brought up, but Sayid asked Sawyer who Oldham was nonetheless, to which Sawyer replied “He’s our you.” Now, if that didn’t send chills down your back, I don’t know what will, because that has to be one of the best episode titles in the history of the series; and even more so because of the way it was worked into the story. I would have liked to have found just what it was that Oldham stuck in Sayid’s mouth, though, because while it seemed to initially operate as a truth serum, the later effects made me think it was some kind of psychedelic drug instead. Whatever it was, it worked, but while it looked like Sayid would blow Sawyer’s cover by spilling the beans, the moment he mentioned he was from the past, Horace seemed unconvinced that the drug had worked.

After Dharma’s council votes to kill him, however, Sayid’s Christ-like sacrifice (which he seems to believe will atone for all his sins) is interrupted when he’s sprung from jail while everyone else is trying to deal with a flaming Dharma van that has randomly rolled into camp. (Even during times of stress, Sawyer’s wit is spot on: “Three years, no burning buses. You’re all back for one day…”). Curiously enough, it’s young Ben who’s responsible for saving Sayid, who does so under the condition that he can join him on his way back to the Others’ camp. I don’t know if that’s where Sayid plans to go (it seems to be his only option at this point), but he definitely doesn’t intend on bringing Ben with him. Granted, I didn’t expect Sayid to kill a child in cold blood, but then again, who’s to say Ben is really dead? Faraday has already stated that the past can’t be changed, so it’s probably more likely that Ben will be saved/revived by the Others and eventually made their leader. After all, Ben’s spinal condition had to be a result of something, so why not an old gunshot wound that he received as a kid?

HBO moves on

With the series finale of “The Sopranos,” HBO is facing a crossroads. I’m not sure what percentage of the network’s subscribers were mainly (or only) interested in Tony Soprano and his family, but it has to be significant. HBO is aware that they need to quickly develop more good programming if they hope to keep the train going down the tracks.

Their first hour-long effort is “John from Cincinnati” (from “Deadwood” creator David Milch). The series revolves around San Diego family of surfers as they encounter a strange visitor, who acts as if he might be from another planet. In just two episodes, Milch has introduced a bevy of interesting characters and, as far as the language and dialogue goes, the show actually has a very “Deadwood” feel to it. There are a number of familiar faces in the cast, including Rebecca De Mornay (who is excellent as the family’s matriarch), Ed O’Neill, Luis Guzman and Luke Perry.

In the half-hour comedy category, “Flight of the Conchords” follows Jemaine and Bret, two aspiring musicians from New Zealand, as they navigate New York City. It’s a musical of sorts, as the duo occasionally break out into quirky songs that relate to whatever is going on in their life. The premiere was quite funny, especially the song Jemaine sings to a girl at a party. If the Barenaked Ladies had developed a sitcom (and never released “One Week,” which made them too popular) and enlisted Wes Anderson to direct, it might have turned out like this.

So far, so good.

As he rides off into the sunset… (Series finale)

Deadwood Al Swearengen

First, the good news. HBO and “Deadwood” creator David Milch have agreed to two two-hour movies in 2007 to allow Milch to end the show properly. The network had originally agreed to do six more episodes, but Milch wanted a clean break from the “day in the life” format that each episode has represented thus far. So expect the two movies to cover more time, like a normal film.

Now, the bad news. This season is over, with much tension, but without much resolution. Sure, Hearst left camp, but I was expecting some sort of a fight, considering that Hawkeye showed up with his seventeen and a half men and Wu showed up with a group of Chinese. Swearengen seemed content to allow Hearst to leave peacefully, as long as he didn’t put up a stink about which whore was actually killed as punishment for Trixie’s attack last week. Had Hearst pressed Al about the whereabouts of the real Trixie, Al would have gone at him with his knife. That’s quite the display of loyalty for Swearengen to show one of his former girls.

Someone had to take Trixie’s place, and the unfortunate one was Gin, Johnny’s favorite. Johnny didn’t take too kindly to it either, and this storyline has the potential to play out in 2007. But my guess is that he’ll get over it and his loyalty to Al won’t be an issue any further.

Bullock’s temper flashed a couple of times in this episode, but Hearst let his outbursts pass without punishment. Maybe it was enough that Bullock was going to lose the (fixed) county-wide election, or maybe Hearst saw the writing on the wall and just wanted to get out of camp in one piece. Either way, he meant to leave Cy in charge of his holdings, but Cy doesn’t seem to want that, even though he agreed to the deal. Out of frustration, he killed Leon and then pulled out his pistol to take a shot at Hearst before the magnate left camp, ultimately scaring the shit out of Jeanine before heading back into his saloon.

The relationship between Jane and Joanie continues to develop and the two are starting to act like an old married couple. Jane continues to turn to alcohol whenever she gets frustrated, so it will be interesting to see if she’s able to kick the habit with Joanie’s help.

But the surprise star of tonight’s show was Charlie Utter. He was on fire throughout – first, with Hearst at his hotel door and later on in the day in defense of the proper order of the voting line. Don’t get me wrong – Al’s speech to the Chief’s head was terrific, but one expects that from him. Even though Charlie has had a few good rants in his day, his performance tonight trumped them all.

I still don’t know why Milch introduced the theater troupe, as they did not have a major impact on any of the important storylines of the season. Brian Cox is a fine actor, and I was waiting for him to make a move on Hearst in the hotel, but I was once again disappointed in the result. In the future, maybe the purpose of their presence will become clear or maybe they’ll just fade into the background – only time will tell.

So Hearst has left camp leaving Cy in charge, Alma has sold her stake, Bullock is no longer the sheriff and Trixie dodged a serious bullet. Deadwood is in a state of flux and Milch has the challenge of wrapping up everyone’s storylines (or at least most of them) in just four hours. HBO has cancelled a few good series lately – “Deadwood” and “Carnivale” are gone and “Rome” was on the chopping block before getting a year’s reprieve – so I’m wondering if this particular business model is working for them. They’ve put out some of the best TV in the last few years, so let’s hope that this stormy weather will blow through.

Climax? Not until next week…maybe.

Deadwood Hearst

Tonight’s episode was a tale of two halves. The first – exciting, compelling and intense. The second – slow, plodding and anticlimactic.

Poor Ellsworth. After a humorous scene where he seeks marital advice from a dog, one of Hearst’s henchmen sneaks up on him in his tent and shoots him in the head. Just like that, one of the show’s most admirable, upstanding characters is dead. The news of this shooting sends the camp into a flurry of activity as Swearengen and his men circle the wagons.

Trixie’s reaction when she saw his body was both surprising and courageous. I’ve said all along that for a man with so many enemies, Hearst doesn’t surround himself with enough protection. It was true earlier in the season when he didn’t have any henchmen around and now that he does, they don’t do a very good job of watching his back. Trixie opened up her blouse and walked past six guns in the downstairs of hotel while carrying her small pistol in her right hand.

She got a clear shot at Hearst, but she was only able to hit him in the shoulder. I’m more than a little surprised that she was able to get out of the hotel alive. After the shot was fired, I assumed she would be stopped and searched coming down the stairs. Certainly the guns had to consider her arrival and the shot to be more than idle coincidence, right? Maybe they were too busy staring at her rack to see the smoking gun in her hand.

Regardless, she wasn’t able to finish the job and she rushed to Sol for help. He took her to Swearengen’s, which says something about the man’s reputation of strength and cunning. At this point in the show, I thought all hell was going to break loose, but things became oddly calm.

Bullock was in Sturgis campaigning for Sheriff and had to ride back to camp once news of the shooting reached him by telegram. He rushed back to Alma and the child’s side and eventually escorted her back home. And that’s all he did.

I’m not sure why Hearst hasn’t yet dropped the hammer. It seems like his attack on Ellsworth was just the beginning of his assault on the entire camp, but he seems hesitant for some reason. At one point, he’s watching the camp’s activity and he says to one of his bodyguards, “I was not born to crush my own kind.” Is the magnate having second thoughts after his brush with death?

Meanwhile, Al has made a deal with Wu that would bring Chinese reinforcements to camp. He had to make this deal due to his lack of confidence in Hawkeye, who telegrammed Al too quickly after receiving instructions to hire guns in Cheyenne. Al is usually right, but this smells like a setup and I wouldn’t be entirely surprised if the infamous Hawkeye showed up.

The news has spread that this is the show’s final season, but the network is calling next week’s episode the “season finale,” when the term “series finale” is usually used in such cases. On last week’s blog, one of the readers commented that the cast and crew didn’t know about the show’s cancellation so that there’s a distinct possibility that the series could end unresolved. There are also rumors of a mini-series to allow creator David Milch to finish the series the way he originally envisioned. Obviously some sort of conclusion would be better than a cliffhanger for a finale. Here’s hoping that HBO shows the same intelligence in ending the series as it did in greenlighting it in the first place. It’s bad enough that “Deadwood” is going off the air, it would be a tragedy if it ended abruptly.

Swearengen in the spotlight

Deadwood Al Swearengen

The conflict between Hearst and the rest of the camp continues to grow – this week he has the cojones to fire a few shots across Alma’s bow as she heads to bank. Of course, he didn’t take the shots himself – he wouldn’t get his hands that dirty. I was impressed by Al’s leap from his balcony when he rushed to the widow’s aid. Swearenegen’s method of comfort turned into one of the best lines of the episode: “It’s horrible being shot at. It never gets no better.” Bullock was in parts unknown, so it was up to Al to decipher the meaning of the shooting. Brilliantly, he had Dan knock out and tie up Ellsworth before telling him of the incident, so that he wouldn’t fly off the handle and rush Hearst.

It’s clear that Hearst wants to divide and conquer, and with Bullock out of town he saw an opportunity to knock Ellsworth out of the picture. Al, with help from Dan and Alma, managed to rein him in. Al is going to need all the help he can find if he hopes to hold onto the camp, so it’s in his best interests to keep Ellsworth alive.

After the Earp brothers arrived, I thought we might see the familiar story of Wyatt taking over as sheriff (presumably after Hearst takes out Bullock) when all he wants to do is be a private citizen. Their subsequent departure leads me to believe that Bullock will survive at least until the end of the season. Considering that the tension between he and Hearst has reached its boiling point, I don’t know how both of them get out of camp alive. Considering that, in real life, Hearst goes on to be a U.S. Senator, the odds aren’t in Bullock’s favor.

The show continues to spend far too much time with the theater troupe. Jack is an interesting character, but his dealings with a couple of starlets were confusing and disorientating. Clearly, he and this Mary woman have a history, but he chooses to allow another aspiring performer to stay in the theater, much to the dismay of one of his fellow performers (and, of course, to Mary). Jack has worked his way into Hearst’s favor with his ability to relieve back pain, so he should have the opportunity to take Hearst down if he so chooses. I don’t know where the troupe storyline is headed, but I hope creator David Milch has something good up his sleeve.

Joanie and Jane have been growing closer over the past few weeks, and their relationship is starting to head a sexual direction. Jane continues to struggle with her alcoholism, which is a direct result of the blame she puts on herself for Wild Bill’s death. Joanie is a nurturer as well as a tortured soul, and clearly she finds Jane to be a kindred spirit.

But it was Al who really shined in this episode, rushing to Alma’s aid, outwitting Hearst, and beating the snot out of Hearst’s messenger before slitting his throat. It’s been interesting to see Al and Bullock on the same side this season after being at odds for most of the series. Bullock’s return was somewhat uneventful. It was clear at dinner that he was fuming, but he didn’t go after Hearst so Charlie must have filled him in on Al’s take on the shooting.

The camp needs reinforcements, but Al can’t afford to send Dan to get them. Silas convinces him to use Hawkeye, someone Al doesn’t trust, to bring the guns. This adds an element of uncertainty to this storyline, so I wouldn’t be surprised if support arrived at a very opportune time.

There are only two episodes left – how will it end?

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