Tag: David Fincher (Page 4 of 5)

Film franchises from abroad, part 1

In something like the way America caught the “Survivor”-borne reality show virus from other nations in the realm of TV, our American predilection for coming up with multiple movies based on a single character or concept seems to be happening more in other lands these days. Of course, culture is a feedback loop and we start with the first film in a franchise which looks to become a possible American franchise as well. It’s “The Girl with the Dragon Tattoo,” based on the first of three posthumously published mystery novels written by Danish writer and activist, Stieg Larsson, that have been dubbed The Millennium Trilogy.

Since this solid, actually quite conventional, though rather sordid and, for some, disturbing mystery thriller did extremely well all over the world, and it hasn’t done badly here, it’s naturally being remade. It’s being given a rather royal treatment, with director David Fincher returning to familiar murderous territory and Steve Zaillian (“Schindler’s List”) writing and producing. Currently young actresses including Ellen Page, Carrie Mulligan, and Natalie Portman‘s name are being bandied about for the title role, though an unknown is also perhaps a possibility. They do need someone very good, I can tell you that.

The male lead — a schlumpish middle-aged dude in the Danish film — has apparently been offered to Brad Pitt, who is middle-aged but very Brad Pitt-like. For it to work, he might have to put on some weight or something as it’s an oddball romance of sorts and it’s no longer so oddball if a handsome movie-star guy shows up.

Monday movie news

Just a few items on a warm and sunny SoCal Ides of March…

* David Fincher is really keeping busy. I missed the story late Friday about him putting together a new movie iteration of “Heavy Metal.”

The first attempt to transpose the appeal of the legendary European-based anthology comic magazine is pretty much unwatchable these days — I know because I tried and failed to watch it at Comicon a couple of years back — but that’s all the more reason to give it another try I suppose. Considering that the late seventies and early eighties were pretty much the lowpoint of animation and the high end nature of this project, it pretty much has to be an improvement on most levels.

And that’s not all. Having taken on Facebook with Aaron Sorkin, another upcoming project may possibly involve an equally cinematic undertaking: chess.

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* With John Krasinski apparently out of the running for “The First Avenger: Captain America” (a title I’m not fond of, by the way), the Marvel gang has apparently adopted a “nobody excessively interesting” rule in its prospective casting. The latest name being floated: Ryan Phillipe. Still, he played effectively off of Chris Cooper in the highly underrated “Breach,” one of my favorite films of 2007, so perhaps he can do the same with Hugo Weaving here.

* Ben Kingsley and Sacha Baron Cohen are “in talks” to appear in Martin Scorsese’s ambitious, 3-D, meta-film, “The Invention of Hugo Cabret.”  As a Deadline commenter notes, this one appears to be DiCaprio-free, at last. Kingsley and Coehn could make an interesting buddy film.

* Tim Adler of Deadline|London thinks that the success of 3-D screenings of “Avatar” in Europe is funding the growth of digital movie theaters in Europe.

* I’ve said it before, but the career of director David Gordon Green fascinates me. He starts out like an American Vittorio De Sica by way of Terrence Malick with the neo-neo realist “George Washington,” and then transitions to stoner-frat comedies apparently spoofing eighties sword and sorcery flicks. Attention must be paid.

* If you really wanna know more about “penis trauma” and the MPAA ratings system

* Phrases like “penis trauma” aside, SXSW really does sound like the most fun of the festivals, doesn’t it?

Yet another Friday night movie news dump

Really not that much to say, except…

* Summit has acquired the North American rights to distribute “The Ghost Writer,” a political thriller starring Ewan McGregor and Pierce Brosnan. And why is this the top item? The director is Roman Polanski. Wait for this film to benefit from a lot of free publicity generated by people who think it’s wrong to see any movie in which someone involved with it once did a very bad thing. If you follow that rule, you’ll miss a lot of movies.

* Not too surprisingly, that report I mentioned on Wednesday that James Cameron‘s next movie is going to be an outer space redo or homage or what have you of The Seven Samurai was all wet. Instead, quoth the Playlist, he’s producing, but not directing, a remake of the not-so-great (at least as far as I can remember it) sixties sci-fi hit, “Fantastic Voyage.” It could work and will probably be at least a little bit fun in 3-D.

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* Speaking of Cameron, it’s a bit weighted towards the geek press at this moment, but reviews have been leaking all over the place for “Avatar” and, guess what, the critics seem to think there’s something to the hype. At the very least the film is guaranteed to get a bunch of technical nominations and probably win them. Throw some Oscars into the marketing mix of James Cameron’s latest, and a genuinely gigantic hit with massive legs could brewing.

How long before the inevitable backlash? Well, Michael Phillips‘ review encompasses both frontlash and backlash. Putting on her critic hat, Anne Thompson writes a prose poem. She says all us cinephiles are going to have to see it multiple times. Well, I’m sure some of us will disagree there. Contrarians, skeptics, and extra-tough critics, start your engines.

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A buncha movie stuff….

When in doubt, lead with Disney, even if you’re not sure what the story actually means….

* Mark Zoradi, the Big D’s head of worldwide marketing and distribution for movies, is stepping down. This surely has something to do with the arrival of Rich Ross and the departure of Dick Cook some weeks back.

* As per Company Town, Lions Gate is doing better right now from TV than movies. Could “Mad Men” have been their biggest money maker the last quarter? I’d like to think so.

* Self-appointed protector of Catholicism from the scourge of Hollywood Bill Donoghue has found a new source of “anti-Catholic bigotry” (i.e., not conforming 100% to his highly particular and extremely reactionary view of how all things Catholic should be treated in the media): “2012.” Chris Kelly at the Huffington Post mocks accordingly and appropriately.

Here’s a fascinating quote from idiot boy Donoghue on his life’s work:

Every time I say Hollywood hates Christianity, especially Catholicism, my critics cringe. But they never offer evidence that I’m wrong.

I’m not cringing and I’ve got evidence. Skipping around the decades and off the top of the my head: “Going My Way,” “The Bells of Saint Mary’s,” “Cabin in the Sky,” “Chariots of Fire,” “Lilies of the Field,” “The Trouble with Angels,” “Dead Man Walking,” “The Sound of Music,” “Sister Act,” “Signs,” “Gran Torino,” “The Chronicles of Narnia,” “Brideshead Revisited,” “City of Angels,” “The Apostle,” “Tender Mercies,” “Ben Hur,” “Shadowlands,” “The Exorcism of Emily Rose,” “The Shoes of the Fishermen,” “The Bishop’s Wife,” “King of Kings,” “The Exorcist,” (who saves the day there?) and on and an on and on. In fact, it’s much easier to find a pro-Christian or Catholic Hollywood film than to find one that even features an openly Jewish, Islamic, or, heaven forfend, openly atheist or agnostic, character. Even the movies Donoghue attacks, like “Dogma” or “Saved” or most especially “The Last Temptation of Christ” are actually highly pro-Christian films, though espousing a more liberal version of the religion than he personally cares for. If there is a bigger idiot on this planet than Donoghue, I doubt he has the brain function enough to breathe. Every time the guy opens his mouth, he makes a new atheist.

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When David met Aaron?

Like Cinematical, some blogs and movie sites couldn’t get over news, yesterday, of a possible teaming between onetime master-of-mayhem David Fincher and former TV walk-and-talk specialist megawriter Aaron Sorkin, creator of “The West Wing,” “Sports Night,” and “Studio 60 on the Sunset Strip” (which I liked, anyway). The subject: the creation of Facebook.

From a Sorkin standpoint, this actually makes sense. Every thing he’s ever written is about people working on hugely important tasks with a dedication that goes well beyond mere workaholism. From a Fincher standpoint, while the line between dedication and lunacy was the main topic of his cinephile cause celebreZodiac,” let’s just say it’s more of a stretch. And there’s nothing wrong with stretching.

For example, while “The Curious Case of Benjamin Button” was largely a romance, why couldn’t past Fincher products be reworked to include a bit less slaughter and bit more steam?

And how will Fincher outdo ace TV director Thomas Schlamme’s approach to Sorkin’s signature walk-and-talks?

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