Tag: Casey Affleck (Page 3 of 3)

While I was out…

If anyone out there has noticed my absence over the last few few days, suffice it to say I’ve been dealing with a family emergency and posting by me may remain a bit sporadic over the next several days. However, I’m hoping to keep things close to normal as, fortunately, things seem to be stabilizing somewhat.

Of course, it just so happens that I’ve been pretty seriously distracted just as Sundance was underway and there’s undoubtedly much I’ve missed. Here are just a few items that have caught my attention.

* Our very own Will Harris has been very much on top of story behind an upcoming television adaptation of work by highly regarded comic book writer Brian Michael Bendis. Now, add to that this revelation from Mike Fleming that another Bendis piece will be one of two vehicles that Zac Efron hopes will help him in his quest to perform a Johnny Depp-like -transition from Tiger Beat-style teen fave to respected A-list actor.

* There’s nothing like a bit of controversy to liven things up at a film festival, and this year Sundance is getting a shot of that from, of all things, an adaptation of a classic fifty-eight year old pulp novel. Michael Winterbottom’s reportedly very faithful version of grimness specialist Jim Thompson’s “The Killer Inside Me” was reportedly all too faithful for some. The film apparently features some very brutal beatings of the women in the life of the sociopathic title character played by Casey Affleck. It probably adds to the shock factor that the victims are played by Jessica Alba and Kate Hudson. The Auteurs and Anne Thompson summarize the issues.

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* On a much lighter note, I take a personal interest in the film “Cyrus” because — back before it even had a name — co-director Mark Duplass discussed it with me right here, when I interviewed him behind his co-starring role in the very funny “Humpday.” The film stars Jonah Hill in what is being touted as something of a breakthrough performance, alongside Marisa Tomei and John C. Reilly. Once again, Anne Thompson is on top of things and has an interview with Mark and his brother Jay, which I promise to watch when I get a moment. (Hey, I haven’t even watched the State of the Union speech yet.)

* I’ve got a solution to this whole question of whether or not we should forgive Mel Gibson. I say everyone who is offended by Mel Gibson’s past statements, etc., should see his movies if they want to, but they should refer to him only as “Sugar Tits.” Indeed, For long as I remember to do it, in these posts, from this point forward, he’ll be Mel “Sugar Tits” Gibson or MSTG, for short. Seems fair to me.

Is Joaquin Phoenix faking it?

Joaquin Phoenix has created quite a stir with his bizzare appearance on the David Letterman Show last week. Was this real? Is he really quitting acting to pursue a career as a rapper, or might this be an elaborate hoax?

Chris Willman offers some interesting observations about Phoenix and the rumored hoax.

What to make, then, of the grainy video footage of this erstwhile perfectionist stumbling around on stage in Las Vegas, kicking off his supposed new career as a rapper? Of the announcement that he was retiring from movies to achieve new levels of excellence in his true calling, hip-hop? The documentary cameras tracking his every suddenly awkward move? Even if Phoenix never previously seemed like Mr. Levity, it seemed easy enough — to me, anyway — to write off his intentions to be the new Eminem (or Everlast) as a very elaborate gag. But after his appearance as a heavily bearded, disheveled catatonic on Letterman Wednesday night, which ended with the host invoking Farrah Fawcett as a comparatively more lucid guest, the stakes suddenly got higher. Columnists and bloggers predicted the end of Phoenix’s career, even if he should abandon hippity-hop and come crawling back to movies. Fans and detractors lamented his transformation from the potential Brando of his generation into the poster child for “just say no” (to drugs, Vanilla Ice, or both). Half the viewers thought the standoff with Dave was hilarious, and half deeply sad, but in either case, most figured the laughs or tears were on Phoenix.

Which makes this potentially one of the greatest performances any modern actor has ever given — or at least one of the most baldly courageous. The closest comparison would have to be Andy Kaufman’s utter commitment to his obnoxious Tony Clifton persona, but Phoenix is going Kaufman one braver here, by not slapping a fake name on the alter ego bur rather inviting the audience to mistake his damaged doppelganger for himself, over an indeterminate length of time that could leave his “real” career hanging in limbo. There is an end in sight: Phoenix’s pal Casey Affleck is shooting all this for what insiders presume is a mockumentary about the breakdown of a burned-out actor. The risk, of course, is how lame it might turn out to be if Phoenix and Affleck remove the masks and say “just kidding” when it’s time for their film to finally come out. My hunch is that if they’re taking it this far — and watching Letterman, it was clear that Phoenix is in deep, deep, deep cover — they might take it all the way into and past the premiere and continue insisting that Phoenix’s actorly dissolution was legit.

The entire article is worth a read.

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