Tag: Billy Wilder (Page 3 of 3)

Sherlock Holmes’ most terrifying assignment

We’re in the mid-Holiday lull here and I’d rather not bore you me with rehashing the weekend box office or endless lists and Oscar speculation…though here’s a cool compilation of various awards guru’s thoughts, via Anne Thompson who happens to be one of them, for those who can’t get enough of that.

Instead, in recognition of the success of “Sherlock Holmes” over the weekend, I’m going to bore entertain you with a scene from what I think has to be the best of the near sub-genre of off-beat, “non-canonical” Holmes films, Billy Wilder’s 1970 “The Private Life of Sherlock Holmes.” Below, Robert Stephens as Holmes meets with a genius obsessed Russian ballerina and her manager, who is helping her with a highly personal matter. Can Holmes be of assistance?

Fun fact: that’s real life Russian expat ballerina Tamara Vladimirovna Tumanova playing the dancer, she really was 49 years old in this scene and was married to the great screenwriter Casey Robinson.

So, is Holmes telling the truth re, Tchaikovsky not being an isolated case? About him and Watson — not a chance, not in a mainstream movie in 1970, anyway. But what about himself? Well, for that you’re going to have to watch the whole flick, which is really quite a wonder. Both a darned good Billy Wilder comedy and a great, if episodic, Sherlock Holmes mystery drama.

The reason it remains obscure is that while Stephens is a very good Holmes and Colin Blakely is an entirely solid Watson, they weren’t exactly huge on that indefinable whatsis that makes for star power. If Wilder had gotten his original choices, Peter O’Toole as Holmes and Peter Sellers as Watson, you likely would have heard of this film by now, I think.

Come to think of it, Robert Downey, Jr. and Jude Law might have worked quite well here also. How sad no one every thinks to reshoot great screenplays since remakes nearly always use entirely new screenplays. In this case, the studio demanded a shorter version of Wilder and I.A.L. Diamond’s original script, forcing Wilder to thoroughly re-edit the film, so it would also be a kind of restoration.

RIP Lou Jacobi

Another more recognized than well known character actor has departed the planet with the passing of the apparently born-middle-aged Lou Jacobi at the age of 95. In a town full of Jewish actors and behind-the-camera talent, Jacobi and the late Ned Glass, who was as skinny as Jacobi was chubby and who made a recent cameo appearance here, were mid-century Hollywood’s central casting Jews, male division.

Appropriately enough, he began his career in the Broadway cast of “The Diary of Anne Frank” and appeared in George Stevens’ 1959 film version. From then on, he played an endless string of both fathers and uncles who were explicitly Jewish or, as they say in film classes, “coded” as Jewish, in innumerable TV and film roles. The one major exception was his role as the worldly wise bartender, Moustache, in Billy Wilder’s “Irma la Douce.” Still, within or without his usual niche, he was as reliable as comedic clockwork as you’ll see in these two rather amazing scenes.

First, a sketch from Woody Allen’s utterly loose 1972 non-adaptation of Dr. David Reuben’s huge and now ultra-dated bestseller, “Everything You Ever Wanted to Know About Sex *But We’re Afraid to Ask.” The book was originally seen as the height of sexual rationality but quickly became passe in more enlightened quarters with, among other issues, its assumption that homosexuality was a disease. (At the time, Gore Vidal commented that Reuben was “not a man of science but a moderately swinging rabbi.”) The question behind this scene reflects those attitudes but, right up until it goes soft right at the last second, it’s mostly pure comedy greatness with Jacobi’s utterly sympathetic portrayal of a garden variety hetero transvestite who gets in just little over his head.

And here is a scene penned by another great seriocomic writer of the alienated Jewish variety, cartoonist-turned playwright Jules Feiffer. In a scene from 1971’s “Little Murders,” Jacobi is a bombastic judge who has a thing or fifteen to say about being asked by Elliot Gould and Marcia Rodd to remove any mention of God from a wedding ceremony.

Jacobi was someone I already missed seeing, and though he was no spring chicken, it’s sad to see him go. Edward Copeland has more.

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