Tag: Big Love (Page 2 of 2)

TCA Update: HBO Executive Session

The HBO executive session with Michael Lombardo (President, Programming Group and West Coast Operations) and Richard Plelpler (Co-President) just wrapped up, and here were the highlights:

* Before Plepler and Lombardo took the stage, we were treated to the trailer for the network’s new 10-hour miniseries, “The Pacific,” produced by Tom Hanks, Steven Spielberg, and Gary Goetzman. Let’s just go ahead and give the Emmy now, shall we?

* “True Blood,” “Hung,” and “Entourage” will all be coming back for new seasons next summer.

* Conversations are underway to potentially bring back “The No. 1 Ladies’ Detective Agency.”

* Neither was willing to offer up any information about how Evan Rachel Wood would look as the vampire queen at the end of the second season of “True Blood,” for fear that they would suffer some horrible fate at the hand of Alan Ball. They did, however, assure us that surprises are in store, and that it totally delivers.

* “Little Britain USA” is not coming back, but they’re talking about bringing creators Matt Lucas and David Walliams back for some specials. It’s still in the development stage, but the intent is to come back with a whole new cast of characters and a whole new approach to their television appearance. In short, they will be back on HBO, though whether it will be at the end of next year or later remains to be seen.

* Season 2 of “Eastbound and Down” will begin shooting it sometime at the end of winter or the beginning of spring, and it will air next year.

* David Simon’s new series, “Treme,” will be on the air next April, fingers crossed. The current intention is for “The Pacific” to premiere mid-March, and, at the end of its run, ‘”Treme” will begin.

* The pilot just wrapped for Martin Scorcese’s “Boardwalk Empire,” and they are anxiously awaiting a cut from Marty so that the series can receive a green light. Provided it’s as good as they’re presuming it will be…and, thus far, “everything we’ve seen is fantastic, big, everything we hoped it could be”…their fingers are crossed that a pick-up is imminent.

* As for Season 3 of “Flight of the Conchords,” the official word is, “When they’re ready, we’re ready.”

* They have begun receiving episodes for Season 2 of “The Life & Times of Tim,” and they describe them as “funnier than the first,” but they haven’t yet figured out where they want schedule the show. They do, however, have an upcoming series that could fit the bill nicely…

* They’ve ordered an animated show from Ricky Gervais and Stephen Merchant, based on their long-running series of podcasts. I’m saying it right here: the time is right for Karl Pilkington mania to grip the States!

* Although the histrionics of Jerry Rice probably didn’t help things any, the big reason that the Bengals are the focus of this season of “Hard Knocks” rather than the Cowboys is that the network wanted to open up a new team to the audience and show a different organization and the habits and attitude of that team.

* Season 4 of “Big Love” is scheduled to kick off in January.

* Season 3 of “In Treatment” is something they’re trying to put together, but given that the show was adapted from an Israeli series that only ran for two seasons, they’d have to create all-new scripts for a third season. Still, it’s a good sign that Gabriel Byrne is “very interested” in returning.

* And, lastly, they are forever trying to figure out a way to extend the length of Bill Maher’s seasons, in order to give him more time on the air. Whether that’s a good thing or not, you be the judge.

TCA Tour, Day 1: “Dark Blue”

There was a certain amount of exasperation amongst the critics about Turner’s decision to offer up a panel for a show that’s already been on the air for a few weeks (“Dark Blue”) rather than one for an upcoming series that we’re all rather excited about (“Men of a Certain Age,” starring Ray Romano, Scott Bakula, and Andre Braugher), and to be fair, I was feeling it myself a little bit. I get that, when you’ve got a Jerry Bruckheimer production amongst your stable of shows, you want to be sure that you’re promoting it as much as possible, but…it’s already on the air. Worse, it was like pouring salt in the wound to show us a clip from “Men of a Certain Age” that piqued our interest even further about that series.

Oh, well. So be it.

If you haven’t caught “Dark Blue” yet…well, it only made its debut on July 15th, so it’s not too late to get onboard. I was so busy trying to get ready for the TCA tour that I never had a chance to write it up for Premium Hollywood, but here’s the trailer for the series, to give you an idea what it’s all about:

“Dark Blue” was created by Doug Jung, who had previously worked on “Big Love.” It’s a bit of a change of pace, obviously, but as he admitted, “You could say that about polygamy for everyone.”

Still, the two series have more in common than one might immediately think.

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A Chat With “Harper’s Island” Victim #12

It was a gut-wrenching death on this week’s “Harper’s Island,” partly because it was gruesome, partly because you were forced to sit there knowing full well that it was impending and couldn’t be stopped, but mostly because it was a character we knew more about than just about anyone else on the show.

This is another one of those cases where, although I wasn’t rooting for this person to get the call from Karim, I was still very much looking forward to talking to the actor in question…and, in fact, I enjoyed the interview so much that, although I’m not going to mention the person until after the jump, I will at least say this much to random web surfers who happen upon this entry: you don’t have to be a dedicated viewer of “Harper’s Island” to click onward. You could just be a fan of the work of David Milch (“Deadwood,” “John from Cincinnati”), or of “Supernatural,” and you’d still enjoy reading what lies after the jump.

So what are you waiting for?

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HBO renews “Big Love” for fourth season

I haven’t caught the first few episodes of the third season yet, but they must be solid because HBO has decided to bring “Big Love” back for a fourth season.

Skein drew 1.5 million viewers in its initial run Sunday at 9 p.m., growing its audience 29% over Jan. 18’s season-three premiere despite competition from the Super Bowl on NBC.

The show is averaging nearly 5 million viewers per episode when DVR viewing, encore runs and video-on-demand deliveries are factored in — a performance on par with that of HBO’s frosh hit “True Blood.”

Season-four production is set to start later this year with episodes slated to run on the pay cabler in 2010.

“Big Love” is a great show and it’s nice to see that HBO is standing behind it.

TCA Tour, Jan. 2009: “Big Love”

I’m very much out of my element when it comes to discussing “Big Love.” Not that I’m not interested in the show, but I simply haven’t watched it. I know, however, that another fine member of our editorial staff – one J. Codding – is a regular viewer, so I wouldn’t dare miss the opportunity to cover the upcoming third season of the show. Plus, really, whether you’ve watched the show or not, who in their right mind wouldn’t want to sit in on a panel that includes Bill Paxton, Jeanne Tripplehorn, Chloë Sevigny, and Ginnifer Goodwin?

If you haven’t followed the behind-the-scenes activity on the show, it’s been kind of a weird time for “Big Love” since it left the airwaves back in August 2007. The writer’s strike led to a delay in production for the show’s third season, and when the strike was concluded, executive producers Mark Olsen and Will Scheffer made the decision to throw out the ideas they’d come up with for Season 3 and basically start fresh.

“It’s always good to have more time and more time and more time to digest story and to reconsider choices made,” said Scheffer. “It makes the show stronger, deeper, better, you know, to have a couple of goes at initial assumptions. And so it was a blessing in that way, a mixed blessing because we were late coming on back to our fans, but, you know, I think that that little interim period where we weren’t writing when we were just sort of protesting and showering and such that we could have this time to breathe into the characters and the stories even more than we would have if we had just gone on our straight route. You know, I think the show would have been great, but I think what we have now is like beyond great.”

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