Page 196 of 1232

First Blood for the Fall 2010 TV Season

“Lone Star,” we hardly knew ye…and we’ll never get to know ye: our ever-faithful friends at Fox have pulled the plug on the freshman series after a mere two episodes, slotting “Lie To Me” as its replacement starting next Monday.

One word, two hyphens, seven syllables: un-fucking-believable.

Except, of course, it really isn’t.

Even though I formally declared it to be the best drama of the fall season, I also made two separate proclamations within Bullz-Eye’s 2010 Fall TV Preview that there was little hope that the show would survive long enough to build an audience, let alone legitimately thrive:

*Critically, I feel like it’s tracking higher than anything else out there, but it’s a thinking man’s show and it’s on Fox. This is traditionally not a combination that equals ratings success…or a second season.”

*It’s an intriguing premise for a drama that takes a lot of interesting turns in its first hour, which is probably why it feels way more like an FX series than a Fox series. As such, it hasn’t much hope to make it to the end of the season, let alone beyond.”

You can’t say I didn’t call it. I just wish I hadn’t.

Gosh, it seems like only yesterday that I was sitting in a ballroom in Beverly Hills, listening to the head honchos at Fox talk about their enthusiasm for the series. Kevin Reilly praised creator Kyle Killen’s “singular voice and vision,” saying, “We could not be more impressed with him,” and when asked about the fact that “Lone Star” didn’t feel like a Fox series, Reilly was quick on the draw with a response:

“Well, I think it is a Fox show because I think it’s a noisy conceit. Although many of our biggest hits have had an action component, I mean, you certainly know as you break down our schedule over the years, there’s been plenty of big hits, from ‘Party of Five’ to ‘Ally McBeal.’ We can name many of them, particularly going on the comedy side. I don’t know how much action sustains ‘Glee.’ If you’re talking about just a level of octane, I think that there is a lot of octane in this concept because it is provocative. And it’s going to be provocative both in its central conceit and in terms of the character relationships that you see unfold. And I think they said it very well. It’s going to walk the line. This is not black or white. This is going to be an area of gray area and watching characters make decisions. And I think it’s going to keep people on their toes in terms of how the stories unfold, and that’s what’s going to be exciting about it.”

Hey, it sure kept me on my toes…for two episodes.

As ever, Fox, thanks for very, very little. Next time, maybe take some of that “American Idol” money you’re hoarding and give a show a chance to breathe, huh?

A Chat with Robert Carlyle of “Stargate Universe”

To the world at large, Robert Carlyle is best known for his roles in “The Full Monty” and “Trainspotting,” though James Bond aficionados likely remember him more fondly for his villainous turn as Renard in “The World Is Not Enough.” Since 2009, however, sci-fi buffs have been thrilling to Carlyle’s work on “Stargate Universe,” where he plays the ever-scheming Dr. Nicholas Rush. Premium Hollywood had a chance to chat with Carlyle just as the series returns for its second season, and in addition to offering up a few ideas of what we can expect to see from Rush in the near future, he discussed his opportunity to direct an “SGU” episode, which actor on the show he’d like to work with more often, and what led him to venture away from motion pictures and take this gig in the first place.

Stay tuned for…

Robert Carlyle header image

Premium Hollywood: Hello, Robert, how are you?

Robert Carlyle: Very well, thanks.

PH: It’s good to speak with you again. You and I chatted briefly a few years ago when you were at the TCA tour.

RC: Oh, right, okay!

PH: Well, you’ve been talking up Season 2 of “Stargate Universe” since Comic-Con in late July. You’ve got to be glad it’s finally here!

RC: Yeah! You know, it’s one of these things where suddenly it’s upon you! You get in the middle of it up there in Vancouver, and then it’s, like, “Okay, we’re on!” (Laughs)

PH: I’ve read some of the reports about your panel there. It sounded like you guys had a good time.

RC: Yes, absolutely! But, I mean, I enjoy everything about this. I really, really do love everything about this job. There’s nothing at all that’s upset me so far, or else I’d be gone. I wouldn’t be here. (Laughs) I’d be off doing something else. But this is all good .

PH: Do you enjoy the Comic-Con experience?

RC: Well, you know, you’re supposed to say that you don’t. Actors are supposed to say, “Nah, I hated it.” To be honest with ye, the first time ‘round, the first year, was a wee bit strange. It’s a strange, strange world. This time, I really enjoyed it. I really began to understand it a little bit more, what the convention’s about, and understanding that a lot of these people, the fans that come to these things, they meet each other at other conventions, and there’s kind of like a little community…and I felt kind of honored to be part of that this time. So I enjoyed it. I sat beside my wife one night, and the zombie parade came past…like, a thousand zombies came past the table. That’s not something you’re going to see every day, you know? (Laughs)

PH: Plus, you’ve got zombie street cred, thanks to “28 Weeks Later.”

RC: Well, you know something? I’m sitting there, I’ve got my shades on and my beard, but there were still zombies who stopped to shake my hand as they walked past. (Laughs) I thought, “My God, you’re real fans of that genre, aren’t ye?”

Continue reading »

RIP Sally Menke (updated)

I’ve rearranged previously-scheduled posts slightly this morning because of the very sad and unexpected death of editor Sally Menke at age 56. Ms. Menke was best known as the editor of all of Quentin Tarantino’s movies and, it was obvious from interviews, a hugely valued collaborator to the director. It appears she may have been a victim of the record heat yesterday. (It’s not unusual in Southern California for the highest temperatures to come right about this time.)

It’s sometimes hard for people to understand who’ve never worked on a movie to understand how important a good editor is and how much of a truly creative task it is. It’s also not that easy for outsiders to understand an editor’s contribution because we don’t see all the raw material they work with. I’ve seen editors take some pretty horrible stuff and make it usable and they can take good-to-okay material and make it near perfection. It’s a kind of alchemy. In any case, our sincere condolences to all of her friends and family, including Mr. Tarantino. I’m sure he’ll agree that his movies from this point forward will be inevitably somewhat different. I think you’ll get an of just how crucial Sally Menke was from what’s below.

After the flip, the final “Hi Sallys.”

Continue reading »

“Retribution this Christmas”

The Coen Brothers certainly have been no strangers to the American West or movie Western iconography. Still, there’s a difference between borrowing Western tropes for such more or less contemporary tales as “Raising Arizona” or “Fargo” or “No Country for Old Men” and making an actual western with six-shooters and cowboys and all of that. Hence, this teaser for “True Grit” makes me very, very happy.

H/t the Film Drunk, who very correctly reminds us that this may perhaps be more fairly described as a new adaptation of Charles Portis’s novel. I haven’t read the book yet — at least I don’t remember ever reading it — and its been decades since I’ve seen the hit John Wayne/Henry Hathaway version from the sixties, but I understand from people in the know that, surprisingly, that version was mostly very faithful to the book.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑