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Thursday trailer: “X-Men: First Class”

It’s still the dead of Winter, but Summer (or the movie version of it, which actually stars in late Spring) is getting closer every day. “X-Men: First Class” is of special interest to me as it marks the return of director Matthew Vaughn to the franchise. (Vaughn famously dropped out the third X-Men installment shortly before production and was replaced by nobody’s favorite, Brett Ratner.)

Ironically, I’m not the biggest fan of any of the “X-Men” movies I’ve seen so far. However, Vaughn and his writing collaborator, Jane Goldman, most recently of “Kick-Ass,” have batted 1000 a with me as they careen from genre to genre and fail to rake in the big money I think they richly deserve. Let’s just hope this isn’t only a movie for critics and hardcore genre geeks. As you probably already know, James McAvoy is a much hairier and more ambulatory Dr. Charles Xavier and Michael Fassbender is a much younger Magneto.

H/t Deadline. I’m definitely digging the retro vibe here.

Top Chef All-Stars: fondue and Fallon

Last night was an interesting episode of “Top Chef All-Stars.” Not that they aren’t all interesting, but this one was a bit more so. They began with Fabio ribbing Antonia a bit more about her winning last week with mussels that were a “French” dish, as Fabio claimed, not Italian. Then host Padma Lakshmi introduced the Quick Fire, which was to create an interesting form of fondue. But Padma threw them a curve, which was that they would be their own judges, with comment cards to pick the least favorites and the favorites. The least favorites were Fabio (Bellini with caviar and white wine); Mike (spiced lamb with feta fondue); and Tiffany (apple fritter with hazelnut/chocolate fondue). The favorites were Antonia (smoked salmon on toast with crème fraiche—ed. Note—ewwwwwww!); Dale (Pho-ndue); and Angelo (deconstructed walnut/goat cheese fondue with endive dippers and beet juice shots). Dale won and he got a trip to Napa Valley.

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American Idol: auditions wind down

Last night was Episode 7 of this season’s “American Idol” on FOX. That means it was the last night of initial audition footage, and tonight we get into Hollywood week. But first, a recap from last night’s San Francisco auditions:

HOLLYWOOD BOUND
The first few that they showed going to Hollywood were 21 year old Brittany Mazur; Lara Johnston; and Matthew Nuss. I wrote down next to Lara that she was all technique and I wrote “eh” next to Matthew. Sometimes I’m not quite sure what the judges are smoking, or that they are a bit too lenient…but Stefano Langone, who went next, was quite a story. He was in a life-threatening car accident two years ago, but pulled through. He talked about the desire to win “American Idol” burning in him, and when someone goes through something like that and to top it off, has the talent AND the burning drive, look out. I’m just saying, keep an eye on this kid. He did an awesome version of “Heard it Through the Grapevine” and J-Lo even suggested the word “star” to Stefano….Clint Jun Gamboa, a karaoke host from Los Angeles, was pretty damn good…after a medley of good auditions, some with women in short dresses that caught the eyes of Randy and Steven, the next Hollywood-bound contestant was Julie Zorrilla, a 20 year old beauty originally from Colombia. Her family was rich but constantly extorted by the army, so they left and came to LA for a better life. Good for us, because she was awesome and did a super cool version of the classic, “Summertime”….Emily Anne Reed, whose house burned down like last week, sang “You’re Getting To Bet a Habit,” and she was really good, kind of old-timey but very unique. Steven said no, but Randy and Jennifer said yes resoundingly…..and finally, 21 year old James Durbin from Santa Cruz, whose dad always played in bands and toured but died when James was 9 of a drug overdose, was quite a story. He and his girlfriend Heidi have a little daughter and though he has no job, they make ends meet somehow, and now he wants a better life for his family. Thankfully, he didn’t suck. Dude did a super cool version of Led Zeppelin’s “You Shook Me” and then even did Aerosmith’s “Dream On,” with Steven’s permission of course. This dude was really good and worth keeping an eye on.

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Shane Black and “Iron Man 3” — a non-story worth mentioning

You guys have no idea how incredibly tired I am of stories about actors, directors, or writers “circling,” “eying” or even negotiating a given project. Still, sometimes an entertainment writer’s gotta do what an entertainment writer’s gotta do.

shane-black-downey-jr

Tonight’s big story a possible example of what Hollywood always loves: the big comeback. In this case, Shane Black, the onetime highest paid scriptwriter in Hollywood, creator of the “Lethal Weapon” franchise at age 24, and writer-director of the charming, critically praised, highly imperfect, 2005 culty money-loser, “Kiss Kiss, Bang Bang,” is reportedly in the running to write and direct “Iron Man 3,” obviously one of the bigger projects being tossed around right now.

Despite what seemed like a charmed career early on, Black’s life has never been easy. Moreover, his comeback since 2005 has been a mixed bag at best. Aside from the box office failure of his nevertheless widely liked directorial debut, he’s also had what appears to be the mother of all bad break-ups, the kind that gets you into TMZ, and probably the less I say about that, the better for everyone. Of course, the fact that “Kiss Kiss” starred Robert Downey, Jr. at a time when his own career and reputation badly needed a boost may not have hurt him getting this new gig. The movie made a pittance, but in terms of restoring Downey’s then very shaky credibility in Hollywood, it was priceless. Also, the notoriously penny-pinching Marvel may like the idea of using a talented filmmaker in need of a big break in terms of those negotiations.

I hope it happens and that it goes well. Despite the bad press in 2009, Black is certainly one of the better liked people in the geekier quarters of Hollywood, makes a great, unusually candid interview subject, and, though he has yet to create his true masterpiece, is clearly a talented and bright creator. I’m hoping this one takes.

After the flip, a moment or two of flawed genius from “Kiss Kiss Bang Bang.” Continue reading »

Two trailers

Today’s theme is teen romance, attempted humor and single-word title division.

Disney’s “Prom” — via La Finke — gets some socially positive points for attempting to integrate one or two remarkably real-looking, non-beautiful teens amidst the usual parade of dreamboats, but I still wonder whether anyone over the age of 14 will actually want to see this. The trailer makes me think of an adult’s idea of what a teen movie should be, which of course is exactly what it is.

And now for something completely different in the way of teen romantic comedy. Critical claims of originality aside, “Submarine” clearly doesn’t mind paying homage to the 60s New Wave and “The 400 Blows” in particular as it adopts a novel by Joe Dunthorne. The plot sounds like “The Virginity Hit” minus the crassness, technology, and stupid Americans. Mixing in a bit of English deadpan with the Andersonian-esque quirk doesn’t look bad either.

The writer-director is Richard Ayoade, known to some of you as the deadpan Moss of “The IT Crowd.” The on-screen adults are Sally Hawkins, Noah Taylor, and Paddy Considine.

H/t /Film.

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