Category: The Sopranos (Page 6 of 9)

“Sopranos” A&E debut whacks the competition

The premiere episode of “The Sopranos,” which aired on A&E last week in a heavily publicized launch, drew a record-setting 4.27 million viewers — the highest debut ever for an off-network program on cable.

As a result, A&E management should be able to breathe a little more easily over the (also record-setting) $2.5 million per episode licensing fee they paid for the rights to air the show, assuming those numbers hold reasonably well . . . and assuming viewers are not turned off by the absence of f-bombs and the presence of clothing on the ladies at the Bada Bing.

Bullz-Eye’s TV Power Rankings Return!

Savor the moment, HBO. You currently own more than a quarter of our TV Power Rankings list, but with the imminent departure of “The Sopranos,” “Deadwood” and “Rome,” along with the TBD status of “Curb Your Enthusiasm” and the oddly lengthy shooting schedule for the half-season “Extras,” the end of your reign as BE must-see TV could very well be nigh. For the moment, though, we heart you and wish you would ask us to the prom.

Unless Jack Bauer’s still single, in which case we’re spoken for.

Here’s a sample entry from our list:

13. Curb Your Enthusiasm (HBO): It seems like a long time between seasons of this great comedy, and I often wonder during the show’s hiatus: What trouble is Larry David into right now? Last season, he had to decide whether or not to give one of his kidneys to Richard Lewis. Richard’s cousin, Louis Lewis, was (conveniently) in a coma and Larry kept visiting him in the hospital, secretly hoping that Louis would croak so that Richard could have Louis’ kidney instead. The other season-long storyline was Larry investigating the possibility that he was adopted, leading to several funny scenes with his supposed gentile birth parents. The show isn’t quite as fresh as it was in its first couple of seasons, but with episode titles like, “The Korean Bookie,” “The Christ Nail” and “Kamikaze Bingo,” how could you be? ~John Paulsen

Check out the full list here.

President I.M. Weasel and First Lady of Crazy get their due

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In recognition for one of its tightest seasons yet, Fox drama “24” was honored with 12 Emmy nominations today — the most for any broadcast network series. In addition to the obligatory noms for best drama and best actor, the show recognized strong supporting performances from Gregory Itzin as President Buck Buck Brawwk and Jean Smart as the mildly unstable First Lady.

Other nomination highlights:

– In contrast to last year’s near-sweep of the Best Actress in a Comedy category, the “Desperate Housewives” gang was nearly shut out, with only token African-American resident Alfre Woodard picking up a nod for her supporting role as Betty Applewhite.

– Despite winning Best Drama last year, “Lost” was not even nominated in the category this go-round…and neither were any of its regular cast members. Only guest actor Henry Ian Cusick was nominated, for his work as redemption-seeking, six-degrees-of-separation hatch-minder Desmond.

– “House” is one of the five best dramas on television…but that apparently has nothing to do with its Golden Globe winning star Hugh Laurie, who was overlooked in the Emmy nods.

– Cancelled shows are all the rage this year. Nominated shows that are no longer in production include “Arrested Development,” “Huff,” “The West Wing,” “The Comeback,” ” Will & Grace,” and “Six Feet Under.”

– Denis Leary earned a nod for his work in “Rescue Me,” presumably as a result of new nomination rules intended to broaden the field. Leary will likely be whacked by snubbed actor James Gandolfini from “The Sopranos.”

– “Grey’s Anatomy” also received an encouraging number of nods this year, with 11, including Best Drama. Sandra Oh and Chandra Wilson will battle it out within the Supporting Actress category for their roles as intern Cristina Yang and resident Miranda Bailey; my money’s on the feisty Bailey for that one.

The awards ceremony will air on NBC the evening of August 27, with Conan O’Brien to host. Click here for access to a complete list of nominees.

Is “Brotherhood” the next “Sopranos”?

It’s hard to say, actually, since the series is a lot more like HBO’s “The Wire” (or the short-lived “Boomtown”) than the popular mobster drama, namely because it focuses on several different parties including the politicians, the gangsters, and law enforcement. What I can tell you, though, is that this is Showtime’s best new series in years. It’s just a shame that a lot of people won’t get a chance to see it, since, when deciding which premium channel to fork over extra money for, almost everyone sides with HBO.

Jason Isaacs - Brotherhood

Starring Jason Isaacs and Jason Clarke as two Irish brothers from different walks of life, “Brotherhood” takes place in Providence, Rhode Island where politics and crime practically go hand-in-hand. After a seven-year departure from “The Hill,” the block of Providence assigned to brother and state representative Tommy Caffe (Clarke), small-time gangster Michael (Isaacs) – or three-part Mike to his friends – has finally returned. A virtual Boondock Saint in his own right (minus the whole religious mumbo jumbo), Michael’s nickname is derived from his habit of acting as “judge, jury and execution” in matters he really has no business sticking his nose into. Of course, that doesn’t stop him from going all “Reservoir Dogs” on one of gangland boss Freddie Cork’s (Kevin Chapman) guys after seeing the punk beat up a couple on the street.

This role might finally bring Jason Isaacs the credit he deserves, and while we’ve seen plenty of hard-boiled gangster types win awards in the past (i.e. James Gandolfini, Michael Chiklis and Ian McShane), that shouldn’t detract from the obvious: this character is Emmy gold, should the writers point him in the right direction. The rest of the series is littered with familiar faces, from Ethan Embry as a police detective hot on Freddie Cork’s tracks, Annabeth Gish as Tommy’s seemingly loyal wife, and the amazing Fionula Flanagan as the Irish mother of the two boys.

Showtime certainly isn’t reinventing the wheel here with their latest series, but it’s got me excited for the possibilities. Does that mean that I’m going to rush out and order Showtime before the season premiere on July 9th? Probably not, but it’s definitely worth keeping an eye on.

You say you want some resolution? Tell me about it.

Maybe I expected too much. After all, this week’s episode of “The Sopranos” wasn’t the season finale, even though the show is back on hiatus until January. Still, I was hoping for some resolution tonight, for closure on some of the storylines that have been carried (dragged, in some instances) throughout this uneven season. But instead of tying up some loose ends before this six-month intermission, David Chase unraveled a couple of new threads tonight.

First, there’s AJ, who hooked up with Blanca, the hot secretary at his construction site. Problem is, she’s 10 years older than him and she has a three-year-old son. But talk about a MILF…wow. AJ even brought her to Christmas dinner, which certainly surprised Tony and Carm. The thing is, Blanca and AJ seem to get along and he’s great with her kid, so maybe we’re about to see him wake up and show some responsibility, which is exactly what T and Carm want, right? In fact, compare AJ’s feeble assassination attempt on Junior to his decision to give his bike to the three guys who woke Blanca’s son up if they took their loud music somewhere else. Talk about growth; a few weeks ago, he would’ve gone out there as Tony Soprano’s kid and tried to take all three of them on. Maybe the apple fell a little farther from the tree than we thought.

As for Carm, she pushed the Ade situation so far tonight, by asking Tony if they could hire an investigator to track her down, that T relented and had Sil lean on the building inspector. “For all our sakes,” he said to Sil, “my wife needs a career.” Sure, Carm’s content now that she’s got her spec house back, but I don’t think this Ade situation is dead. Hell, some commenters on this site think that Ade’s not even dead. I don’t buy that, but Carm’s not done digging.

The one storyline that nearly came to a head tonight was Tony’s volatile relationship with Phil. After Sil and Carlo “accidentally” took out one of Phil’s guys last week, T needed to distance himself from the incident, so he blew up Phil’s wire room as payback for the hit on Vito. Of course, Phil and his crew aren’t fooled: They know Tony’s responsible for both events and one of Phil’s guys even suggests taking out Tony in response. That’s what I’ve been waiting for all season, some bad blood boiling over between these two families, but it’s only been simmering for the last couple of months. Phil taking out Vito last week was bound to turn up the heat, but Phil won’t go so far as to whack a boss. He is, however, open to taking out someone in Tony’s crew. Before he can move on any plans, though, a heart attack lands Phil in the hospital, which led to one of the better scenes of the episode: Tony comes in to visit Phil and opens up about his supernatural experience while he was in his coma, telling Phil that he needs to cherish his grandkids when he gets out of the hospital before calling a pseudo truce by saying that there was plenty for everyone. I’m sure that won’t fly, but it was a revealing scene in that it showed that Tony hasn’t completely abandoned the “every day is a gift” outlook his own near-death experience offered him. It was even more interesting when you remember that Tony ordered a round of drinks in celebration when he first learned of Phil’s heart attack.

So where does this one go next January? Who the hell knows. How will Phil respond once he’s out of the hospital? He could have a change of heart, much like Tony did, or he could continue being a pain in Tony’s balls. With the way some of Phil’s guys were talking tonight, they could become a real problem too. And, if they follow through with their plans to take someone out in Tony’s family, who’s that going to be? Hmm….

And finally, there’s Chris. Okay, so I don’t still think that he’s a rat (though I so still think it COULD happen), but he obviously isn’t all that worried about crossing and/or betraying Tony. Turns out he’s banging Julianna, whom he met at an AA meeting. Wow, way out of the blue on that one. We got a nice little flashback to fill in the gaps, but to everyone who’s been saying this show doesn’t like to surprise its audience, how do you explain this one? Chris knew about the Julianna/Tony connection but, as he told his buddy, “I don’t know if it’s okay, but fuck (Tony) and what he doesn’t know.” That’s a dangerous road to travel, Chris, and it’s even more dangerous when you’re high out of your mind. Turns out instead of watching out for one another, Julianna and Chris enable each other and Chris, once again, tosses himself off the wagon. Let’s see: a pregnant wife at home, a raging drug problem and an affair with the woman that Tony suddenly can’t get. That’s not a good combo. Chris has been spiraling all season, and things look even darker for him after tonight.

So what do you guys think is going to happen? We’ve got six months to talk about it. Any predictions? Are we going to see the kind of bloodbath that so many fans seem to be clamoring for? I still say someone’s going to flip at some point: agent Harris made a return visit tonight (to tell Tony about the potential hit from Phil’s crew), and those Middle Eastern guys are still hanging around the Bing. They’re up to something, and I can’t wait until we find out exactly what it is.

Unfortunately, that wait is now six months long instead of seven days. Damnit.

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