Category: The Shield (Page 6 of 11)

The Shield 7.1 – Coefficient of Drag

FX may be heavily promoting this year of “The Shield” as its last, but tonight’s season premiere felt like it could have taken place anywhere in the show’s timeline. Sure, Vic may be hanging on to his career by a thread, and Shane continues to dig himself into an even bigger hole every time he tries to do “the right thing,” but something about the forthcoming season reads like a page out of the show’s golden years. What’s even better is that it actually makes sense. After all, Vic is trying to save his job and protect his family, so what better way to do both then to pit those standing in your way against one another?

Picking up almost immediately where season six left off, Shane arrives home to discover Mara bound and gagged on the couch. Before he can do anything to help her, Vic and Ronnie grab him from the shadows and begin to beat him up as payment for kidnapping Corrine and Cassidy. When Shane explains that he was only trying to protect them (because the Armenians know about the money train), Vic has no other choice but to join forces with Shane in order to stop the Armenians from exacting revenge. This includes tracking down Zadofian (the hitman sent to kill Vic’s family) who, coincidentally, Shane has also been ordered to find. Unfortunately for him, Vic arrives first (though Ronnie is the one who actually kills him, assuring Vic is clear of any suspicion). And so Shane, desperate to cover his ass, makes the murder look like Kazekian’s handiwork by chopping off the feet. When Rezian questions how she could possibly be getting anything done while on the run, Shane suggests she’s in cahoots with the Mexicans.

The Shield 7.1

Meanwhile, as Pezuela continues to fuel the Mexican and Salvadorian turf war in order to make room for future business ventures, Vic and Aceveda are busy deciding how to best use the recently acquired blackmail files to take him down. Vic is hoping to perform a little blackmail of his own so that he may save his job, but when Aceveda informs him that doing so would ruin the chance of building a real case against Pezuela, Vic is forced to change his game plan. Instead, he goes straight to source, giving Pezuela fake intel about an ongoing bidding war for the missing documents, and in return, earning a 30-day reprieve from his forced retirement. Vic makes Pezuela believe that the Armenians desperately want that box of files, and by forcing him (and by default, the Mexicans) into a gang war with the Armenians, Vic hopes to kill two birds with one stone. Then again, it’ll probably only make things worse.

The rest of the episode was a bit of a mixed bag. Dutch and Claudette trick Billings into voiding his own lawsuit when he solves an old case, Ronnie puts in a transfer request to SIS (and also gets promoted to Strike Team leader in the same day), and the Mexican/Salvadorian bloodbath lures a federal agent named Olivia Murray to town hoping to regain favor with her bosses. I’m not exactly sure how the third subplot is going to pan out, but I really wish that they would have saved her introduction for an episode with more time to explain things. Murray is briefly introduced in the opening sequence, only to disappear for the rest of the episode, and I’d like to think I would’ve understood why she was there a little better if there wasn’t so much going on.

Of course, when Vic is crashing cars into buildings (Best. Diversion. Ever.) and Shane is chopping off people’s feet, it’s easy to miss some of the episode’s subtler moments. Nevertheless, this is a great start to the new season. Now all Shawn Ryan and Co. have to do is keep it up.

TCA Press Tour, Day 8: FX

First stop: the FX executive session, where we enjoyed a fireside chat by FX President and General Manager John Landgraf and learned a few things about what we can expect to see on the network in the future.

* “Nip/Tuck” has finished production on the final eight episodes of a 22-episode Season 5. The season will begin airing in January 2009. The network is also ordering an additional 19 episodes of “Nip/Tuck,” and which will be the final episodes of “Nip/Tuck.” The series will end its run on FX in early 2011, going out on the magic 100-episode mark.

* “Rescue Me” is currently in production on a 22-episode season, and will return in Spring 2009. Michael J. Fox will do a four-episode arc on the show, beginning in the Season 5 premiere. He will play Janet’s new boyfriend, who is confined to a wheelchair.

* Marcia Gay Harden will be joining Timothy Olyphant and William Hurt as series regulars for the second season of “Damages,” and – bonus! – Ted Danson will be back as Arthur Frobisher. (More on that when we get to the “Damages” panel.)

* Jay Karnes, a.k.a. Detective Wagenbach on “The Shield,” will be joining FX’s new series, “Sons of Anarchy,” for six episodes (and maybe more, depending on how things pan out), and Drea de Matteo will also pop up for three episodes.

* The network intends to produce 39 more episodes of “It’s Always Sunny in Philadelphia” in addition to the 13 that are
currently in production. Rob McElhenney and Charlie Day and Glenn Howerton, who created it and star in it, will remain as stars and executive producers for all 52 of those episodes, and Kaitlin Olson and Danny DeVito will stay on as series regulars.

* They’ll also be ordering 13 episodes of a new original comedy series created by Kenny Hotz, the former “South Park” writer who went on to create the excruciating Comedy Central series, “Kenny vs. Spenny.” Currently titled “Testees,” the series is a scripted comedy which focuses on two friends in their early 30s who earn their living as medical guinea pigs. It will premiere on Thursday, October 9th, at 10:30 p.m. following a new original episode of “Sunny.” I will possibly not be watching when it does.

* “The Riches” may not be back for a third season. Said Landgraf, “We haven’t made a decision yet. We are really struggling with the decision. On the one hand, you know, it’s a show I have spilled blood, sweat, and tears on with (creator) Dmitry Lipkin and with the cast. I love the show. Tremendously proud of it. It was a very challenging tone to take on. I know, because you and I talked about it, that you felt it wobbled and some of you felt it wobbled a little bit in the beginning, but I think we really stuck the landing finally and it grew into something terrific. On the other hand, it fell 44 percent in ratings from Season 1 to Season 2. So that looks to me like the core audience is much smaller, that even though the show continued to grow creatively, there was a significant amount of rejection of the show from Season 1 to Season 2. It’s always a little bit of a question: do you hold onto the past or do you sprint toward the future? And we just haven’t made that decision yet on ‘The Riches.'”

So there you have it. And, now, on to…

Damages: I’ll gladly admit that I missed out on “Damages” during its initial run on FX (I also missed out on the “Damages” panel at the press tour last year, which might have something to do with why I wasn’t caught up in all the buzz), but once the first season of the series came out on DVD, I was addicted right from the first episode and was on the edge of my seat all the way until the closing credits rolled on the season finale. And, wow, what a finale, huh? Talk about a perfect set-up for Season 2! It’s been a long wait, but the show’s coming back – tentatively, anyway – in January 2009, and co-creator Daniel Zelman began the “Damages” panel by setting the stage for what we’ll be seeing.

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Bullz-Eye’s back with their latest TV Power Rankings!

NBC may not be King of the Nielsen Ratings just yet, but we know good television when we see it, and the Peacock has returned in full force with a dominating presence that includes the top three shows and five of the top six. HBO, on the other hand, is experiencing the opposite, with the departure of “The Sopranos,” “Deadwood” and “Rome.” Add to that the fact that our list features a whopping 10 new entries — five of which are freshmen — and you’ve got one heck of a Power Rankings shakeup. Much of this has to do with so many shows being on hiatus until next year, but whatever the cause, it’s nice to see some much-needed change to a usually familiar lineup. And, hey, don’t miss the list of our favorite shows which are currently on hiatus (and are therefore ineligible for the Top-20), our farewell to “The Sopranos,” and our stable of Honorable Mentions.

Check out the list here, then come back and let us know how we did…or if we missed any of your favorites!

Sweet Child of Mine

Well, that wasn’t exactly what he all had hoped for, now was it? Then again, it certainly doesn’t make the wait for the final season any shorter, either. The spotlight remained on Vic this week as he struggled to stay on the force. Despite a seemingly effective blackmail of Aceveda (after securing the original memory card containing the infamous photo from Cruz), the former captain continued his claims that he couldn’t help with his current situation. He did, however, offer up a suggestion: play the autistic child card with the head of the appeals (the only man with the power to turn the vote), who just so happens to have a grandchild with the same disease.

Not content with using his children as an excuse, Vic turns to his last resort: crack the San Marcos case wide open. After tailing the one-armed delegate to a money drop with some Mexican intelligence former who’s joined up with the Mexican mob, Vic uncovers a plan that involves the Mexicans buying up land in Farmington as a means to both launder money and do illegal business. The smell of crooked politicians is too much for Aceveda to pass up, and so he teams up with Vic on the hunt.

Unfortunately, Vic doesn’t have the kind of time needed to investigate a case of such proportions the right way. Instead, he goes straight to the source, pulling over the aforementioned intelligence officer to discover a trunk filled with boxes of blackmail-quality material. The guy didn’t go down without a fight, though – attempting to drive away before Vic jumped through the window and beat his ass – and now it looks like Vic finally has the case needed to guarantee his future at the Barn. A worthy story arc for the final season? You bet. Despite butting heads several times in the past, the Vic/Aceveda dynamic has always been one of the best thins about the series, and I can’t wait to watch the two of them working together again.

And if that’s not enough, he might even get a final nudge from Claudette’s end. Granted, the weary captain called for more of a Vic-type when she so gloriously booted Hiatt from the job, but with his recent good behavior, she might just be willing to accept the fact that he’s going to be around a little longer than originally anticipated. Billings, on the other hand, isn’t so keen on sticking around. In fact, he’s actually informed Claudette of his intentions of suing the department for injuries rendered during the Vic/Kavanaugh brawl a few months back. He’s not stupid, either, as he made sure to document complaints about headaches and neck cramps every chance he got with Dutch, but can a place like Farmington really afford a $3.2 million lawsuit. Methinks not, which means Billings will surely return for one last confrontation with Dutch before the show is gone for good.

And what of Shane? Well, he managed to escape yet another season unharmed, and without a confrontation with Vic, no less. It certainly looked like he had it coming after kidnapping Corrine and Cassidy (at gunpoint) and locking them in the back of a semi, but Vic has pushed that to the back burner for the time being. Shane’s actions were actually well intentioned (the Armenian mob was going to kill them), but all Vic is going to remember is that puddle of blood in his house. Of course, the blood was from Shane shooting the Armenian assassin sent to kill Vic’s family, but he’ll never know that he was protecting them. In fact, Vic thinks that Shane was sending him a message, and it’s only going to go downhill from there. For both men.

After making a deal with Rezian (the gas station attendant killer he recently put in jail) that would allow him to stop Diro’s retaliation, Shane finds himself between a rock and hard place. He’s officially become Rezian’s bitch, working off the money train debt by doing favors for the Armenians. Vic, on the other hand, will probably kill Shane the next time he sees him. Then again, Shane might just be able to make things right if he can convince Vic that he was responsible for the safety of Corrine and Cassidy, but what are the chances Vic will actually believe him?

Patience

After a particularly lackluster week, the writers of “The Shield” got back on track last night with an episode that – for all intents and purposes – set up one hell of a season finale. The cards are on the table, the bets have been placed, and now all we have to do is sit back, relax and wait to see who comes out on top.

Vic’s mission to earn a little goodwill (and behind-the-scenes help) before going in front of the appeals board next week crashed and burned when the city controller who he protected a few weeks back (by failing to disclose the real reason behind his daughter’s murder) came up short on his end of the deal. Knowing full well that Claudette’s lack of pity certainly isn’t helping the case, Vic makes the threat of the century by informing her that not only will he solve the San Marcos murders, but that after he does, she won’t have any other choice but to keep him onboard. So what does he do? He solves the freaking case. Thanks to yet another tip from Aceveda’s city planning friend, Cruz, the Strike Team pick up one of the suspects, but Vic and Hiatt butt heads on how to deal with him. Way to burn yet another bridge, Vic.

When they finally convince the slicer-and-dicer to give up his pals, Vic goes over Hiatt’s head and swoops them up, stashing them away in a freight container before anyone else can find them. Vic then makes good with the Mexicans by handing over two of three El Salvadorians, and a tip that the third will be out of prison in 18 months. Unfortunately, Claudette couldn’t care less, and despite Vic closing the San Marcos case (or at least clearing all those red names from the board), she informs him that he’s still on his way out. Aceveda wouldn’t have it any other way, but his friend Cruz feels differently. Despite his obvious connection to the murders, he thinks Farmington needs as many good cops as possible, and in order to keep Vic on the force, he gives him the one thing that will secure his future: the infamous cell phone picture of Aceveda’s rape.

Shane, on the other hand, is busy making friends with the Armenian mob. Well, at least one of them anyways, and now that he’s become Diro’s right-hand man, it’s only a matter of time before the two of them hook up. Along with schooling her on the ins-and-outs of the mob life, Shane uses his position as a cop to take down Diro’s biggest threat: the man responsible for killing that gas station attendant a few weeks back. With him out of the picture, Diro can seemingly rule as the new boss, but Vic’s keeping an eye on Shane’s back-alley deals, because the last thing he needs is more trouble knocking on his door.

Unfortunately, it looks like he’s about to get some, and real soon too. While trying to convince Diro to keep him in on the game, Shane drops Vic’s name as the one responsible for taking down the Armenian money train. Of course, he manages to expunge himself from the heist, using his failure to cooperate as the reason why Vic has attached a target to his back. Nice move, Shane. Too bad it’s going to bite you in the ass when it’s revealed that you were involved. Well, I guess we can all mark that up as one less trigger Vic is going to have to pull when all is said and done.

And finally, how could anyone talk about last night’s episode without at least a mention of the ongoing feud between Dutch and Billings. Clearly pissed off that Dutch has played the quick-meal vending machine card a little often over the last few weeks, Billings decides to get his own form of revenge. Using Hiatt’s possible relationship with Tina to fire back, Billings follows the pair back to Tina’s place and sends Dutch a text message (using Tina’s phone, which he stole back at the Barn) inviting him over. Minutes later, Dutch arrives with a bottle of wine in hand, but when he hears sex sounds coming from the house, he goes around to investigate. Through the window he spies Tina and Hiatt going at in the nude (and on a chair, no less), and is then caught in the act by Hiatt himself. Let’s no forget that Billings managed to drop a hint to Hiatt earlier in the episode about Dutch’s obsession with Tina, so it’ll be curious to see what comes of that next week. Will Hiatt confront Dutch, and will Dutch find out that it was Billings all along? Let’s hope so, because a battle has been brewing between those two ever since Billings was first named Captain.

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