Category: The Shield (Page 3 of 11)

2008: The Year in TV – Ross Ruediger

Unfortunately I’m the kind of guy who’s lousy at making lists, because I always feel I’m going to leave off something important. So this year, my list is the shortest so it’s obvious I left many things off. It was a pretty good year for TV, and with so many good shows bidding adieu, I worry that next year’s list will be short simply because there won’t be enough quality stuff to fill it out.

TOP 3 SHOWS

1. “Torchwood,” BBC America

Torchwood

Normally, “Doctor Who” would take the top spot on my year-end round up of favorite shows, but this year the spin-off series “Torchwood” was so strong that I’m giving it up to Captain Jack. Its sophomore season navigated an intense and fresh sci-fi vibe that was perfect for the here and now. The thing is that at this point both series (along with the more kiddie-oriented “The Sarah Jane Adventures”) have all become slices of one another. It’s the “Who”-niverse…and in order to see the bigger picture, one must be aware of every facet. The three series work apart from each other, yet gel into a whole via awareness. In any case, this year “Torchwood” delivered stronger material than Season Four of “Who,” which, while refreshing, is a trend I’d like to see reversed once Steven Moffat begins guiding the Doctor in 2010.

2. “Boston Legal,” ABC
After a somewhat tepid fourth season, the halls of Crane, Poole & Schmidt came roaring back to life for an abbreviated 13-episode final season. Nearly every installment this year has been a keeper, and David E. Kelley has done a fantastic job of balancing his usual political grandstanding with eloquent moments of character-driven drama and comedy. At the time of writing, the 2-hour series finale has yet to be unveiled, but there isn’t any reason to believe it’s going to be anything short of an ideal sendoff for James Spader, William Shatner, and Candice Bergen. The show began life as a spin-off of “The Practice“; now, if only the TV gods would allow Kelley to spin a series off “Boston Legal” that follows the relationship of Jerry Espenson (Christian Clemenson) and Katie Lloyd (Tara Summers), I’d be perfectly content to see this show ride off into the sunset.

3. “The Shield,” FX
For some reason, it almost seems easy to want to dismiss the end of the saga of Vic Mackey…but, really, that would be just plain wrong. Shawn Ryan and his cohorts have steadily delivered under-the-radar goods for 7 seasons, and the missteps have been few and far between along the way. I’m not going to miss “The Shield” like I would many a show that’s wrapping things up…like “Boston Legal,” for instance. No, this show ended at exactly the right time and on exactly the right series of corrupt, violent notes. But speaking of spin-offs, who wouldn’t want to see a half-hour cop comedy series centered around Dutch Wagenbach (Jay Karnes) and Steve Billings (David Marciano)? OK, perhaps that’s a tad over the top, so I’ll settle for a drama focused solely on Dutch, who’s had the good sense to move as far away from Farmington as possible.

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The Shield 7.13 – Family Meeting – Series Finale

Another one of television’s great dramas has come to a close, and if I were to rank the series finale compared to some of the other big ones from the past year or so, it would probably fall somewhere between the disappointing conclusion to “The Sopranos” and the pitch-perfect ending to “The Wire.” It wasn’t great, but it was certainly satisfying, and it wrapped up just about every loose end other than Aceveda’s bid for mayor. Fans of the series have been following these characters for seven years now, and instead of just running through the episode as usual, I’ve decided to take this opportunity to discuss the fates of each character one at a time.

Vic Mackey:

For as much bad shit that happened throughout the episode, this was probably one of the more shocking of the bunch. A lot of people didn’t think it was possible for Vic to get his comeuppance without death or incarceration, but when you consider the kind of person that he really is, it made sense. Vic only needs a few things in life – family, friends, and a badge – and the fact that he no longer has any of them is kind of like sentencing him to his own personal hell. Olivia said it best after Vic begged her to tell him where his children were: “You said goodbye to them the minute you shot another cop in the face.”

The Shield 7.13

All of Vic’s friends are gone, Corrine has put his kids into witness protection, and his new gig at ICE is a boring desk job typing up weekly analysis reports on gang activity in the city. Some might say he’s got it good compared to what could have happened (after all, he’s only obligated to work at ICE for three years and he’s a free man), but the look on his face when he was being shepherded through the mandatory tour of the facilities said enough. That last moment when he grabs his gun and walks out of the office seemed to indicate that he might actually be okay with the cards he’s been dealt, but if that’s the case, then it doesn’t seem like he’s really paid for his crimes at all.

Shane Vendrell:

I’d like to say that I didn’t see Shane’s suicide coming, but it’s been building to this for the past few weeks. In fact, Shane has been in a downward spiral longer than it may seem, and this isn’t the first time he’s contemplated killing himself either. It’s been so upsetting to see him become this way over the last few seasons (as he was one of my favorite characters when the show debuted), and it’s even more upsetting that the writers decided he was such a selfish person that he would kill Mara, Jackson and his unborn baby girl as well. Shooting yourself is one thing, and you could even make an argument as to why he killed Mara as well (though that’d be a hard argument to make considering she was pregnant), but what about poor Jackson? Shane certainly deserved to die, but not on his own terms, and most certainly not after he’s just murdered his own family. With that said, Walton Goggins has never deserved an Emmy nomination more. His performance throughout this season has been nothing short of spectacular, but the scene with him talking on the phone with Vic was some of his best work yet.

Ronnie Gardocki:

Poor, poor Ronnie. He might not have been as innocent as Lem, but he also wasn’t as bad as Vic or Shane either. The chances of him escaping arrest, however, were pretty slim after Vic hung him out to dry last week. There was always the chance that Vic had a backup plan to help Ronnie escape, and I even thought at one point that he might make a deal with Claudette to renege on his deal with the feds in exchange of letting Ronnie go free, but that became less and less likely as the episode went on. And when Claudette ordered Ronnie back to the Barn after he helped Vic take down Beltran, you just knew it was only a matter of time before he’d be arrested. It’s too bad it had to come to this, as I’ve really grown to appreciate Ronnie over the course of the series, but what I don’t understand is how it’s even possible? Can they really take Vic’s confession and use it to prosecute Ronnie, because if so, that sucks.

Dutch Wagenbach:

Not everyone had an unhappy ending, and if there’s one person that deserved it the most, it’s Dutch. Sure, he wasn’t able to put Lloyd away himself (which was kind of bittersweet not only because that was Dutch’s main storyline for the season, but also because we never actually got to see Lloyd confess to murdering his own mother), but at least he managed to score a date with Billings’ lawyer. Plus, after Claudette eventually does retire (which will probably happen sooner rather than later), he’s probably the top candidate to take over as captain. It’s just too bad it didn’t happen in tonight’s episode, because it would have been the perfect topper to one of the best TV characters of the last decade.

David Aceveda:

After taking all of the credit from the Beltran bust, Aceveda appears to be a shoo-in for mayor. But is that really the end of his story? I was left wondering whether or not Aceveda had any involvement in the death of Andre Benjamin’s character. It seemed too much like coincidence that he’d be shot the same day that he challenged Aceveda at a community meeting (and was doing a darn good job of winning supporters), but at the same time, there wasn’t any real evidence that supported that theory. You’d think Ryan would have at least hinted at it if was true, and I don’t recall Aceveda acting suspicious in his final scene with Claudette. Then again, I wouldn’t put it past Aceveda to take such precautions, and it’s just one of the many questions left unanswered after tonight’s finale.

Now, I know that I said I was going to discuss each character one at a time, but the truth of the matter is, it’s getting late and there isn’t a whole lot to say about the rest of the cast. Claudette has finally cleansed the Barn of all things Vic Mackey, and that seems good enough for her, especially now that she’s accepted the fact that she’s dying; Billings won his case against the city and was rewarded with a whopping two days of pay; Julien, Danny and Tina seem poised for promising careers within the department; and Corrine finally got free of Vic’s control.

All in all, not too shabby for a series finale. From the looks of the comments pouring in on last week’s blog post, however, not too many fans are as content with it as I am. Still, even though it wasn’t perfect, Shawn Ryan deserves credit for being able to wrap up as the series as well as he did. It’s always difficult to say goodbye to the shows you love – especially ones as good as this – and though you could debate for hours on how the show should have ended, at least we got a real ending and not some freaking black screen of death.

The Shield 7.12 – Possible Kill Screen

If there’s one conclusion to “The Shield” I never thought possible, it was Vic Mackey receiving a Get Out of Jail Free card for all the crimes he’s committed in the past. Death? Sure. Jail? Why not? Heck, I’d even expect Vic to run away to Mexico before the feds ever agreed to give him full immunity, and after the events of this week’s episode, I still don’t think that’s how it’ll end. Of course, I have to start at the beginning first, as so much happened tonight that it felt epic compared to most weeks.

After Shane and Mara’s last robbery failed to yield the kind of cash they were hoping for, the fugitive couple has hit a dead end. Mara physically can’t take anymore, and she’s not doing so well mentally either after killing two people in an attempt to save Shane from a robbery gone wrong. With her shoulder busted and her pregnancy in its final stages, she begs Shane to throw in the towel and take her home. Shane isn’t doing so hot (he might have a big of drug problem and he nearly kills Tina when she tries to bring him in), but he isn’t about to give up any time soon. Unfortunately, I don’t think Shane has much of a choice. The presidential motorcade that will allow them to make their escape is less than 24 hours away, but with Mara hurt and no car to get around, it’s only a matter of time before Shane either gets arrested or killed.

The Shield 11.12

Sure, they’ve got Corrine working to find them a new mode of transportation (which Vic agrees to take care of), but when the meet is compromised when Vic smells a trap, it pretty much guarantees that Shane and Mara are screwed. It also means that Corrine has to be arrested and thrown in jail to give Vic the impression that she wasn’t in on the set-up, and now, all Vic can think about is saving his annoying traitor of a wife. Luckily, Olivia has managed to secure Vic a job at ICE, as well as full immunity as long as he is able to successfully take down Beltran and his drug ring. When he discovers that the deal is only for him, however, and not Ronnie as well, he quickly turns it down.

That is, until he hears about Corrine’s arrest, at which point he promptly goes back to make the deal. As part of receiving immunity, Vic must confess to every crime he wishes to be protected from, and before he’s even finished with his first statement (the murder of Terry Crowley), Olivia is appalled. Her boss couldn’t have put it any better when he says, “He’s our bastard now.” It was an award-worthy performance by Michael Chiklis for sure, but the look on Claudette’s face when she arrives to find out that Vic has just been exonerated of every bad thing he ever did was absolutely priceless. Claudette takes her anger out on Dutch by firing him, only to realize that it’s the lupus that’s making her act that way. I think it was a given that Claudette would no longer be sitting in the captain’s chair by the end of the series finale, but this more or less confirms that she’ll be gone, and Dutch, most likely, will take her place.

As for Vic, well, he’s put himself in quite the predicament. Not only has he just screwed over Ronnie (who deserves this about as much as Lem getting a grenade dropped in his lap), but Olivia as well, who must now live with the fact that she set a guilty man free, and even set him up with a sweet three-year gig that brings in just over $60,000 a year. I’d hate to think that Vic doesn’t have some kind of contingency plan for Ronnie, but who knows at this point? One thing’s for sure: when Vic finds out about Corrine’s betrayal, it isn’t going to be pretty. That is, unless Ronnie (or God help him, Dutch) decides to strike back at Vic first. Should be an interesting season finale.

The Shield 7.11 – Petty Cash

Does Vic Mackey ever read the newspaper? Because if he did, maybe he would know that there are a lot easier ways to find a job than getting in bed with the Mexican drug cartel. Vic’s been really pushing his luck this season, but none of that compares to his latest plan, which involves convincing Beltran to do business with the blacks (who control 40% of the drug trade in Farmington) and then skimming cash from their first deal. Forget for a moment that Vic has severely pissed off his black associates by essentially forcing them into business with the Mexicans, because once Beltran finds out about Vic stealing money from him, all bets are off.

Vic is hoping that the feds will be able to nail Beltran before it ever comes to that, and for the time being, his plan seems to be working. Not only has he gained trust with Beltran (claiming that he’s his own personal action hero), but he also has the cash needed to pay back Shane. Of course, he’s so busy running around town like a chicken with its head cut off that he gets Ronnie to deliver the package to Corrine. What he doesn’t realize, however, is that by doing so, he’s also escaped certain arrest at the hands of Claudette, who’s idly waiting by with Dutch to pounce on him when he arrives. That’s the good news. The bad news is that now Claudette has even more to pin on poor Ronnie when it’s time for his comeuppance.

The Shield 7.11

Vic hopes that he’ll be able to change both his and Ronnie’s futures by securing jobs with ICE and thereby earning immunity from their less righteous pasts, but while helping bring down Beltran should make Olivia’s boss at least consider that option, he knows that it’s going to take a little more than that. This explains why he’s returned Olivia’s blackmail file to her with no strings attached. Of course, though he isn’t holding the file as leverage against her like Aceveda, giving it back to her and then demanding a big favor is pretty much the same thing. It seems to have worked, however, and Vic and Ronnie are one step closer to being clear of this giant shit storm. They’ve even intercepted the letter that Shane sent to Claudette, but when Ronnie opened it, all he found was a note addressed to him teasing how he was Vic’s little bitch.

No matter what happens in the end, one thing is for sure: Shane is a lot smarter than everyone thought. By sending that bogus letter and setting up the meet that he had no intentions of going to, Shane bought himself a lot of time – time that he needed to put together some extra cash before him and Mara leave town. Though his first plan to rob a stash house doesn’t go quite as planned, Mara suggests they break into the safe at her real estate company. Though they got much less for the cashier’s checks than they were expecting, it should be more than enough to get them where they need to go. Unfortunately, I don’t think it’s going to matter in the long run, because unless Vic gets off scot-free, there’s no reason Shane should either. Then again, Vic seems to have won over the approval of Corrine yet again with his handling of Cassidy in his final scene, and though it may not seem like she has any more worth to Claudette and Dutch, she might just end up being the wild card when all is said and done.

“Mad Men” tops Bullz-Eye’s 2008 TV Power Rankings

TV Power Rankings 2008

It’s been nine months since the writers’ strike shook up the entertainment industry – forcing some shows to shut down production for the rest of the season and leaving others to scramble for survival – and television still isn’t the same. Many of our favorite shows have yet to return to form (here’s looking at you “Heroes”), while some (like Power Rankings newcomer and new #1, “Mad Men”) have risen to the occasion and helped fill the void. If there’s any pattern to this year’s TV Power Rankings, however, it’s that there is none. While NBC’s reign in the top 10 continues, a dozen of the 20 shows below didn’t make the cut last year, and nine of those 12 are making their Power Rankings debut (“The Shield,” “The Daily Show” and “Family Guy” have popped up in previous editions). Still think the writers’ strike didn’t have a lasting effect? Think again.

Below you’ll find some sample entries, but be sure to check out the full list, where you’ll also find links to DVD reviews and interviews, as well as some Honorable Mentions and our list of favorite shows currently on hiatus.

1. Mad Men

In any sane world, Matthew Weiner’s “Mad Men” would not be on any “power ranking,” much less in the #1 spot. This supremely stylish drama about the alcohol-soaked, nicotine-stained, sexual harassment and adultery-friendly lives of early ‘60s advertising execs started out as a low-profile curiosity from a former member of the writing staff of “The Sopranos.” Still, with some help from ecstatic reviews and the Emmys, the show has emerged as first-class appointment TV and a launch pad for at least one potential superstar in Jon Hamm. As the metaphysically secretive Don Draper, Hamm knocks back too many Old Fashioneds while casually invoking the sort of grown-up masculine charisma of classic era film stars Gregory Peck and William Holden. Better yet, Season Two saw the show’s large and very strong cast of supporting characters become even stronger and more layered as the subject matter grew bolder. A semi-surreal late-season left turn with a roving band of wealthy Euro-bohemians was just the tip of the iceberg as rape, nuclear annihilation, religion and the meaning of existence were broached, with vaguely disturbing yet highly entertaining and sexy results. “Mad Men” cannot be pegged, and that’s the best thing about it.

11. How I Met Your Mother

We were close. We were so damned close. Creators Carter Bays and Craig Thomas had teased us for three years, but we were sure that Ted Mosby (Josh Radnor) had finally found the mother of his kids in Stella Zinman (Sarah Chalke). Of course, as we now know, we were wrong, but it was a hell of a ride getting there. Last season, “How I Met Your Mother” found the largest audience of its history as a result of scoring a pair of guest appearances by the superstar train wreck that is Britney Spears. And, even more impressively, she was really funny. Greeted with these new viewers, the series rose to the challenge of keeping them on, offering us Ted and Stella’s courtship, Robin’s rebound relationships, Marshall looking for work, Lily dealing with her credit crisis, and Barney banging as many babes as possible. We’re still not sure about this new wrinkle that Barney’s pining for Robin, but we trust that Bays and Thomas won’t turn it into a jump-the-shark situation. Or if they do, they’ll do it with a knowing wink and a smile.

17. Sons of Anarchy

If you took all the best parts of “The Sopranos” and “The Shield” and smashed them into one show, you’d have something that looks a lot like “Sons of Anarchy.” Created by “The Shield” co-writer and executive producer Kurt Sutter, the series is more Shakespearean than anything on television. It’s essentially a retelling of “Hamlet,” but instead of Danish royalty, they’re a California biker gang. There’s Jax (Charlie Hunnam), the second-in-command; his mother, Gemma (Katey Sagal), the very definition of a queen bee; and his step dad Clay (Ron Perlman), the club’s hard-nosed president and best friend of Jax’s deceased father. Heck, there’s even an Ophelia in the group – Wendy (“The Sopranos” alum Drea de Matteo), the drug-addicted mother of Jax’s newborn son. The theme of family and brotherhood is something that was explored in great length in both “The Sopranos” and “The Shield,” and it’s the driving force behind “Sons of Anarchy.” Add to that a supporting cast made up of some of the best tough guy character actors in the business (Tommy Flanagan, Mark Boone Junior and Kim Coates) and a multi-episode guest stint by Jay Karnes and you’re looking at a top nominee for Best New Show of the Season.

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