Category: TCA Press Tour (Page 44 of 56)

TCA Press Tour: Sarah Connor returns!

It’s a little surprising that there hasn’t been a “Terminator” TV series before now, given how popular the franchise has been over the years, but here’s my theory as to why it finally happened: once Ahnuld took over as Governor of California, the producers decided, “Oh, well, if he’s not gonna be available to do more movies, we might as well hit the small screen.” So, we have “Terminator: The Sarah Connor Chronicles” . . .

Hey, I’m psyched.

Yeah, I know, I say that a lot…but, seriously, the special effects in the pilot look sweet. Plus, what red-blooded American male can’t get into a cast which stars Lena Headey (“300”) as Sarah Connor and Summer Glau (“Serenity”) as the latest, sexiest model of Terminator? And in case you fall into a different male demographic – there, how’s that for a politically correct turn of phrase? – it’s worth noting that the shoes of John Connor are being filled by former “Heroes” star Thomas Dekker.

The Sarah Conor Chronicles - TCA Tour 2007

But if you’re a real sci-fi geek, you probably only have one question: where exactly does this series fall into the chronology of the three “Terminator” films?

Producer Josh Friedman attempts to sort out the confusion. “When we first started this,” he explains, “people said, “This takes place between ‘T2’ and ‘T3,” and I think that was incorrect. As far as I’m concerned, this is ‘T3.’ I mean, this is a continuation of what I would call the Sarah Connor trilogy. So I think anything that happens after ‘T2’ is fair game for us. And I think the ending of ‘T2,’ the exploding killing Cyberdine, killing Miles Dyson, sort of changes the timeline for anything in the future.” Friedman went on to clarify that the ultimate fate of Sarah Connor as referenced in “T3” – she succumbed to leukemia, of all things – is no longer to be considered to be a given; fellow producer James Middleton added, “We’re taking a phrase that is very important in ‘T2’: ‘No fate, but what we make.’ And this is a new fate for Sarah Connor, so we are creating an entirely new timeline.”

Of course, it will probably not surprise you to learn that, of our number, at least one person was simply unwilling to accept this answer at face value. “At the end of ‘Terminator 2,'” began a reporter, “it looked as though they had saved the future. And in ‘Terminator 3,’ basically they were stuck with the future that ‘Terminator 1’ came from. Does your show believe that that loop is inevitable, or are they still trying to change the future to the point where it never gets to the rise of the machines?”

Rather than simply saying, “I’m sorry, but answering your question would wreak havoc on the space-time continuum,” Middleton actually responded thoughtfully: “Our characters operate and fight a battle every episode based on faith that they can prevent Judgment Day. Now they’re going to do everything that they can to do that. But the odds against them are formidable. They have a formidable enemy. So how they operate every day is to fight the fight the best they can in each episode.”

(Perhaps more amazingly, the reporter accepted this answer!)

With all these references to the films, you’re probably wondering the same thing we were: what are the odds of us actually managing to see that aforementioned Governor of California on the show?

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TCA Press Tour: “House” remains a very, very, very fine “House.” (Surely you saw that coming.)

I’m not sure if Dr. House is actually an anti-hero, given that, even with his terribly irascible manner, he still manages to save the day far more often that not. Still, he’s a drug addict with a nasty temper who makes decisions based less on a will-the-patient-live-or-die mindset and more of a I-just-want-to-know-if-I’m-right mindset, and that’s not exactly the kind of guy who find yourself rooting for, per se. In fact, it’s a minor miracle that it took a full three seasons for his team of doctors to abandon him out of sheer frustration with his methods.

As the show enters its fourth season with a few Emmy nominations in hand, it sounds as though things are going to continue to go great guns. At the very least, it looks like everyone’s back in tow to some extent: although their characters had all tendered their resignations by the end of Season 3, Omar Epps, Jennifer Morrison, and Jesse Spencer were all on the panel.

Producer Katie Jacobs admitted, “We struggled with how to sort of do exactly this. The truth is, everybody is back eventually, and everybody is back having changed and in different capacities. And, you know, it’s also sort of organic, so we only know where it’s going to a point. For us, for me, it’s the most exciting season we’ve started off so far because it feels very organic. You know, the last two seasons we’ve done an arc — season 2, season 3 we started out with arcs that involved other characters as a way to explore more deeply House’s character. But I think that their three-year fellowship, and all in different ways, has sort of naturally come to an end.

“In the first episode,” she explains, “House is alone, and House is trying to solve cases by himself. Of course, Cuddy is pissed and Wilson thinks he’s losing his mind. And Cuddy will insist that he hire a new team…but he will do it in a very House-ian way. Over the first bunch of episodes. he’s going to call in all the candidates, all the resumes on his desk — 40, I think it is, a large number — and we’re going to see who survives. We’re going to play a ‘House’ version of “Survivor” and see what candidates really will make the best part of House’s team. And House is going to give all the candidates numbers; because he can’t remember their names, they’re actually going to wear running numbers!”

Meanwhile, the trio of actors formerly known as House’s team remained pleased to be on the show, even if they really have no idea where they stand at the moment.

Morrison says that they found out about their characters shuffling off the show when “they told us all that they wanted to talk to us over lunch one day, which does feel a little bit like being called into the principal’s office. But they were fantastic and let us know what they were planning on doing.

Spencer corrected her. “Well, they didn’t actually know, though, did they? Well, I mean, they told us that we were coming back, but they didn’t know at that time in what capacity we were actually going to come back. And we are still not entirely sure. (But) we know we are back.”

Jacobs hinted, however, that just because we see them doesn’t mean they’re actually there. “(House) thinks he sees them. And Wilson is saying, ‘You know, you’re just feeling guilty, and you’re out of your mind.’ And Chase is working in Arizona in a hospital and Cameron’s with him. And Foreman is at Mercy Hospital running his own diagnostic
department. And we have fun with that as well. I definitely don’t mean to be coy, but I don’t want to spoil it for you entirely.”

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TCA Press Tour: “Family Guy” – The 100th Episode

One of the cooler panels during the course of the TCA Press Tour was unquestionably the “dinner theater” provided by the cast of “Family Guy,” who did a table read of their upcoming 100th episode for the assembled critics as they ate lunch. We were warned ahead of time that, yes, it was the unedited version of the script, and that several bits had been removed from the upcoming air version, but I didn’t hear any complaints after the fact, so I guess those of us with delicate constitutions managed to survive. I won’t give away any of the jokes – I mean, the show isn’t even scheduled to air until October – but I will say that it’s called “Stewie Kills Lois,” that there are jokes involving The Beatles, Barbra Streisand, and “The Lake House,” that there are tentative plans for guest appearances by James Woods and Rob Lowe, and that it’s a two-parter, so even we don’t know what happens in the second half.

Oh, and I’m guessing that Peter’s bit where he reminisces about he and Lois going to an abortionist is almost certainly not going to be in the version that you see on Fox.

After the read, the cast remained on stage and took a few questions from the crowd…the first of which, unsurprisingly, was, “Seth, what exactly did you cut out of that script?”

“Oh, I think the abortion one was about eight times as long,” MacFarlane laughed. “Some of this stuff, actually, you will only see on the DVD. There’s some stuff that was, you know, judiciously edited with our approval. And some stuff — for example, the swearing you’ll only see on the DVD. Since that’s become such a big part of “Family Guy,” there are — occasionally if we bleep something for TV, we’ll let it slide on the DVD.”

Most surprising admission from MacFarlane: that they’re never out to shock for the sake of shocking. “The thing that I try to do with ‘Family Guy,'” he explained, “is to kind of have this balance between the classic and the edgy. You know, we do a lot of poop jokes, but at the same time, we use a 45-piece orchestra every week with a full string section. If something is just shocking and not funny, then we’ll cut it out. And we have these table reads every week, which we do for each episode, in which we have a very good cross section of artists and people from the outside and writers, and, you know, the studio network is there. And no one is shy about gasping in horror if we have crossed the line, and so it’s a very good barometer.”

Best bit of gossip from MacFarlane: “Certain members of the Brolin family were amused by the (Barbra Streisand) gag that we did. That’s all I’ll say.”

Most surprising anecdote: the FCC responded to the show’s FCC-themed episode…and thought it was funny! MacFarlane admitted that it “surprised the hell out of me…and gives me a little bit of hope!”

Least surprising question: let’s just say it involved a reference to manatees. (I’m as guilty as anyone; I did the same thing when I talked to him…but I like to think that my comedic timing was better.) Of course, MacFarlane offered up his now-stock response about how he’s actually a big fan of “South Park,” but what he also provided was a surprisingly solid explanation as to why they enjoy doing the cutaways that Parker and Stone busted their balls about.

“The cutaways they sort of see as a deviation from the story,” MacFarlane explained, “(but) we sort of see them as, in a weird way, kind of these animated versions of, like, one-frame ‘Far Side’ cartoons that are sort of, you know, something you can only do really, I think, effectively in the animation medium. And, you know, they’re just kind of laughs for laughs’ sake. You don’t have to know what’s going on with the plot. You don’t have to know what’s going on with character drive. They’re just pure comedy…we hope!”

TCA Press Tour: Insert “No ‘Bones’ About It, The Show’s Better Than Ever” joke here

I’ve said it before, but I’ll say it again to give credit where credit is due: if it wasn’t for my wife, I wouldn’t watch nearly as much “Bones” as I do. As a diehard David Boreanaz fan, she was there from Episode 1 of the series to watch her boy in his new gig…and, not surprisingly, that meant that I was there a fair amount of time as well. It’s come quite a long ways over the past few years, with Emily Deschanel growing into her character…or maybe it’s her character doing the evolving; I can’t always tell…and the rapport between Deschanel and Boreanaz getting stronger all the time. Additionally, the ensemble cast has continued to gel, which only adds to the success of the show.

* The character of Zach Addy – played by Eric Millegan – went off to Iraq at the end of last season, but since Millegan was on the panel, it was reasonable for us to presume that he’d be back for Season 3. Before Millegan could answer, however, creator Hart Hanson interrupted, “Don’t verify it, Eric! Waffle! Just because you’re here on the panel doesn’t mean you’re back!” Millegan looked for a moment as though he thought Hanson might be serious, but when Hanson admitted that he was kidding, Millegan revealed, “Yeah, I’m back. And, gosh, I don’t want to give too much away, but he was sent home early. He was supposed to be in Iraq longer, and he was sent home early, and in the show we’re going to explore why he was sent home early and how he feels about that.”

* As far as Fox’s repeated threats to move the show to an invariably-deadly Friday night timeslot, Hanson stated with conviction, “We’re not going.” Would that he had the power to make that decision. “We’ll do what we can,” he finally said. “You know, FOX does what they can. They’re fair. They have a good plan. We’d just like to perform well enough that we don’t have to move to Fridays.”

* Speaking on the subject of the definite sexual tension between Booth and Bones, Deschanel offered a titillating revelation. “I think this season we’re growing deeper as friends and other things,” she says, “just deeper as a relationship, pretty soon. I mean, we investigate a certain kind of fetish that comes up in a crime that we’re investigating and that kind of brings up a lot of sexual tension and stuff between us.” (“Pony play,” cracked Boreanaz.)

Going on, Deschanel said, “And you can see how we have been affected by being left at the altar after Angela and Hodgins left their wedding and how that kind of affected us and how we’re forced in some way to face what we feel for each other. And you’ll see that at the beginning of the season, how we’re dealing with that.”

Boreanaz added, “You’ll see us very separate and apart and not kind of clicking, I think, in the beginning. Then you’ll see how that kind of gets back and working and how it sparks up again and the reasons why it works, the reasons why it doesn’t. Again, we can possibly throw in a therapist maybe to help us with our relationship in order to deal with the workplace, which I think is — I don’t think you’ve ever seen that on television, so I think that’s a really unique insight into how these two characters will grow with each other as the show grows.”

Hanson, however, got the last word on the subject…as is only appropriate for the show’s creator.

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TCA Press Tour: Jeff Foxworthy is my hero

I know, you think this is going to be a facetious posting, but, honestly, it’s not. Foxworthy hosted the “Are You Smarter Than A 5th Grader?”-themed lunch during Fox’s TCA days…an event which found us critics receiving school kits, bags of Foxworthy’s beef jerky, school lunch trays bearing the show’s logo, and an inflatable globe…and I don’t think it would’ve been humanly possible for him to come off as a nicer, more genuine guy.

One of the writers asked Foxworthy what he thought about teachers utilizing the show as almost an instructional aid of sorts, and you could tell his answer was based not on what anyone else had suggested he should say if the question came up, but, rather, straight from the heart.

“You know what?” he began. “I think (teaching) is probably one of the most difficult jobs in the country and probably one of the most underpaid and appreciated. I expected, when I started doing this show, to get more mail from kids. I mean, there were kids who obviously didn’t know me as a comedian or know the ‘Blue Collar’ stuff. I have been amazed — and I see it in the mail every week that I get from teachers, over and over again – at teachers saying, ‘You have made it cool to be smart again.’ And they record the show and they take it into the classroom and they show the show and the kids are interested in it and they use it as a learning tool. So that was a byproduct of it that I didn’t even foresee when I started it. But to me, that’s one of the coolest elements, personally, away from the stage, that it has made it cool to be smart. You’re not made fun of for being a nerd. It shows kids going on TV and beating adults at something, and it’s with their brains. So, you know, hopefully, maybe this elevates education and how we deal with it as a priority in this country.”

Foxworthy is also very, very aware of the fact that the kids on his show are, indeed, kids first and foremost, and that something as inevitable as having them provide a wrong answer to a contestant on the show might well really upset them. “There’s always the risk of that,” he admits. “They’re not only kids, they’re humans, so they’re fallible. We were filming two days ago, and Cody was at the podium, and the guy decided to copy Cody’s paper, and Cody was wrong. And I looked over, and I thought Cody was going to cry. Well, if I had been standing where Cody was, I would have felt the same way that he did. But it’s like, I went back over to the classroom, I took Cody, and I said, ‘All right, come over here and look at the rest of the answers. Two of your classmates didn’t know the answer to that, too. So you shouldn’t feel bad about that.’

“It’s more important for me to be a good dad than it is to be a good comedian or a good actor or a good game show host,” continued Foxworthy, “and I have proven (it). I’ve turned down movies for the past three summers because I don’t want to give a summer away with my kids. I’ve always been very concerned about having kids on TV. It’s always made me feel very weird. When I did (‘The Jeff Foxworthy Show’), Haley Joel Osment’s dad came and spent the day with me, and he said, ‘I really want to know what you’re about before I even allow my kid to come to work here.” So it’s always been a little bit of a weird thing for me with kids doing this. I love the fact that these kids this year, none of them have aspirations to be an actor. They’re just there because they like being smart and being funny. We have strict guidelines about how long they can work, when they have to take a break. If I have to err on one side of this, it’s always in their favor because, more than anything else, I want them to be kids. And the great thing about this, it’s not strung out over nine months like a sitcom or a drama is. We’ve shot two and a half weeks, we’ll shoot another week in August, and we’re done, so they get to have the rest of their year to go to their regular school and to grow up and be regular kids.”

Okay, sorry, those were big quotes, and it’s probably just because I’m really feeling my inner dad-ness today, but I just walked away from this panel thinking that Jeff Foxworthy is the kind of guy you wish every single celebrity could be, and I wanted to share that.

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