Category: TV (Page 530 of 595)

Well, that’s just fan-smurfing-tastic.

While not a 100% guarantee by any means, it looks like 2007 is set to be the year that the Smurfs finally make their debut on DVD.

I don’t know about anyone else, but I can say pretty unequivocably that “The Smurfs” were the official turning point for Saturday morning TV for me. I had a lot of years under my belt of vegging out and watching anything and everything the networks threw at me, but “The Smurfs” were the beginning of the end. Soon, I would buy a button that said “Nuke the Smurfs,” and I would begin my rebellious stage…which, if memory serves, consisted mostly of wearing the button and not much else.

Tina Fey’s posse rules the “Rock”

NBC has posted a three-minute preview of its new fall sitcom “30 Rock” online, and it looks as though the pilot could just as easily have been called, “Tina Fey: This is Your Life.” Though the clip is brief, the cast members shown all clearly have a history with Tina — and Rachel Dratch and Tracy Morgan in particular can thank Fey for snatching them from post-SNL obscurity.

First up in the homage is Guy Who Cuts in Hot Dog Line. Sharp eyes will recognize him as a longtime member of Chicago’s Second City improv troupe, from the same era during which Dratch and Fey rose to fame. “Rock” cast member Scott Adsit (perhaps best known for his work in TV commercials — such as the one in which he chose an ill-fated vacation to the rainy beaches of “Playa Lluviosa”) also shares a Second City background with Fey, and “assistant” Jack McBrayer performed next door to Tina and company on the Second City Etc. stage in Chicago. Rounding out the cast as Fey’s deliciously scenery-chewing new boss will be frequent Saturday Night Live host Alec Baldwin.

Kudos to Tina for not forgetting the “little people” (and, well, Alec Baldwin…) during her rise to sitcom success. To view the clip in its entirety (and access previews of NBC’s other new fall shows as well), click here.

And it’s worth mentioning that although the preview footage certainly has its flaws, “30 Rock” has already proven itself vastly superior to all five seasons of similarly-named annoyance-fest “Third Rock.”

Larry the Mullet Guy

To those who scoff at the suggestion that Larry the Cable Guy is anything other than the drooling inbred redneck he appears to be, YouTube (via WH-1’s Best Week Ever blog) offers this clip of a decidedly more urbane — though equally fashion-challenged — Dan Whitney back in his early standup days, rocking an 80’s mullet, khakis and a pair of white tennis shoes…which still beats the sleeveless plaid flannel look, hands down.

Hmmmm…technically, he is still wearing a blue collar in the clip…but this is one Blue Collar Guy whose middle-class roots are showing…

In this corner…

…we have George Hearst, prospector/emperor, in dire need of power, money and more power. And in this corner, we have an unlikely tag-team, the honorable (if increasingly ill-tempered) sheriff Seth Bullock and his partner, the dastardly and devious owner of the Gem, Albert Swearengen. The first episode of the third and final season of “Deadwood” was like the first round of a heavyweight boxing match. A couple of giants – in this case three – feeling each other out, looking for strengths, and more importantly, weaknesses.

George Hearst wants control over the town and Al Swearengen isn’t about ready to give it up. Hearst met with Bullock about his re-election as sheriff and made inferences about Bullock’s relationship with the widow Garret, or more recently, Mrs. Ellsworth. Hearst wants to back Bullock’s candidacy, ensuring his re-election, but wants Bullock to convince Alma to leave Deadwood, allowing Hearst more profit. Hearst also wanted the sheriff to ignore the morning’s murder at the Gem, indicating that Hearst arranged the assassination of a potential labor organizer; Hearst wants no talk of unions in his businesses. Assuming that E.B. Farnum told Hearst about his former relationship with Alma, Bullock unleashed a flurry of punches to Farnum’s face that sent E.B. to the doctor and postponed the evening’s campaign speeches. Meanwhile, Al took offense that Hearst conducted the murder at the Gem and made it clear (in no uncertain terms) that he was not about to bend over for the megalomaniac.

But the most compelling storylines of the episode revolved around three of the female characters. Calamity Jane is back on the bottle and continues her quest to be the show’s biggest “lost soul.” I sense a growing affection between Jane and Joanie Stubbs, who has been acting as an unwilling caretaker to her old pimp, Cy Tolliver, after he was stabbed by a former employee that he left for dead. Joanie nearly took her own life due to her powerlessness to – once and for all – leave Tolliver to his own machinations. Then there’s Trixie, who is irritated at Al for arranging that her beau (and mayoral candidate), Sol Star, take over ownership of a house that shares a wall with a fleabag hotel, allowing the former whore to service Star without the camp’s knowledge. Like Joanie, it’s clear that Trixie is growing frustrated with her inability to exorcise her former boss from her new life.

Considering the history of the series, it was a fairly uneventful episode, but it was intended as a setup, not the payoff. The writing and acting are as good as ever, and Al Swearengen is already on fire, so I expect this will be yet another fine season from creator David Milch.

So what’s it going to be: Spider-Man or Daredevil?

Does anyone else get to the end of an “Entourage” episode and think, “Damn, I wish this show was an hour long”? Tonight was all about the build-up to the much-anticipated “Aquaman” premiere. Vince asks his mom to be his date (“Aquamom, I love it,” Ari says), Eric’s going with Sloan (very happy she’s back), and Turtle and Drama pass out 50 tickets to 50 hot women, hoping to improve their odds of scoring. But when Mrs. Chase’s fear of flying forces her to cancel, E and Turtle rely on the powers of jealousy by inviting their own moms in for the event. That does the trick, and the boys roll to the premiere with their moms (and Sloan) on their arms. Unfortunately, when the credits roll we’re still standing on the red carpet, forced to wait a week to know whether the movie’s a hit or not. Damn. Why not an hour?

Of course, the smart money’s on “Aquaman” being a hugely successful summer blockbuster. After all, it’s not like Vinnie’s an established superstar in Hollywood whose career could survive a major flop, and without Vince bringing in the leading roles, Eric, Turtle and Drama are all out on the street. But the interesting thing here is, Ari is now more dependent on Vince than the boys are, especially since his wife’s trust fund is running low. Ari’s still afloat, working with a staff of nine in a West Hollywood office building, but things are damn tight. He tells his wife that “the seeds are planted” every time he asks for more money ($100k this week) and that Vince will be the first seed to bloom, but the fact is, Ari needs Vinnie to become the biggest star on the planet. If “Aquaman” bombs, Ari’s toast.

So it would seem the film has to hit big, for the sake of the story, but wouldn’t it be interesting if that weren’t the path the writers chose? The boys have been riding high for a couple of years now, so why not throw a roadblock up on Easy Street to create a little conflict? And as for Ari, it’s always darkest before the dawn, right? How would he recover from an “Aquaman” disaster, precisely at the moment that he needs a minor miracle? Plus, the gamble on “Queens Boulevard” paid off, so it would seem almost fitting that what looked like a sure thing – a summer superhero movie with James Cameron at the helm – actually flops.

But who am I kidding? “Entourage” is all about the lifestyle: the women, the fame and the fortune. That’s what makes it so damn fun. And spending half the season watching everyone dig out from the “Aquaman” rubble wouldn’t be much fun, would it? But it certainly would be a ballsy choice by the writers, and one that would no doubt create plenty of growth opportunities for just about everyone involved.

Most weeks, since Jeremy Piven‘s character is one of the best on TV today, I’ll point out some favorite Ari moments. Tonight, while catching flak from his wife for having to borrow more money, he said, “Trust me like you trust your daddy’s trust fund. I mean, you call them your personal savings but you haven’t saved shit personally.” And remember when Lloyd asked Ari to promise that he wouldn’t make fun of Lloyd’s race or his sexual orientation anymore, and Ari said, “I can’t promise that, but I can promise that I’ll always apologize afterwards”? Well, he already broke that one when, after complaining about some dust in his office and being reminded that the cleaning staff was on strike, Ari replied, “They strike, you work. You’re Asian; you’re supposed to be a neat freak.” You just knew he wasn’t going to keep that promise.

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