Category: TV (Page 479 of 595)

American Idol Returns With a Dysfunctional Bang

Ah, the return of “American Idol.” You can almost smell the dysfunction in the air when you tune in to Fox on the third Tuesday in January. And that’s because every year the producers of the show try to out-drama the year before with some of the ridiculous contestants who get off thinking they can sing.

So last night the show kicked off, and before they got to the Minneapolis auditions, there were some self-serving moments of “Here’s what we’ve done for you.” And really, you can’t argue with the fact that the show has made stars out of average schmoes like Kelly Clarkson, Clay Aiken, Chris Daughtry, Taylor Hicks and Carrie Underwood. Hell, Jennifer Hudson may prove to be the biggest star of them all, and she didn’t even win “Idol.”

But back to the fun, and even though it’s at times painful watching these auditions, it’s definitely fun.
Guest judge Jewel didn’t really add much spice to the show, but she made a few contestants really nervous.

First of all, let’s note that out of 10,000 contestants in Minneapolis, only 17 made it to Hollywood. That means most of them can probably drive a snowmobile better than they can sing. But of the 17, the ones whose auditions they showed weren’t even that great. 16-year-old Denise Jackson, an admitted “crack baby,” was one of the best, with a voice that, once she reigns it in just a little, can go really far on the show.

Perla, the Hispanic chick who flirted with Ryan Seacrest (is it just me or does dude seem a bit desperate for a date?), was awful trying to sing Blondie, but when Randy Jackson prompted her to sing Shakira, it was like turning on a light switch.

Jerry, a Navy dude who won “Reagan Idol” on the USS Ronald Reagan ship, sang Rascal Flatts and was pretty damn good. Michelle, a 19-year-old blonde chick, obviously wanted to follow Carrie Underwood’s lead to Nashville, singing a Deana Carter song. She was just okay, but good enough to forge ahead to Hollywood.

Matt, a 16-year-old kid with a show choir background, sang “California Dreamin'” and there was something unique about him. He sang his ass off, but there was more than that to him and the judges saw it. Rachel Jenkins, whose husband is currently in Iraq and who works in her dad’s body shop and is also an Army reservist, also impressed. Finally, Sarah Kruger sang “Somewhere Over the Rainbow” and while she was no Catherine McPhee, she did good enough to punch a ticket to Cali.

Okay, now for the bad ones:

Jessica, a make up artist at the Mall of America, is going back to her day job. Jewel is her idol so she was obviously nervous, but she sang through her nose so badly and was so out of key that it made everyone’s ears hurt. Still, she thought she was automatically going to the finals, and when the judges told her she sucked, cried like she just found out she had two days to live. Jessica, get OVER it.

Troy, going for what he called the “Urban Amish” look, admitted to never seeing the show. Come on dude, we all know that’s bullshit. Plus, you sucked. Then there was Charles Moody, dressed as Apollo Creed from “Rocky.” Here was an African American dude singing Italian opera for this audition. What’s wrong with this picture? Exactly.

Trista, the large woman whose claim to fame might be a dead-on impersonation of the Lion from the “Wizard of Oz,” was entertaining only because she kept incorporating that hilarious Lion-meets-Chewbacca noises into her song. I mean, that’s talent. Then vocal teacher Steven proved that you can make money as a vocal teacher in Minneapolis even if you can’t preach to the choir.

Dayna, whose boss flew her out to audition because he believed in her, found out that she sings a bit out of tune, and while the judges almost let her through when they met the boss, cooler heads prevailed.

As they usually save the craziest ones for later in the show, the grand finale began with Jason, who juggled while he sang. Dude could juggle, but he was an awful singer. Still, when he left the audition room, he started crying and saying that the judges hated him, taking personal shots at each one of them.

Brenna, who sang Queen’s “Under Pressure,” declared that she had a degree in vocal performance.
Boy, did it not show. She then asked the judges how she could improve, and Simon accurately replied, “Leave.”

After a tribute to Minneapolis native Prince, in which they showed most of the lousy contestants doing bits of Prince tunes, the last one they showed was Josh, who sang Fuel’s “Bad Day.”
Not only did he do this weird grungy imitative thing with his voice, but they asked him to sing Abba to see if he did that differently. And he didn’t. Imagine Shrek singing “Dancing Queen.”

So that’s it. Tonight’s Seattle auditions should hopefully display more talent, but there will likely be more drama as well. The moral to the story is this: folks, if you think you can sing, you probably can’t. But if you’re stupid enough to get in front of Simon Cowell, expect to be ridiculed.

Hey, wait a minute. I didn’t mention Paula Abdul once. She was noticeably tame, but we all know that can’t last. Welcome back, “American Idol,” and welcome back all of you for this long ride.

“24,” Hours 3 & 4: If it’s not love, then it’s the bomb that will bring us together

The last ten minutes of the tonight’s episode of “24” almost completely erase the lazy conveniences of the season’s first three hours and 50 minutes. This, quite simply, is how last night’s show should have ended, and I can’t imagine that it would have been any more difficult to manufacture the conflict (another phrase patent pending by the former Eli Cash) that delayed the plot up to this point after the bomb went off than it would have been to do so beforehand. Picture the first two hours of “24” ending with the death of Curtis (more on that later) and the detonation of a nuclear bomb in Los Angeles: wouldn’t that have been spectacular? You bet your ass it would have. And if a simple caveman like me can see that, why couldn’t the producers?

Once again, Fox gives us an empty promise with the whole “something will happen that will change everything” tease from last night. Curtis was as good as bagged and tagged from his first minute onscreen this season, and it had nothing to do with the “Simpsons”-esque eye darting he did every time Hamir Al-Assad’s name came up: It was because the two words preceding his name in the credits were “Guest Starring.” In the “24” universe, that’s code for “short life expectancy.” If you need any clarification, you can ask Kal Penn, who was also quickly dispatched after taking Aaron Burr, Mrs. Burr and Baby Ben McKenzie hostage. And speaking of that whole ordeal: is there really a chance in hell that her case falls into Bauer’s hands that quickly? I have to think that the local police probably get calls like that by the ton – especially if terror attacks are occurring that frequently – and they wouldn’t dare to burden the Feds with every call that came in to their 911 call center. That was a stretch of Elastigirl proportions.

So we learn that “visitor” is code for weapon, and we learn from the illegally detained but nonetheless traitorous foreigners (as tempting as it is to offer some personal political commentary on that subplot, I will refrain) that there are in fact five visitors waiting to make their formal introduction. Here’s the part that I’m confused about, though: as the master bomb maker was connecting the suitcase nuke to the detonator, the Feds came in, guns a-blazing. Fayed ordered him to set off the weapon at once, which he did, and that was cool. But wouldn’t that mean that Fayed was killed in the blast? I could swear that the scenes for next week’s episode showed him with the other four “visitors,” threatening to detonate all of them within the hour. If that’s true, then I have two questions: how was he able to escape the blast radius, and how is he going to set off the other four bombs? He just waited four hours for the first detonator. Where does he think he’s going to get four more detonators in an hour’s time?

I will give them credit for the dynamic they’ve set up between Wayne Palmer and the Biscuit. The Biscuit clearly does not see eye to eye with Palmer on, well, anything, but he is much more diplomatic and cooperative than previous “24” White House chicken hawks have been…which means that he is probably the least trustworthy of them all (notice how he intervened between President Palmer and his recently fabricated “sister”). I guess we’ll have to wait and see.

Lastly, we must discuss the ridiculous ad promoting the fact that these first four episodes of “24” will be available on DVD on Tuesday. Who on earth absolutely must own the first four episodes of “24” right this very second? Never mind the fact that the episodes weren’t that good: are we really so consumed by instant gratification that we can’t wait until the entire season is released on DVD next year? More importantly, aren’t our landfills overflowing as it is? “The Simpsons” joked about this years ago, when they did a pan across a landfill to an empty space, where there was a sign that said, “Reserved for DVDs.” That’s not a joke, my friends: that is prophecy.

NBC Universal to launch horror network

No, they won’t be airing old episodes of “Joey,” “Stark Raving Mad,” or other failed NBC sitcoms; the new net will be a cross-platform distribution channel for real, good old-fashioned horror fare:

The company is planning Chiller, a horror-themed network that will exist as a standard and HD cable channel, a VOD package and a broadband Website.

Chiller, which is slated to launch March 1 and already has carriage on DirecTV, will use for its programming old horror TV shows and movies from the Universal library and others. Titles include the TV shows Twin
Peaks and Tales From the Crypt and movies The Shining, Psycho and The Birds.

Of course, the new net will consist entirely of recycled content, and will not be without its competitors (including Comcast’s FearNet, as well as much of SciFi’s programming). Thus, the question remains: will viewers tune in to Chiller for more than “a damn fine cup of coffee” with their friends in Twin Peaks?

“Sopranos” A&E debut whacks the competition

The premiere episode of “The Sopranos,” which aired on A&E last week in a heavily publicized launch, drew a record-setting 4.27 million viewers — the highest debut ever for an off-network program on cable.

As a result, A&E management should be able to breathe a little more easily over the (also record-setting) $2.5 million per episode licensing fee they paid for the rights to air the show, assuming those numbers hold reasonably well . . . and assuming viewers are not turned off by the absence of f-bombs and the presence of clothing on the ladies at the Bada Bing.

Rome: “Passover”

It’s been more than a year since we’ve had a new episode of “Rome” to watch, and I always find it interesting, especially with these shows on HBO, how our everyday lives roll on as the cast and crew work furiously to but together twelve or thirteen episodes to entertain us for three months before the process starts all over again for another season.

Tonight’s episode picks up moments after Caesar’s murder, and all hell’s breaking loose in the city. For the most part, the creators did a beautiful job of seamlessly rolling the first season into the second. But Atia (Polly Walker) looks quite different to me, so much so that I almost didn’t recognize her when she first hit the screen. It’s possible that they wanted her character to look like she’s aged five to ten years and gained ten to twenty pounds, but something tells me that was an issue the creators had to deal with when they started shooting for the second season.

This episode dealt with the aftermath of not only Caesar’s death, but Niobe’s as well. It’s not often that a show will kill off two of their main characters at the same time, but the parallel storylines make for compelling television.

First, the political implications of Caesar’s death had to be dealt with and it was clear right from the start that Octavian was stepping up his role in the political realm. He’s extremely savvy, so it’s no wonder why Caesar bequeathed his estate to the young man, effectively making Octavian his son. As his mother tres to get the family out of the city, he quickly formulates a plan, and with Mark Antony’s help (and his mother’s approval), he effectively seizes control of the city. Brutus made the mistake of trusting Antony against the advice of all of his advisors, including Servilia. When she put in her two cents, his line – “You too, mother?” – was priceless.

Meanwhile, Lucius is reeling from Niobe’s suicide, but it was clear that he was going to kill her anyway for having a child by another man while he was away at war. He made the mistake of cursing and banishing his children and almost immediately regrets it.

Titus and his slave girl have a nice moment in the woods when he had the best line of the show: “I know I didn’t get us started off on the right foot, killing your man, and I’m sorry for that.” He proposes to her and she agrees to be his wife, but it’s clear that she’s having a tough time understanding that she’s a free woman now. Anyway, once someone rides by yelling about Caesar’s death, Titus hilariously knocks the guy off his horse and uses it to head back to the city.

There, he finds Lucius in a serious tailspin, but helps his friend pull things together. Lucius is torn up about placing a curse his children and the two men discover that their old boss abducted them. After a bloody attack on the boss’ hideout, the man informs the duo that for Lucius’ past transgressions, he “f*cked them, killed them and threw them in the river.” And that was the end of that guy.

It may take a while for Lucius to recover from he day’s events, and he’s not unlike the city of Rome trying to recover from Caesar’s death. Brutus has been sent to the country, so it looks like Antony, Octavian and Atia will control the city for the time being. Octavian and Titus also had words during the episode and it’s clear that kid trusts the big man. Over the season, Octavian is going to develop into more of a leader and it will be interesting to see what role Titus (and Lucius, for that matter) play in the future of the empire.

All in all, it was a great premiere and I can’t wait to see more.

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