Category: TV (Page 440 of 595)

Shotgun Blues

I’d be remiss if I didn’t begin by mentioning how tonight’s episode of “The Shield” was the first of the new season that didn’t quite do it for me. Of course, while the events that took place were very Sopranonian (a necessary buildup for the things to come), it’s still a little unusual for any episode of “The Shield” to come off as even a little bland.

Still, we got a ton of info this week that will certainly work toward the Vic and Shane face-off at the end of the season. Of course, this isn’t the first time we thought Vic would kill his best friend. It happened in season four after Vic found out about Shane’s dealings with Antwon Mitchell and, according to Shawn Ryan on the season five DVD, he was supposed to die until the writers chickened out and cut it from the script. If this season doesn’t end with Shane in a puddle of his own blood, I don’t see how else it would.

Anyway, getting back to the episode at hand, Shane is feeling increasingly more guilty about murdering Lem, so when he arrived at the hospital beaten to a pulp, it seemed like maybe he had done it to himself. As Vic soon discovers, however, Shane was beat up for banging Tilly (the black jailbait) by the girl’s step-dad. Even Mara finds out all about his infidelity when she rummages through his things and finds condoms. This, of course, leads Mara to kick Shane out of the house, and when he fails in overdosing on a handful of Oxycontin, he returns to tell her that he is the one responsible for Lem’s death. Apparently, this is supposed to make things all better (since he did it to protect Mara and Jackson), and surprisingly, it does.

The Strike Team (Ronnie all shaved and Julian in tow) have been handed Dutch’s Mexican Massacre case for the week, only to be led right back to the El Salvadorians. This time, they’ve got Guardo’s second-in-command in the interrogation room, but when Vic asks him about the murders, the guy isn’t afraid to confess. He tells him that the motel massacre was only retaliation for the Mexicans killing Guardo, and thus entirely necessary for keeping their reputation intact. This leads Hiatt to doing a little research of his own, and what he comes up with is a name: Hernan. As you might remember, this is the same guy that Dutch tried to contact regarding Lem’s murder (and was rudely asked to stop looking for by the FBI), but when Hiatt pries into the matter, he’s given the green light; as long as he treats the guy like a common criminal. It turns out Hernan knows for certain that Guardo wasn’t involved in Lem’s death, and this time, Vic actually believes him. On a side note, it’s nice to see Clifton Collins Jr. stopping by for a quick cameo.

Meanwhile, Dutch and Billings are still working the serial rapist case, but they aren’t really getting anywhere until a man who helps find lost runaways arrives in The Barn with intel on possible next targets. The guy’s just lost a daughter of his own (which is why he’s so intent on helping), but Billings seems to think he’s suspect number one; and for once, he’s right. After offering to reopen his missing daughter’s case for information on the recent string of rapes and murders, the guy openly confesses. In fact, it seems the reason his daughter ran away in the first place is because he molested her (she looked so much like his dead wife, after all), and the reason he’s been raping and killing these other girls is so that he could convince the police to reopen the investigation. Dude was definitely crazy, but he’s nothing like Dutch’s past cases.

And finally, while the surprise appearance of Collins Jr. was certainly welcomed, the best cameo of the night goes to Carl Weathers (Vic’s old partner), who returned for Vic’s help with a job scaring a couple Jamaican drug dealers out of an apartment complex. The subplot gave Vic the chance to get away from the Strike Team for a bit, and it also showed just how much he’s changed as a person. While his former self would have been more than willing to shove a perp’s face into a toilet he’s just pissed in, he was absolutely disgusted by the concept that Weather’s crazy partner would do it. This will likely factor in to Vic’s decision of what he’s going to do with and while death would be appropriate, I see the kinder, gentler Vic forcing Shane to turn himself in to the police instead. This means Vic would be going to jail as well (since Shane would have to fess up to all of his smaller crimes), but it would certainly be a just ending to a fabulous series.

24, Hour 20: Farewell, my concubine

I am not proud of the fact that I have an uncanny ability to tell when a woman is repulsed by the thought of being touched by a certain man. Maybe it’s the result of some repressed memory of a humiliating experience in high school, I couldn’t tell you. The memory, if it exists, is suppressed, remember? But the instinct is not. I know fake emotion when I see it. And you, Lisa Miller, couldn’t fool me on the foolingest day of your life with an electrified fooling machine.

As an aside, I both love and hate the fact that Roark’s concubine is named Lisa Miller. I’m tempted to adorn her with the nickname of Maura Tierney, in honor of the original Lisa Miller, but I’m already confusing people with the Senator Roark business, so I suppose I will call her by her (stolen) name. Still, this Lisa Miller will always be Maura Tierney to me. Only not as pretty.

Man oh man, did the Chinese rewire Audrey something fierce. Over a hundred injection marks? That would explain the bulky clothing she wore to the exchange; had she looked like a heroin junkie at the drop, Jack probably would have flicked the switch on the C4 in an attempt to save her honor. Instead, Audrey lives long enough to teach Nadia a valuable lesson on the importance of doing what’s right versus doing what the rulebook requires. Jack and the Ricker, they’re peas in a pod, they are.

William Devane doesn’t get a tremendous amount of work, but I just love his low-key intensity in situations where a lesser actor would take things way over the top. “You’re cursed,” he tells Jack right after he’s ordered her to stay the hell away from his daughter. And you could tell that, in the way that he didn’t argue the point, Jack believed what Big Dick Heller said to be true. After all, look at the lives of any female who has dared to get close to him. Death, torture, bear trap, child out of wedlock, that’s what the Women of Jack receive for their troubles. (Yes, that last one is still unconfirmed, but come on, we all know that Jack Jack is not Graem’s kid.)

So “Lisa Miller” is put in play to snare the lobbyist. Was it just me, or was the thread connecting Lisa as the leak a tenuous one at best? Sure, you’ve got her dead to rights as a philanderer, but I don’t recall them unveiling any hard evidence that she told the lobbyist anything. Did he get it off of her email? Not even Roark was sure of that. Well, if you guys aren’t sure of your intel, then how are we supposed to buy into it?

And speaking of stuff we’re supposed to buy, we still do not know what Wheelbarrow Wayne gave the Chinese in order for them to give up Jack. We still don’t know what’s up with former President Buck Buck Brawwwwwk. And we still don’t know how Farmer Hoggett connects the dots between President BBB and Jack. Are they saving all those plot points for the “24” movie? Will there even be a “24” movie now that “South Park” has torn them a new one? Why don’t they just make another “South Park” movie? That’s what I really want to see. “Shut your fucking face, Uncle Fuckaaaaaaa…”

Heroes, Week 20: You Dropped A Bomb On Me

C’mon, did you really expect any other subject line?

You know, for all the talk about how Mr. Linderman’s plan to drop the bomb (so to speak) and destroy New York smacks of Ozymandius’s endgame in “Watchmen,” I dare say this week’s episode will have people saying, “Is it just me, or is this a whole lot like like a cross between the ‘Days of Future Past’ saga in ‘The Uncanny X-Men’ and the plot of ‘X-Men 3‘?” And they’ll be right. I mean, seriously, you go check out those Wikipedia entries, then come back here and tell me that I’m wrong…

Also, am I the only one who, at approximately 43 minutes into the show, uttered an obscenity under their breath? Holy mother of God, was that some shit or WHAT? But we’ll get to that…

So it’s five years in the future. What’s everybody’s story?

* Peter’s a major-league badass. Nice to finally see that scar Future Hiro spoke of so many episodes ago.
* Nikica’s a stripper AND Peter’s girlfriend. (Moral: being a badass has its benefits.) Oh, yeah, and she’s also not Nikica anymore. She’s just plain Nikki. Her husband’s gone, her son’s gone, Jessica’s gone…and we don’t really know for sure what happened to any of them, except that Micah’s demise is directly related to the explosion in New York.
* Mohinder is the advisor to the President of the United States on all things Hero-related, but despite everything that’s gone on during the last five years, it’s nice to see that he’s still naively hopeful about the chances for the future…to the point that he’s willing to commit murder to achieve it.
* Matt Parkman’s working for Homeland Security (along with Brother Voodoo), and he’s become a complete and total dick.
* HRG’s rustling cattle in Texas…okay, well, not really. But that’s the phrase Nikica used, and it made me laugh. It appears that he’s actually part of an underground movement to keep Heroes safe from the government by providing them with false identities. He’s also given up his trademark glasses! What the hell…?!?
* Claire’s a waitress who’s changed her name and her hair color and is on the verge of getting married.
* Hiro’s a fucking terrorist.
* And Ando…well, let’s not discuss Ando’s future fate. It makes me sad.
* Nathan is the President of the United States…though, of course, we knew that was coming…but did we really imagine that he’d become pro-genocide, especially given that he’s a Hero himself? Why would he do that?

Oh, wait, I know why he’d do it: because he’s SYLAR! HOLY CRAP!

There were a lot of great moments in this episode, but a very small one particularly stood out for me: how sad was that pitifully honest thought of Hiro’s that Matt caught? “I just want to be a hero.”

I also loved this exchange:

Parkman: So he’s a time traveler…?
Mohinder: Is that any different than being able to read minds?
Parkman: Uh, yeah. Yeah, it is.

Other nice moments: a newscaster’s reference to “the Linderman Act,” the way Parkman yelled “WHAT?” after Peter busted in, stopped time, and swiped Future Hiro and Ando from underneath his and his people’s noses, and the sheer depth of Parkman’s assholosity, when he thanks HRG for saving his child, then proceeds to threaten his life and go after his adopted daughter. Hey, if you’re gonna become an asshole, don’t do it in half measures, right? Which is why he goes on to kill Future Hiro before the episode’s over.

Okay, so the battle between Sylar and Peter had way too much of a Darth Vader vs. Obi-Wan Kenobi overtone to it, with the red and the blue lights. I still found myself thinking, “This is AWESOME!”

“Now, the hard part,” indeed. These three last episodes are going to be something else. I say again: there’s no other show on TV that’s as must-see as “Heroes.”

“Johnny Drama, you just got got!”

We all saw it coming from a mile away, but that didn’t stop the writers of “Entourage” from attempting to make Johnny Drama’s little run-in with UFC champ Chuck Liddell a pure coincidence. Upon hearing that Pauly Shore has personally requested Turtle’s assistance in punking Drama on his new reality series, “Gothca!” (think Ashton Kutcher’s “Punk’d” with even less talent behind it), Drama tells Turtle to sign him up with the hope that it will raise his profile.

Of course, when Drama mistakes a parking incident with Liddell as part of the show, he earns a new enemy in the “WWE wannabe” and comes home to discover a threatening message from Liddell on his answering machine. That was enough to sell me on the concept that maybe this was a coincidental occurrence, but as soon as Turtle suggested they go to Liddell’s charity event to apologize, I knew what was coming. Liddell makes Drama get on his knees and beg for mercy in front of hundreds of people, and Pauly Shore rushes out to tell Drama that he’s just got got. What the hell does that even mean?

Meanwhile, Ari’s old frat brother, Scott Siegel (Artie Lang), comes to town to visit, and while the guy’s apparently always been a bit of a fuck-up, it looks like he’s finally pulled it together. He’s a multi-millionaire (thanks to a website he founded called stamps.com) and he’s got a hot new fiancée (Leslie Bibb) that makes Ari furious. You see, he’s always been the alpha male of the two, so in order to regain a little control of their friendship, he decides to start hitting on Scott’s soon-to-be-wife, because, well, that’s what Scott used to do to Mrs. Ari. It was classic Ari at his best, but none of it was necessary.

In fact, most of tonight’s episode was more filler than usual, except for the aftermath of the Vince one-day pass of unlimited sexual pleasure. It had to happen (how else is Ari going to get reinstated as Vince’s agent?), but now the reunion is imminent. After the scheduled lunch where Vince was supposed to apologize to Amanda for his behavior the night before, it was obvious to Eric what had already happened, and he’s not at all happy about it. Not only does he think it’s unprofessional, but he knows how Vince is when he gets serious with a girl he really likes (ahem, Mandy Moore). And by the looks of next week’s episode, Amanda may be using that weakness to her advantage.

Unfortunately, it’s the audience that’s being taken advantage of the most. Did we really need such a no-frills episode? Sure, I love watching Drama get humiliated more than the next guy, but can we just finally see him in action on the set of his new show? I’m really curious to see if it bombs or not, and whether Drama temporarily becomes the more famous Chase brother. Plus, let’s get this “Medellin” subplot wrapped up before the end of the season. We know Vince is going to do it (he has to, he hasn’t worked in like a year), and I think it would be great if the film earns him a serious nomination. Not some crappy People’s Choice Award, but an Oscar, or at least a Golden Globe fer christsakes!

Just what Tony needs: another vice

I’ve got to start this week by giving props to BF, the reader who pointed out last week that I failed to mention Tony’s gambling. Clearly it’s become a serious problem, as BF predicted, to the point that Tony considered clipped Hesh rather than having to pay him the $200k he owed him. But then Hesh’s girl Renata died and Tony, ever the caring friend, showed up to offer Hesh his condolences and a paper sack filled with cash. Of course, I’m sure I wasn’t the only one who thought Tony had Renata killed up until he showed up to pay Hesh his money.

This is the first episode of the new pseudo-season that fell a little flat for me. Obviously, Tony’s gambling has suddenly become a big storyline, and you’ve got to wonder just how big of a role it plays in these final five episodes. Tony was out of control this week, losing $20,000 on a horse named Meadow Gold and then, after caving in and deciding to give widow Spatafore the $100k she asked for to give her and, more importantly, her deranged son (more on that later) a fresh start, he took that money and bet it (and lost it) on the Eagles because the Dolphins had to rely on a rookie kicker. The interesting note about all of this was the reaction Chris had when Tony decided to throw that money at the Eagles; if anybody knows dangerous addictive behavior, it’s Chris. Is he going to try to help Tony? Will that drive a wedge even further between the two?

Of course, the central problem was the fight between Tony and Carm after Carm refused to roll her earnings from the spec house into a bet on the Jets over the Chargers. Tony had inside info on the game and wanted to turn her windfall into a million-dollar payday but she refused, saying it’s her money and that she’s determined to not end up like Ginny Sack once Tony’s gone. Well, the Jets roll 42-10 and Tony’s pissed because he “only” put $10,000 on the game. “When I’m gone, you can live in a fucking dumpster for all I care,” Tony says after Carm chucked a vase at him. Yikes. He smoothed things over later, at least temporarily, but as well as things seemed to have been going between Tony and Carm so far, you knew something was bound to happen. I just figured it would be the Adriana questions, though I’m sure those will crop up again soon enough.

As for little Vito Spatafore…dude, that kid’s screwed up. Going hardcore Goth is bad enough, but taking a dump in the school shower? And then stepping in it?! Ewwww! As is often the case with this show, I’m not entirely sure where this storyline is going to go or what its purpose will be, but it may be as simple as the added tension it’s added to Tony’s relationship with Phil. If somebody should be stepping up to set the kid straight, it probably should be Phil since he’s Vito’s uncle or cousin (or whatever), and since he’s the one who offed papa Vito last season. But since Tony’s the one cleaning up the mess, you can bet he wasn’t lying when he told his guys he wouldn’t forget that Phil refused to step up.

Then there’s AJ, who finally looked to be getting his life in order. He’s got a woman he loves, a decent job (pizza shop manager, baby!) and, finally, some motivation. He asks Blanca to marry him and when she hesitates, he tells her that he’s going to keep moving up the ladder at work and in a couple of years, he’ll own his own restaurant. You had to feel sorry for the guy when she turned around and dumped him a couple days later, but I think another reader made a great observation a couple of weeks ago: Blanca’s pregnant. This one is obviously a guess but she’s been acting strange all season and, when Meadow mentioned that someone was expecting a baby, she looked very uncomfortable. Hmm….

Finally, two small notes. First, it looks like the two Arabs from the Bada Bing are going to finally come back into play. I’ve been waiting for this for a while. And Tony had a nice little callback to last season when he was talking to Vito, saying, “You go about in pity for yourself.” If you remember, that was a saying someone pinned to the bulletin board in Tony’s hospital room after Junior shot him, and he said the same thing to Artie a few episodes later. With the gambling issues and the general problems he’s been having recently, it seems Tony’s the one indulging in a bit of self-pity.

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