Category: TV (Page 428 of 595)

From TV Land to TV Lame?

In a move that will no doubt annoy the hell out of those of us who receive a certain degree of comfort out of knowing that there’s always a sure-fire place to find a rerun of “The Brady Bunch” when you want one, TV Land is changing its network concept, in an attempt to better cater to the Baby Boomers in their audience.

Step #1: Begin purging of “classic TV” format by airing re-runs of “Extreme Makeover: Home Edition.”
Step #2: Continue purging process by airing original, non-classic-TV-related programming, like, say, a show called “High School Reunion.”
Step #3: As long as you’re already getting rid of the classic-TV aspect, why stop there? Give up the all-TV aspect of the format, too, and start running movies that can be seen on virtually any other basic cable network and are never as funny once they’ve been purged of their profanities. Example: “Caddyshack.”

Boring.

At least the TV Land concept was an original one. Why throw that away in favor of turning the network into basically the exact same thing as everyone else…?

Hell’s Kitchen

Last night was the season premiere of “Hell’s Kitchen” on Fox. For those of you unfamiliar with the show, it’s a reality show in which 12 contestants compete to run their very own high-end restaurant that is owned by chef and restaurant industry veteran Gordon Ramsay. Ramsay is like the Simon Cowell of Hell’s Kitchen–British, brash, and not afraid of anyone or anything.

This is the third season, and the first two seasons delivered champs in Michael, who now runs Tattoo in Los Angeles, and Heather, who runs a restaurant in Vegas. This season’s winner will be the head chef at the Green Valley Ranch Resort in Las Vegas, with a guaranteed salary of $250,000 and a share in the profits. But first, they must endure a season of, well, hell.

The first thing the contestants were asked to do for chef Ramsay was to make their own signature dish for him to taste. First up was Vinnie, who made chorizo crusted snapper. Ramsay said it was so spicy that he couldn’t even taste the fish. Most of the dishes, in fact, were not up to par–Rock’s pan seared scallops were made with frozen gnocchi; Josh’s foie gras was too salty; and Jen’s vanilla crepes with peaches had too much alcohol. But Ramsay did like Melissa’s pepper crusted steak and Tiffany’s seafood tostada. And then, there was Aaron, a 48-year old “Asian cowboy” who cries easily. There always seems to be one of those on the show (does anyone remember Dewberry?). Ramsay said Aaron’s finger food was only half-good, and called him a “chunky monkey.” Ouch.

The next day the contestants had to be prepared for the grand opening of Hell’s Kitchen, which is now said to be the hottest ticket in Hollywood….I guess, if you know you’re not going to get served anything but bread because at least early in the season, no one can seem to produce any finished dishes.

The men were the blue team, and the women were the red team. Right off the bat, there was bickering among the red team, especially from the very bossy Joanna. What’s more, they could not produce any successful appetizers. Then again, neither could the blue team at first–until Vinnie was sent to wash dishes, that is. After Brad took over for Vinnie, 29 of 50 appetizers were served by the blue team, but the red team was still bickering and crying (literally). Finally, Ramsay had seen enough and shut down the kitchen because some tables had not seen any food at all within the first hour.

One of the funniest moments was when Aaron burned the chicken, and then when he tried to get started again, Ramsay told him to wipe his nose before serving “chicken and snot” to the guests. Priceless. I mean, this dude is beyond Simon Cowell.

Though Ramsay said both teams sucked, he called the red team “Hell’s bitches” because of their bickering and lack of teamwork, and declared them the losers. Melissa was the “best of the worst,” and therefore had to choose two of her teammates for potential elimination. She chose Joanna, who was one of the instigators, and Tiffany, who kept messing up the line for appetizers. In the end, Ramsay chose Tiffany–partially because she failed miserably, but also because he couldn’t possibly eliminate a loose cannon like Joanna this soon. She’s just too good for ratings.

It’s way too soon to pick a winner….but I’ll tell you right now who it won’t be–Aaron. That guy is a complete mess.

Anyway, hang on for the ride, and hopefully those of you who haven’t seen this show will check it out….it’s great for the comic relief of Ramsay’s bitterness alone.

A certain degree of comfort in “Creature”

There aren’t many positive things to be said for our favorite series going on their annual summer hiatus, but, occasionally, the networks manage to surprise us with a summer replacement that’s A) not yet another reality show, and B) actually worth watching. “Creature Comforts” – airing at 8:00 PM tonight – definitely succeeds on the first front, and as to the second…well, it’s the kind of show that’ll probably wear out its welcome before the half-hour mark, but it’s still clever enough that you can count on various segments from the series becoming instant and longtime YouTube favorites. (In fact, you may have already seen the original short that inspired the original British series, which in turn inspired this American adaptation.)

The premise of “Creature Comforts” is that the creators have gone through and done interviews with ordinary people, recorded their responses, and then had the fine folks at Aardman Animations (“Wallace & Gromit,” “Flushed Away”) set the people’s voices to animated animals. You get the idea almost immediately, as the opening segment has two dogs sniffing the butt of another, offering comments that were obviously made during a wine tasting. (“It smells…pretty ripe. I’m getting medium to dark notes.”) The humor is relatively dry for the most part, but, then, some of the comedy comes not from the lines but, rather, from the facial reactions of the other animals in the scene; for instance, one lion is answering the question, “Have you ever killed a man,” and the other lion’s eyes are darting back and forth, as if to say, “Shit, man, he’s gonna give us up!”

Your mileage on the show will undoubtedly vary. It has its highs and lows, and once you’ve gotten the idea, either you’re either going to be in for the long haul, or you’ll shrug, say, “Heh, that’s a funny idea,” and keep on flipping. I’m fearing it’s going to be the latter, unfortunately, but given the fanbase for Aardman’s other works, the up side is that, even if it should only last for a few episodes, “Creature Comforts: The Complete Series” will almost certainly be released to DVD.

“We decapitate and do business with whatever’s left”

The Sopranos Sil

There’s a part of me that doesn’t even want to blog about this episode. I don’t want to ruin it. I don’t want to overanalyze it. I don’t want to pick it apart. It was a brilliant 50-plus minutes of television, setting things up for what looks to be one helluva memorable finale next week, and that’s really all that needs to be said. The episode speaks for itself.

But what kind of blog would this be if we didn’t actually blog? So let’s start by saying: Here we go. Seems the bloody, shoot-em-up ending that so many viewers wanted has come to be. That early scene with Phil and his two cronies was one of the best scenes of the season, maybe the series. “The Sopranos are nothing more than a glorified crew,” Phil says, quoting Carmine. “We decapitate and do business with whatever’s left.” Seems Phil doesn’t think all that much of his NJ counterparts, or at least, that’s what I gathered when he called them a “Pigmy tribe.” He wants the top three guys gone: Sil, Bobby and, of course, Tony.

A couple of interesting notes here, the first coming from one of the guys from the NY group. Bobby is Tony’s #3. We’ve kinda known it for a while but, as the NY guy pointed out, Bobby used to be Junior’s driver. Then he marries Janice and a couple years later he’s T’s #3? That always seemed strange to me. Turns out they promote everybody, as Phil says, and Bobby’s a very large piece of evidence. But would Bobby be in that position if Chris had still been around? Probably not. Or, at least, you can bet Phil would’ve made Chris a priority over Bobby because he understood that Chris would’ve hurt T more. But Tony gives Chris a friendly push toward his dirt nap a few episodes ago and poor Bobby pays for it. In a hobby store buying an $8,000 train, no less.

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Yo soy Pablo Escobar

With the beginning of season four only two weeks away, the idea of this particular story arc ending with a cliffhanger felt a bit out of place, and so I was glad to see that tonight’s episode ended on a rather positive note instead. Sure, you could say that the latest revelation of the ongoing “Medellin” debacle was a bit surprising, but Vince and the guys certainly made the best of it.

More cut and dry than most episodes, tonight’s “Entourage” dealt with only two plotlines: Vince and Eric securing a financier for “Medellin,” and Drama and Turtle shopping for a new apartment. The latter found Drama out on the town looking for a new place to stay, and while he initially planned to move somewhere cheap, as soon as he views a beautiful condominium by accident, everything else pales in comparison. The Beverly Hills condo is going for $1.4 million, and thus way out of his budget, but that doesn’t stop Drama from buying the damn thing. Prepared to bargain with realtor, he ultimately agrees to pay $100k more than the asking price. Here’s hoping his series gets picked up, or he’ll be back on the streets like the old days.

Unfortunately, while Drama’s side quests are always entertaining (look no further than last week’s run-in with Brett Ratner), tonight’s subplot only seemed to get in way of the more important of the two plots: “Medellin.” It seems Nicky Rubenstein has finally earned access to his trust fund, and his first order of business is to sign on as the film’s financier. Unable to afford the previously budgeted $60 million, Nicky agrees to $25 million, meaning Vince and Eric need to find a director who knows how to stretch a budget. Good thing they know Billy Walsh. The only problem is Walsh is now working as an adult film director (under the alias Wally Balls), apparently because he got sick and tired of studio intervention, but the sheer mention of Pablo Escobar changes his mind.

Of course, he wouldn’t be Billy Walsh without his laundry list of demands (including a bigger budget and final cut), and while he initially butts heads with Nicky over the money issue, the two settle on a slightly larger number: $30 million – written in a checkbook and handed to Vince like it was a five-dollar bill. Finally, “Medellin” is going to get made, and no one can do anything to stop it. Well, unless that someone is Walsh, who apparently wants to film the entire movie in Spanish. Say what? Who does this guy think he is, Mel Gibson? Nonetheless, Vince doesn’t seem at all surprised, and he and Eric are on their way to Columbia to begin shooting right away.

Can “Medellin” go down without a hitch? Will Vince’s performance earn him an Oscar nod? Has Eric really chosen work over Sloan? Can Drama continue his good fortune? And will Turtle ever get a decent story? Hopefully, we’ll get the answer to at least one of these questions in two weeks, but I wouldn’t hold my breath.

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