Category: TV (Page 413 of 595)

TCA Press Tour: Back to “Shark”

Okay, I know, I totally jumped the gun earlier by posting James Woods’ obscenely witty comments during the informal “Shark” panel, but, dammit, it was funny, and I really wanted to share them with you. So now let’s get back to the series itself and mention a few more highlights of the panel…

* In Season 2, James Woods and Jeri Ryan will be working far more closely together than ever before. Says creator Ian Biederman, “In the construct of their world, she was a district attorney and, as opposed to that, she was ostensively his boss. So he was able to bring her in on cases every once in a while, but this year she lost the election for assistant district attorney at the end of the last season. She will be coming into the team at the beginning of this year, so she will be a partner on the team.”

Yeah, yeah, whatever. When are they gonna sleep together?

“Jimmy and I are negotiating on the amount of money it will take for that to happen,” says Biederman. “If the check clears, yes, there will be a torrid love affair.” More seriously, he adds, “I think the potential is there. It will always linger there. There’s an attraction between these characters on a number of different levels. So we will just have to see how it goes. I would think it’s something that’s interesting. We’ll see how it goes. As much as Jeri is begging me, I’m going to try to be patient.” (Says Woods, “I’m working for scale this year, just on the hope.”)

* The cast is being adjusted a little bit. Actor Samuel Page, who played Casey Woodland, “had a movie he wanted to do,” said Woods, “and he had the option to stay. And Sam, he’s phenomenal. This very morning, I called Oliver Stone to ask him to see Sam for the ‘My Lai’ movie because I think he’d be great in it. It’s one of those things where he could have not taken the movie or he could have gone with us, and I said, “Sam, do what you have to do.” We can bring him back. It was written in the first episode that he’s running his father’s campaign for governor, and so on, and so on. So we have the option to have him come back as much as we want, which I’m sure we will do. And he can still pursue his movie career. Honestly we are such a tightknit family, that it was one of those things, it just worked out perfectly for him. He’s got a big career, a big career shot, and, hey, let him take it, but also will you come back to us, and he can come back and forth.

“And,” adds Woods, “we have a new addition on a regular basis, which is more of a challenge for me, like we need a new character who can come in and kind of stir me up. This young man named Kevin Alejandro, who’s terrific. We’ve had a couple scenes together so far and he’s terrific.”

* Billy Campbell, who played Wayne Callison in two episodes during the first season (including the gripping season finale), will be almost certainly be back, says Woods. “we want to keep Billy around as much as we can because — it’s just one of
those characters that’s not just a thorn in Sebastian’s side, but there’s so many issues that you bring up — miscarriage of justice, how, you know — I’m sure the Ninth Circuit Court of Appeals will find a way to let the guy off, but, hey, he only murdered about 15 women. But he does have his rights, so, you know, I’m sure that will be an issue that will come up. Just get that Thelton Henderson in there and I’m sure he’ll get out and get elected president.”

“Just a little joke, guys,” clarified Woods. “Come on…!”

It ain’t over til the short Irish guy sings

It seems I was getting a little ahead of myself when I declared the fourth season of “Entourage” as one of the best yet. It’s true, the season has been amazing after that overly long (and ultimately eventless) junior year, but enough already with the whole Eric/Walsh blowout. I get that Walsh is a giant prick and Eric is sick of putting up with his crap, but it’s Hollywood – you’re making shit tons of money for doing very little (especially Eric), and yet you still can’t grin and bear it like everyone else? Has Eric ever thought that maybe Walsh doesn’t enjoy working with him? Of course not, because he’s too busy bitching and whining about why he doesn’t like Walsh, how Walsh has screwed up “Medellin,” and how he’s already peaked as a director.

As a favor to Vince, however, Eric has bailed out of his producing duties (which he’ll still get paid for, though) on the new Chase/Walsh collaboration, and will simply operate as Vince’s manager. This is probably a good move for all three of them, but if Eric ends up being right about Walsh, the audience is going to be forced to side with him in every future decision he makes and, well, that wouldn’t be good.

Hopefully, this won’t get in the way of Ari signing Walsh, but I doubt it will since Vince has still agreed to star in the film. Ari, meanwhile, has more important things to worry about when Lloyd up and leaves the agency in the middle of the workday. His reasoning? His boyfriend, Tom, just broke up with him, and he’s simply too depressed to carry on. After a clueless replacement screws up a call from Eric, Ari goes looking for Lloyd in an attempt to get his all-star assistant back in the game. It doesn’t work, however, and Ari is forced to make a visit to the ex to patch things up. What he discovers when he gets there, however, is that the reason Tom broke up with Lloyd isn’t just because of his long work hours (as Ari was told), but because he cheated on him. Ari, always prepared to lie to get what he needs, convinces Tom that Lloyd was with him the night in question, and presto, Tom takes back Lloyd, and Lloyd comes back to work. You gotta love Ari Gold sometimes; the guy knows how to get things done.

And in a very unsurprising turn of events, Drama and Turtle stayed as far away from the main action this week in order to go off and do their own thing. Turtle’s cousin, Ronnie, is in town with a possible investment opportunity involving a Sandy Koufax baseball jersey up for auction. He doesn’t have enough money to seal the deal, though, and so he goes to Turtle for the other half. With rumors swirling that Koufax could kick it any day, it’s the perfect time to swoop up some rare personals to turn around and sell for some serious profit. Unfortunately, after Ronnie bails and Drama steps in to pick up the financial slack, the pair wins the jersey only to discover that the rumors are false. Big surprise, there, and yet another complete waste of time for the comedic duo.

TCA Press Tour: How I Met The Best Sitcom You’re Not Watching

So why did the informal panel for “How I Met Your Mother” involve only one member of the cast? Not that we’re complaining, you understand – if you’re gonna have one member, it might as well be Neil Patrick Harris – but, y’know, the absence of Cobie Smulders, Josh Radnor, Jason Segel, and Alyson Hannigan was certainly an obvious one…so obvious, in fact, that co-creator Carter Bays didn’t even wait for anyone to mention it.

“You probably read it in the paper,” said Bays. “It was just creative differences. The other four…we’ll figure it out. We’ll write around it.”

(Actually, Smulders was in London, doing Shakespeare, while Hannigan showed up later in the evening at CBS’s all-star party; no word on where Segel or Radnor were, but the former was probably working on the movie “Forgetting Sarah Marshall,” which he wrote and stars in. As to the latter, I got nothing.)

I know I wasn’t the only critic in the house to be completely psyched about this panel, and, certainly, Harris, Bays, and Bays’ fellow co-creator, Craig Thomas, left everyone laughing.

* Earlier in the morning, Nina Tassler indicated that the show would finally, finally begin to get around to answering the question as to who the mother of Ted’s kids is, but one of the other reporters asked what all us were more or less thinking: “How much can you hint around before it starts to get annoying?”

“That’s the question we hope to answer,” said Thomas. “In episode one (of the third season), we’re going to see…basically, it’s going to be the biggest connection to the sort of larger search for the mother; episode one will show that we have not forgotten the title of our show, in a very exciting way.”

Bays also confirmed that, much as longtime fans have theorized, there have indeed been hints in previous episodes which will, in retrospect, become notably important. “Yeah, the thing that we love to do…sometimes, we plant things intentionally. Sometimes, little things grow out of…we’ll write one joke in season one, and that will turn into a entire episode in season three. So yeah, I think everything’s up for grabs. It’s in there.”

* The fantastic mall episode – which brought us the wickedly insidious Robin Sparkles song, “Let’s Go To The Mall” – was written by Kourtney Kang. The reason for Robin being Canadian occurred organically – Smulders is from Canada as well – but the writers have had to start taking it easy on the jokes about our neighbors up North. “It’s such filthy luctre for writers,” says Bays. “At first, it was just like, ‘We’ll just throw in a joke about how she’s Canadian,’ and we just couldn’t stop ourselves. And in every episode, we’re just making fun of it.”

Craig Thomas clarified the situation a bit more. “We approached Cobie and we said, ‘We’re going to make Robin Canadian. We’re going to do some comedy about that, but it’s going to be really smart. It’s going to be, like, our smart way of, like, showing the absurdity of American culture.’ And we didn’t do that even one time. We just completely sold her out immediately.”

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TCA Press Tour: “Cane” raises the bar on quality drama?

Would you accept an answer of “probably”? I haven’t seen the show yet – the CBS pilots arrived not long before I left for L.A., so I wasn’t able to check ’em all out – but based on the star power of the series (Jimmy Smits, Hector Elizondo, Rita Moreno, and Nestor Carbonell) and the feel of the material shown in the preview clip, it sure seems like it’ll be great.

“Cane” is the creation of executive producer Cynthia Cidre, who’s more or less writing from experience. “I’m Cuban, I have done two pilots for them previously, (and) I’ve done Cuban shows before,” she explains, “and (Nina Tassler) said, ‘You should write about what you know.’ And my father was in the sugar business in Cuba; he was a sugar chemist.”

As far as the pulling-together of such an impressive cast, producer Jonathan Prince explains it away with one simple phrase: “If you write it, they will come.”

“Cynthia wrote a beautiful pilot,” said Prince, “and the commitment from CBS to give it the production value it needed, we kept saying we really want to do something big and epic and felt like it wanted to get bigger each week. So the first cast member to come on board was Jimmy. And Jimmy came on board early enough that he could help us shape the vision and the script, and so then a good script got greater. And suddenly, I guess — the most fun about the casting process is this: Who will be Jimmy Smits’ wife? Who will be his adoptive parents? And as you begin to look at lists, you guys know how it works. Some casting director gives you a bunch of lists, and suddenly the list is Hector Elizondo. You say, ‘Well, he would never do this. He would do this show? Oh.’ Or Rita Moreno. ‘Rita Moreno wouldn’t do this show. She would do this show? Oh, sure.’ And then you get surprises. We had never met Paola. We had never met Lina. We knew Nestor’s work. I’d never met Eddie. He came in and auditioned on a weekend one day. It’s not the way it sounds. He was charming and blew us away. I’d never met Michael. So some of them were complete surprises. Others, Cynthia and I kept — we would go home at night, thinking, ‘We got Hector.’ It was crazy. But Jimmy led the way by, I think, example, but also helping us create a better script for these roles. One of the people who is not up here today is Polly Walker, who is a British actress. If you watched the show ‘Rome,’ you would know who she is. She plays — it’s a small part in the pilot, (but) it’s a very large part in the series. She plays a woman who is having an affair with Nestor’s character. She plays the nemesis. She plays Ken Howard’s daughter. When she signed on, it was sort of like — it was icing on the matza. It was like, ‘This is crazy.’ So the cast got better.”

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Random Fox revelations

The beginning of Fox’s two days at the TCA began with a Q&A session with Peter Ligouri, network chairman, and Kevin Reilly, the network’s new entertainment president, having just joined the network from NBC. (Well, technically, it began with a breakfast sponsored by “Hell’s Kitchen.”) The morning was a mixture of revelations from the pair coupled with a plethora of press releases which we found on our chairs when we arrived for the panel, so here’s a blend from the two sources:

* “So You Think You Can Dance” has already been renewed for a fourth season, to air in 2008; same deal with “Hell’s Kitchen.”

* Like its parallel-network counterpart, “The Singing Bee,” Fox’s very own missing-lyrics game show – “Don’t Forget the Lyrics!” – has been renewed for an additional 13 episodes.

* “COPS” will hit its 700th episode on Nov. 10th, during what will be its 20th season. (Man, I’m old. I still remember when it premiered!)

* “24” will have a female president this year, played by Tony Award-winning actress Cherry Jones. “Decisions are consistently made on ’24’ to reinvigorate the franchise,” says Ligouri, but he doesn’t want to give away any storylines to explain how a woman in the White House will change things. Also, the show will be trying to be as environmentally-friendly as possible, to the point where, if all things go as planned, the entire season finale will be, as the kids say, “carbon neutral.”

* Guest voices on “The Simpsons” this year will include Jon Stewart, Jack Black, Lionel Richie, Stephen Colbert, Steve Buscemi, Maya Rudolph, Dan Rather, Placido Domingo, Matt Dillon, Kelsey Grammer and David Hyde Pierce (Bob and Cecil Terwilliger, together again!), John Mahoney (as their dad!), Kurt Loder, “Weird Al” Yankovic, Keith Olbermann, Beverly D’Angelo (can it be possible that she’ll return as Lurlene Lumpkin?), and Topher Grace. Also appearing in the Jack Black episode will be…wait for it, comic geeks…Alan Moore, Art Spiegelman, and Dan Clowes.

* What happened to “Drive,” with its final two episodes being postponed twice and finally ending up solely for online viewing? “It will always be a complicated issue with serialized shows,” says Ligouri. “I do hope that, with all the broadband out there, loyalists will still get to see it, but if you’re going to dive into serialized shows, you have to realize that, somehow, you need to bring them some closure. It may not always be on broadcast with lot of marketing, but when shows have a narrow group of loyalists, you try to somehow satisfy them.” Gosh, what an utterly unsatisfying answer! It still doesn’t explain why those last two episodes got bumped altogether.

* MADtv” adds three new members to its ensemble: Johnny Sanchez III, Anjelah N. Johnson, and Dan Oster.

* Ligouri doesn’t think “Back to You” or any sitcom should be referred to as the savior of the traditional multi-camera comedy; Fox put it on the air because it’s funny, not because they were trying to bring back a particular comedic format.

* A controversial scene within the pilot for “The Sarah Connor Chronicles,” which involved a school shooting, was filmed prior to the horrific events at Virginia Tech and will be excised from the show before it airs.

* An episode of “House” will air immediately after the Super Bowl.

* On the accusations of “24” sucking really, really hard last year, Ligouri had about as little of substance to offer on that topic as he did on “Drive.” “Frankly, especially on ’24,’ that happens at the end and beginning of every season,” he claimed. “The show resets its table every year. They pick apart the weaknesses in their show; they don’t say that their show is perfect.” Ligouri doesn’t feel that it will require wholesale changes from the writers and producers to repair last year’s problems. “They’ve put on their game face, they know they have a bar to jump over, but those guys are very competitive and it fuels their creativity.”

* “Prison Break” may or may not have a break during its 22-episode run this season. It seems to be a time-will-tell situation…but, at the moment, the plan is for a break.

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