Category: TV (Page 360 of 595)

“Jericho” ratings

As everyone knows, ratings are the lifeblood of a television series. “Jericho” was cancelled at the end of last season, but a grassroots effort saved the show. The series is in the middle of its six-episode second season, and the ratings are just so-so.

For the first four episodes of the second season, “Jericho” is averaging 6.4 million viewers as compared to an average of 8.0 million viewers over the last 10 episodes of last season. There’s no telling what CBS would consider a “win” here. Given the effect of the writers’ strike, it’s difficult to guess what kind of numbers the execs see as a baseline for renewal.

There was a pretty big twist at the end of last week’s episode, and without giving anything away, it would seem that things are going to be pretty hectic in “Jericho” the next two weeks.

The Wire 5.10 – 30 – Series Finale

Fans of “The Wire” are no doubt smiling right now. Even though tonight’s episode marks the last time we’ll ever see McNulty in the doghouse, listen to Landsman berate his fellow officers, or even hear Clay Davis say “Shiiit,” I’m more than content with the way things ended. In fact, you could even say David Simon and Co. hit a homerun with the 95-minute finale, addressing all the loose ends and delivering a gift-wrapped ending that you just don’t see in season finales these days.

With news of McNulty and Lester’s shenanigans finally reaching Carcetti at city hall, the governor hopeful is absolutely livid. It’s a lose-lose situation from where he’s standing, and in order to protect himself during the upcoming election, he agrees that burying the dirt is best. Daniels doesn’t necessarily agree, but he doesn’t really have a choice. Pearlman is tied to the wiretap, and if McNulty and Lestor go down, so does she. Of course, that doesn’t mean Pearlman is necessarily accepting of her position, and she makes sure Lester knows about it when they run into one another downtown.

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Lester relays the info to McNulty, who’s busy trying to wrap up his Red Ribbon Killer investigation, and together they map out a gameplan for the future. As it stands, the two aren’t exactly in trouble, and aside from being forced out of actual police work for the rest of their careers, they probably won’t even face a grand jury hearing either. Still, that doesn’t exactly help with McNulty’s guilt when he discovers that a copycat killer is on the prowl, murdering homeless men and tying white (not red) ribbons to their wrists. Surprisingly, McNulty is quick to solve the crime, and though Rawls would love to pin all of the homeless killings on the culprit (a delusional homeless man himself), McNulty is adamant that he only be charged for the last two murders.

Though none of the higher-ups are especially pleased with McNulty and Lester, you’ve got to credit the latter for digging up dirt on Marlo’s lawyer, Levy. Without it, it looked like Marlo would not only be dismissed from his charges, but that Carcetti and the entire BPD would be exposed for McNulty’s big white (or is it red?) lie. Instead, Pearlman uses the information against Levy, scoring Chris a life sentence for all of the vacant murders, and Monk and Cheese up to 20 years for possession/intent to sell. Marlo, on the other hand, is given a slap on the wrist and a warning that if he ever traffics drugs again, he’ll be right back in jail.

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American Idol: Twelve Left Sitting

Last night’s “American Idol” results show was a grueling hour long, but at last, we are down to the final 12. As they have been doing the last few seasons, they had 12 seats and filled them one by one, slowly working their way to who was being eliminated this week.

But first, last season’s runner-up, Blake Lewis, performed his new single, “How Many Words.” As you would expect, it was heavy on the beatboxing. But the song’s chorus absolutely soars. Then, after giving some love to Paula Abdul for having the #1 song on iTunes right now, it was on to the lengthy recaps of the last two nights.

Finally, Ryan Seacrest faced the guys and started to swing the axe. First up, David Cook, who sang that great version of Lionel Ritchie’s “Hello” on Tuesday. Seacrest said he spoke to Ritchie, who admitted he loved David’s version of the song. Cook was Continue reading »

Lost 4.6 – The Other Woman

Who would’ve thought Juliet was a homewrecker? Not me, but after a trip back to her past this week, we now have a better understanding of Juliet’s relationship with Ben. Unfortunately, with the exception of the revealing flashback, and a couple other treats for the fans, tonight’s show didn’t even come close to the quality of previous episodes.

Juliet’s flashback originally had me believing it was actually a flash-forward. As she’s speaking with a therapist named Harper (an almost unrecognizable Andrea Roth), the two discuss her status as a celebrity. Could Juliet be the final member of the Oceanic Six? Nope. Instead, she’s referring to her arrival on the island, and before long, her popularity level has plummeted when she begins having an affair with Harper’s husband, Goodwin. Surprisingly, Harper couldn’t care less, but she does offer a warning to keep their relationship a secret from Ben.

As it turns out, Ben has a massive crush on the good doctor, and when Oceanic Flight 815 crash lands on their island, it gives him the perfect excuse to split the pair apart. Ben sends Goodwin away to spy on the Tailies, and as we already know, that didn’t end very well. When Ben hears the news, he escorts Juliet to Goodwin’s body, and reclaims her as his own. It was pretty creepy stuff, but, well, that’s Ben for you.

Back on the island, Juliet has a completely new set of problems. It seems Faraday and Charlotte have managed to slip away into the jungle, and when Juliet and Jack split up to go looking for them, Juliet is greeted by Harper. Warning her that the freighter duo is on their way to the Tempest (the island’s electrical station) to release the toxin gas, Harper gives instructions from Ben to stop them by any means necessary. Oh yeah, and then she just sort of disappears. Was it Juliet’s imagination? Not possible, since Jack saw her too, but aside from that simple observation, I have no idea what else it could be.

Regardless of the specifics, Juliet and Jack continue their search, coming across a semi-conscious Kate in the process. After explaining her disastrous run-in with Faraday and Charlotte (which included spying a bag of gas masks before getting a knock to the back of the head), Kate joins the duo on their search. When they arrive at the Tempest, Faraday is already hard at work at a computer terminal, but claims that he’s trying to disable the gas so Ben can’t use it against his people. Confident that Faraday and Charlotte are probably correct in their assessment of Ben, Juliet lets them go.

Meanwhile, on the other side of the island, Locke has just struck a deal with Ben. In exchange for his freedom, Ben has promised Locke the answers he so desperately wants. He even goes one step further by showing him the identity of the freighter crew’s boss via a VHS tape hidden in a safe. The video shows Charles Widmore, and though I’m not exactly sure Ben is telling the truth, he seems to believe that Mr. Widmore is trying to exploit the island as a sort of miracle-giving tourist spot. Could that really be true, or does Ben still have a few aces up his sleeve? If history has taught us anything, it’s probably the latter.

A Chat with Adrian Paul (“Highlander: The Source”)

Although he’s been bouncing around Hollywood as far back as 1987, when he played Kolya ‘Nikolai’ Rostov on the “Dynasty” spin-off, “The Colbys,” it’s fair to say that Adrian Paul is more often remembered for his role as Duncan McLeod in the “Highlander” saga. After quite a few episodes of the TV series and a feature film, Paul took a break from the “Highlander” universe for several years, but he returned at long last for last year’s “Highlander: The Source,” which turned up on the Sci-Fi Channel and has recently seen DVD release. We spoken to Paul about his experiences in making the film (and whether there’ll be any more), his thoughts on longtime “Highlander” producer Bill Panzer, why his other sci-fi series, “Tracker,” never really took off, and what he’s been working on recently.

Adrian Paul: Hi Will.

Bullz-Eye: Hey Adrian, how’s it going?

AP: Good, good.

BE: So how hard was it to step back into the shoes of Duncan MacLeod after a few years?

AP: It was interesting. It was a different time, too, you know, and they wanted a slightly different type of character; you know, a little darker. But, you know, it’s fine, and you can do that because you know the values of the character; you kind of step back into it and try and find new stuff. So what with the old and the new stuff, you hopefully have a character with some new twists.

BE: Was it painful to lose your katana after all these years?

AP: (Laughs) No. The thing was, I think nothing’s lost, y’know? I mean, we know where it’s buried! But I love the katana. I love tai chi and working with the katana; I find it a very malleable type of weapon. But I do like using other weapons, too, and we wanted to sort of give it a whole different type of flavor. So we tried it, and even though a lot of the fights were sped up…which wasn’t my idea…we had some really interesting fights. The thing was that we actually tried a whole bunch of different types of weapons and stuff so that we’d have a roundabout look on it, but we didn’t know what we were facing when it comes to visual effects. That was an unknown quantity to us, so all we could do was choreograph it and hope for the best.

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