Category: TV (Page 319 of 595)

Old Show, New Season: “Terminator: The Sarah Connor Chronicles”

If you’ve read my review of the first season of “Terminator: The Sarah Connor Chronicles,” then you already know that, although I felt the show lost a little momentum after its premiere, it kicked into overdrive with its fifth episode and roared full-throttle from there to the season finale. Granted, there were only a total of nine episodes in the strike-shortened season, but, still, the addition of the character of Derek Reese – John Connor’s uncle – into the mix not only turned the show from “not bad” into “pretty damned awesome” but also forced me to make the admission that, despite being a really terrible rapper, Brian Austin Green is actually quite serviceable as an action hero.

So if you watched the show last season, then there’s probably only one question to which you’re really dying to get the answer: did Cameron (Summer Glau) survive the bombing of her vehicle…?

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Greetings to the New Series: “Sons of Anarchy”

With “The Shield” entering its final season and “Nip/Tuck” heading to a conclusion in 2010, it’s high time that FX found itself a new signature drama or two…and given that “Dirt” has been cancelled, “The Riches” hasn’t gotten a third-season pick-up, and “Damages” is more popular among TV critics than actual viewers, they really to step up their game and hunt up a new series that can be embraced by a larger audience.

Enter “Sons of Anarchy,” a show which is somewhat Shakespearean in spirit but ultimately comes off more like “The Sopranos” if members of the Mafia were replaced with motorcycle-straddling toughs. Not that that’s a bad thing…especially not when Drea de Matteo’s in the cast of this show, too.

I was able to check out the first episode of the series when I was out in L.A. at the TCA Press Tour, but it was late and I was exhausted, so although I walked away from it feeling that it was too dark for its own good, I also felt like I wasn’t giving it my all as a critic, so I vowed to watch it again when it made its formal debut on FX. Now that I’ve done so, I admit that I found myself enjoying it a little more this time around…but it’s still pretty damned dark.

Not that the darkness is all that surprising. After all, “Sons of Anarchy” is the creation of Kurt Sutter, who’s done just about everything there is to do on “The Shield,” having produced, directed, written, and story-edited on that series, not to mention the fact that he played the role of Margos Dezerian. So, basically, the guy knows dark.

Setting aside the darkness, however, the bigger concern is whether or not the saga of a biker gang can be made into a series that the average viewer can latch onto.

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The Shield 7.1 – Coefficient of Drag

FX may be heavily promoting this year of “The Shield” as its last, but tonight’s season premiere felt like it could have taken place anywhere in the show’s timeline. Sure, Vic may be hanging on to his career by a thread, and Shane continues to dig himself into an even bigger hole every time he tries to do “the right thing,” but something about the forthcoming season reads like a page out of the show’s golden years. What’s even better is that it actually makes sense. After all, Vic is trying to save his job and protect his family, so what better way to do both then to pit those standing in your way against one another?

Picking up almost immediately where season six left off, Shane arrives home to discover Mara bound and gagged on the couch. Before he can do anything to help her, Vic and Ronnie grab him from the shadows and begin to beat him up as payment for kidnapping Corrine and Cassidy. When Shane explains that he was only trying to protect them (because the Armenians know about the money train), Vic has no other choice but to join forces with Shane in order to stop the Armenians from exacting revenge. This includes tracking down Zadofian (the hitman sent to kill Vic’s family) who, coincidentally, Shane has also been ordered to find. Unfortunately for him, Vic arrives first (though Ronnie is the one who actually kills him, assuring Vic is clear of any suspicion). And so Shane, desperate to cover his ass, makes the murder look like Kazekian’s handiwork by chopping off the feet. When Rezian questions how she could possibly be getting anything done while on the run, Shane suggests she’s in cahoots with the Mexicans.

Meanwhile, as Pezuela continues to fuel the Mexican and Salvadorian turf war in order to make room for future business ventures, Vic and Aceveda are busy deciding how to best use the recently acquired blackmail files to take him down. Vic is hoping to perform a little blackmail of his own so that he may save his job, but when Aceveda informs him that doing so would ruin the chance of building a real case against Pezuela, Vic is forced to change his game plan. Instead, he goes straight to source, giving Pezuela fake intel about an ongoing bidding war for the missing documents, and in return, earning a 30-day reprieve from his forced retirement. Vic makes Pezuela believe that the Armenians desperately want that box of files, and by forcing him (and by default, the Mexicans) into a gang war with the Armenians, Vic hopes to kill two birds with one stone. Then again, it’ll probably only make things worse.

The rest of the episode was a bit of a mixed bag. Dutch and Claudette trick Billings into voiding his own lawsuit when he solves an old case, Ronnie puts in a transfer request to SIS (and also gets promoted to Strike Team leader in the same day), and the Mexican/Salvadorian bloodbath lures a federal agent named Olivia Murray to town hoping to regain favor with her bosses. I’m not exactly sure how the third subplot is going to pan out, but I really wish that they would have saved her introduction for an episode with more time to explain things. Murray is briefly introduced in the opening sequence, only to disappear for the rest of the episode, and I’d like to think I would’ve understood why she was there a little better if there wasn’t so much going on.

Of course, when Vic is crashing cars into buildings (Best. Diversion. Ever.) and Shane is chopping off people’s feet, it’s easy to miss some of the episode’s subtler moments. Nevertheless, this is a great start to the new season. Now all Shawn Ryan and Co. have to do is keep it up.

Greetings to the New Show: “90210”

Like every other critic in the free world, I was unable to screen the new “90210” in advance, since the producers of the show decided to keep it under wraps and premiere it for everyone at the same time. Due to a scheduling conflict (one of our cars is in the shop, and I needed to pick my wife up from work), I was unable to start viewing it right at 8 PM EST, but when I logged onto my computer before hitting “play” on the TiVo, I spotted the following status update from one of my friends on MySpace:

Christiethinks the new 90210 blows goats.
Mood: cynical.

Wow. And I thought *I* was bad.

As it happens, I actually rather enjoyed the premiere of “90210,” though it’s probably telling that the adults in the show seem to be about ten times better written than the teenagers.

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