Category: TV (Page 172 of 595)

Entourage 6.9 – Security Briefs

Talk about wasted opportunities. Just when it looked like the writers were cooking up an interesting storyline for Vince involving a potentially dangerous stalker, it turns out to be a rush week prank by a bunch of sorority girls. Turtle is a little surprised that it’s his underwear they were after, but considering he’s dating Jamie-Lynn Sigler, he was bound to start getting more attention from ladies. Unfortunately, that’s only going to spell trouble for Turtle, who will likely find a way to screw up a good thing as Ms. I Only Wear Thongs continues to flaunt herself in front of him.

Getting back to the whole stalker subplot, it really did feel like a big fat waste of time. It might have been different had the storyline been contained to a single show, but the fact that it was drawn out over three episodes really made it seem like they were trying to turn it into something bigger. Perhaps that was the point, and the punch line is supposed to make light of how serious everyone has been reacting to it (namely Drama, who decides to interrogate Vince’s stalker himself), but it just didn’t have as much of an impact as it would have if the stalker really was a threat.

In fact, the only good thing that came of it was a funny little inside joke involving the caller ID on Eric and Drama’s phones. Instead of coming up “Vincent Chase” when he calls, it reads “Rupert Pupkin,” in reference to the lead character of Martin Scorsese’s 1982 film, “The King of Comedy.” For those of you who’ve never seen it, the movie is about an aspiring stand-up comic played by Robert De Niro (and named Rupert Pupkin) who begins stalking his idol (a late-night talk show host played by Jerry Lee Lewis) in an attempt to get his foot in the door. Admittedly, it’s a bit of a sick joke considering Vince could have really been in serious danger, and it’s ultimately going to prove even more troublesome for Eric. Ever since lying to her about Sloan, Ashley has been obsessing about every little thing Eric does. This isn’t going to help matters, as she now thinks Eric was speaking to someone named Rupert Pupkin when he told her he was talking to Turtle and Drama. Oh well, they weren’t going to last anyway.

While the stalker subplot ate up everybody else’s time, some progress was finally made between Ari and Lloyd involving the latter’s impending promotion. After Ari steals Zac Efron away from Adam Davies right in front of his face (well, technically, it was over the phone), Davies decides to fire back by offering Lloyd a job at his agency. Lloyd remains loyal at first, but after Ari goes all Principal Gleason on his ass by tacking on an additional 60 days to his original 100 Days of Hell, Lloyd decides that he’s had enough mistreatment and crosses over to the dark side. Ari can’t blame anyone but himself – he’s been a jerk in the past, but tonight he was a straight-up douche – and he’s already second-guessing his behavior. Can Ari even operate without Lloyd by his side? That’s what he was worried about when Lloyd first brought up the idea of becoming an agent, and it looks like we’ll finally get to see how he handles it.

Fantasy Factory: Season One

When MTV announced the end of “Rob & Big” after only three seasons, I was truly sad to see it go. I’m not a particularly big fan of reality shows, but the relationship between skateboarding mogul Rob Dyrdek and his bodyguard, Big Black, made for some great TV. Now that Rob is on his own, you’d think his new series wouldn’t be nearly as entertaining, but it’s actually just as good. Thanks to a great supporting cast of characters (like his cousin/assistant Drama, manager Jeremy, and gangster rap receptionist Chanel, to name a few) and the same kid-like enthusiasm that Rob seems to live and die by, “Fantasy Factory” is 100% pure fun.

The title of the show refers to Rob’s awesome business HQ, an all-concrete indoor skate plaza and office complex (read: pimped-out warehouse) where he spends most of his days. From helping fellow pro skater Danny Way break the land speed record to volunteering himself for a controlled shark attack, there’s nothing that Rob Dyrdek won’t do. Still, while he may act like a big kid, he’s also a very smart businessman who, over the course of the season, invests in a restaurant, launches a successful toy line, and even initiates a new urban skate program with the help of the city’s parks and recreation department and sponsorship from Carl’s Jr. The viral videos he creates in conjunction with the skate park are some of the season’s best moments, not to mention all of the cool skateboarding sequences and crazy basketball shots peppered throughout each episode. You can call it a guilty pleasure if you like, but “Fantasy Factory” is every bit as enjoyable as the shows you don’t feel guilty about watching.

Click to buy “Fantasy Factory: Season One”

RIP Larry Gelbart

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An important chunk of entertainment history left us yesterday with the death of Larry Gelbart at 81. Gelbart was gifted both working alone and as a collaborator with other writers. It probably helped that relatively early in his career he labored alongside Carl Reiner, Mel Brooks, Woody Allen, and Neil Simon on comedian Sid Caesar’s classic early variety shows. In the sixties he graduated to Broadway and the movies. With Burt Shevelove, he cowrote the book for the Broadway musical/Zero Mostel vehicle, “A Funny Thing Happened on the Way to the Forum” (later filmed by Richard Lester) and the hard to find all-star cult British comedy, “The Wrong Box.” A Chicago-born graduate of L.A.’s Fairfax High (right across the street from Cantor’s Deli), he lived in England for a time, working with another nice Jewish boy named Marty Feldman at the height of his English television fame.

He became much better known in the seventies as the primary writer during the early, funnier and more politically pointed days on the television version of “M*A*S*H.” I get to write about him because he made a mark in movies that’s too important to ignore, writing several good ones, and some not so good. He’ll probably be most commonly remembered for his work on “Oh, God” with George Burns in the title role, and what is probably Dustin Hoffman’s best performance in “Tootsie,” which is something of a comedy classic. He also co-wrote with Sheldon Keller the vastly underrated and all but impossible to see spoof of early Hollywood (specifically Warner Brothers) films, “Movie, Movie,” directed by Stanley Donen and starring George C. Scott, Eli Wallach, Trish van Devere, and Barry Bostwick. (A likely model for “Grindhouse,” in that it was also a double-feature complete with fake trailers.) It more than made up for the regrettable but profitable “Blame it On Rio,” written by Gelbart and also directed by Donen, which starred Michael Caine, Joseph Bologna and an extremely young Demi Moore.

In the nineties, he divided his time between Broadway plays like “City of Angels,” a musical spoof of classic hard-boiled detective novels, and pointed TV movies like “Barbarians at the Gate” — a tongue in cheek version of a nonfiction book about the buyout of Nabisco — and 1992’s “Mastergate,” an unbelievably witty parody of the hearings that invariably follow major Washington scandals.

Mr. Gelbart never stopped writing until almost the end, and was easily one of the most respected and beloved writers in all of show business. 81 isn’t exactly young, but we could’ve used a few more years of his presence. It’s a sad weekend for the world of funny.

Below, a great moment from “Tootsie.”

More about Mr. Gelbart’s illustrious career here, here, here, and here.

Ellen DeGeneres signs on as “American Idol” judge

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You don’t have to be a huge reality TV fan to know this is big news. Even Nikki Finke pays due respect and notes that once controversial, now beloved, comedian and talk show host Ellen DeGeneres has “broken every gay barrier now that Madison Avenue loves her.” The press release says nothing about it, but the gig on the hugely successful reality show is being touted by Finke and seemingly everyone else as a five-year deal. According to MTV News, not all of the show’s most rabid devotees are on board — even though DeGeneres is a widely known as a fan of the show and says she has watched every episode.

In any case, here’s a couple of quotes from the release, starting with one from the comic herself:

“I’m thrilled to be the new judge on AMERICAN IDOL,” said DeGeneres. ”I’ve watched since the beginning, and I’ve always been a huge fan. So getting this job is a dream come true, and think of all the money I’ll save from not having to text in my vote.”

“I could not be more excited to have Ellen join the AMERICAN IDOL family,” said creator and executive producer Simon Fuller. “Ellen has been a fan of the show for many years, and her love of music and understanding of the American public will bring a unique human touch to our judging panel. I can’t wait for this next season to begin.”

And now, a moment of celebration for Ellen’s fans (and I’m sure her agents aren’t unhappy, either).

“Texts From Last Night” would be the first show of its kind

Texts

Texts From Last Night is a website where users submit raunchy, embarrassing, and funny text messages they either sent or received the previous night. Unfortunately, it’s a sign of our times that drunken behavior can be profitable. And TFLN is doing quite well for themselves, as ads from Apple and American Apparel must bring in some strong revenue. The site is a huge hit with America’s twentysomethings and is now reaching into different mediums.

After strong interest from several networks, Fox landed a multicamera coming-of-age project based on the popular Web site.

Called “a living document of twentysomething life in 2009,” it has become a Web success story since launching in February, averaging 4 million hits a day.

The show will be written by Steve Holland and produced by Sony TV and Happy Madison, Adam Sandler’s production company.

“The show is about twentysomethings in that post-college, pre-the-rest-of-their-lives limbo trying to figure out what to do, and texting is a large part of that,” Holland said.

A couple shows come to mind that are based around funny videos on the Internet. That is one respect in which content on the Internet has crossed over into television. However, “Texts From Last Night” would be the first scripted show spawned from an Internet site. I’ve never heard of that happening before, though it was inevitable. The site is good for a laugh, but because of the low-brow material involved, I’m already annoyed by the show. Doesn’t a better show exist in the lives people create for themselves on Myspace and Facebook? Maybe that was pitched ages ago and nobody wanted to take the chance. Even so, Texts From Last Night averages four million hits a day! That’s astounding, and certainly proves there’s a market for this kind of concept.

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