Category: Mad Men (Page 10 of 13)

Mad Men 3.10 – If you want to send a message…

Believe it or not, Will Harris has made a quick jump across the pond to the UK on a super secret mission of entertainment reportage this week. No word if he’ll be in communications with the 21st century descendants of Saint John Powell, Lane Pryce, and the rest of Sterling Cooper’s British overlords. As a result, however, I’m allowed one more whack at this whole “Mad Men” recap thing this week.

IMG_9485

So…Don’s lies are becoming more transparent than ever. He arrives for dinner one night and is dutifully given his drink by Betty. She asks him if he’ll be sleeping at home and the answer is no. More work he says. Betty simply accepts that he commuted all the way from Manhattan to Connecticut, only to return to the office later on. This is apparently a regular thing these days.

Soon Don is in bed with the alluring Suzanne Farrell, lest we forget, daughter Sally’s teacher. This episode is entitled “The Color Blue,” and they have a discussion about a boy in her class who wonders if the blue that he sees is the same blue that everyone else sees. She told the boy honestly that she didn’t know. Don’s answer is, not surprisingly, a lot more cynical. Some of us might see something different, but we’d rather keep the differences to ourselves. I wonder what Don will think of the “do your own thing” meme coming a few years down the road.

At work, presumably the next day, Don complains that a commercial being staged for him has a pause in it that will ruin the impact. Peggy Olson, who was playing the lead role in the dramatization, comes up with a simple and effective way to streamline the commercial. Don’s happy and Peggy’s happy. Paul Kinsey, who dreamed up the initial version, is not and goes into full whine mode. It’s not pretty.

Continue reading »

What they should do, what they will do

The Deep Blue GoodbyeAfter the geek movie bloggers finish mulling over the possible return of Bryan Singer to the X-Men films — none of which have particularly wowed me in the first place — another topic for discussion is Mike Fleming’s post about producer Peter Chernin’s plan for an upcoming Bible-epic about Moses to be made in the style of “300” and directed by Timur Bekmambetov (“Wanted,” “Nightwatch“). Since Bekmambetov seems to have the same degree of difficulty with basic storytelling as I do with pronouncing his name, and I didn’t much care for “300” in the first place, this does not excite me.

I could go on and on about how the green-screen technique might be appropriate for some films, but not really for a classic biblical tale, but I don’t really care about that. It will be what it will be. However, buried in the same item is this:

Chernin adds the project to several pre-existing Fox projects he has joined as producer, including the John D. MacDonald novel series adaptation “The Deep Blue Goodbye,” the Appian Way-produced drama that’s a potential star vehicle for Leonardo DiCaprio.

Now, this probably won’t get much reaction from most of you. How many old books by successful authors get optioned and then attached to big movies stars for a time? Lots. Also, this item ran a couple of weeks ago, but escaped my notice.

Here’s the thing that you’ve missed if you’re not already familiar with MacDonald’s work. “The Deep Blue Goodbye” is the first book about Travis McGee. That’s a big deal, to me anyway. In his earlier article, Fleming does a pretty good job describing the series:

DiCaprio is in line to play Travis McGee, a self-described beach bum who lives aboard 52-foot houseboat the Busted Flush [which he won playing poker] and alleviates his cash-flow problems by hiring on as a “salvage consultant.” He recovers property for clients, taking a hefty percentage and getting into a lot of danger and romance in sun-drenched Florida. “The Deep Blue Goodbye,” the first in a 21-volume bestselling Travis McGee series, was originally published in 1964.

The series has mostly been ignored by Hollywood, though there was a long forgotten 1970 movie with Rod Taylor and a 1981 TV film with Sam Elliot, neither seen by me. MacDonald supposedly also scotched a planned TV series because he feared it would hurt books sales if fans could see McGee on TV every week.

Blood DiamondWhat Fleming left out was the appeal of the books, a sort of bridge between Raymond Chandler/Ross MacDonald style medium-to-hard boiled gumshoe tales and “The Rockford Files” — and also probably “Magnum P.I.” which I never really watched much.  To me, this seems an obvious attempt for DiCaprio to find the conflicted inner macho-man he did a good job of capturing in “Blood Diamond,” which I personally otherwise kind of hated. To be fair, pretty or not, he is a first-rate actor. Moreover, in his less skinny near-middle-age, he actually more or less fits the physical description of McGee given on Wikipedia.

Still, MacDonald’s Magee was a more old fashioned kind of a character and, as in Leonardo DiCaprio‘s well-acted yet just somehow wrong performance in “The Aviator,” this is a part that cries out for the kind of old-school “real men” type actors who today only seem to come from Australia or the African-American community. If it were up to me, and if no Aussie wanted the gig and black stars didn’t care for the seriously nontraditional casting — I’d personally go with Jon Hamm of “Mad Men” fame.

Indeed, the ultra-commitment phobic Don Draper really does want to be the eternally footloose, Peter-Pan-Knight-Errant Travis McGee, who’s basically a tougher Jim Rockford, or a less ruthless James Bond. I know I do. In fact, I think all guys do. But will this movie or what sure sounds like a ludicrously amped-up Bible movie actually get made?

Coming eventually, maybe: Why Paul Giamatti must be forced, against his will if necessary, to play Magee’s brainy, hirsute economist sidekick, Meyer.

Mad Men 3.9 – L.S.M.F.T.

Well, I think it’s far to say that they had dirty dreams in the ’60s, based on what’s running through Betty’s mind when the phone rings and wakes her up…and when she’s holding the baby, no less. Turns out it’s Connie, calling for Don and trying to wrack his brain about a business decision. Whether or not it’s helpful for Connie isn’t immediately evident, but it prevents Don from getting back to sleep, leading him to a late-night drive and a close encounter with Sally’s teacher on a jog, eventually finding him heading to his office and crashing on the couch. Betty, meanwhile, tries to be a dutiful mother and see the kids off to the school, but when she’s given the opportunity to bail out and go to sleep, she does…but not before first composing a letter to Henry Francis, asking, “Does anyone else read this?” The answer: not if Betty’s going to be writing him.

The Lucky Strike ad campaign looked like it was going to result in Sal getting lucky, but after rejecting the drunken advances of Lee Garner, Jr., the company’s representative, he quickly found himself in a position where the guy wanted him off the project. It was such a surreal event for all parties concerned…Garner for having his advances shunned, Sal for getting hit on in the first place, and then Harry for getting the alcohol-fueled phone call from Garner…that it’s no wonder that the whole situation ended up completely FUBAR, but I have to admit that I didn’t expect it to truly end with Sal getting dismissed from Sterling-Cooper. My wife was particularly fascinated by the conversation between Don and Sal, specifically when Sal questioned the sort of reaction that would’ve occurred had it been a woman who had been hit on: “It would depend on who the woman was and what I knew about her.” It was harsh, but it’s not like we’re dealing with a world of H.R. interactions and constant lawsuits. We’re in Take-One-For-The-Team territory, and although you could see from Don’s reaction that his knowledge of Sal’s shenanigans doesn’t mean in any way that he approves of them, one must rise above and look at the business side of the situation…and the fact of the matter is that Lucky Strike is a big account, and Sal should’ve done anything to save it. Anything.

Aside from Sal’s storyline, this week was predominantly about two burgeoning relationships: the one between Betty and Henry, and the one between Don and…Connie? Yeah, it’s fair to say that, although Don’s obviously a smitten kitten when it comes to Sally’s teacher, the more important goings-on this week were between him and Mr. Hilton. It’s made imminently clear that it’s not exactly easy to have a normal sleeping schedule with you’re working with Connie, but it’s even harder to figure out where you stand with the man. The two of them shared several in-depth conversations over late night drinks (including the great moment when they’re enjoying a little bit of “hair tonic” from circa the Prohibition era), and Connie all but said that he viewed Don as being like a son, but by episode’s end, Connie seems furious at Don for being unable to read him like a book about this whole “Hiltons on the moon” concept. Between this incident and the Lucky Strike fiasco, then coming home to Betty being Betty, given what we know about Don, it’s only to be expected that he would be going out trolling for a little stress relief. Still, how about that pitiful excuse of claiming that Connie called, even though he knows full well that Betty would’ve heard the phone if he had? Man, Don’s just not even trying any more…

Meanwhile, Betty’s attempts at pursuing something with Henry didn’t exactly go as she’d planned. When it appeared that they’d be able to enjoy their handwritten communiques without prying eyes, she started to get excited, but then he tried to take it a step further by showing up at the Draper residence, and that completely freaked her out. (By the way, just how stupid does Betty think Carla is, anyway?) Still, after their subsequent phone call, she started to get excited again, only be totally let down when he bailed out on a campaign-related appearance and sent someone else in his stead. Clearly, this is a case where the man and the woman are approaching the situation from two completely different directions, but you can kind of understand her reaction of showing up at his office and throwing the locked box at him. And, hey, it did lead to a passionate kiss…well, you know, as passionate as an ice queen like Betty gets. But in the end, she backed away from the situation, and it looked for a moment like the relationship between Don and Sally’s teacher was traveling on a parallel track, but if you really thought it would end that way, then you’re just not giving the old Don Draper charm enough credit. Instead, he’s going back to school, and Betty…well, she’s back to dreaming the same dreams she was when the episode back.

A few random comments to close:

* Peggy teamed up with the two new guys to offer a possible Hilton campaign, but her new comrades in arms didn’t do her any favors, though at least part of that may have been due to Don’s lack of sleep. It did, however, result in at least one great line from Don toward the young buck with the highly accented speech: “Now that I can finally understand you, I’m less impressed with what you have to say.”

* I thought it was hilarious that Pete spent the entire scene on the set of the Lucky Strike commercial coughing up a lung from his attempt to smoke one of the client’s cigarettes.

* I loved that, when Don came home from having to back Sterling’s decision to fire Sal, he already had bottle and glass in hand before he answered Betty’s question, “How was your day?”

Mad Men 3.8 – Rome If You Want To

There haven’t been many episodes in the history of “Mad Men” which have quite as streamlined as this week’s entry: it was split evenly down the middle between Don and Betty and Pete. Oh, sure, other characters made appearances during the course of the hour, but when you look back at the description of the episode on TiVo (“Don and Betty go on a business trip; Pete helps a neighbor”), it’s hard to argue against its simplicity because, well, those were the two stories this week.

When we first see Pete Campbell this week, he’s reading…”Ebony”? Has the world gone topsy-turvy…? No, of course not. This is just the residual effect of his discussion about how African-Americans have specific purchasing tendencies. Leave it to Pete to dive headlong into the concept. But what else has the guy got to do? His wife’s away…and it shows, with his offer to buy the guys a drink. The poor bastard is definitely one of those guys who can’t stand to be alone, and his tendencies toward alcoholism are evident, if only by his television viewing habits. (Many a member of AA has testified that they took their first drink while watching “Davy & Goliath.” But don’t quote me on that, since I just made it up.) In his quest to keep busy, Pete helps out his neighbor’s au pair, Gudrun, by offering to help solve her dilemma with the dress that she accidentally messed up, which results in a couple of interesting developments. The first, of course, is that the trip to the store leads to an unexpected encounter with Joan, whose face is almost as red as her hair when she’s outed by Pete in her post-Sterling-Cooper gig. She replaces the dress for him, he asks her not to mention the incident to Trudy, and it’s pretty evident that she’d prefer that he kept his mouth shut about seeing her, too. When he goes to return the dress to Gudrun, he promptly hits on her and gets shot down when she assures him that she has a boyfriend. He shrugs and accepts her claims until he gets a few drinks in him, at which point he returns to the apartment in the wee hours, says he deserves the chance to see her in the dress, and then quickly gets her out of it.

Yes, Pete’s still just as lecherous now as he was with Peggy in Season 1. The difference this time…? He gets nailed to the wall by the au pair’s boss, who basically says, “If you can’t keep it in your pants, at least don’t take it out in the building.” When Trudy gets home, we bear witness to the incredibly awkward elevator ride with her, Pete, and Gudrun, and once they get back into their apartment, Pete has something approximating a nervous breakdown when Trudy comes on to him. Surely it’s not out of guilt…or is it? I really thought he was on the verge of asking for a divorce for a second. Instead, he admits to no wrong-doing (or if he did, we didn’t actually get to see it), but he does inform her that she shouldn’t leave him alone again. Translation: whatever happened while she was gone is her fault, not his.

As for the Don and Betty storyline, it’s really far more about Betty than Don this week. When their storyline kicks off, Don’s off to catch lightning bugs with the kids while Betty continues on her quest to try and save the reservoir. As it turns out, the quest proves successful when her dear Mr. Francis turned up at the city council meeting and, by throwing his weight around as the governor’s right-hand man, saved the day and got the reservoir a reprieve. In return for his assistance, Francis decides he deserves a kiss. The sexual tension immediately prior to the lip-lock was downright palpable, and although Betty didn’t exactly seem ready for a roll in the hay afterwards (she just wore her usual pissed-off expression), she neither pulled away during the event nor complained afterward. It seemed clear that there would be more to this relationship…but, then, the Drapers flew off to Rome on a Hilton-related business trip and seemed to rekindle some of their marital magic. Betty put on her best beehive (or a hairstyle not entirely unlike one, anyway) and utilized her knowledge of Italian to shoot down a couple of rico suaves, seemingly doing a bit of roleplaying with Don up until the point that Connie turned up. I liked his description of Don as “an indecently lucky man,” and, indeed, Don got nice and indecent with Betty while in Rome, so much so that it really looked like the two of them had finally fallen back in love with each other.

Unfortunately, it seems that what happens in Rome stays in Rome: almost as soon as they got back, Betty had returned to full bitch mode, a move made all the more surprising by Don’s attempt at being romantic via his jewelry purchase. I guess we can blame that on Sally, whose macking on neighbor boy Ernie in her parents’ absence led to her treating her teasing brother like he was her opponent in Mike Tyson’s Punchout. Upon her return, Betty actually offered a moment of sweetness and understanding to her daughter about her first kiss…but, apparently, the conversation led her on a trip down Memory Lane that made her learn to hate Don all over again.

All told, it was another slow week on “Mad Men.” Let’s hope things pick up a bit next week.

Mad Men 3.7 – Another Day Older and Deeper in Debt

There was always going to be a very good chance that this week’s episode would in no way live up to the level of excitement set by last week’s episode. I mean, really, how do you top the de-foot-ification of a British ad exec? Even taking that into consideration, however. tonight’s “Mad Men” still seemed pretty slow.

Not bad, just slow.

When we first see Don Draper, he looks like he’s been through the wringer, but when we next see him, he’s getting spiffed up for work. There was a brief moment where I thought it was a case of quick recovery, but, no, we were flashing back to see the path that led him to this point. After a momentary stop in the living room to offer up his complete indifference to Betty’s plans for the living room (but still nonetheless throw in a suggestion that the interior designer apparently didn’t see herself), Don was off to work, where he was surprised to find that Conrad Hilton was already waiting for him. It was hilarious to see the guys at Sterling-Cooper giddy as schoolgirls about Hilton’s presence, but Hilton was all business, indicating his disappointment in the lack of a Bible and family photos in Don’s office. Despite these issues, Don still found himself on the fast track to handle accounts for the Waldorf Astoria, New York Hilton, and Statler Hilton…but not, however, until he signed a new contract with Sterling-Cooper. Although Don’s insistence in remaining without a contract may have ostensibly been a business move, I couldn’t help but notice his comments about how he gave his word to Hilton. Wow, remember the days when a man’s word could actually serve as his bond without any contracts needing to be signed to back it up?

Betty and her gaggle of gal pals in the Junior League, meanwhile, were tackling environmental concerns, leading Betty to contact her close personal friend Henry Francis in an attempt to get him to help them with their cause. The two of them had a lovely luncheon, but it wasn’t until the closing moments of their time together – when Henry put his hand over Betty’s eyes to keep her from looking at the eclipse – that a spark really went off with Betty. Interesting…

Don spent a lot of time in the office deflecting questions about the Hilton situation, even enduring Pete trying to get his mitts on the account, but when Peggy tried to get her foot in the door to assist…man, talk about shitting on someone’s parade. I’m not saying that his comments were completely and totally what led her to sleep with Duck, but they sure as hell didn’t hurt. Their close encounter was one which I didn’t see coming, but I think it’s fair to say that Peggy’s starting to get the hang of using her feminine abilities to get what she wants in the business world. I’m not saying it’s right, I’m just saying that she might be able to use them to her advantage.

A few random comments:

* Betty once again proved what a grouch of a mother she is, yelling at her son for hanging up the phone, even though he did exactly what she told him to do. Be more specific next time, Betty. He’s only a kid, for God’s sake!

* I don’t know what to make of this thing with Don’s teacher, except to observe that it’s hard to believe Don’s going to hold out much longer without acting on her obvious attraction to him.

* I’m probably supposed to have been fascinated and enthralled by the surrealistic scene of Don picking up the high hitchhikers, only to take a couple of reds, see a joke-telling hillbilly, and get punched in the face, but I just thought it was weird, personally.

For me, the best moment of tonight’s episode was the one-on-one scene between Don and Cooper, when Cooper subtly but pointedly brought up his knowledge of Don’s identity as a way of hinting that it might be a good idea to sign the contract. Hey, it worked, didn’t it?

Here’s hoping next week’s “Mad Men” is more exciting than this week’s…

« Older posts Newer posts »

© 2023 Premium Hollywood

Theme by Anders NorenUp ↑