Category: Jericho (Page 9 of 11)

Jericho, Episode 8: “Hi, my name is Eric…and I’m a dumbass.”

Was it just me, or did the shots of Jake and Eric in the car during that opening scene look like something out of an Ed Wood flick? Not once was it ever even remotely convincing that they were really on the open road in a car. I believed it about as much as I believed Eric when he said he’d be ready to use his gun when the time came. Something I found funny, though, was that after I complained about how I didn’t buy into the chemistry between Skeet Ulrich and Kenneth Mitchell last week, they actually came off really good this episode. Maybe it’s only when they’re trying to act sentimental that I don’t buy it. Whatever the case, their sequences in Rogue River while searching for medicine to save their father’s life are unquestionably the best of the bunch this week. Of course, part of that was less to do with them than with the action scenes in the hospital, but even so.

That having been said, however, I also really enjoyed the further painting of Gray Anderson of the town’s resident asshole, thanks to his grilling of the Hawkins household. Gray kept going farther and farther over the top with his requests of Robert and his family, and you wanted to see just how much they were going to put up with it. In the case of Robert’s teenage daughter, it seemed as though it wasn’t very long at all; I admit to having been somewhat surprised that it was an intentional performance on her part. It was also nice to see Gray put in his place. That’s what you get, you son of a bitch!

In fact, the only scenes that didn’t really do anything for me were the scenes with Heather and Emily, with their attempts to make ice. The only thing I found interesting from a character development standpoint was the one bit with Heather coming within an inch of a freak-out when she couldn’t seem to make the ice; actress Sprague Grayden played the scene as if Heather felt like she was letting down this family who had taken her in, and although it could’ve gone over the top, I felt her performance worked well.

So, at the end of the episode, we still don’t know for sure that the meds worked on Mayor Green…although the preview for next week proceeded to answer the question for us (gee, thanks, CBS!)…but we do know that, in the future, Eric shouldn’t take off his fucking jacket!!!

Good lord. What an idiot.

Jericho, Episode 7: These Are The People in Your Neighborhood

To say that this week’s episode is better than last week’s is to damn it with faint praise, since – as you may recall – the ending of last week’s episode was officially the WORST. ENDING. EVER. But in all seriousness, this really is a far better episode, providing some much needed fleshing out of the townsfolk and their characters.

So this week, we get to know Jonah, the leader of the band of hooligans outside of town who tried to swipe some horses last week and, in the process, got Jake’s mom pretty roughed up when the horses literally ran roughshod over her. “There’s a lot of things about Jake you don’t know,” Emily tells Heather, when the latter concedes that she’s harboring a crush on Jake. Yeah, turns out there were a few things we viewers didn’t know about Emily…like, say, that Jonah’s her dad. Jake and Jonah clearly have a history…at the very least, Jake’s sweet ride used to belong to Jonah…and it’s equally clear that Jake knows enough about Jonah to not underestimate him. As the episode progresses, we find out that it was Emily’s brother…Jonah’s son…who was killed in the incident from Jake’s past that’s been referenced.

As we predicted, Stanley and Mimi (a.k.a. the accountant from Washington) continue their flirtation, although they’re at least taking the time to give Mimi more of a personality than just the hard-ass government employee she’s been to date. There’s a nice scene which clarifies that her anal tendencies extend before the workplace, as she explains to Stanley how, in a fit of boredom, she reorganized his kitchen. And, for once, the growing relationship between Dale and rich bitch Skylar isn’t mired in predictable teen angst; the situation that erupts when Skylar trades away a family heirloom for a case of diet soda then discovers that her parents might not be dead after all is good viewing, if a bit melodramatic; same with the scenes between Richard and his wife, where – FINALLY! – he’s painted without paranoia.

Gray Anderson finally returns to town after having been all but presumed dead (he’s been MIA for a few episodes), and he’s got a LOT of new information for the townsfolk and for us viewers.

*Topeka’s a mess.
*Lawrence was bombed.
*The governor of Kansas is missing.
*New York escaped being bombed, thanks to all of its post-9/11 security measures. (It’s notable that even know-it-all Robert loses his game face at this news.)
*Washington is gone.

Gray’s return also results in an authority struggle between he and Jake…but, then, Gray’s made a point of always wanting to be right since the first episode. I was indifferent to the jailbreak scene right up until the moment when Jake snatched Gray’s gun, at which point I believe I actually yelled, “Oh, shit!” Sorry, I just think Gray’s an asshole, and that opinion was backed up when he started going all Senator McCarthy on Eric. And speaking of Eric, maybe it’s just me, but the interaction between Jake and Eric – like the scene in the bar toward the end of this episode – always seems kind of forced; Skeet Ulrich and Kenneth Mitchell just do not have the chemistry that brothers should have.

I wasn’t sure if Gerald McRaney’s contract was up this episode, but he’s apparently got at least one more show in him. Nice cliffhanger ending…and the first time in a few weeks that I’m legitimately looking forward to next week’s episode.

Jericho, Episode 6: WORST. ENDING. EVER.

Oh. My. God.

I don’t think the producers of “Jericho” could’ve come up with a more annoying ending unless they’d had everyone join hands and sing “Good Morning, Starshine” over the goddamned closing credits.

But I’m getting ahead of myself.

This week’s episode begins where last week’s ends: with those missles going into the air. A few minutes later, there’s an electromagnetic pulse and the power goes out. Cut to the opening credits (such as they are), then go to commercial. When we come back, we get a title card that informs us that two weeks have passed…but, strangely, the only thing that seems to have happened in that time is that kids are now playing baseball with their cell phones. I guess that’s supposed to show us that the phones are all dead now, thanks to the EMP.

Actually, there have been a few developments in that time. The Mayor has “the flu,” or at least that’s what everyone’s being told. Robert is still majorly paranoid around his family, but he’s managed to incorporate himself into the local police force pretty well. Stanley’s crops are infested with bugs, which turns him into an instant asshole. Also in those two weeks, Dale started running with a bad crowd, though we don’t really get much clarification as to how that came to pass, and Eric is steadfastly avoiding talking with his bartender babe, even though he and his wife don’t seem to have been getting along that swimmingly.

We get more clues about Jake’s reasons for leaving town, including his dad’s key line, “You left town and a boy was dead.” We meet his former cohort, Mitch, who’s apparently started stealing horses for fun and profit, and we get a little bit more detail from the conversations between Mitch and Jake, including Jake’s comment about how “I told you I wasn’t going to rob anyone.” Oh, yeah, and Jake’s mom gets trampled by some horses, which is actually kind of a scary scene…but maybe that’s just because I have friends who are equestrians and have told me about the dangers of finding yourself underfoot of one horse, let alone several.

Okay, fine, I’ve waited long enough: what about that fucking ending…?!? Oh, CHRIST, it was bad. After spending the episode with Stanley being an asshole about not wanting to share his crops with the town, then getting all whiny and asking, “Is this what we’ve come to,” the whole town shows up and, to a soundtrack provided by the new Jakob Dylan album (which is helpfully hyped after the credits roll), helps him harvest his crop. It was so schmaltzy that I just kept smacking my forehead with my notebook, repeating over and over again, “This is not happening, this is not happening.” We got no further details about the government, making the phone call and broadcast from last week nothing more than a tease, and the last few seconds of the episode, with that brief encounter between Jake and Mitch, was in no way enough to redeem the big steaming load of dung that immediately preceded it.

Okay, Mr. Paulsen, I’m with you. “Jericho” is now officially on notice. Enough with the conflicts within the town; give me more of the big picture sooner than later, or I’m on the verge of walking.

Five new series that must survive the season

With new shows starting to drop like flies, I started thinking about which cancellations would break my heart. Here are five series that absolutely must survive the season, along with this week’s odds of it being cancelled, as determined by the good folks over at BrilliantButCancelled.com.

Studio 60 on the Sunset Strip” (Mondays, NBC) (144:1)
NBC has put its weight behind this new Aaron Sorkin series, which follows the goings-on behind the scenes at a late-night comedy show. The dynamic between Bradley Whitford and Matthew Perry (who play the fictional show’s producer and writer, respectively) is terrific, while Amanda Peet is shockingly convincing as the network exec in charge of programming. But the most pleasant surprise has been the performance of Sarah Paulson, who is so convincing as the show’s star (coming up with killer Juliette Lewis and Holly Hunter impressions), it makes me wonder why she didn’t go into sketch comedy in the first place. “Studio 60” has quickly filled the void left after “The West Wing” left the air, and while its ratings are way behind “CSI:Miami,” the word is that the numbers are still well ahead of the baseline that NBC needs to keep the show on the air. Sorkin’s cred can’t hurt, either.

Heroes” (Mondays, NBC) (483:1)
This series has been a strong ratings earner, so it doesn’t appear to be in much danger of being cancelled, as evidenced by the long odds. The separate storylines are starting to come together and the acting is getting better. The show is darker than expected; it deals with date rape, drug use, infidelity and murder, which makes perfect sense – in order to have heroes you must have villains. Plus, it can’t hurt to have arguably the best new character of the season – Hiro Nakamura, the Japanese time traveler.

Friday Night Lights” (Tuesdays, NBC) (72:1)
While the series based on Texas high school football hasn’t been a ratings giant on Tuesday nights, it has done well with young men, which is the toughest demographic to reach. I was concerned about the casting of Kyle Chandler (his eyebrows bother me), but he’s been solid as the team’s head coach. I’m especially interested in the future of the backup QB, played convincingly by Zach Gilford, who was thrust into the spotlight when the star QB went down with an injury. The show is shot in a herky-jerky sort of way, which adds to its realism, especially during game sequences. I might have put the series on Wednesday night – smack dab in the middle of the week to give football fans a fix before the weekend, but I’m sure more scientific thought than that went into the show’s scheduling.

Jericho” (CBS) (34:1)
This show needs to make it through the year, not because it’s particularly good, but because I want to know what the hell is going on. In many respects, the show has been “CBS’ed.” That is, there are too many heart-heavy, family-oriented moments and the soundtrack generally sucks, but the show’s terrific premise and the subsequent questions will hold my attention throughout the season. Who attacked us? What do they want? Where do the citizens of Jericho (and its country) go from here? I sure hope that if the show is cancelled, they’re at least given enough notice to provide answers to those questions.

30 Rock” (NBC) (134:1)
My wife would kill me if I didn’t include this show on the list. Tina Fey’s half-hour comedy about the goings-on behind the scenes at a late-night sketch show (sound familiar?) has proven that “30 Rock” and “Studio 60” can co-exist. “30 Rock” is schticky, while I find “Studio 60” wittier. Even though the two shows have the same premise, they go about it in very different ways. Aside from “The Office” and “My Name Is Earl,” there is a dearth of good sitcoms on the air, so “30 Rock” is more than welcome to join the party. By the way, Alec Baldwin is hilarious as the network exec in charge of the show.

For those that missed an episode or would like to get caught up can go to each show’s website to watch back episodes. The NBC shows have this week’s episodes available for streaming, while “Jericho” appears to have all back episodes available for online viewing.

Jericho, Episode 5: You Fought Hard And You Saved And You Earned…

…but all of it’s going to burn.

Episode 5 begins with a rapid-fire back-and-forth conversation between several people at the bar that feels like a desperate attempt at capturing a “casual dialogue” feel. It flops miserably. Hopefully, they won’t attempt it again; seriously, it was bad enough to turn anyone away from the show.

There are several interesting developments this episode, though we get some cliches as well. The power’s back, and so are the phones…although the first voice anyone hears is from the director of Homeland Security, basically just saying, “Sit tight, don’t panic, we’re on the case.” There’s also a TV signal, but it doesn’t offer much, except to move from an emergency broadcast screen to that of the Presidential seal at the end of the episode; presumably, next episode will begin with a message from the President himself…or whoever’s running the country. The drama between Eric, his wife, and the bartender…I dunno, I’m just not all that caught up in it. Same with the New York accountant and the bankrupt farmer; enough with the flirtation already. It doesn’t ring true…much like the cliche of making the New York businesswoman be a complete bitch who complains about the small-town yokels. (Expect the follow-up cliche where she warms up to everyone due to the mutual distress they’re all in.) The fact that so many fires occurred around town at approximately the same time seems too coincidental – sure, it might just be because of the power spikes, but I’m skeptical – but, really, did we really need the obligatory child-runs-back-into-the-burning-building plot line? We get more teen angst, and there’s no real development on Robert’s mysterious history, except to see that he has the equipment to access the internet when no-one else can. (I have to say, I cringed when Jake was looking through the telescope at Robert and, though he clearly didn’t know he was being watched, Robert started looking around.) There’s further dancing around why Jake left town and where he went, but we don’t get any resolution on that…well, except for Jake’s passport photo on Robert’s laptop, which does, admittedly, raise my curiosity.

There are a couple of legitimately funny moments in the episode, starting with the power coming back on in “Jericho” and BTO’s “Taking Care of Business” playing loudly. You’re almost certain it’s going to be the soundtrack to a montage of people running through the town…until someone walks over and turns off the jukebox. It’s also smirk-worthy when, after Jake continues his ongoing false claims about what how he learned his various skills (when he knows how to turn on the water pressure to save a burning house, he explains, “I was a pool guy”), he’s called on it by Robert (he provides emergency power with the line, “I was a pool guy, too”). The best, though, is the teasing reference to another new series, which occurs when Emily gets zapped by a power line and is knocked unconscious.

Boy: Is she going to wake up?
Doctor: Yes.
Boy: (Hesitates) With super powers?
Doctor: Probably not.

All in all, though, we spend the entire episode waiting to find out what the government is going to say during their broadcast…and it ends without us ever finding out, which is a little annoying. Then again, it also ends with missles flying through the air, so there’s little question that I’ll be tuning in next week, anyway.

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