Category: Heroes (Page 15 of 22)

Bullz-Eye’s 2007 Fall TV Preview

I’d just like to begin by stating for the record that, in Bullz-Eye’s 2006 Fall TV Preview, I made the following statement about “Heroes”:

“The premise is fantastic, and the gradual unfolding of the various stories will keep viewers coming back week after week. This is gonna be the water-cooler show of the season.”

That’s right. I’m Nostradamus.

And, like that famous French forecaster of the future, I get at least as many wrong as I get right, like, for instance, these:

1. Ugly Betty: “Expect fans of the original show to be horrified at this poor translation. In fact, it’s hard to imagine that anyone other than girls on the cusp of pubescence or desperately single women in their 20s and 30s will be able to stand this for even 30 minutes. Oh, and did I mention that it’s an hour long?”
2. Studio 60 on the Sunset Strip: “Best cast on television, hands down… and to have their dialogue written by someone who’s arguably one of the best scribes in the medium? I’m sold. And America will be, too.”
3. Twenty Good Years: “‘Arrested Development’ proved that (Jeffrey) Tambor doesn’t draw the ratings, but Lithgow does. It might not be a huge hit, but count on it doing well enough to stick around for a few seasons.”

Oh, well. At least I was right about “Happy Hour.”

This year’s crop is another blend that’s heavy on drama, light on comedy, and thankfully light on reality shows – well, unless you’re Fox, that is – but, as ever, we must provide the following caveat to the feature that follows:

What we’re offering are our impressions and opinions of what are essentially “rough drafts” of the season’s new shows. Mind you, most aren’t very rough at all — indeed, some may actually look identical when they make their official network premieres — but, nonetheless, it’s not unheard of for producers to retool and recast their shows between the filming of the original pilot and the actual premiere of the series. Actually, this year, it’s closer to the rule than the exception, but we’ll get to that in a moment.

Basically, the moral is this: use our descriptions as an approximation of what will end up on the air, not as The Gospel According to Bullz-Eye.

And now that that’s out of the way, let’s warm up the set and head over to the homepage for Bullz-Eye’s Fall TV Preview.

These are two of my favorite things…

Fans of “Veronica Mars” that are still sore over its cancellation can take some comfort in the knowledge that its star, the lovely, spunky Kristen Bell, will be joining the cast of “Heroes” this season.

Former Veronica Mars actress Kristen Bell is set to join the cast of Heroes for the upcoming season. Bell, 27, had been rumored to be considering a role on Lost since the cancellation of Veronica Mars in the third season earlier this year, but chose Heroes instead. She will play Elle, a woman with mysterious links to two characters’ pasts, according to trade magazine Variety.

This should be good.

TCA Press Tour: SET VISIT – “The Closer” / “Heroes”

Maybe some of the other TCA members are just jaded old hands, but one of the most shocking things I heard during the course of the entire 2+ weeks of the press tour came on the day that we were invited to tour the sets of various TV shows. We’d just finished being given a tour of the “Heroes” set by the stars of the show – mine was mostly hosted by Greg Grunberg, but Ali Larter, James Kyson Lee (Ando), Noah Gray-Cabey (Micah), and series creator Tim Kring were all along for the ride – and were provided the opportunity to have access to the entire cast for several minutes worth of Q&A, and we were sitting on the bus, and, suddenly, I hear someone say, “Well, I don’t know why we had to waste time with that set tour; I’d much rather have had more opportunities for one-on-one interviews.”

Are you kidding me? I’m sorry, but, to be perfectly blunt about it, that shit was awesome! Even if I’d been given the opportunity to do so, I’d totally have passed on more one-on-one time in favor of the set tour! I mean, I stood in Isaac’s studio, right on top of the painting of the apocalypse that’s on the floor. I was in Mohinder’s pad and saw the actual string-laden map on the chalkboard. Are you telling me that’s worth trading away?

RIDICULOUS!

Ahem.

So, anyway, yeah, we went on a bunch of set visits. First up was TNT’s “The Closer,” and…well, look, I don’t know about any of ya’ll, but I’ve never been on the set of a TV show, and, personally, I was astounded at the level of detail. Yeah, I know, you see the stuff on the screen when you’re watching the show, but, somehow, I just didn’t think it would look so…I dunno…real.

I got a few minutes with J.K. Simmons and G.W. Bailey; the former talked about he’d been pitched the idea of playing J. Jonah Jameson by Sam Raimi while they were working on “The Gift” together, while the latter was in the midst of reminiscing about a guest shot he did on “Benson” when he kiddingly reprimanded another writer for tapping the bobblehead – one of himself, as it happens – on his desk. (That event, by the way, led him into a lengthy discussion about the evolution of his character’s ongoing quirk of despising anyone putting anything on his desk.) Kyra Sedwick was definitely in the house, but she was so swarmed by writers that I didn’t get to talk to her solo; I did, however, lean in and get a few quotes as she responded to other people’s questions. Accordingly, she was in her character’s office as she fielded their questions, and, as I walked out the office door, I walked right into Raymond Cruz, who plays Detective Sanchez. I introduced myself, and we chatted for a couple of minutes…and when I referred to Bullz-Eye as “the guys’ portal to the web,” he immediately decided that, with a title like that, he was going to have to check it out.

I continued to wander ’round the set, walking past Corey Reynolds (Sgt. Gabriel), Robert Gossett (Commander Taylor), Jon Tenney (Agent Fritz Howard), Anthony John Denison (Det. Andy Flynn), and Michael Paul Chan (Detective Mike Tao), all in conversations with various writers, but before I could really get into conversation with anyone else, we got the call-up to head out. On our way out the door, we were provided with…well, I’ll hold off on discussing the swag I scored, mostly because I’m planning to do a whole piece about the stuff I scored during the course of the tour. But, still, it was nice stuff.

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Best moment from the TCA Awards…?

When David Chase took the stage to accept the Television Critics’ Association Heritage Award for the cumulative run of “The Sopranos,” he said that he’d considered making a comment about the meaning of the finale of the series, then decided against it, but he did offer a very telling anecdote about the first time he ever saw “Planet of the Apes.”

“When the movie was over, I said to my wife, ‘Wow, so they had a Statue of Liberty, too!’ So, uh, that’s what you’re up against.”

Other Chase one-liners from the evening:

* “Here’s another clue for you all: the walrus was Paulie.”
* To critic Alan Sepinall, from The Star-Ledger, in Newark: “Would you explain to these people that it’s very possible to be sitting in a restaurant in New Jersey and everything just stops?”

Chase, by the way, wasn’t the only winner tonight:

Individual Achievement in Drama: Michael C. Hall (“Dexter”)
Individual Achievement in Comedy: Alec Baldwin (“30 Rock”)
Outstanding Achievement in News and Information: “Planet Earth” (Discovery Channel)
Outstanding Achievement in Children’s Programming: “Kyle XY” (ABC Family)
Outstanding New Program: “Friday Night Lights” (NBC)
Outstanding Achievement in Movies, Miniseries and Specials: “Plant Earth” (Discovery Channel)
Outstanding Achievement in Drama: “The Sopranos” (HBO)
Outstanding Achievement in Comedy: “The Office” (NBC)
Career Achievement Award: Mary Tyler Moore
Program of the Year: “Heroes” (NBC)

To bookend this posting with “Sopranos”-related anecdotes, Alec Baldwin accepted his award for his performance on “30 Rock” by telling a story about how he actually changed management because his new managers told him that they could get him on “The Sopranos.” A year later, there’d still been no meeting with David Chase…but an encounter finally came about rather accidentally. Baldwin was in NYC, on his way to a meeting about some charity work he was going to do, and due to an error, he ended up at the Four Seasons Hotel rather than the Four Seasons Restaurant. He made a mad run from one place to the other, ending up at the restaurant drenched in sweat. Upon meeting his party, he apologized and made a dash to the men’s room, where he promptly removed his shirt and stood topless as he held the shirt in front of the hot-air dryer…and who should walk in?

Suffice it to say that Baldwin never made it onto “The Sopranos.”

(Chase’s version of the story: “All I thought was, ‘Omigod, that’s Alec Baldwin, the famous actor!’ I didn’t even notice he wasn’t wearing a shirt!”)

Heroes, Week 23: Big Bang Generation

It has been, as the Delays once sang, a long time coming, but we’ve finally been witness to the long-awaited first-season finale of “Heroes.”

Was it worth the wait…?

Well, I think you have to say that, with a few exceptions (namely, the fact that several lingering questions remained unanswered), it sure as hell was.

The Mexican stand-off ended in a rather anticlimactic fashion, though Matt Parkman’s defiance when he declared that he was indeed going to keep Molly from harm was a nice moment. When Molly spoke of a Hero…and I use the term verrrrrrry loosely…worse than Sylar and said to Mohinder, “When I think about him, he can see me,” wow, that sounded creepy.

It struck me as sadly naive that, even in the midst of everything going on, Peter still trusted Nathan to do the right thing. (Of course, that thought came back to bite me in the ass later!) Mama Petrelli continues to be a real queen bitch about the future; I can’t imagine she took the events at the end of the episode terribly well. Peter’s flashback sequence with Simone struck me as a bit schmaltzy, but the scene took a dramatic upswing with that revelation that Mama Petrelli had no confidence in Peter’s abilities…and it absolutely soared when Charles said, “I know you’re there, Peter.” D’OH! There’s something perfect about a bad mother like Richard Roundtree being the one to deliver the message to Peter that he should’ve known all along.

When HRG…sorry, I mean, Noah…assured Claire that he had a plan, I almost believed him. But somehow, I don’t think his plan would’ve involved her jumping out a window from several stories up. Didn’t anyone ever tell her that you can’t run from family?

You have to give Ando credit; dude’s got balls of steel to even try to take on Sylar by himself…and Hiro’s clearly grown a pair himself, thanks to that training with his pops. The final sequence when Hiro dropped Ando off in Japan was nicely poignant, and each got at least one sweet line…

Hiro: “This man is ready.”
Ando: “You look bad ass.”

For one second, I thought the Jessica-fighting-Nikki sequence was a big ol’ dream or hallucinations until I remembered, oh, right, shape-shifter. I’m sure we all noticed that, when the episode ended, we were left with no reference to the shape-shifter’s whereabouts, so I think we can count on her return next season. Meanwhile, as the episode ended, all I could think was, “Wow, Micah and Molly sure make a cute couple…”

Sylar: “Haven’t I killed you before?”
Peter: “Didn’t take.”

Great comic book dialogue, delivered to perfection. As to the final battle, I thought Nikica jumping into the fray was an unnecessary moment…but, then, so much of her story has proven to be unnecessary that I guess it brought things full circle, didn’t it? But Hiro’s timely appearance was great, as was the way Sylar flung him away, and Claire’s pained expression as she prepared to fire the gun and fulfill her promise to Peter was rough stuff.

Damn that Adrian Pasdar. You can’t read him to save your life, and, as a result, you absolutely couldn’t predict how Nathan would act from scene to scene. As such, I never saw that ending coming. Yes, Nathan redeemed himself for a season’s worth of questionable morals by performing the ultimate sacrifice and being there for his brother until the very end. It’s a shame that we had to lose Peter, but, then, are we still to presume that he may yet survive, given his powers? I guess time will tell.

So where do we stand? Sylar is still alive, because everyone knows that a good villain can’t be killed off that easily. Mrs. Petrelli’s whereabouts remain unknown, and you can guarantee she’ll turn up…and it wouldn’t surprise me a bit if she were, in fact, in cahoots with Mama Petrelli. I’m telling you: Mama, Sylar, and the shape-shifter makes three!

And after a fantastic season, leave it to the producers of “Heroes” to tease us with Season 2 by dropping Hiro outside Kyoto, Japan, in 1671. The fall has never seemed so far away…

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