Category: TV Sci-Fi (Page 64 of 81)

TCA Press Tour, Day 4: Cartoon Network

And, of course, by “Cartoon Network,” we really just mean “Star Wars: The Clone Wars.”

You no doubt saw my non-chronological posting a few days ago, when I just couldn’t wait to praise the full-length episode that Cartoon Network and LucasFilm surprised us with, but I knocked it out so quickly that I didn’t wait to offer up any of post-viewing comments from Dave Filoni, the supervising director of the “Clone Wars” series. I also didn’t mention how downright giddy Filoni was, both before and after the episode, about the mere fact that we were getting to see it!

“I am real excited, and I’m really thrilled that we get to share an episode with you,” he said, prior to its airing. “The secrecy is really top form with ‘Star Wars,’ so this is really exciting for me to share with all of you.” As he said it, I had this vision of George Lucas, sitting in his office, rotating his hand between thumbs-up and thumbs-down, keeping Filoni in suspense as to whether he was going to let us lowly TV critics get a gander at the episode before the diehards down at Comic-Con, but, man, I’m so psyched that he opted to allow it. You may remember (though you probably don’t) how there was a battle last year in mid-panel over ABC wanting to hold onto to purportedly critical “Lost” information and reveal it at Comic-Con rather than during the TCA Press Tour, and many of the critics essentially bullied ABC into giving us the info. I totally didn’t agree with the way that went down, and, frankly, I expected a backlash from shows with a major Comic-Con presence, so I definitely didn’t expect us to score a “Clone Wars” coup.

But we did.

SCORE!

You may have seen a preview for the upcoming animated “Clone Wars” film, but to put things in perspective, the movie is standalone from the series, according to Filone. “It sets up the major characters we know, like Obi-Wan Kenobi and Anakin Skywalker, and the new character, Ahsoka,” he explained, “so it’s made to stand alone and introduce everybody to the universe we’re showing in the ‘The Clone Wars.’ Then you come to the series, which has its small arcs and shows you the war from across a broad spectrum of episodes.”

You could tell the “Star Wars” fans from the non-fans in the audience, with the former camp generally asking the kind of questions that only geeks would care about…like, for instance, how long the series will go on, given that the Clone War has been established as lasting for a specific length of time.

“We’re not just telling Anakin Skywalker’s story,” Filoni reminded us. “If we were doing that, we would be stuck on one single arc. I look at the episodes where we have him and Ahsoka, which is his student, and I know that there is an arc there, because something has to happen to her, since we don’t see her in ‘Revenge of the Sith.’ So we use those kind of points to show the progression of the war. Because we can kind of go left or right of that plot and deal with characters that we have never seen, there’s a lot of material, so I can stretch it and, you know, keep making episodes about things that George would like to see or I would like to see. That’s one of the things I have been amazed at. It’s a three-year period, the Clone War, in the history of the ‘Star Wars’ universe, but in that period, there are so many stories to tell that I’ve been amazed that just in the first season what we didn’t get to, you know, and what I would still like to get to, and what stories we would still like to explore. So for me, the longer it goes, the more chance we all get to tell fascinating stories in that galaxy.”

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TCA Press Tour, Day 3: HBO

Okay, kids, we’ve got a lot of stuff to cover here, so let’s start off by just hitting the highlights of the initial HBO panel, which was simply the network’s programming group president Richard Plepler and co-president Michael Lombardo opening up the floor to questions.

* The next season of “Big Love” is shooting now and will hopefully land on the air in the first quarter of 2009.

* Larry David is currently filming a Woody Allen movie, but he’s planning to get back to “Curb Your Enthusiasm” once he’s finished with that, so fingers crossed for Season 7 in late 2009.

* There are six completed episodes of Linda Bloodworth-Thomas’s “12 Miles of Bad Road” floating around, but HBO has decided that the series isn’t right for them, so it’s anyone’s guess if, when, or where we’ll ever see it.

* There is enormous interest by Warner Bros./New Line to do another “Sex and the City” movie, and they’re trying with HBO’s help to put that together.

* David Chase is on vacation in France, but if he wants to do a “Sopranos” movie, HBO would be “delighted to explore that.”

* Pilots have been greenlit for “Treme,” dealing with post-Katrina New Orleans, “The Washingtonian,” based on a Jessica Cutler book, and one-hour drama about 1920s Atlantic City that’s written and executive-produced by Terry Winter, with Martin Scorsese also executive-producing.

* David Milch is working on a pilot called “Last of the Ninth” about New York City Police Department in the 1970s, which means that the likelihood of a “Deadwood” movie happening is slim to none.

* Both “In Treatment” and “Tell Me You Love Me” will be returning.

* The network’s upcoming miniseries, “Pacific Theater,” executive-produced by Tom Hanks, Steven Spielberg, and Gary Goetzman, just wrapped principal photography, and should air in either late ’09 or early ’10.

* Coming soon: “Number One Lady Detective,” based on the series of books by Alexander McCall Smith.

* Also coming soon: “Hung,” a half-hour comedy with Alexander Payne directing.

* Chris Rock will be doing his fifth HBO concert on September 27, 2008.

So there you go. Not a bad slate of stuff to keep you looking forward to for the next several months…and that’s not even counting the shows that earned their own panels.

First up: Ricky Gervais.

Though many Americans remain unaware of this fact, Gervais has stretched his career beyond television and film into the world of stand-up comedy. (His possession of the ability to do hilarious stand-up will come as no surprise to anyone who’s become addicted to the podcasts he’s done with his longtime writing partner, Stephen Merchant, and their associate, the inexplicable Mr. Karl Pilkington.) There are actually three DVDs worth of Gervais’ stand-up available in the UK – “Animals,” “Politics,” and “Fame” – but, to date, his Stateside fans have been given little opportunity outside of YouTube to investigate his facet of his work. Thankfully, HBO stands ready to change this by filming his performance next week at the Wamu Theater at Madison Square Garden, for air in the very near future. (The venue, according to Gervais was chosen because “I’ve just bought an apartment right near it, so I can walk.”)

Despite being one of the most distinctively British comedians working today, Gervais assured us that he won’t really have to change a great deal in his act for American audiences. “I obviously take out cultural references you wouldn’t get,” he admitted, “but I think it’s as simple as changing sort of stones for pounds. There’s nothing that I think an American audience wouldn’t like. It’s purely cultural references that might not be mutual. The things I pick on are probably global…and, you know, America, by its definition in the world, is pretty global, anyway. It’s a huge part of the world. Particularly the English-speaking world. I pick on the comedy classics. You know, Hitler, famine…

“What I do is, I have a bag of observations that I think might be funny, and I jot them down. I probably start with about half an hour, and that becomes an hour, and the other half an hour is sort of ad-libs and additions over the course of a
tour. The audience chooses the best bits for you. It’s a process of natural selection. So over a hundred dates, they’ve chosen your best hour. You thought it up and you said it, but they’ve sort of done the difficult bit for you.”

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We interrupt our chronological coverage of the TCA Press Tour…

…to tell you that, quite unexpectedly, Cartoon Network’s panel on their new original series, “Star Wars: The Clone Wars,” began with the premiere screening of a full episode of the show!

Three words: it…was…AWESOME.

You never know how to approach these animated spin-offs of live-action films, but here’s the thing: the “Star Wars” universe is so damned FX-heavy anyway that it’s surprisingly easy to find yourself forgetting that you’re watching an animated series. I don’t know how much in the way of spoilers they want us to dole out, but I will tell you that the episode reveals the secret of how the Toydarians…that’s Watto’s race, if you remember him from “The Phantom Menace”…came to join the Republic, which involves Count Dooku assuring the leader of the Toydarians that he will challenge Master Yoda to a fair fight and show which side is the more powerful. Dooku assures him that Yoda’s powers have been greatly exaggerated…but, of course, you and I know better, right? Right…? Well, in response, I offer you the line that made me laugh out loud: “That’s a lot of smoke for a surrender.” There are some fantastically bad-ass action sequences, a heartfelt scene between Yoda and the three clone warriors who fight by his side, and for a half-hour episode, it’s remarkable just how epic the whole thing feels.

Again I say to you, it was awesome…and although I admit that I wasn’t the biggest fan in the world of the prequels, if this series stays at the quality we just witnessed, I’ll be there week after week after week.

TCA Press Tour, Day 1: BBC America

When the BBC America panels began, we were pleasantly surprised to be blessed with a heretofore-unmentioned appearance by Ted Koppel, who has joined the BBC World News America team. Granted, Koppel’s appearance was via satellite, and it only lasted for a few minutes (he had to get back to other activities which were, we can reasonably presume, far more important than talking to a bunch of lousy TV critics), but let it be said that the man left an impression one simple exchange…

Reporter: How did all this come about for you? How did you get involved with these guys?
Ted Koppel: Well, I was off in a sleazy back alley, buying pornographic magazines…

And here I thought I couldn’t respect a newsman more than Brian Williams, who was heard to say during last year’s tour how such-and-such “really made my sphincter tighten.” But I think I’ve gotta give the title to Koppel now. (The reporter who asked the question thanked him for that quote, by the way…as well she should have.)

But, really, you have to like a guy like Koppel, anyway, if only because he’s not afraid to speak his mind, an opportunity he was given on a silver platter when he was asked why American viewers were being denied the kind of news coverage being provided by BBC America.

“Well, as you all very well know, that’s the subject of a very long discussion,” he admitted, “but the simple answer is economics. As there have been more and more outlets and the competition has become greater and the audiences have
become smaller and the amount of money that news divisions are making still has to remain high, there’s been a tendency to focus more on that demographic that brings in the largest amount of advertising dollars, and that’s the young demographic…and for reasons I never quite understood, the assumption is that young people don’t care about overseas news. And the other half of the answer is that the bean counters decided that one way to save money for the news divisions was to close down these very expensive foreign bureaus which are not necessarily on the air every day. And so, where in my heyday as a foreign correspondent, ABC, for example, may have had 30 or 35 correspondents, now they’ve got maybe five or six. And that’s the same with NBC and the same at CBS. There are just far fewer correspondents, far fewer bureaus, and that’s the one area in which the BBC remains preeminent.”

Preach it, Ted. Oh, and if you’re wondering, Koppel still considers the Discovery Channel to be his primary employer these days…but given how enthusiastic he sounds about working for BBC America, I’m left wondering how long that will prove to be the case.

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And our very special guest star…Fred Willard!

Show: “Stargate SG-1”
Episode: “Family Ties” (Season 10)
Role: Jacek

It has been said…by me, if by no-one else…that when it comes to guys whose mere appearance in a film automatically guarantees that it won’t be a complete waste of time, there’s a tie for the spot at the head of the class between Larry Miller and Fred Willard. I don’t have a bad word to say about either of them, but it must be said that, of the two, Mr. Willard has probably managed to be funny in more different genres.

Yes, even in sci-fi.

Fred Willard

Although Willard earned major geek points by appearing in episodes of “My Secret Identity” and “Lois & Clark: The New Adventures of Superman” (as the President of the United States, no less) and providing voiceover work to “Buzz Lightyear of Star Command,” “Transformed: Animated,” and “The Batman” (he’s also in “WALL*E,” for that matter), the one full-fledged science fiction role on his resume is that of Jacek on “Stargate SG-1.” From the moment the character first appears, two things are clear: 1) Jacek is going to be the episode’s comedy relief, and 2) Willard is going to play this part just like he plays any other part, even if it is on a sci-fi action / drama.

Though the episode technically begins with Vala Mal Doran (Claudia Black) and Lt. Col. Samantha Carter (Amanda Tapping) returning from an off-base shopping trip, the excitement doesn’t start until the gang at SG-1 get an unscheduled video transmission. “Hello? Is this thing working?” shouts Jacek, into the camera lens. He introduces himself, explaining, “I don’t get out to your end of the galaxy very often, but I have a friend who lives in the area, and he speaks very highly of your people.” Jacek claims to possess information which reportedly could impact the very survival of Earth, but the information that proves far more interesting comes when Vala identifies him as her father.

Jacek: Vala, is that you? Sweetheart, how is life treating you?
Vala: Certainly better than you ever did.
Jacek: Ouch! I suppose for the benefit of your friends there you’re going to want to list all the reasons why I was such a bad father.
Vala: Oh, I wish I could, but a wormhole can only be maintained for 38 minutes.
Jacek: Ah, you’ve got your father’s wit…
Vala: It’s hardly enough time to cover your inadequacies as both a parent and as a human being in general.
Jacek: …and your mother’s uncanny ability to hold a grudge.

Jacek asks to be brought through the Stargate in order to reveal his information, but Vala refuses to vouch for him; she changes her tune, however, when he reveals that what he knows has to do with a plot to destroy Earth that Arkad set into motion prior to his death. “Take your time, there’s no pressure,” says Jacek. “Just that your whole planet could very well blow up at any moment.”

Cut to the SG-1 team preparing to retrieve Jacek.

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