Category: TV Dramas (Page 226 of 235)

Once a bloodsucking lawyer, always a bloodsucking lawyer

Fans of Joss Whedon’s former TV shows are having an excellent year, with Whedon alums Alyson Hannigan (Willow), David Boreanaz (Angel), and Charisma Carpenter (Cordelia) all happily ensconced in hit shows. James Marsters (Spike) had a nice recurring role on “Smallville,” Nicholas Brendon (Xander) had a near-miss with “Kitchen Confidential,” Nathan Fillion (Malcolm) has a horror movie coming out soon, and, well, Michelle Trachtenberg did a Lifetime movie that at least helped prove that sometimes good books shouldn’t be made into Lifetime movies for any amount of money.

Next up for the Whedon army: the return of Charles Gunn (actor J. August Richards), who will put his Wolfram & Hart-gained courtroom skills back to work in NBC’s upcoming drama “Conviction” as Assistant DA Billy Desmond. But who would have thought the street-smart African-American (vampire-slaying) gang member would end up getting typecast as…a lawyer?

For those with truly Josstastic memories, “Conviction” also stars Eric Balfour (better known as Milo from the first season of “24,” or as Theresa’s ex on “The O.C.”) who was gleefully devoured by vampires in the pilot episode of “Buffy the Vampire Slayer.” It’s a Whedon two-fer!

NBC is making the “Conviction” pilot available for FREE download at iTunes, so the Whedonites won’t have to wait to get their fix of the stake-slinging, vampire-hating lawyer.

The CW hearts Hartley

Quicker than a dolphin can say, “So long, and thanks for all the fish,” washboard-abbed sensation Will Toale has been replaced by washboard-abbed Justin Hartley in the CW’s plum role as superhero Aquaman.

What, do they think these shirtless, well-muscled young hunks are simply interchangeable? We have no doubt that Toale has spent numerous minutes exploring the character motivation behind lines like, “Hey, don’t touch that sea turtle!”

But now, sadly, it’s back to those underwear-model auditions. It’s a hard-knock life for the Man with Abs of Steel.

A priest and a one-armed deputy walk into a bar…

Another week, another good episode of “Invasion.” The look on Sheriff Tom’s face is absolutely priceless when his 17-year old daughter comes out of his one-armed deputy’s tent dressed only in a towel. They both claim they’re “just friends,” but one has to wonder why she’s not dressed. For those that wonder what’s underneath Alexis Dziena’s towel, I point you to her appearance in the Bill Murray vehicle, “Broken Flowers,” where she bares her considerable assets for the camera. (By the way, this picture doesn’t do her appearance justice – she goes full frontal.) If you’re worried about the whole underage thing, she’s 22 now and was 20 when she filmed the movie.

Creepy old men stuff aside, something is stalking the Varon household. It’s lightning quick, which doesn’t make a whole lot of sense when it turns out to be the unfinished torso of Dave. Unless these hybrids have enhanced speed and strength, I don’t know how a torso with stumps for hands can move that quickly. Regardless, the freak factor was in overdrive when Dave was searching around the house for the Torso.

I had a feeling, when they didn’t show the one-armed deputy actually shooting the Sheriff, that he was not the guy. The writers did a nice job of pointing us in another direction before finally revealing the priest as the true shooter. I’m a little unclear on his justification for trying to kill the Sheriff – it definitely seems un-priest-like.

And don’t fall for Sheriff Tom’s nice guy act. He is actively sending hybrids to the camp in the Keys where they appear to be training an army. The hybrids are eventually going to attack and, when they do, it is going to get ugly.

Bullz-Eye.com’s TV Power Rankings

Six months doesn’t seem like a long period of time, but man, what a difference it makes in the life of a television show. Where some shows gloriously rode off into the sunset (“Six Feet Under”), and others suddenly and mysteriously vanished from our TV screens (“Chappelle’s Show”), still others simply eroded from within (“Desperate Housewives”), making room for a whole new bunch of upstarts that sport everything from TV’s greatest mustache to full frontal nudity, appointment viewing if ever there was such a thing.

And so, we snuck away from our TiVos just long enough to assemble an updated list of our favorite shows. Six newbies found their way into our latest TV Power Rankings, led by NBC’s Thursday-night tandem of “The Office” and “My Name Is Earl.” Meanwhile, HBO once again litters our rankings despite the loss of staff favorite “Six Feet Under,” but it’s Jack Bauer who once again reigns supreme.

Here’s a glimpse of the top three:

1. 24 – We see dead people, and it’s a beautiful thing. We’ll be the first to admit that last season’s finale was not the show’s finest, um, hour, but they sure as hell made up for it in the first four hours of this season. Both David Palmer and Michelle Dessler where whacked within seconds of each other, and while you can argue that Dessler was disposable, the killing of Palmer, the most likable character on the show, was ballsy. The stakes seem to have been raised all around this season, with none of the former seasons’ bait-and-switch plot devices in sight. President Buck Buck Brawwwwwwk Logan is turning into an interesting foil for all concerned. He seems to want to do the right thing, but as Walt the Weasel has shown, Logan can be very easily seduced into doing evil deeds, so long as he comes out looking good in the eyes of the public.

Of course, it looks as though Kim Bauer (the fetching Elisha Cuthbert) is returning just long enough to get stuck in a bear trap while being held hostage in a Kwik-E-Mart, but here’s hoping that the producers have better plans for her this time around…like having her killed. You think Jack has suffered enough? Take away his daughter too, and see how mental he goes. Now that would make a great show even better.

2. The Office – I’ll be the first one to admit that I wasn’t very keen on the idea of NBC remaking the classic BBC series “The Office,” and even more so after an average first season run of only six episodes. Things can change quite rapidly, however, and it hasn’t taken very long for the comedy series to climb to the top of the television rankings, or to get shuffled into the coveted Must See Thursday night spot. This is a direct reflection of the show’s brilliant writing team, who have managed to create a unique show they can call their own, and the amazing ensemble cast, without whom the series would not have survived.

Taking place in a small Philadelphia-based paper company, “The Office” is very much a show about the day-to-day grievances that make working in an office comparable to living underneath Satan’s armpit. The office manager, Michael Scott (Steve Carell), is obsessed with everyone being his friend, while Assistant to the Regional Manager Dwight Schrute (Rainn Wilson) is the strangest person you’ll ever meet. These two characters alone are enough reason to watch this show, but perhaps the most intriguing element of the series is the secret office crush between nice guy Jim (John Krasinksi) and girl-next-door secretary Pam (Jenna Fischer), a relationship that the BBC series played out perfectly, and one that the NBC version will no doubt do as well. And while the rest of the characters that make up “The Office” aren’t exactly pertinent to the main story at hand, they’re the funniest group of nobodies on television today.

3. Scrubs – The fall TV season officially began in September, but when “Scrubs” wasn’t on NBC’s upcoming schedule, many thought that the series had gotten the axe. Was the show’s less-than-impressive ratings finally proving too depressing for the network, or had Zach Braff’s instant film success gone to his head? Neither, actually. In fact, the show was very much alive and in production, and by January, “Scrubs” returned in full form. After last season left many fans dreading Elliot’s (Sarah Chalke) decision to leave Sacred Heart for a fellowship at another hospital, it took only two episodes before it was clear that she would return, and return she did. Meanwhile, J.D. (Braff) continues his reign as one of television’s funniest characters, a title that would be impossible to hold if it wasn’t for Braff’s complete disregard for making a fool of himself.

In just one short month on the air, the series has delivered more classic cutaways (including ninja surgeons), hilarious guest stars (like Jason Bateman), and a hundredth episode that was perhaps the best of the entire series, a “Wizard of Oz”-themed half-hour who’s multi-layered jokes required multiple viewings. Oh, and Mandy Moore (Braff’s real life girlfriend) is set to guest star as J.D.’s girlfriend in upcoming episodes; we saw what Moore did for a little show called “Entourage” last season. “Scrubs” is still one of the funniest comedies on television, and while it may not get the same love as other NBC shows (see above), its loyal fan base remains.

Click here for the rest of the Winter 2006 edition.

Too much diversity?

Is there such a thing?

Two recent premieres got me thinking – if every show maxes out diversity, aren’t they just homogeneous?

Case #1

During the premiere of “Emily Reasons Why Not” (and what turned out to also be the series finale, a rare feat indeed), Heather Graham sat in a living room with two friends, a woman (who looked to be mixed race) and a black guy. (Note: I’m told that using the term “black” is okay again.) Heather’s character, Emily, is complaining about her love life. The girlfriend chimes in and, as the black guy is about to speak for the first time, I pause the recording and say to my wife, “I predict that, by the end of this guy’s first sentence, we will know he’s gay.” I push play and the guy makes a wisecrack to the effect that he “can’t choose the right guy.”

Case #2

On the premiere of “Love Monkey” (which shows promise, by the way) white lead character Tom has three friends: 1) his white brother-in-law 2) a white former pro athlete and 3) a rich black man. By the end of the show, we discover the former pro athlete is actually gay.

Now, I have no problem with diversity on television. America is a diverse country and television is beginning to represent that. My question is: when is enough enough? If you have ten shows about single people navigating the dating scene, and all of them have casts like the ones I described, aren’t they just homogeneous?

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