Category: TV Dramas (Page 217 of 235)

Not a Buffybot, but the genuine article…!

“Buffy The Vampire Slayer” is coming back!

Okay, now that I’ve gotten you way too excited, I’ll drag you back down again. Yes, “Buffy” is returning…but not to TV. And not to movies, either. But she is coming to a comic book store near you, appearing in a new series of comics that pick up Buffy Summers’ adventures after her show ended.

I know, you want to punch me for getting your hopes up. But, hey, at least, the comic is being written by the show’s creator, Joss Whedon. And the artwork for the first issue looks pretty decent, too:

According to Entertainment Weekly’s PopWatch, the army of Slayers that was created at the show’s end has gotten organized, and the tide has turned in favor of the good guys. Soon, however, an “old enemy” surfaces – publisher Dark Horse is cagey on the Big Bad’s identity – and Dawn starts “experiencing serious growing pains.” What does that mean? Tune in on some future Wednesday – that’s when the new comics come out, you know – and find out.

Don’t hold your breath waiting for guest appearances by Angel and Spike, though; IDW, another comic publisher, has the rights to publish their adventures, and it’s unlikely the two publishers will cooperate on a crossover.

Don’t mess with Aunt Lou

Deadwood Seth Bullock

This week’s episode was all over the map, with scenes featuring almost the entire cast, save the theater troupe, thankfully. The main issue to be resolved from last week was George Hearst’s incarceration at the hands of Bullock. The next morning, Hearst is no less mouthy as Charlie picks up the jailhouse around him. Charlie is more than happy to point out, in the next cell, the corpse of the union organizer that Hearst is believed to have stabbed (via proxy, of course). Later, when Bullock releases Hearst, the magnate goes over to the corpse, pulls out the knife, wipes it off on the table and leaves. Though I’m not entirely sure why Bullock released him, one thing’s for sure – Hearst has balls.

Sy continues to kiss Hearst’s ass, and now that he’s got Alma’s dealer, Leon, in his pocket, he actually has something to deal. Sy claims he can deliver her claim, which is the one thing in Deadwood that Hearst desperately wants. Surprisingly, Hearst tells Sy, “Don’t kill her yet.” Meanwhile, Leon, who seems to have a relatively good moral compass, visits Alma at the bank and tells her to find her drugs elsewhere. Trixie, who went out for a smoke, jumps Leon when he leaves the bank and tells him to leave Alma alone. Her concern is for “the child,” and she doesn’t want to see Alma continue down this treacherous road. Trixie confronts her inside the bank, and Alma gets uppity and ends up firing her only teller. Denial isn’t just a river in Egypt.

Despite his willingness to side with Hearst, Sy doesn’t like the way the man treats him and he pays E.B. $200 for any information that might help him in the future. E.B. immediately goes to Al, confused at Sy’s approach and says to Swearengen, “Save us. Think of something.” Al’s reply? “Have I ever not?”

On the heels of her dismissal, Trixie comes to Al and says in passing that she feels like she could turn a trick and Al goes off on her, explaining, “I lose patience with c*nts too ignorant to know when their lot’s improved.” I don’t think Trixie was serious about going back to prostitution, but it was interesting to see Al’s reaction when she brought it up.

One of the emerging storylines this week was the arrival of Aunt Lou’s son, Odell. After a Hearst power play in the hotel over who should rightfully invite someone to stay in his hotel, proving just how big of a prick he can be, Hearst becomes intrigued with Odell when he mentions a gold mining operation in Liberia. Hearst invites Odell to dinner and Aunt Lou is not happy about it, eventually resorting to tipping the bottle with Jane. After she gets her drink on, Lou marches down the thoroughfare saying (to no one in particular) that Hearst is not going to take her son.

Just prior to Lou’s march through camp, Hearst had an interesting scene with Al and Bullock that pretty much sums up the contentiousness of the season thus far. As Hearst goes off to dinner with Odell, he raises his middle finger to Al and says, “How’s the finger?” Bullock, letting his emotions get to him once again, replies, “How’s the ear?” but it’s unclear if Hearst heard him. The conflict between these three men will definitely be the main storyline over next few episodes, and I’m interested to see how Hearst gets out of camp alive.

In the sweet final scene, Joanie takes a drunken Jane in. It’s clear that Joanie cares about Jane. What’s not clear is the source of these feelings – is it friendship or something more? Hopefully, the series will explore that question in the coming weeks as well.

Zombies in my neighborhood

I’ve been patiently waiting for Denis Leary and Co. to unleash some classic “Rescue Me” this season, and I’m happy to say that tonight’s episode finally delivered the goods. It was nice to forget about all of the serious stuff for a moment – like Franco’s custody debacle and Lou’s mid-life crisis – and just enjoy what made the series so great in the first place. Take for instance the firehouse antics lining the first half of the show, including the street hockey game, the porno scuffle, and the whole subplot regarding Garrity “accidentally” taking four sleeping pills – though I’m not completely sold on the fact that Tommy wasn’t somehow involved in setting him up. This is great stuff. Has been, and always will be.

Anyways, these specific sleeping pills have been known to cause strange sleepwalking patterns for the user, and Garrity experiences the worst of it when he suddenly “awakens” and decides a night on the town is in order – including a quick five finger discount at the corner market and the pet store (hello, free rabbit) – where he acts more like a zombie than a regular person. And because he’s out cold when the alarm goes off, Garrity misses the biggest fire of the entire season; one that Lou and Franco nearly die in after getting trapped in a blazing room that Tommy has to axe his way through just to get to.

And speaking of our leading man, Tommy’s still got some things on his mind – namely the death of his son, Connor, which he’s still learning to cope with. Then again, he’s also got his big date with Marissa Tomei (her character’s name escapes me, and I could really care less), with who he rehearses with before leaving for dinner. Of course, the big plan is for the new couple to stir up the rumor mill with some juicy gossip that will “conveniently” reach Johnny and Janet, but instead, Sheila discovers their little secret and completely FREAKS OUT. Talk about your dependency issues; though I’m still pulling for Sheila (played by the beautiful Callie Thorn) to win over Tommy when everything is said and done. As for Johnny and Janet, we finally got to see a slice of their home life, but it’s not at all interesting (everyone’s a bit too happy, no?) and I can only hope that we’re not force-fed much more in the future. This doesn’t mean, however, that they should put an end to Tommy and Janet’s playful affair. That’s gonna make for some great television by the season’s end.

Sally McBeal…or is it Ally McField?

Adding another feather to a cap that, frankly, was pretty well-feathered to begin with, ABC has announced that two-time Oscar-winner Sally Field will join the cast of its new fall drama, “Brothers and Sisters.” The show already boasts such high-profile talent as former “Ally McBeal” star Calista Flockhart and former “Six Feet Under” star Rachel Griffiths, not to mention out-of-work “Alias” cast members Ron Rifkin and Balthazar Getty.

Field bumps former “Eight is Enough” star Betty Buckley from the coveted family matriarch role…though Buckley still appears in the show’s publicity photo on ABC’s web site. Click here to view a (Field-free) preview for the show.

Dan is the man

Deadwood Al Swearengen Dan

The tension between Dan and the Captain has been brewing now for a few weeks, and things came to a head in the thoroughfare. The Captain, thru Adams, called Dan out and Al had to rein him in as he tried to determine Hearst’s motives. After much pontificating, even posing questions to the Chief’s head in the box, Al couldn’t figure Hearst out, so he sent Dan off to do his worst.

The four-minute fight in the thoroughfare was brutal. It was evenly matched for the first half, with each guy getting his shots, but the Captain took advantage in the second half, and it looked like Al, who was watching from the balcony of the Gem, was about to give up on his man. But Dan fought back and ripped the Captain’s eye from his socket, which has to go down as one of the most violent moments in television history. Al gave Dan the OK to kill the Captain, and he didn’t waste any time in doing so.

Prior to the fight, Hearst tipped his hand when he was talking to the Captain about the fight being an “object lesson.” It was definitely a risky move for him to send the Captain, his only bodyguard in Deadwood, off to fight the camp’s toughest man, just to prove a point. It leaves him vulnerable, and it will cost him later.

Meanwhile, Bullock saw that Steve and Hostetler closed out their business, signing over the stable simultaneously to satisfy both of their egos. Steve is quickly becoming one of the most annoying characters on television, whining and complaining about every little thing. He challenged Hostetler to find the board he signed after the horse trampled Bullock’s kid, and when Hostetler produced it, the writing had been wiped off. Steve kept calling Hostetler dishonest and, finally, the old man had enough and shot himself in the head. I would have left Steve in the dust after the transaction, but I guess Hostetler cared too much about what Steve thought of him.

Hostetler’s death, which was ultimately caused by the death of Bullock’s son, sent the sheriff off the deep end and he went to confront Hearst about the murders of the union organizers. Hearst was drunk and insulted Bullock repeatedly, and it was all the sheriff could do to contain himself. Bullock dragged Hearst by his ear to jail, a move that will certainly have ramifications in the coming weeks.

Alma is using again, and it’s hurting her reputation at work and at home. Trixie had the line of the week when describing Alma’s actions to Sol:

“The bank’s founder and president, chief officer as well, of air-headed smugness and headlong plunges unawares into the f*cking abyss.”

That’s great stuff.

Alma tried to woo Ellsworth at home, but he pulled away (tasting the drugs on her lips?) and indicated that he was leaving her. Just when she was getting her life back together, Alma is once again navigating a very slippery slope.

The series is spending a lot of time with the theater troupe and I wish we could see more of Jane and Joanie. Other than that, the season is going well.

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