Category: TV Dramas (Page 213 of 235)

Friday Night Lights premieres tonight…

…and in celebration of that fact, here’s what the stars and producers of the show had to say when Bullz-Eye got to ask them a quick pair of questions about the show:

Bullz-Eye: This is for all of you: do you feel a sense of hesitation about entering into the genre of TV shows spun off from movies?

Brian Grazer (producer): I produced the movie and worked on the movie for about thirteen years and struggled through…I guess about five different directors ‘til I got together with Pete Berg, who I felt – in order of priority – understood the movie, understood the culture of Texas, understood that it was about boys’ and girls’ identity in that period, and, finally, was about football…but he really, I felt, got the culture so well. I have some anxiety as a movie producer about having a movie then become a TV series. I’m very happy with the show – I thought Pete did a most outstanding job on the pilot – but there’s some tension on that.

Peter Berg (producer): I think that, Brian, if there is tension or anxiety about it, it’s recognizing that…well, we really were very happy with the film and happy with the pilot, and we’ve been very happy with the way the show’s begun to unfold, but we recognize the inherent limitations of television production, and we’re working really hard to try and maintain a certain level of quality. And I think that as long as we can continue to do that, we’ll be comfortable with the transition from film to television.

Kyle Chandler (“Coach Eric Taylor”): From our side, trying to reach that quality is the optimum job that we’re looking to do. As well, though, we’ve got a certain process that’s allowing us to try to capture that…which is giving us, as the actors, an immense amount of joy and challenges and responsibilities. But it’s a process that we’re all coming together on, we’re and figuring out that that quality is reachable, and that’s our goal. So we’ve got a tremendous challenge, but it’s there. We see the light. It’s just an amazing challenge

Connie Britton (“Tami Taylor”): And having worked in a lot of television in the past, and now working on this show, the process is so substantially different…and having worked on the movie “Friday night Lights” and seen how great the pilot came out in comparison to the movie – which was also amazing – it’s very clear that this is a different TV experience.

BE: And to close with a quickie, Peter, were you responsible for the line in the pilot praising the inspirational power of early Black Sabbath?

PB: (Laughs) Yes, I was. “Get your Black Sabbath on.”

CB: I remember that moment well. He yelled it out from behind the camera.

PB: It just popped into my head.

Prison Break: R.I.P. Tweener

That was a nice twist at the beginning when the cop turned out to be the MILF’s daughter, and I liked how Lincoln disarmed her, though it’s funny how cops on TV never call for backup before investigating a suspicious situation.

I said last week that I thought Tweener was in a good spot to cut a deal with Mahone, and the agent made him a pretty good offer. (He would have been wise to get it in writing, not that it mattered in the end.) All Mahone had to do was show him a few pictures of the vet that T-Bag killed and Tweener started singing. Speaking of everyone’s favorite racist pedophile, he had the best quote of the week…

Watching a news telecast covering his latest misdeed, T-Bag moans, “This show makes me look like a sociopath.”

So someone got to the Governor before he could tell Sara what he knew about Agent Evil. At least she found the key that was on her dad’s body.

It’s interesting that Lincoln decided to go after LJ when the gang was so close to getting the money. Considering he had a day’s drive to Arizona, I don’t know what an hour or two in Utah was going to matter. But Lincoln is nothing if not stubborn, so now the brothers are split up.

It was another nice twist that Sucre heard that the cops had Tweener on the police radio. So the group knew that they had to bolt, but a moment later they found the money. Weeks and weeks of dreaming about it, and there it is, Westmoreland’s cash. As we watched Tweener walk up to the house, I had a feeling that he was going to take Mahone to the wrong address (that’s the third time they’ve pulled “The Silence of the Lambs” switcheroo – what’s the over/under for the season?), but I wasn’t expecting Mahone to flip out like that. It’s clear that he’s a few cards short of a full deck. I wonder why Tweener didn’t offer to roll over on the gang when his life was on the line – he was probably too busy shitting his pants.

And finally, was that a germ of concern I heard in Agent Evil’s voice when he learned that Sara’s life was in danger? I think he just might save her life next week. Ah, the power of a pretty face.

Desperate times call for desperate measures


“I want YOU…to love me again.”

It’s gotta be tough being Chevy Chase these days. Still stinging from his disastrous Comedy Central roast four years ago (not to mention his failed talk show, numerous failed movies, and failures in his personal life), Chevy has struggled to maintain any semblance of relevance or likability in recent years…and has generally come up short.

So, how does one of Hollywood’s prime examples of “Oh, how the mighty have fallen” raise himself back up out of the gutter? Well, one strategy would be to take on the role of someone who has taken an even mightier tumble in the public eye…like Mel Gibson.

According to a press release from NBC, Chevy will appear in a future episode of “Law & Order” as “a television celebrity who is pulled over for drunk driving while wearing blood-soaked clothes, and whose religious prejudice comes out after his arrest.”

Hoo, boy: This train-wreck-in-the-making is either going to be jaw-droppingly horrifying…or mind-blowingly awesome. Either way, set your DVRs for Friday, November 3.

Prison Break: The band is back together!

I’m not exactly sure how it happened, but C-Note and Sucre found out where the gang was digging and crashed their little party. When C-Note met up with Sucre on the highway, he held up a map (from Westmoreland?), presumably leading to where the money was buried, but it’s not clear how that gets him past the problem of finding the Double K. I guess he and Sucre could have spotted Tweener as they were driving around, but how did they find the subdivision?

Anyway, Mahone is hot on the gang’s trail and he used some actual detective work to find out where they were headed. I liked the re-interview of the witness and his little math equation to figure out the radius of the circle in which Westmoreland’s money could be buried.

I actually felt kind of bad for T-Bag. The woman was really spreading it on thick and had to know that he’d be a bit pissed off about playing second fiddle to the “big guy.” But it looked like he kept his temper in check, at least until that cop arrived at the house. I’m not sure why the gang went through the elaborate ruse of convincing her to let them dig up her garage when they could have just tied her up like they did the storeowner. Of course, had they done that, there wouldn’t be a cop coming to the house, providing the necessary cliffhanger at the end of the episode.

I think Tweener could get quite the deal from Mahone right now. He really isn’t a dangerous criminal – after all, it was a baseball card that landed him in prison. He could tell Mahone where the gang is and maybe get immunity for his previous crimes. But it looks like Mahone wants to scare it out of him before backup arrives – I wonder if he’ll sing like he did in prison.

It’s good to see the Governor giving the heads up to Sara. Will they put the pinch on Agent Evil? I’m also curious to hear what else her father knows about him. AE seems to be having trouble dealing with his new lot in life, now that the VP is the President. Her assistant really seems to have a hard-on for AE.

And then there’s Haywire. There was no way that he was going to hurt that poor woman. I’m guessing his current mission is to get to Holland as soon as possible. Can you imagine how he’d react in Amsterdam? With all those people speaking Dutch or German, the miles of canals, the Red Light District…his head would explode.

Thursday night showdown: Preliminary Nielsen results

The Nielsen ratings for last night’s season premieres are in, and it’s a mixed bag.

On the plus side, ABC powerhouse “Grey’s Anatomy” beat former Thursday night champ “CSI” handily, scoring a 10.9 rating against the key Adults 18-49 demographic group vs. a still respectable 7.5 rating for “CSI.” This was one of the more highly-contested time slots on the entire fall schedule, and while “Grey’s” ratings may settle a bit lower after any cliffhanger-related curiosity ratings wear off, the gap is wide enough that ABC would still appear to have the edge for the near future.

More disappointingly, the season premieres of Emmy-award-winning comedy “The Office” and its lead-in “My Name Is Earl” were trounced not only by “Survivor” (which was perhaps to be expected), but also by a “Grey’s Anatomy” clip show.

Yes, you read that correctly: More people tuned in to view a CLIP SHOW of “Grey’s Anatomy” material from LAST SEASON than bothered to find out what happened after Jim and Pam kissed.

Is there no justice in the world?

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑