Category: TV Dramas (Page 209 of 235)

Jericho, Episode 5: You Fought Hard And You Saved And You Earned…

…but all of it’s going to burn.

Episode 5 begins with a rapid-fire back-and-forth conversation between several people at the bar that feels like a desperate attempt at capturing a “casual dialogue” feel. It flops miserably. Hopefully, they won’t attempt it again; seriously, it was bad enough to turn anyone away from the show.

There are several interesting developments this episode, though we get some cliches as well. The power’s back, and so are the phones…although the first voice anyone hears is from the director of Homeland Security, basically just saying, “Sit tight, don’t panic, we’re on the case.” There’s also a TV signal, but it doesn’t offer much, except to move from an emergency broadcast screen to that of the Presidential seal at the end of the episode; presumably, next episode will begin with a message from the President himself…or whoever’s running the country. The drama between Eric, his wife, and the bartender…I dunno, I’m just not all that caught up in it. Same with the New York accountant and the bankrupt farmer; enough with the flirtation already. It doesn’t ring true…much like the cliche of making the New York businesswoman be a complete bitch who complains about the small-town yokels. (Expect the follow-up cliche where she warms up to everyone due to the mutual distress they’re all in.) The fact that so many fires occurred around town at approximately the same time seems too coincidental – sure, it might just be because of the power spikes, but I’m skeptical – but, really, did we really need the obligatory child-runs-back-into-the-burning-building plot line? We get more teen angst, and there’s no real development on Robert’s mysterious history, except to see that he has the equipment to access the internet when no-one else can. (I have to say, I cringed when Jake was looking through the telescope at Robert and, though he clearly didn’t know he was being watched, Robert started looking around.) There’s further dancing around why Jake left town and where he went, but we don’t get any resolution on that…well, except for Jake’s passport photo on Robert’s laptop, which does, admittedly, raise my curiosity.

There are a couple of legitimately funny moments in the episode, starting with the power coming back on in “Jericho” and BTO’s “Taking Care of Business” playing loudly. You’re almost certain it’s going to be the soundtrack to a montage of people running through the town…until someone walks over and turns off the jukebox. It’s also smirk-worthy when, after Jake continues his ongoing false claims about what how he learned his various skills (when he knows how to turn on the water pressure to save a burning house, he explains, “I was a pool guy”), he’s called on it by Robert (he provides emergency power with the line, “I was a pool guy, too”). The best, though, is the teasing reference to another new series, which occurs when Emily gets zapped by a power line and is knocked unconscious.

Boy: Is she going to wake up?
Doctor: Yes.
Boy: (Hesitates) With super powers?
Doctor: Probably not.

All in all, though, we spend the entire episode waiting to find out what the government is going to say during their broadcast…and it ends without us ever finding out, which is a little annoying. Then again, it also ends with missles flying through the air, so there’s little question that I’ll be tuning in next week, anyway.

John Locke: Island Warrior, Pot Connoisseur

If you’ve been wondering what the future held for those poor saps who got stuck in the hatch mid-explosion, tonight’s episode shed a little more light on the subject; at least for one of our survivors. If anyone was going to make it out of that season finale alive, we all knew it would be Locke. Apart from the Terrific Trio (Jack, Kate and Sawyer), Locke is perhaps the next most popular character – and one that the writers all seem to love, as well – so it wasn’t very surprising to see him alive and well. What was surprising, however, was his sudden inability to talk. Of course, that didn’t last very long.

Upon meditating in some sort of spirit tent, Locke sees a vision of a long-haired Boone (do skin cells continue to grow, even when you’re just a spirit?), who guides him to his next mission: save someone on the island. After guessing just about everyone but the right person, Locke finally figures out that it’s Eko who needs his assistance. Apparently snatched by another polar bear wandering the island, Eko is pretty beat up when Locke and Charlie arrive, but they get him back to the beach in one piece.

Meanwhile, Locke’s flashback divulged a couple interesting facts. Like how he was living off-the-grid growing weed with a couple of friends, and how a hitchhiker that he picked up one day actually turned out to be an undercover cop. He let the kid go, despite promising his fellow “botanists” that he would take care of it, and I’m starting to think that the repercussions of that decision might have something to with him being limited to getting around in a wheelchair. It’s just a thought.

In other goings on, Hurley’s finally returned (running into Locke and Charlie, and a naked Desmond along the way) to deliver the bad news about Jack, Kate and Sawyer. At one point, one of the red shirts even questioned as to who “they” (the Others”) were, as if he’s not savvy to what’s been going on for the past two months? Uh, dude, they’re the bad guys, remember?

Anyways, what was particularly interesting was a conversation that Hurley and Desmond had while returning to camp. After Desmond mentions a great speech that Locke gave about saving the Jack and Co. from the Others, Hurley corrects him by saying that Locke is out to save Eko, kill some bears, and that’s it. Confused, the two continue their journey, while Hurley speculates the effects that the hatch explosion might have had on Desmond. Several moments later, Locke gives that exact speech to the other survivors on the island. Hurley knows this isn’t coincidence, and while Desmond might not exactly turn in to the Incredible Hulk any time soon, there’s definitely something wrong with him. I think it’s the writers trying to make up for the fact that NBC’s “Heroes” has outdone them at their own game – what do you think it is?

“Runaway” gets the axe

Dig it. “Runaway”, a show on The CW has officially been canned. So say the fine people at Brilliant But Cancelled. It’s the latest show to die on their deathwatch game. I didn’t even know about this show, but then again I don’t tend to watch The CW. For those of you who are morbidly curious now that this news has been issued, the show’s premise was as follows:

The Raders look like a normal middle-class American family, with a dad, Paul, his lovely wife Lily, teenagers Henry and Hannah and 8-year-old Tommy. Those are their real names, but as they struggle to blend into a new life in Bridgewater, Iowa, they are all using secret identities. This family is on the run, hiding from the legal system that unjustly accused Paul of a terrible and violent crime. Adding to the danger, the real killer is now threatening the lives of the Rader children. As Paul works to protect his loved ones and uncover the evidence that will clear him, he lives with the daily fear that someone will accidentally reveal the family’s dark secret.

Yeah, too damn convoluted even for such a fresh “new” network.

Heroes, Week 4: When Peter Met Mohinder

…and Nathan Met Niki…and Peter Met Hiro…and…well, you get the idea. Lots of meetings going on.

So Matt wakes up on an examining table, looking into the eyes of Claire’s dad, who assures Matt that they’re just testing him and that he just needs to relax. Of course, he’s lying, so it’s uncertain as to whether we can trust his claim that he’s not FBI or CIA. He assures Cop Boy that he’s very special…just as special as his buddy, who then proceeds to not only wipe out Matt’s memories but also apparently prevent him from appearing at any other point during the episode.

Claire manages to put herself back together – so to speak – after waking up on the autopsy table and more or less makes it home in one piece. She manages to endure a few stern comments from her father, along with a grilling from her buddy about the events of the previous evening, before discovering that the football player who raped her has done it to other girls. She quickly extracts her harsh revenge on him…not that he doesn’t deserve punishment, but, damn, that kind of crash could kill a guy!

Mohinder tries to warn Nathan about a possible attempt on his life, but he doesn’t buy it, saying, “Can you be more specific? 12 percent of the populace doesn’t approve of me.” Nathan then proceeds to go yell at Peter, certain that he’s the one who told Mohinder where to find him…and, although he didn’t, it leads Peter to go hunt down Mohinder. After bitching at Peter, Nathan then promptly flies off to Las Vegas where…what’s this?…he meets up with Niki. And, boy, does he meet up with Niki; she’s been asked to roger him roundly in order to even things up with Mr. Linderman. As it happens, though, she really digs him…and although she begs off at first, her better (?) half thinks better of it. Then again, you work up a sexual appetite after kicking a guy’s ass. By the way, there are a lot of great lines in the episode, but the best has to be, “Niki’s not here right now.”

It’s weird that, when Peter meets Mohinder, for someone whose dad has done nothing but go on about the untapped human potential, Mohinder’s pretty damned skeptical of Peter’s claims. Still, he listens…and, during a subway ride together, Mohinder starts to warm up to Peter. Meanwhile, Isaac and his woman have a decidedly tense one-on-one about his powers and her evening with Peter…but, for the first time, Isaac’s finally stopped whining and started taking control of his abilities. “I’m going to save the world,” he says to himself…and you damned well believe him, particularly after he discovers how to access his future visions without shooting heroin. When he sees and subsequently paints Claire, it’s the second time in the episode one of the other heroes has referenced her in some capacity – Matt asks “who’s Claire” immediately before getting his memories wiped by Claire’s dad’s buddy. Not that it’s any secret that Claire is clearly the tie that binds the heroes together; the “coming next week” segments have been spoiling that for the past few weeks. Why ruin it for us, you bastards?!?

The moment when Hiro looks skyward and offers a look of apology right before he stops time and allows Ando to win is brilliant…not quite as brilliant as Ando preying on Hiro’s knowledge of super-hero mythos to convince him to continue cheating, but almost on par with the expression on the face of Ando’s cowboy-hat-sporting poker opponent when he watches his full house turn into junk before his eyes. Nice “Rain Man” moment when the pair of them come down the escalator wearing matching grey suits…right before they get thrown out of the casino and into the path of the now very angry cowboy-hat-sporting poker opponent. I can only presume the scene of Ando shitting himself will appear on the “Heroes: Season 1” DVD set as a special feature…

So the two big mysteries at the episode are…

1) Why did Claire’s dad only want one member of the post-coital couple in Vegas?
2) From how far in the future did Hiro come to speak to Peter? Because there ain’t no trace of an accent in his English…

Did I mention how much I love this show…?

“Heroes”: 3 questions, 3 answers

Due to the phenomenal success of “Heroes,” NBC kindly put together a teleconference with the show’s creator, Tim Kring, and two of the shows stars; their names are Ali Larter and Santiago Cabrera, but you may know them better as Stripper with the Crazy Reflection and Artist Who’s The New Nostradamus. It was a packed call, so we only had the chance to ask one question per person, but here’s what we got out of them…

Bullz-Eye: Ali, in a series that has its fair share of disconcerting moments, yours is definitely the story that’s playing out the most like a horror film.

Ali Larter (“Niki Sanders”): (Laughs)

BE: Given your history with “Final Destination,” did you slip into the role pretty easily…?

AL: You know what? I’m in a bit of fear and distress right now, but if you hold on for just one more episode, we’re gonna get a little romance, you get a little bit of cheekiness in it, and, actually, what’s amazing about this writing is that it really pushes me and makes me kind of find all different tones within our show, so…you’re getting there. That’s just the first couple of episodes. It definitely opens up to a whole new world.

BE: Oh, please let the romance be with Hiro’s buddy…

AL: (Cheekily) Maybeeeeeee…!

BE: Santiago, I’ve been blogging about the show for our site, and I have to wonder: if you had the ability to see the future, do you think maybe you’d spend maybe a little more time trying to change the events you were seeing and less, uh, kind of…whining about it?

Santiago Cabrera (“Isaac Mendez”): Well, I think it’s, uh…I think it depends whether you’re in control of it or not. I think that’s the interesting thing about the surprises that this character can have. It’s that, at the moment, he’s not conscious of what he’s doing, so it’s a pretty freaky thing, and there’s maybe that nature of, “Am I evil, is this coming from inside of me?” Or, “Why is this all happening?” But obviously, if you’re in control of it and you can put it to good use, you can do what you want with it, and that’s a different story. And I think that’s the great thing about this show: that it starts from the beginning of everyone discovering these things for the first time, and, obviously, it’ll be a process of going through each character, and it’ll take people to different places.

BE: And Tim, when I did our fall preview, I opened my comments about “Heroes” by observing, “Whoever had ‘21 years’ in the pool on when NBC would finally decide TV critics had forgotten about ‘Misfits of Science,’ you’re a winner.”

Tim Kring (creator): (Laughs)

BE: And then I proceeded to laugh out loud when I saw on your IMDB entry that you were actually a writer for that show.

TK: Oh, is that right? So that was just a lucky guess…?

BE: It was. Have you been hoarding ideas for 21 years?

TK: Actually, “Misfits of Science” is so long ago that I barely – literally – barely cannot remember what I wrote. But, y’know, I’ve had a long and varied career, so when you look back at it, there’ve been many various genres that I’ve been involved in.

BE: So it hasn’t been haunting you ever since?

TK: No, not really; I’ve just been going where the road takes me. As a writer, if you look back at your career, it’s hard to make any sense of it. It just goes where it wants to go.

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