Category: TV Dramas (Page 188 of 235)

Well…you DID have his fiancee whacked

There was a very telling moment in tonight’s episode, and as is often the case, it came in Dr. Melfi’s office. After attending a screening for “Cleaver,” Chris’ just-wrapped horror flick, Tony breaks down and tells Dr. Melfi that Chris despises him. It was obvious during the screening that the boss in the film, played by Daniel Baldwin (“Fuck Ben Kinglsey. Danny Baldwin took him to fucking acting school!”), was based on Tony – the open white bathrobe in the basement scene was a dead giveaway – but not until Carm confronted Tony about the scene where Baldwin fucks the fiancée of Michael “The Cleaver” did Tony stop to think about what that could mean.

So Tony tells Dr. Melfi about how Chris was more like a son after Chris’ dad died, and it bothered him that Chris now seemed to hate him. In fact, the big fella actually broke down and cried during the session before saying, “He wants to see me dead,” a reasonable conclusion considering Baldwin (I didn’t catch his character’s name in the movie) wound up with a cleaver in his skull. But here’s the thing: Tony didn’t seem too concerned about the possibility of Chris making a move against him; he was broken up by the fact that – by his estimation, anyway – Chris despises him.

By this point I think everyone can agree that, whatever goes down in these final few episodes, Chris is going to be right in the middle of it. What exactly that means, of course, remains to be seen, but after agent Harris told Tony that he had recently talked to Chris before adding, “maybe he never told you about it,” I’m hanging on to my original theory: Chris is going to rat Tony out. Maybe he really does despise Tony after having Adrianna killed, or maybe he’s just trying to save his own ass, but all the signs are there, including the scene tonight where Chris was talking to Shooter McGavin (for all you “Happy Gilmore” fans out there) and an FBI agent showed up to talk to him.

Of course, the possibility exists that David Chase is leading me around by my nose and he wants everyone, including Tony, to think that Chris has flipped. That could very well be the case, but at the very least it’s clear that Chris, like little Carmine, has started to distance himself from the family, intentionally or not. He’s clean (allegedly), he’s got a wife and a baby now, and his movie is about to hit theaters. Chris seems to be following Carmine’s lead and trying to find happiness in his life.

Not much happiness in the New York family these days, though. Stage 4 lung cancer took Johnny Sack out at the end of the episode while everyone – even people on the freaking news – speculated about who would be his replacement. Phil apparently doesn’t want the gig after his heart condition last season, and the apparent favorite, Jerry Torciano, was whacked while having dinner with Sil and some lovely ladies in the coolest scene of the episode. Meanwhile, Tony wants Carmine to take over but, as he told Tony over lunch, he’s not interested, and his reasoning certainly seemed to strike a chord with Tony. Is it time for Tony to find happiness in his life? Is that even possible at this point?

I’ve heard and read complaints by people who say not enough happens on “The Sopranos” anymore, but I don’t think those people are appreciating the story that Chase is creating. This is a mob show, sure, but it doesn’t need to be all guns and blood and “fuggedaboutits”. Chase is building toward something, with the trouble brewing between Tony and Chris, last week’s brawl between Tony and Bobby, the drama in New York and the potential problem Phil poses, and Carm’s refusal to leave the Adrianna situation alone. And beneath it all runs Tony’s mounting questions about the choices he’s made and the state of his life, capped off by the fact that the guy he loves like a son seemingly hates him. Changes are coming, big things will happen. Maybe they’re not happening fast enough for some fans, or maybe there just aren’t enough corpses along the way. But as long as Chase gives us the payoff he seems to be moving toward, I’m going to enjoy the ride.

Jericho, Episode 18: I stretched back and I hiccupped and looked back on my busy day

Oh, come on: this is the episode where Jake asks of Hawkins, “Who are you?” Surely you can figure out where the title of this post comes from.

The episode opens by portraying Hawkins as the loneliest son of a bitch in Jericho, sleeping single in a double bed, then waking up to sit by himself in an empty kitchen and eat a bowl of cereal…a single serving, no doubt. As such, it’s no real surprise that when he gets a text message from Sarah’s employers, asking for a meeting, he’s on his way in mere moments, though not before setting a tiny trap so that he can determine if someone’s been in his house. As it happens, it’s a trap that Jake spots, so when Deputy Jim finally comes across as halfway intelligent for a change and tells him of his suspicions about Hawkins, the two of them break into Hawkins’ place, and Jake replaces the trap. Thus, Hawkins is none the wiser and, as a result, walks in to quickly find Jake aiming a gun at him.

So what info does Jake get out of him?

Well, for one thing, Hawkins isn’t FBI. He’s CIA, and he and Sarah were to infiltrate the terrorist cells that we’re, of course, already aware of. We confirm that, yes, he did indeed go deep, deep undercover – to the point of killing a guy to maintain his facade – and lots of blanks are filled in as far as the goings-on within the terrorist organization and how their plans were laid out. Inevitably, Jake is skeptical of Hawkins’ claims, so Hawkins shows off his proof: the nuclear bomb he’s got stored beneath his tool shed. After that, Jake’s sufficiently sure of Hawkins that, when he reports back to Deputy Jim, he assures him, “Yep, he’s FBI.” After last week’s shenanigans, didn’t anyone learn their lesson about what happens when you lie to people?

Although Hawkins’ story is the big one, this proves to be another episode that’s full of of brief visits to various other ongoing subplots within the series:

* Emily tries to re-start the public school in Jericho, but as you’d expect, kids are less interested in learning these days and more interested in, say, trying to keep their family fed. Okay, now, this is a “Little House” moment in all the right ways; I remember an episode of that show where some kid’s dad didn’t care about his son getting no book-learnin’ when there were crops to be tended. The interaction between Emily and Allison (Hawkins’ daughter) is nice, even if it does lead to a too-schmaltzy scene between Allison and her mom.

* We get more Mimi and Bonnie interaction. Proving conclusively that it’s only when Mimi and Stanley are together that their characters are insufferable, Mimi scores a few points back for her heartfelt chat with an underproducing chicken who’s destined for the dinner table (“You’re the one who lays the least eggs, and I distinctly told you that this was going to happen”), while Bonnie scores some sweet lovin’ while her brother’s out of town. By the end, Mimi and Bonnie are friends. Aw, how sweet.

* Gail and Johnston have an emotional battle over Johnston’s refusal to visit April’s grave, instead opting to hunt deer in woods where all the deer have long since been killed. As any old coot worth their salt would do, Johnston stands his ground through the closing credits…and like any good wife would, Gail brings him dinner and leaves him to grieve in his own way.

As the episode ends, we’re handed the bombshell that a member of the Department of Homeland Security may actually have been in on the bombings…and, even better, the member in question, Thomas Valente, is played by Daniel Benzali, who was so awesome in “Murder One” back in the day. Sweeeeeeet.

“A sucker punch is a sucker punch.”

The Sopranos Tony and Bobby

“Woke up this morning, got yourself a gun.” Damn…still the best theme song on TV.

To say that the final run for “The Sopranos” started off with a bang would be a gross understatement. Where David Chase takes these last nine episodes is anybody’s guess, but it certainly looks like we’re headed for some fireworks.

I’m not real sure what the point of the “popcorn fart” weapons charge was, unless it helps push the FBI’s RICO case against Tony over the top. Still, the fact that he dumped the gun in question nearly three years ago in a snowy field would seem to make it pretty unlikely that this weapons charge would gain much traction at all. Now, if Bobby, who finally popped his cherry in this episode, was foolish enough to use hollow-tip bullets when he whacked the dude in the laundry mat (after Janice told him to get rid of any hollow-tip bullets he had, no less), then maybe there’s some connection here to Tony, but even that seems like a major stretch.

Of course, the main story in this premiere episode was the brawl between Bobby and Tony. Geez, maybe we should’ve included Bobby in the Badass Bracket instead of Tony. You knew something was coming when they showed just how much Tony, Carm, Bobby and Janice were drinking that night, and Janice, as always, couldn’t help but get Tony riled up almost from the moment he arrived for his birthday weekend. You’ve got to respect Bobby for defending his wife and all, but…come on, dude! I mean, when Bobby punched Tony, I said, “Oh shit!” I don’t care how smashed you are – you don’t sucker punch the boss of the family, not if you value your life. That was the definition of a knock-down, drag-out fight, and it’s clear that Tony won’t (can’t?) let this go anytime soon. The question, of course, is what are the ramifications?

The Sopranos bloody Tony

Tony seemed like he was ready to give Bobby a bigger role in the family, maybe even have him replace Chris as his eventual successor. I say that’s out the window now, but you never know. Tony still seems to be in a reflective state of mind following last season’s near-death experience, staring peacefully out at the water and saying how nice it was at Bobby and Janice’s lake house. Maybe Tony gains some perspective, this all blows over and Bobby slides back into Tony’s good graces. Of course, if you’ve watched enough of this show you know that that’s almost certainly what won’t happen, but we’ll see.

There wasn’t much else beyond the brawl, although judging by the conversation Tony had with Bobby in the boat before the fight and the fact that Tony hung up on Chris when he called to wish him a belated happy birthday, it’s safe to say Chris is sitting firmly in T’s doghouse.

…and yes, I’m still hanging on to my theory that Chris is going to flip. That is, of course, if he hasn’t already.

(Oh, and does Carm know how to wish her man a happy birthday or what? Niiiiiiice.)

Jericho, Episode 17: I Predict A Riot

Any excuse to make a Kaiser Chiefs reference, right? Well, actually, by the time the opening credits were rolling in this week’s episode, it was less a prediction than a statement of fact; when Mayor Gray decided to kick the refugees out of Jericho because they couldn’t support them anymore…well, the refugees didn’t take kindly to that development. Next stop: Flying Fists, Nevada!

At first, it’s really tough to buy into Gray’s decision – it comes across as harsh even for a longstanding dickhead like him – but upon reflection, exactly what are the refugees supposed to do, really? A few episodes ago, Jericho’s higher-ups made a decision they thought was right, but now that word’s gotten out that the “Marines” who visited the town were a bunch of phonies, people are rebelling in a big way. Basically, the town’s a powder keg, and it’s hard for cool heads to prevail when the dumbasses are so prone to making sweeping gestures like, say, throwing tear gas cannisters into the building where the refugees are holed up. Even when both parties try to discuss things, everything goes horribly wrong. Gray pulls a gun on Roger (you know, Emily’s husband…who, by the way, seems to have gotten his shit together, psychologically speaking, over the course of the last few episodes) but ends up getting shot himself. One of the refugees breaks into Johnston and Gail’s house, probably in an ill-advised attempt to get Johnston’s attention, and things go awry there as well…although visions of Gail’s head being cracked open by a baseball bat don’t come to pass. It’s here that we’d normally get a full-on “Little House” moment, but, instead, when Gail tries to explain that the reason they don’t let the refugees stay in the empty houses is because they’re waiting for the townsfolk who were out of town when the bomb dropped to return, the refugee replies, “Yeah, well, wherever they are right now, I hope they’re not being run out of town.” Ouch. When all’s said and done, Gail convinces Gray to let the refugees stay in the empty houses…except for Roger, who actually gets off easy by only getting banished from Jericho. And since he won’t let Emily go with him, count on the Jake / Emily relationship to be blazing again soon.

Other moments:

* Dale and his new, bestest lady friend manage to swipe back some of the gas that was stolen from Dale, but, like their maneuvers last week, you know it’s just building to some awful payback. My theory…? Dale will be a swinging single again by the end of the season.

* You know, with the whole subplot about Hawkins’ family, here’s what I’m saying: how can we miss them if they won’t go away for even a full episode? Anyway, he only stops by to catch a glimpse of them before he travels to Nebraska to try and complete Sarah’s work (read, “stop the bad guys who she was working for”). We get no closure on this, but based on the news reports that the townsfolk pick up, it does look like the folks in Jericho are about to realize that Hawkins ain’t actually FBI. Had to happen eventually.

My declaration: best episode of the season so far. My God, it’s so good that, with the look at next week’s episode (which indicates that lots of secrets will be revealed), I almost hope the show gets renewed…and in past weeks, I’ve been a long way from thinking as much, so that’s really saying something.

Prison Break: “Sona”

*sigh*

Wouldn’t it have been nice if Linc, Michael and Sarah had just sailed off into the sunset with the five million in tow? Not to kick a dead horse, but the series missed an opportunity for a natural conclusion to its two-year run.

When Sarah showed up at the dock, I kept repeating to myself, “You can visit once you get out on the water! Push away from the f*cking dock!” Of course, Mr. Kim somehow managed to track the brothers through the jungle and stealthily snuck up on boat like some kind of well-dressed ninja.

And just like that, the third season of “Prison Break” began.

But let’s not get ahead of ourselves. Agent Eisen deserves special mention after giving himself up in order to free Sarah (and Linc), but does anyone really think he’s dead? They were careful to shoot the execution scene in such a way that it’s not clear if those masked men came to kill Eisen or to rescue him. Smart money is on the latter.

It was a sweet relief that the whole missed phone call bit didn’t cause any problems during the episode. It was pretty ridiculous that Michael didn’t keep the phone nearby in case Sarah (or even Mahone) tried to contact him. That’s a dumb move for someone smart enough to frame Mahone for drug running. I couldn’t help but feel for the dastardly agent as he called his wife (presumably) for the last time.

But now he and Michael are in a Panamanian prison, partly named “Federale de Sona,” which finally gives some meaning to the cryptic word. It turns out that Sona is a small town in Panama, and apparently, there’s some sort of weird experiment going on at the prison and the Quiet Man wants Scofield’s involvement.

The prospect of Mahone and Scofield working together inside the prison is appealing, and it’s likely that Bellick and T-Bag will join them there before too long. Meanwhile, Sucre is passed out in the middle of the road wondering where his beloved fiancé is trapped, while Lincoln is trying to track down Sarah on the streets of some Panamanian city. Oh, and there’s five million dollars lying in the water next to the dock. Let’s not forget about that.

As we get into season three, will we look back at this episode and wish that they had ended the series? Or will the Sona Experiment take “Prison Break” in new and unexpected directions? Only time will tell, and we’ve got at least five months to wait.

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