Category: TV Dramas (Page 173 of 235)

TCA Press Tour: “New Amsterdam” not exactly new to “Highlander” fans?

If there’s one recurring theme throughout my TCA Press Tour posts, it’s my ongoing desire to not name names when it comes to my brethren in the organization and their occasionally questionable questions that pop up here and there, and I’ll be maintaining that trend here as well. But with that having been said, I gotta say that there were some folks in the audience at the “New Amsterdam” panel who just would not let it lie that the series bore a bit of resemblance to the mythos of the “Highlander” films and TV shows.

Okay, here’s the thing: both feature a lead character who’s an immortal. That’s pretty much where the resemblance dies. And lord knows the characters from “Highlander” aren’t the only immortals in all of fiction. I mean, right off the top of my head, I’m immediately thinking of Vandal Savage, from DC Comics, not to mention Immortal Man. Yeah, I know, once again, I’ve outed myself as a complete geek. But my point is that it really isn’t that hard to just sit back and accept that maybe the creators of “New Amsterdam” haven’t ever seen “Highlander,” which is exactly what executive producers David Manson and Allan Loeb both said outright.

Or, at least, you’d think it wouldn’t be that hard.

Unfortunately, dig this exact quote from one of my compatriots:

“When I first looked at the show, I actually thought of ‘Highlander’ right away. For the producers, you just said that you’ve never seen it, that you’ve heard of it. I find that hard to believe. It was a hit show. It has a great fan following, still does today. It also had a couple of hit movies, which is what started the whole ‘Highlander’ franchise, with Christopher Lambert and Sean Connery. I find it a little bit surprising that you said you’ve never seen it.”

Of course, Loeb and Manson echo each other’s sentiments once again, both saying, “I’ve never seen it.” The writer proceeds to bring up another point about the show, then she still would not let it die, saying, “I was just curious why you said you hadn’t seen it…”

Finally, star Nikolaj Coster-Waldau ended everyone’s torture by interrupting with, “They’re lying. You’ve caught them out.”

Manson assured this writer, “I’d be happy to tell you I had seen it if I had, but I haven’t,” while Loeb attempted to be funny about it all, adding, “I’ve seen ‘Dracula.’ He was immortal, too.” And, thankfully, that finally was the end of it…but, my God, how ridiculous is that, to keep pressing a point for that long after it’s been answered to the satisfaction of everyone else in the audience?

Okay, sorry, that just really stuck in my craw. So, anyway, about “New Amsterdam”: it’s about a guy named John Amsterdam who’s been living in New York for 400 years and uses his knowledge of the city and its people to solve complex crimes. How is he 400 years old? Basically, he was cursed years ago, and he cannot die until he finds his one true love…so, of course, the premise of the series finds him searching for said love, even as he spends the rest of his time fighting crime. Yes, it’s a little bit like “Highlander,” but, then, it’s also a little bit like “Angel,” if you really want to get technical about it…but no matter what inspired it, it still sounds like an interest concept. The series will incorporate the occasional flashback to Amsterdam’s earlier years in conjunction with his present-day activities, so we’ll get to see what things were like in his olden days as well; plus, the producers have stated outright that he’s had children in the past, so he may well bump into his great-great-great-grandchildren while he’s out and about.

Weird but cool. That sounds like “New Amsterdam” in a nutshell.

TCA Press Tour: Insert “No ‘Bones’ About It, The Show’s Better Than Ever” joke here

I’ve said it before, but I’ll say it again to give credit where credit is due: if it wasn’t for my wife, I wouldn’t watch nearly as much “Bones” as I do. As a diehard David Boreanaz fan, she was there from Episode 1 of the series to watch her boy in his new gig…and, not surprisingly, that meant that I was there a fair amount of time as well. It’s come quite a long ways over the past few years, with Emily Deschanel growing into her character…or maybe it’s her character doing the evolving; I can’t always tell…and the rapport between Deschanel and Boreanaz getting stronger all the time. Additionally, the ensemble cast has continued to gel, which only adds to the success of the show.

* The character of Zach Addy – played by Eric Millegan – went off to Iraq at the end of last season, but since Millegan was on the panel, it was reasonable for us to presume that he’d be back for Season 3. Before Millegan could answer, however, creator Hart Hanson interrupted, “Don’t verify it, Eric! Waffle! Just because you’re here on the panel doesn’t mean you’re back!” Millegan looked for a moment as though he thought Hanson might be serious, but when Hanson admitted that he was kidding, Millegan revealed, “Yeah, I’m back. And, gosh, I don’t want to give too much away, but he was sent home early. He was supposed to be in Iraq longer, and he was sent home early, and in the show we’re going to explore why he was sent home early and how he feels about that.”

* As far as Fox’s repeated threats to move the show to an invariably-deadly Friday night timeslot, Hanson stated with conviction, “We’re not going.” Would that he had the power to make that decision. “We’ll do what we can,” he finally said. “You know, FOX does what they can. They’re fair. They have a good plan. We’d just like to perform well enough that we don’t have to move to Fridays.”

* Speaking on the subject of the definite sexual tension between Booth and Bones, Deschanel offered a titillating revelation. “I think this season we’re growing deeper as friends and other things,” she says, “just deeper as a relationship, pretty soon. I mean, we investigate a certain kind of fetish that comes up in a crime that we’re investigating and that kind of brings up a lot of sexual tension and stuff between us.” (“Pony play,” cracked Boreanaz.)

Going on, Deschanel said, “And you can see how we have been affected by being left at the altar after Angela and Hodgins left their wedding and how that kind of affected us and how we’re forced in some way to face what we feel for each other. And you’ll see that at the beginning of the season, how we’re dealing with that.”

Boreanaz added, “You’ll see us very separate and apart and not kind of clicking, I think, in the beginning. Then you’ll see how that kind of gets back and working and how it sparks up again and the reasons why it works, the reasons why it doesn’t. Again, we can possibly throw in a therapist maybe to help us with our relationship in order to deal with the workplace, which I think is — I don’t think you’ve ever seen that on television, so I think that’s a really unique insight into how these two characters will grow with each other as the show grows.”

Hanson, however, got the last word on the subject…as is only appropriate for the show’s creator.

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TCA Press Tour: Ain’t Nothing Wrong With Nawlins

At first glance, the idea of a cop drama which takes place in the post-Katrina world of New Orleans seems like it might taking advantage of a well-documented natural disaster to inspire ratings…but after the panel for “K-Ville,” I walked away being more curious that I otherwise had been. I still haven’t seen the pilot for the series yet, but despite my concerns, it sounds like there’s far more of a buddy-flick dynamic between stars Anthony Anderson and Cole Hauser than I had anticipated. More importantly, though, the show is actually being filmed in New Orleans, with the cast and crew doing their part to rebuild the city.

Anderson hadn’t really spent much time in the city prior to Katrina’s devastating strike. “My first time there really was during the pilot back in March,” he admits, “and to arrive in the city, it was very disheartening to see the city in the state that it was. The spirit of the people in New Orleans is unlike any other spirit in people that I’ve seen before, you know, to go through what they’ve gone through and still walk tall with the sense of pride and courage. In Lower Ninth Ward, Jefferson Parish and places around like that, that are hard-hit, where communities have been devastated and decimated. And this is still two years later, so for it to be that way now, yeah, it was quite a shock and a surprise to me, what we’ve allowed to happen on our watch, our government or whoever. But you know, we’re there lending a helping hand to do what little it is that we are doing, but we’re doing something.”

To say that Anderson is doing little is to say that he’s being humble. Later in the panel, he acknowledged that “we signed on with Habitat for Humanity, and we’re out there on our days off rebuilding the community and rebuilding homes because, you know, this is our neighborhood, and this is where we plan on living for the next 6, 7, 8, 9 years. So that’s what we’re doing, personally.”

After Anderson applauded Fox for A) putting the show on the air, and B) allowing them to shoot it in New Orleans, thereby bringing revenue to the city, producer Jonathan Lisco added, “There are some people working on our crew right now, our art designer and a few other people, who have come up to the three of us and actually embraced us. The art designer, Tim, in particular, said to me, ‘You know, your show is the reason why my family and I have recommitted to the land here: because I got the job down here. What’s interesting is…and not to sound too grandiose…but, luckily, the people of the New Orleans are very resilient by nature. So it’s nothing that we’re creating from whole cloth, but I think that the show is great for the rebuilding, concretely, of the city, but also for the spirit of the city.”

And the show does sound interesting. In addition to the very specific regional flavor of the area, the show is being described as a cross between “NYPD Blue” and “Starsky & Hutch,” which, at least in theory, sounds like it has a decent amount of potential.

Although Lisco admitted that he wasn’t out to malign any specific show, he nonetheless admitted, “We’re not trying to do something that is so hyper-real that it’s along the lines of “Nash Bridges,” where each
episode there’s a your-ass-is-mine by our bad guys, a car chase, et cetera. However, we’re not necessarily out to be only messaging in the wake of a big national disaster. We’re out to create entertainment, and I actually think that that balance is something we are very focused on in the show. We want to create entertainment; at the same time, we want to be socially relevant to the extent possible.”

Will they find the right blend? We’ll see.

TCA Press Tour: The Gossip on “Gossip Girl”

That’s right, CW: rub it in.

Be sure we completely and totally remember that you cancelled “Veronica Mars” by starting a new show called “Gossip Girl” (based on the popular series of teen novels) and, for the voiceovers provided by the never-seen title character, hiring the former Ms. Mars herself, Kristen Bell.

(Frankly, I was surprised that there wasn’t more of an uproar about that during the course of the panel, but, no, the big question people wanted answered was whether or not Bell’s voiceover was a one-off for the pilot…and, if you’re wondering that, too, the answer is, no, she’s supposedly here for the long haul.)

So the good news about “Gossip Girl” is that one of its executive producers is Josh Schwartz, late of “The O.C.” and also currently an executive producer on NBC’s “Chuck.” Schwartz has always had a wit about him, as well as a seemingly encyclopedic knowledge of pop culture, so that would appear to bode well. Unfortunately, from what I saw of the series, it really didn’t offer much in the way of that usual wit; it basically seemed to be yet another series about rich kids suffering through teen angst and shitty morals, despite (or possibly because of) having a buttload of money.

“Well, we’ll try to get funnier in the future,” replied Schwartz.

As to the despicable actions of some of these kids, from underage drinking to date rape, Schwartz says, “These are flawed characters, and they’re trying to do good, (but) in the environment that they grow up in, they don’t always have the best role models. They don’t always have an example set for them. But I think as long as we understand that they’re searching to do the right thing and that we see conquences for their actions, the world isn’t nearly as depraved as it appears to be. In fact, the Humphrey family (the main characters of the series) is an incredibly important component of that. I think they’re our audience surrogate. They’re our proxy, our way into that world, and they have a great perspective on that world.

“The sort of the money that those kids in Orange County grew up with was nice,” Schwartz continues, unabashedly referencing his former gig, “but compared to the these kids and these families, it’s chump change. This is really royalty, or the closest thing we have to it, these sort of young socialites-to-be. You have to be born into this level of wealth. So that’s a big difference. And these kids — you know, in Orange County, it was very suburban. It was very sort of protective. It was very safe. And those kids weren’t necessarily as well-traveled. And I think education is incredibly important to this crowd, and these kids are really worldly and very well-traveled as well.”

There is at least one moment within the plot that does seem to lend itsself toward amusing possibilities: Mr. Humphrey was apparently a member of a band that has been declared one of the Best Forgotten Bands of the 1990s. The name of the band? Lincoln Hawk, named after Sylvester Stallone’s character in “Over the Top.”

Okay, now that’s funny…

TCA Press Tour: Random Announcements from ABC

* Your obligatory non-answer about “Lost”: “(The creators) would need to address where the show will head,” said ABC President Stephen McPherson. “They have not released whether it will take place with flash-forwards or flashbacks. They pitched where they’re going this year and where the next two years will take us, and I honestly think that, now that we have this specific end date, it allows them to craft that story in the next 48 episodes they want they want, and I think that running the episodes straight through will be best way to (display) that.”

* “Dance Acts” is a spin-off in the works from “Dancing with the Stars,” based on a similar spin-off in the UK. The judges have teams of dancers, competing against each other.

* Dana Delaney is joining the cast of “Desperate Housewives,” along with the already-announced Nathan Fillion.

* Harold Perrineau will be returning to “Lost” as Michael…and, on that note, let me tell you about a moment during this panel which really, really grated on my nerves:

When McPherson acknowledged that the creators of “Lost” would be making an announcement tomorrow at Comic-Con, in San Diego, several writers just went apeshit about the utter ridiculousness that they would dare to bypass the Television Critics Association gathering in favor of a “fan convention.” Um…how about the fact that the shows are about their fans and not their critics? I mean, I didn’t even blink when they said that was going to be the case. Of course the fans should hear the info first, if it’s do-able…and if that’s what the creators want to do, then what’s the big honking deal? But, no, people kept pressing and pressing, throwing out statements about the state of the newspaper industry and how their editors would be upset if they found out that breaking news was available but wasn’t going to be given to them, and so on. Finally, it reached the point where someone actually called Damon Lindelof to get his permission for McPherson to give us the news, which was that nugget about Michael coming back.

As God as my witness, I hope Lindelof has more super secret info up his sleeve for the fans. If I was a fan, and it’d been built up to me that I was going to get exclusive info when I showed up for that panel, I would be pissed if I found out that, oh, sorry, the critics strong-armed us and made us give it to them first.

I’m just sayin’, is all.

UPDATE, 12:03 PM: I spoke to McPherson in the lobby a few minutes ago, revealed myself to be as much of a fanboy as a critic, and asked if indeed Lindelof had saved some exclusive information for the Comic-Con panel. He didn’t really confirm or deny – which I’d kind of expected, since he knows full well that my peers would probably pummel him if he they read such a thing – but he did acknowledge that the Comic-Con crowd would be getting far more access to Lindelof than the TCA is, since there’s no “Lost” panel at our press tour. Therefore, I think it’s reasonable to infer – if not an ironclad guarantee by any means – that, logically, the chances of the fans getting more information than the critics are pretty good.

Which makes me happy.

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