Category: TV Dramas (Page 168 of 235)

Old Show, New Season: “Bones”

After two seasons on the air, developing its characters to the point where it’s clearly not just the Emily Deschanel and David Boreanaz show, “Bones” will be returning on September 25th with Dr. Temperance “Bones” Brennan’s (Deschanel) team getting at least as much play as the show’s two leads.

Season 2 ended with Angela Montenegro (portrayed by Michaela Conlin) and Dr. Jack Hodgins (portrayed by T. J. Thyne) forced to abandon their wedding because of a last-second revelation that Angela was actually still married, and the credits rolled with Bones and Booth (Boreanaz) standing together at the altar. Anyone who spent the summer rooting for hope that the ceremony continued with those two basically spent the summer kidding themselves, but the matter is brought up in a discussion that the pair have in the Season 3 premiere. Speaking of discussions, there’s also much talk about Angela’s husband, who turns out to be this guy she married while on vacation several years ago; they were both very drunk, she never saw him again, and she can’t really even remember what he looked like, let alone his name, which makes it a little hard to find him and get a divorce. You may also recall that, at season’s end, Dr. Zach Addy (Eric Millegan), was off to Iraq. Does he come back? Well, given that he’s still in the opening credits, it’s a safe bet that, at the very least, he’s not gone for good; in the meantime, however, Bones needs to find a replacement for him.. Despite the fact that he left a few months ago, she still can’t bring herself to put someone else in his place, and she’s using that as a crutch to avoid going into the field with Booth, which is really starting to annoy him.

So that’s where we stand. But without offering up too many spoilers, it’s worth mentioning that the season premiere sets up a plot line connected to the case the team investigates during the episode which has the potential to continue for several episodes, if not the entire season. I think it’s a good thing, although I can’t help but be reminded of other procedural dramas which have gone with similar plot lines; “Bones” is one of those shows that maintains a solid viewership without necessarily being one of Fox’s matinee series, and I don’t know that they need to shake up the dynamic but so much…but, y’know, even with that having been said, clearly, it’s about time Bones and Booth got together already! (After all, the show’s creator, Hart Hanson, said it himself: “It’s season three; I think we’d better see something!”)

Here’s a teaser for what to expect in the upcoming weeks:

Superhero TV

If you’re a regular Bullz-Eye.com reader, you know that we’ve been championing “Heroes” since well before it even left the starting gate, laying it on the line back in our 2006 Fall TV Preview by offering the bold declaration, “This is gonna be the water-cooler show of the season.” Yes, we were right – well, us and probably hordes of other people who said the exact same thing – but in a world where the media often does its best to shorten our collective memories (and attention spans), we feel like it’s our job to remind you of something you really shouldn’t forget: “Heroes” wasn’t the first TV show about individuals with abilities beyond those of mere mortals. (Hell, it’s not even the only one on the air right now!)

In celebration of the new season of “Heroes,” we’ve taken a look back at some of our favorite superhero TV series, both live-action and animated; we’ve even set aside a separate section for TV movies, specials and failed pilots. In no way is this thing 100% comprehensive – for example, we hear good things about “M.A.N.T.I.S.,” but no one on the staff remembered enough about the show to write about it – but we’ve tried to hit as many highlights of the genre as we felt comfortable discussing. We’re sorry if that means suffering the wrath of all those rabid “Captain Nice” fans, but that’s just the way it goes. If it helps, though, here’s a clip from that show:

Phew. That bomb’s been defused. And with that out of the way, it’s up, up, and away to our feature!

The Sports Guy needs your help

ESPN’s Bill Simmons loves NBC’s “Friday Night Lights.” So do I. Do us both a solid and check out at least the first four episodes of Season 1, which is available now on DVD at your local video store and online at NBC.com. It may take you a while to work through the season, so just be sure to TiVo the first few episodes of Season 2 (which starts Oct. 5) so you can get all caught up.

Like many, Simmons watched the first episode and wasn’t impressed:

I watched the pilot when it originally aired, but I didn’t love it: too much puke-cam (the camera stopped moving so much in later episodes) and an unspeakable sports inconsistency (Dillon High completes a game-winning Hail Mary that could have happened only on a 140-yard field). Once the abysmal ratings were announced, I assumed the show was doomed and opted not to waste my time with Episode 2.

Then, his buddy sent him an early release Season 1 DVD set from Japan:

As he predicted, the Sports Gal and I ripped through all 22 episodes in a week, learning the Japanese words for “play,” “stop” and “pause” in the process. Quite simply, FNL is the best date show ever, an improbable cross between The O.C. and every sports show you ever wanted Hollywood to make. It’s the first show my wife and I have loved equally, but for different reasons. What can be better than that?

If you do give it a shot, let me recommend the impeccable acting, the lively football scenes (although they tend to go overboard on exciting finishes), the risky story lines and especially Coach Taylor’s family, the most authentic household in recent TV history. Every nuance is nailed, every hug seems genuine, every fight makes sense, every sarcastic barb and flustered reaction ring true. If there are better TV actors than Kyle Chandler (Coach) and Connie Britton (Mrs. Coach), I haven’t TiVoed them. Pay particular attention to the astonishing two-parter in which an older assistant sets off a racial powder keg before a big playoff game. If FNL were Michael Jordan, Lyla Garrity’s slam-page episode would be the 63-point game in Boston (the coming-out party), and the two-parter would be the 1991 Finals (the moment considerable potential is realized).

Look, I’m the biggest White Shadow fan on the planet … and even I concede that FNL is the greatest sports show ever. Shadow died prematurely because the story line called for it to graduate too many key characters at once. I can live with that. FNL is going to die prematurely because five times as many Americans would rather watch an acerbic British guy belittle dreadful singers on a reality show. I can’t live with that.

So please, please help me and every other FNL fanatic. Watch the show. Spread the gospel.

Amen, brother.

Are there any other FNL fans out there?

Pilots Revisited: “Moonlight”

Welllllll…it wasn’t as bad as I thought it might be. But it didn’t exactly find me cheering for more, either.

Over the past few months, you may or may not have thrilled to the saga of “Moonlight,” CBS’s decidedly troubled drama about a vampire turned detective who in no way resembles this dude I know who used to work for Wolfram & Hart, so here’s a quick recap of the highlights and lowlights of what’s happened:

It started off being called “Twilight,” under the writing team of Trevor Munson (“Lone Star State of Mind”) and Ron Koslow (“Beauty and the Beast”), with executive producers Joel Silver and Gerard Bocaccio; Alex O’Laughlin (“The Shield”), Amber Valletta (“Hitch”), Rade Sherbedgia (“24”), and Shannon Lucio (“The O.C.”) were hired to star, and Rod Holcomb was set to direct. But, then…

1. The name changed from “Twilight” to “Moonlight.”
2. Lucio departed, eventually to be replaced by Sophia Miles (“Underworld”).
3. David Greenwalt, possibly because he missed working on “Angel,” came aboard as the show runner.
4. Amber Valetta and Rade Sherbedgia departed and were replaced by Shannyn Sossamon (“Dirt”) and Jason Dohring (“Veronica Mars”), respectively.
5. David Greenwalt, possibly because he quickly grew tired of all the “Angel” jokes, left as show runner, citing “health reasons,” and was replaced by Chip Johannessen.

As a result of all these changes, the show was retooled so many times that even when CBS offered its presentation for the show at the Television Critics Association Press Tour in July, the best they could offer us as an example of what to expect was a segment with the groan-inducing title of “Interview with a Vampire,” where the main character of “Moonlight” – Mick St. John – sits in a dark room and is quizzed by an off-screen journalist about what it’s like to be a vampire.

I don’t know about you, but no-one on the press tour was very impressed, and, basically, we were all left thinking, “Oh, God, this thing is gonna do a major, major bellyflop”…and this was before David Greenwalt left! (He was basically the only reason any of us were maintaining a shred of hope for the show.)

So here we are in that middle ground between mid-September and late September, with the premiere of “Moonlight” only a handful of days away, and, finally, we’ve gotten our hands on what’s almost certainly going to be the version of the pilot which airs on 9/28. And…oh, right, this is where you came in.

The first bad sign is that the series opens by recycling the “Interview with a Vampire” footage that was screened at the press tour. That ain’t good. I mean, yeah, it sets up the mythos of the vampire for the purposes of this particular show – they don’t sleep in coffins, garlic doesn’t do them any damage, sunlight ain’t good for ’em but it doesn’t make ’em burst into flame outright, and so forth – but it’s set up as being something that Mick is dreaming, and, well, it just feels lazy. From there, the first smile-inspiring moment came when we realized that Kevin Weisman (Marshall Flinkman on “Alias”) had quietly slipped into the cast. Weisman plays the cameraman of Beth Turner (Myles), an online TV journalist who, while investigating the murder of a co-ed, invents a tagline which suggests that the killing is rather vampiric in nature. This suggestion catches St. John’s ear, and he heads over to the scene of the crime, where he encounters Beth and realizes that he recognizes her from an encounter they had some years before…and, yes, that connection is paramount to the premise of “Moonlight.”

Everybody likes a good vampire story. The problem is, “Moonlight” doesn’t look like it is a good vampire story. Since we’re talking about a bunch of bloodsuckers, it’s only appropriate that we should go for the jugular and say outright that, yes, “Moonlight” does suffer from its comparison to “Angel.” David Boreanaz was dark, brooding, and looked like both a vampire and a bad-ass; Alex O’Laughlin puts on sunglasses and leers at people and, frankly, he just doesn’t look very intimidating. As a vampire, Mick St. John’s greatest gift seems to be that he can leave a room quickly and quietly; the only truly kick-ass fight scene in the pilot comes via flashback, and it’s when he’s fighting his former wife, Coraline, who we’re led to believe is dead (which almost certainly means that she is not). The most intriguing character on the show isn’t even Mick; it’s his buddy and fellow vampire, Josef Konstantin, and, truthfully, he’s probably only intriguing because he’s played by Dohring, who comes off just as snarky here as he always did when he was busy being Logan Echolls on “Veronica Mars.”

Maybe I’m being too hard on “Moonlight.” Maybe the show will find its feet after everyone finally gets settled and comfortable. Unfortunately, based on what’s been offered up for the first episode, it’s looking like we might have another cheese-fest like “Forever Knight” on our hands…and as vampire-centric TV series go, that ain’t necessarily the one you want to use as a touchstone.

Old Show, New Season: “Las Vegas”

Well played, NBC-Universal. Well played, indeed.

You no doubt sensed I’d never seen an episode of “Las Vegas” before, since I’d never written about it before, but you knew that, as a full-fledged TV geek, I would’ve been nonetheless aware that the show was losing longtime major players like James Caan and Nikki Cox this season. You also would’ve known that, as a recipient of your daily updates, I would’ve been aware that the show was adding to its cast an actor who I’ve always found imminently watchable: Tom Selleck.

So what do you do?

You send me the previous season of “Las Vegas” – that’d be Season 4 – on DVD, then, a few days later, you send me an advance of the 5th season premiere, which features Selleck’s debut on the show. You knew I was curious enough about Selleck’s role that I’d at least want to check out the season premiere, and since any TV critic worth his salt knows that he should watch the previous season’s finale first, you knew you had me right where you wanted me.

So, yes, I admit it: last night, I watched the 4th season finale of “Las Vegas,” then followed up with the 5th season premiere, and I was hooked. Maybe it’s just that I was tantalized by all the flashing lights in The Montecito’s casino (though it’s more likely that I was tantalized by Nikki Cox, Vanessa Marcil, and Molly Sims), but whatever the case, that 4th season finale was really well constructed, moving back and forth from storyline to storyline at a frantic pace, always keeping you on your toes. The three stars of the episode were the plotlines involving Sam (Marcil) being locked in a steamer trunk by a psychopathic millionaire, Mary (Cox) wanting to go kill her abusive father who’d just been released from prison, and a Marine who’s losing his shit and is swearing to go AWOL if Danny (Josh Duhamel) doesn’t find a way to keep him from having to go on his 3rd tour of duty, and all ended in cliffhangers that, had I been watching the finale when it originally aired, would’ve made me want to throttle someone. Now that’s the sign of a good cliffhanger…and, now that I think about it, possibly the sign of a slightly unhinged mind as well. Whoops.

So how does the season premiere hold up?

Well, not to offer too much in the way of spoilers, but since it’s common knowledge that both Marcil and Sims are returning to the show for another season, we’re probably not giving away too much to say that Delinda (Sims) wasn’t killed by a bomb, and that Sam managed to get out of her predicament…and in an impressively shocking manner. In fact, the 2-hour 5th season premiere uses the framing device of having Sam talk to a therapist about recent events in both her life and the lives of her co-workers; it’s pretty clear, though, that the reason it’s two hours long is that the first hour is intended to wrap up loose ends from Season 4 and the second is to set the stage for what’s to follow in Season 5. Selleck plays A.J. Cooper, a cattle magnate who swoops in, pays off The Montecito’s 241 million in back taxes, and takes over ownership of the casino and resort; he’s an unknown commodity, so none of the employees know what to make of him…or, more importantly, if they’re going to be allowed to keep their jobs. (There’s not really much tension over that, though, since you know everyone who’s left standing by the second hour is still going to be a regular on the series.) Selleck gets the chance to use his skill at offering completely inscrutable facial expressions, which is always fun to watch, since you never know when he’s finally going to break into a smile.

So, okay, fine, I’ll keep checking in on “Las Vegas.” It’s mostly because of Selleck, admittedly, but even so, there still seem to be enough interesting events going on around The Montecito to make it worth occasionally programming it into my new TiVo.

In the meantime, enjoy this lovely montage, courtesy of NBC:

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑