Category: TV Dramas (Page 166 of 235)

Second Episode Spectacular!

Wow, y’know, I didn’t realize this whole Scare of the Day feature would keep me quite as busy as it has; I’ve only just had the chance to play a little catch-up and watch the second episodes of a couple of this season’s new shows. Here are my thoughts on a couple of the series and how they’re doing…

Reaper – Episode 2 started off with a little too much in the way of shenanigans from the poor man’s Jack Black (my buddy Jim Washington feels certain that that’s how poor Tyler Labine is gonna get labeled, and it’s hard to argue based on the way they portray his character, Sock, during the first quarter of the show this week), but, thankfully, things got back on track once Sam finally got around to starting the hunt for his latest soul. I was disappointed with the way Sam’s mom’s mood changed so dramatically from the pilot and got more upbeat, since it seemed like the darkness pervading her could make for more drama, but the soul recovery was just as enjoyable this time as last, and, of course, Ray Wise continues his reign of awesomeness. In short, I’m still digging it and continue to look forward to more.

Dirty Sexy Money – I think it’s more of a guilty pleasure, but I’m digging this show just as much now as I did in the pilot. It’s got that nighttime soap feel even as it clearly wants to poke fun as the character types that are its primary focus. I particularly enjoyed the beginning sequence which clarified the profound differences between the lives of Nick George and Tripp Darling (the characters played by Peter Krause and Donald Sutherland, respectively). It seems as though it could get a little old if it’s gonna be a weekly occurrence that Nick’s wife is gonna keep harping on about the fact that “this isn’t part of your job description” and “your dad wasted his life on these people, don’t you waste yours as well,” but what can I say? It’s fun watching the obvious parodies of the Hilton siblings, I’m curious to see where they take the storyline of Patrick and his transsexual “mistress,” and, thankfully, they’re clearly steering the mystery of who killed Nick’s dad away from the family. (I was already fearing that that had the potential to be a dead end for the series.) It’s over the top at times to be sure, but with Bryan Singer as a producer for the show, at least you can be confident that it’s over the top with a wink at the audience.

Bionic Woman – I may have watched the whole episode, but I mentally tuned out at the moment Jaime’s sister called her and asked her where her Tenacious D t-shirt was. Remember what I said about how the sister felt less like a character and more like a demographic-satisfying creation? At this point, I couldn’t feel more confident about that declaration. Otherwise, even with the addition of Isaiah Washington to the mix, Episode 2 was pretty shrug-worthy. Damn, I’m glad I started with the backpedaling when I did; otherwise, my face would be pretty damned red right about now.

Journeyman 1.2: “Friendly Skies”

The second installment of NBC’s “Journeyman” is the sort of thing that made a devotee of the pilot breathe easier. The show’s still just as good, doesn’t appear to want to needlessly complicate itself right away (this is always nice for people who may not have seen the first episode), and now it’s allowing itself to have a good time. Last week I spoke of “Journeyman” in relation to “Quantum Leap”; this installment reminded me a lot more of the old show.

As the story opens, Dan (Kevin McKidd) and wife Katie (Gretchen Egolf) are at the doctor where Dan is going through the old MRI process. Since his jumps through time are always preceded by massive headaches, maybe there’s something to be found inside his noggin? As viewers, we’re with Katie at this point, and for the first couple minutes we keep expecting him to disappear. The gag is taken to its logical place when Katie walks into the room and he’s gone – but he’s not; he’s just behind a partition getting dressed.

Skip forward to the couple going on a much-needed vacation that may also involve working on another child. They’re nestled quite comfortably in their seats when Dan decides to use the facilities. While he’s in the bathroom, the headaches hits and bam! He looks down and sees little wrapped bars instead of liquid soap. He stumbles out into the plane only to find himself smack in the middle of a seventies-era flight (Southwest, maybe?). Smoke is everywhere and not from a malfunction either. No, this is back when airplane travel was a far more swingin’ affair and people lit up right and left, the stewardesses were more like flying whores (thank you “Dice” Clay), and everyone was drunk. KC and the Sunshine Band’s “Get Down Tonight” echoes throughout the flight. Before long, Dan finds himself delivering a baby. Back in the present, Katie is forced to concoct an elaborate lie as to what happened to her husband. This entire sequence is (ironically) a breath of fresh air after the seriousness of the first episode. It’s as if the show is telling viewers, “We know how to have fun, too!”

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Prison Break: “Call Waiting”

Aptly titled, this episode was mostly about Michael’s goal to get Sara on the phone. I liked the juxtaposition of Linc trying to rescue Sara and LJ, though the throw-them-in-the-white-van-and-drive-off was a little too clean of a getaway, wasn’t it? At what point does Linc decide to rent a car? It would really help if he had his own wheels.

So that leads us to the box – what’s in it? It’s a perfect size for a head, bringing the final scene of “Se7en” to mind, and the fact that the bad guys have two hostages makes one of them expendable, but a decapitated head of a main (and good) character seems to be a little much for “Prison Break.”

Inside the prison, it looks like Mahone and Bellick are starting to realize that Michael is a train on its way out of town, and if they ever want to get out of Sona, they had better hop on. To that end, they need to put Michael in a position where he has to agree to take them with him, which isn’t an easy task. Bellick’s search for a shoe (while a pretty funny Spanish version of “We’ve Got to Get Out of This Place” played in the background) allowed him to conveniently overhear Mahone and Micheal’s conversation about Whistler, so he’ll surely be more involved in the coming weeks. Sucre also made a couple of cursory appearances, but it seems like the series is just touching base with the character so he can be used later on.

Another nice twist: Michael’s decision to blackmail T-Bag with his own history. It looks like T-Bag may be too distracted by undercutting Luchero’s henchmen to bother with Michael. Speaking of Luchero, he now has a line on Linc, who would be wise to get rid of that cell phone. But the words “Linc” and “wise” aren’t often used in the same sentence. (He did do a nice job of figuring out the “3 o’clock” bit, however.)

Quicktake review: “Dirty Sexy Money”

I caught the pilot of “Dirty Sexy Money” and I really enjoyed it. Peter Krause (“Six Feet Under”) has an intrinsic watchability about him and he’s proven he can be the centerpiece for a compelling series. He plays Nick George, a lawyer who unwillingly replaces his deceased father as the legal counsel for the super-rich Darling family in New York City. Nick grew up with the family, so he has history with each and every member of the family. The show is quite funny, but there is an underlying darkness to it (which is readily apparent by the end of the pilot) that gives it a certain depth. With so much history and so many secrets, the writers have a lot to work with, so I think the show has loads of potential.

For those that missed the pilot, ABC.com is streaming at their website.

Journeyman 1.1: Leap Before You Look

It’s of course easy to compare “Journeyman” to “Quantum Leap”, since both have the same apparent basic premise: A man jumping around through his own timeline, aiding those who need his help. Television has changed a lot in the nearly 20 years(!) since Scott Bakula made his first leap back in 1989 as Dr. Sam Beckett, and it’d be unfair to both shows to compare the two outside of the basic premise over the long haul. But for the purposes of discussing “Journeyman’s” pilot episode, it can’t hurt to at least talk about what makes the new show different from the old.

Dan Vasser (Kevin McKidd) is not a scientist; he’s a newspaper journalist. His time traveling escapades here are shrouded in much mystery. Whereas Beckett nabbed his “gig” in the name of science, Vasser isn’t yet quite sure why this is happening to him. Both men have their contact person: Sam had Al (Dean Stockwell), a fellow scientist, and Dan has Livia (Moon Bloodgood), his dead girlfriend. Or is she dead? Seems not. Dan had believed Livia to be dead, thanks to an airplane crash, but she indeed alive and shrouded in mystery. Clearly, “Journeyman” is going for a deeper arc than “Quantum Leap” was allowed.

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