Category: TV Dramas (Page 105 of 235)

Lost 5.4 – The Little Prince

I was only minutes away from condemning tonight’s show as the first bad episode of the new season when something incredible happened: the writers brought Jin back from the grave. Well, not exactly, but while he’s been assumed dead since last year’s finale, this is the first time that many even considered the possibility that he made it off the freighter before it was destroyed. Personally, I had a sinking feeling that Jin was somehow still alive, but I had no idea how they were going to explain it. After all, he could clearly be seen still standing on the boat when it exploded, and though one could argue that he evaded serious injury when the blast sent him into the water (it happens in movies all the time), it doesn’t explain how he was able to move along with the island. Sure, Faraday was stuck in the middle of the ocean too, and he made it just fine, but he also wasn’t as far out as the freighter. Plus, if Jin moved with the island, why didn’t anything else from the explosion cross over as well?

Whatever the answer, it’s certainly an interesting development in the story – not only because Sun is mere seconds from exacting revenge on Ben, but because Jin is now in the company of the Black Rock expedition crew, the wreckage of which the Islanders discovered following their latest time jump. Confused yet? That’s to be expected, but can you imagine what’s going through Jin’s head at the moment? He’s just escaped certain death, been rescued from drowning, and has now learned that the woman who saved his life is the same person who, when he last saw her, was about 20 years older. I’m talking, of course, about Danielle Rousseau, and though the writers took their grand old time dangling that in our faces, I can’t imagine they tricked anyone in the process.

Lost 5.4

With the island jumping back and forth as often as it is, however, there’s a good chance Rousseau and Co. will be long gone before Jin can figure out what’s going on. If not, Jin is going to have to explain how he really got there, and if Rousseau and Co. actually believe him, what’s to say that their meeting isn’t the very thing that led to their destruction? And with the time jumps happening more frequently, Charlotte is no longer the only Islander experiencing nose bleeds. She’s certainly farther along in what Faraday can only describe as “really bad jet lag,” but now Miles and Juliet are suffering the effects as well. Faraday suggests that it has something to do with the amount of time that each person has spent on the island, but while that would certainly make sense for Juliet and Charlotte (don’t forget, her excavation of the polar bear fossil means she’s probably been there before), this is the first time that Miles has ever been to the island. At least, as far as he knows. Is it possible that Miles is Marvin Candle’s son?

Once again, island life has proven far more interesting than the adventures of the Oceanic Six back on the mainland. Though I was initially worried that tonight’s episode would be completely dominated by Kate and the pending lawsuit involving Aaron’s custody, it didn’t take long to figure out that Ben was behind it all along. He’s working within a very limited window of time, and though he was made out to look like the villain in the final minutes, it was clearly just a ruse to get Kate, Aaron and Sun to the pier. With the exception of the random assassin fight in the middle of the hospital (sans Jason Bourne, of course), the rest of the Oceanic Six storyline was tame as usual. When are they going back to the island already, because quite frankly, all this moping around is beginning to get really boring. The one wild card in all of this is Sun, who’s been acting mighty crafty these days. I wouldn’t put it past her to be working in league with Charles Widmore, but the minute she finds out Jin is still alive, that will likely change. And if that’s the case, why bother making her turn against them in the first place?

TNT’s “Trust Me” is struggling

According to Variety, the ratings for TNT’s new show, “Trust Me,” haven’t been all that good.

After enjoying a string of successful series launches, TNT is struggling with its latest entry, ad agency drama “Trust Me.”

The show, which stars Eric McCormack and Tom Cavanagh, scored just 1.9 million viewers in the 10 p.m. slot Monday, losing about 65% of the lead-in aud supplied by “The Closer.” The performance also represented a significant retreat from the show’s Jan. 26 premiere, which drew 3.4 million viewers.

Reviews for “Trust Me” have been mixed, with the New York Post perhaps summing up crix’ reception best: “The series isn’t bad. It just isn’t all that good.”

I haven’t watched the show, and here’s why: the initial promotion had only McCormack and Cavanagh being snarky to each other, and I had no idea what the show was about. Then the second wave of promotion showed the characters yelling at each other in an advertising setting, which wasn’t that much more appealing. I thought about recording the first episode, but never got around to it and based on the critical reception, I don’t feel like I’m missing out.

Is anyone else in the same boat? Are there fans out there that love this series or is this one of those shows that lacks a diehard fan base?

Kandyse McClure speaks about Dualla’s suicide

Of all the major events in the great run of “Battlestar Galactica,” Dualla’s death was one of the most shocking. She recently sat down with Sci-Fi Wire for an interview about her character’s suicide.

What was your reaction when you actually got the script and it said something along the lines of “Dualla puts gun to temple and pulls trigger”?

McClure: I was floored. I think I was just as floored reading it as I’m sure people [were] seeing it. It’s such a personal and violent and shocking way to go, not only for her, but for the implications for the people around her. Suicide is a difficult topic at the best of times. People see it as being an ultimate act of selfishness on one end, but certainly from the research that I did and the people that I spoke to, there are so many different reasons that people get to that point. But I think for Dee it was just the ultimate act of surrender and the final act of control over her own life. She really wanted to find some kind of peace.

As far as you know, will we learn any more about why she took her own life? In other words, will someone read out loud a will or a suicide note she left behind?

McClure: So far as I know, no. So far as I know, that was it. She couldn’t see any way of ever finding any happiness for herself. That’s no good. Her husband [Jamie Bamber] is still in love with someone else. He’s turned his back on one of the things that joined them together, being in the military and that sense of duty towards the military and his father [Adm. Adama, played by Edward James Olmos] in particular. But I think that was it. It’s her final peace. It’s a very human reaction to a situation like that. Of course, I imagine that Dualla was not the only one on the ship, and certainly not the first one during the course of the whole saga, to choose that way out. I considered it kind of a strange honor to hold that archetype, to say, “Yeah, this is a very human thing. This is what human beings may choose to do.”

I missed “Dee” almost instantly. In many ways, she represented the sweetness and innocence of the human spirit, and she was beaten down by all that the fleet had to go through since the Cylon attack on the colonies. It’s nice to hear McClure, the person closest to this character, explain why Dualla took her own life.

No post-Super Bowl Monday night surge for NBC

NBC’s Monday night dramas were front and center during the network’s coverage of the Super Bowl, but that failed to translate to huge ratings on Monday night, according to Variety.

Looking at Monday, NBC’s “Chuck” kicked things off with season highs (3.0 rating/7 share in adults 18-49, 8.3 million viewers overall), although this left it in fourth place in one of the week’s toughest hours. It was followed by “Heroes” (3.9/9 in 18-49, 8.5 million viewers overall), which placed third at 9 o’clock although it did defeat its drama competition, Fox’s “24,” in key demos. And closing out the night, the season premiere of “Medium” (2.9/7 in 18-49, 8.5 million viewers overall) ranked second or third in its timeslot in various categories, the net’s best series performance in the hour since the series premiere of “My Own Worst Enemy” in October.

While I haven’t watched “Chuck” or “Medium” yet this week, the return of “Heroes” was pretty strong. It will be interesting to watch that “Heroes”/”24” battle for the rest of the season.

Fiona Glenanne of “Burn Notice,” dissected

Look, I like Gabrielle Anwar’s character, the gun-toting Fionia Glenanne, as much as the next red-blooded American male, but I never thought someone (other than maybe a few of the “Burn Notice” writers) could put together 650+ words on what she represents in a post-feminist world. But Ginia Bellafante of the New York Times did just that.

Fiona is a character with no memorable precedent: a genius joke-take on girls with gun lust, the joke being that above all else she is every woman who needs to be sent a copy of “He’s Just Not That Into You,” next-day delivery. In the show’s back story Michael broke up with Fiona years ago, disappearing without explanation. (I imagine this to have been like Berger dumping Carrie with a Post-it note on “Sex and the City,” except it occurred three feet from a terrorist cell.)

Fiona has never been able to get over Michael despite his persistent and explicit reminders that he is not made of the ordinary stuff of human need. Still, she keeps pushing for the dream, dating other people solely to try to make Michael jealous, interrupting stakeouts and shooting sprees and manhunts to ask for a key to his apartment or to tell him that what she would really like for her birthday is a teddy.

While reading the piece, I kept waiting for the other shoe to drop — for Bellafante to criticize Anwar’s character for continuing to pine over her ex-boyfriend even after all these years. But that shoe never dropped. Bellafante genuinely admires Fiona and what she represents. Good stuff.

On a side note, anyone else remember the pilot episode where Fiona spoke with an Irish accent (which made sense because she used to be a member of the Irish Republican Army)? I thought they should have stuck with it, though the creators apparently thought otherwise.

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