Category: Trailers (Page 6 of 34)

Monday night trailer: It’s “Insidious”

About six or seven years back, James Wan and his writing collaborator, Leigh Whannell, cooked up the “Saw” franchise and, I suppose, bear some responsibility for the whole trend of horror films that were more about trauma and less about fun — or at least my idea of fun. I can’t talk too much because my infamous squeamishness has prevented me from actually seeing “Saw,” but Wan and Whannell appear to be headed back toward the kinder, gentler and, I understand, even a bit funnier spook flicks that were once the standard.

Kevin Jagernauth may be a skeptic, but as of now I’m looking forward to “Insidious,” which really does look like my kind of horror flick. This trailer indulges in some trendy trickery to pump up the scare-factor, but I can see it’s beating B-movie heart. Oren Peli is one of the producers, hence the “Paranormal Activity” connection.

Don’t turn around, the musical biopic you were undoubtedly waiting for…

With all the great and at least slightly tragic musical figures who have earned the biopic treatment who could be next? Who could follow such deserving figures as Ray Charles, Johnny Cash, Al Jolson, Jim Morrison, Ian Dury, Glen Miller, Gene Krupa, Edith Piaf, Bob Dylan, Serge Gainsbourg, and, of course, Dewey Cox? Marvin Gaye? Jacques Brel? Joni Mitchell? Jimi Hendrix, for crying out loud?

Nope, why make just another flick about a genius who forever changed the face of contemporary music when you give the world the world story of the man without whom there would be no “Der Kommisar” and or “Rock Me, Amadeus.” Ladies and gentlemen, direct from Austria and the year 2008 — sometimes it takes a while for good things to make it stateside — I present “Falco – Verdammt, wir leben noch!” (“Falco – Damn, We’re Still Alive”). Forgive the lack of subtitles, but I’m feeling like we get the gist.

H/t to Christopher Stipp of /Film.

Okay, it should be mentioned that Falco was, in fact, the most famous German language pop artist internationally, at least that I can think of right now. Also, I sort of liked “Der Kommisar” back in the day. “Rock Me, Amadeus” never did it for (for that matter, neither did “Amadeus”). Also, I believe that my first ever paying writing assignment was writing a review of the worldwide-hit free album Herr Falco made betweeen “Der Kommisar” and “Rock Me Amadeus.” If memory serves, I think I gave it a C+ or, perhaps feeling a bit generous, a B-. Shades of things to come.

Special bonus video after the flip.

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Friday night trailer: The officially official “Scream 4” trailer

“Scream 4” had a trailer that got pulled earlier this, but this one appears to be for realsies.

This looks kind of fun but also way too cute. I liked the “I’ll be right back” joke, but then I’ve never seen the point of repeating this movie idea — indeed, I’ve only actually seen the first one. (I sped through the opening scene with Drew Barrymore, because Wes Craven is a kind of genius and I’m a big fat cinema chicken sometimes).

H/t /Film, appropriately enough. Oh, and my favorite scary movies are probably “Rosemary’s Baby” and “The Silence of the Lambs.” “The Haunting,” “The Innocents,” “The Bride of Frankenstein,” and “The Abominable Dr. Phibes” are all up there.

Totally random movie moment #1

So, last night I drove out to my mom’s house and turned on the TV and found the channel turned to TCM. Since it was my mom’s house, there was no “info” button to push as I watched an early sixties Japanese film in which, at some kind of drunken orgy, a man finds his son with his girlfriend and quickly murders her. Then, there’s a non-sexual freaky-threeway of strangulation. The characters died but it wasn’t the end of the movie. In fact, it was barely the beginning.

Time to drag out the computer. Turns out I was seeing a bit of Nobuo Nakagawa’s highly notorious, blood-soaked 1960 horror oddity “Jigoku” which means, you guessed it “Hell” in English. Here’s the trailer. Abandon normal film logic, all ye who watch this.

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