Category: TCA Blog 2010 (Page 6 of 9)

TCA Tour: The Ricky Gervais Show

If you’ve never listened to the podcast that Ricky Gervais does with his writing partner, Stephen Merchant, then you’ve been missing out on one of the funniest things that’s available for download. Part of it comes, obviously, because of the well-established quick wits of the aforementioned two gentlemen, but the show’s X-factor, if you will, comes from the third man in the recording studio: Karl Pilkington. Although he’s still pretty much a non-entity in the States, you can count on him achieving – at the very least – full-fledged cult status when HBO debuts their new animated series, “The Ricky Gervais Show,” which, despite its title, easily features Pilkington as heavily as Gervais.

There’s no real way to make sense of the way Pilkington’s mind works; we can but marvel at the way he perceives the world and the comments that he makes about it. Here are five moments from the panel which demonstrate what I’m talking about:

1. When asked about Pilkington’s absence from the panel, Gervais explained, “He’s on his way to Rio, I think, to do a documentary called ‘Seven Wonders,’ which we have arranged. We send him around the world to see what he thinks of the seven wonders, and he’s not impressed so far. He thinks the pyramids are overrated. I said, ‘Why?’ He said, ‘It’s a bad design. It’s a bad design.’ He said, ‘The lounge is going to be huge, but the bedroom is going to be tiny.'”

2. “Some of the things that Karl has come up with are incredible,” said Gervais. “I mean, he thought Anne Frank was just avoiding paying rent.”

3. “His serious understanding of evolution,” said Merchant, “is that…he went, ‘Yeah, I know evolution. It starts germ, fish, mermaid, man.'” Said Gervais, “I was trying to get the rudimentaries of evolution to him, and I was explaining to him that we are closer to chimps than chimps are to the gorillas. He was going, ‘No, we are not.’ I go, ‘No. We are.’ I said, ‘We are 98.6 percent genetically identical to a chimpanzee.’ I said, ‘That’s 1.4 percent difference between us and a chimp.’ And he went, ‘That’s got to be the ass.’”

4. “I call him every day, three or four times a day, just to find out what he’s doing,” revealed Gervais. “I called him the other day, and I said, ‘What are you doing?’ And he went, ‘Just walking in the park.’ I went, ‘All right.’ We went, ‘Oh.’ I said, ‘What?’ He said, ‘A worm just fell from the sky.’ And I went, ‘What do you mean?’ He went, ‘He just fell out of the sky.’ I said, ‘Well, a bird probably dropped it.’ And he went, ‘Oh, yeah, there is a bird.’”

5. “We did one podcast,” said Gervais, “I think it was in December 2006, and I said, ‘What was the highlight of the year? Looking back at this year, what will stand out for you?’” And he said, ‘Probably that time I saw a grub eating a biscuit.’ I go, ‘What do you mean?’ He went, ‘Well, I was eating a biscuit. I put the rest on the windowsill. I looked around, and there was a grub eating it.’ I went, ‘Why is that an event?’ He went, ‘I never thought I would see that that year. It made me think, ‘We couldn’t be more different, us and the grub, but we both like a biscuit.'”

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More “Powers” talk with FX’s John Landgraf

You may remember that, back in August, I spoke with John Landgraf, FX’s President and General Manager of FX, to get the latest update on the network’s attempts to transition Brian Michael Bendis’s “Powers” from comic book to the small screen. At the time, he could only reconfirm that it was in development, adding, “We’ve seen a draft of the script, we’ve given the notes on it, and we’re waiting on another draft.”

So what’s the latest update? Is “Powers” dead at FX?

It is not.

“We have a new writer who came in and who’s working with Brian Bendis,” Landgraf confirmed. “He’s a really, really good writer who got really excited about the project. He came in, and they pitched us a new take. Because part of what you’re trying to do with ‘Powers’…and I think I said this to you when I talked to you before…is that you have a great property, a really robust property, but it has to be adapted to become a weekly television series. So you’re asking yourself the question, ‘What stays and what goes?’ For example, the Retro Girl murder story: should that whole story be told in the pilot, or do we introduce it and tell it later? But the new writer and Brian have got a good take on it. They came in about two months ago and pitched what they were doing, and it was great.”

Unfortunately, you may have noticed the same thing I did: Landgraf’s pointed avoidance of revealing the name of this “really, really good writer.” Alas, he’s unable to reveal said writer’s name at present, but he assured me that, when he’s able to do, he’ll be in touch. Yeah, I know, that’s what they all say, but since he remembered our discussion from August, I’m keeping my fingers crossed that my continued enthusiasm will result in getting the information, so watch this space!

TCA Tour: The Vampire Diaries

What is it about the pilot episodes for vampire series that leave me generally indifferent to them? I’m a sci-fi and fantasy guy from way back, so you’d think it’d be like shooting fish in a barrel for a show about the undead to win me over, but I was underwhelmed when I first screened CBS’s “Moonlight,” and although the feeling wasn’t quite as intense, the sensations were definitely similar after I checked out The CW’s “The Vampire Diaries.” More surprising, however, was that my wife – a dyed-in-the-wool fan of both “Twilight” and “True Blood” – felt the same way I did. I had been resigned to the fact that we’d be adding it to the TiVo queue no matter what my opinion of the series might be, but, no, it didn’t earn much more than a shrug from her, either. It’s clear that neither of us are arbiters of taste for the nation as a whole, however, as the show recently took home the award for Best New Drama categories at the People’s Choice Awards.

Hey, fair enough: I gave “Moonlight” a second chance when it came to DVD, and I’ll do the same with “The Vampire Diaries.” When it comes to TV, I’m always ready, willing, and sometimes even hoping to be proven wrong.

Given that I have no particular frame of reference to the goings-on in the show, I’m having to kind of guess what information that emerged during the course of the show’s latest TCA panel is of particular interest to fans, so here’s hoping that you’ll appreciate some of these facts:

Are we going on see the cork being pulled from the church basement bottle, as it were?

“Oh, you mean the tomb?” asked Kevin Williamson, the show’s executive producer. “Well, you know, quite possibly, yes. I mean, that’s the fun of the back nine (episodes). Yes, Damon has an agenda. He’s going to save Katherine. He’s going to do everything possible he can to get to her. And so, yeah, that tomb is still in play.”

When are you going to explore more into the teacher? Is he a Van Helsing-type, or is he a vampire? Because there’s definitely something with him.

“Yes, there’s definitely something with him,” agreed Williamson. “We’re going to have fun. He just sort of has blown onto the scene, and we haven’t had a chance yet to sort of explore his background and stuff, but in the upcoming episodes, we’re actually going to learn more about him. We’re going to see some of what his past was like and what brought him to Mystic Falls, and we’re going to see what his little agenda is…because, you know, everyone’s got a little agenda.”

“We’re going to meet his wife in flashbacks, played by Mia Kirshner,” revealed Julie Plec, Williamson’s fellow executive producer.

Is Vicki really dead?

“Vicki is dead,” confirmed Williamson. “I’m so sorry. She’s gone. However, she will live in spirit and stuff, and it’s going to take a long time for Jeremy and Matt and his family to truly get over Vicki and maybe possibly start learning the truth about what happened to Vicki. That’s something, I think, Jeremy is going to struggle with. Of course, we now have Matt’s mother coming to town, so Vicki will still be talked about, but, unfortunately, Vicki left us. She was our very first vampire casualty.”

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TCA: Life Unexpected

When The CW held a preliminary panel during the summer 2009 TCA tour for its yet-to-be-scheduled series, “Life UneXpected” (the “X” has since been de-capitalized), one of the critics posed this question to the show’s creator, Liz Tigelaar:

“Is there any concern that you may have made this pilot for a network than doesn’t exactly exist? Because this is sort of a warm, fuzzy, family, everybody-together pilot, and if you look at The CW’s shows for the Fall, they’re less that.”

It’s true: when compared to shows like “Melrose Place” and the late, apparently-not-all-that-great “The Beautiful Life,” “Life Unexpected” stands out in a big way simply by offering some semblance of a proper family dynamic. It’s the story of 15-year-old Lux (Britt Robertson), who, after spending her life bouncing from one foster family to another, has decided it’s time to become an emancipated minor. Her journey through the legal maze leads Lux to her biological parents, Nate “Baze” Bazile (Kristoffer Polaha) and Cate Cassidy (Shiri Appleby). When a judge unexpectedly grants temporary joint custody to Baze and Cate, they agree to make a belated attempt to give Lux the family she deserves. A series on The CW that not only doesn’t immediately make parents flip out at the effect it might have on their children…? Talk about unconventional.

When The CW held the panel for “Life Unexpected” during the winter 2010 TCA tour, things once again kicked off with a question for Ms. Tigelaar, but it was a bit of a left-field query this time around…or, at least, it was to me, as I’d ever heard the rumor that her birth mother was Nancy Reagan. She’s not, as it turns out, and the question was a bit tongue-in-cheek to begin with, but the story of its origins was certainly a funny one.

“I’m adopted,” she explained, “and there’s a big kind of fantasy element of the show of being an adopted kid: you imagine who your birth mom, especially, might be. When I was little, I didn’t know that much, but I knew I was born in D.C., so I was always, like, ‘I think Nancy Reagan’s my birth mom, and this really sucks. I should be living in the White House, and I should have a $100-a-month allowance.’ It started when I was little and, weirdly, it lasted for a long time, until finally, when I was eight, my mom was, like, ‘You’re an idiot. You’re not doing basic math. There’s no way that Nancy Reagan could be your birth mom.’ But the idea of it was definitely what I brought into the series, which is, again, that fantasy of who your parents might be. I think when you have no idea and you really have nothing to go on, you really create something in your head, so this story is very much a story of Lux having this fantasy and in some ways it really coming true: her mom is this super successful, glamorous radio DJ, and her dad is this pretty cool guy who owns a bar and lives with friends and lives in a sweet loft. The idea is that just because people are kind of cool fantasy people doesn’t actually make them fantasy parents.”

On the flip side of the coin, however, “Life Unexpected” also explore how different things are today for individuals in their thirties than they were when, say, “thirtysomething” was on.

“In our parents’ generation, maybe thirtysomething means maybe 401(k) plans and mortgages and suburbs and dogs,” Tigelaar said. “And for me – and maybe some other people – thirtysomething can mean a person who really has prioritized their professional life over relationships or whatever. Or a guy who still lives like a frat guy and lives with his buddies and plays video games and drinks Coors Light. So what happens when you make it a coming-of-age story, instead of the one person who is the age of a person that would need to grow up, the grownups are the people that need to come of age, and Lux is the catalyst for them to do that. I think that was the impetus of the idea.”

The thing that I love about the show so much – and the CW has been so great and really believing in these characters – is that all these characters get to be flawed, damaged, real people who grapple and struggle, and things aren’t easy and they don’t do things right,” she explained. “They often do the right things for the wrong reasons and the wrong things for the right reasons…and it’s kind of fun to live in that world every day.”

EXCLUSIVE: Warren the Ape speaks with Premium Hollywood!

Although my interview with “Greg the Bunny” creators Sean S. Baker, Spencer Chinoy and Dan Milano will be appearing on Bullz-Eye at a future juncture, I was able to get a few minutes with the star of their new MTV “reality” series, “Warren the Ape.”

I’d clearly won over Warren earlier in the day, when I asked him during the TCA panel for the series if his ex-wife Maggie would feature in the series (“You really know your stuff, I appreciate that”), and my question apparently had the same effect on Milano as well, who said that it was a perfect way of showing MTV that there really are people out there who remember their earlier series. While I hope to be able to speak with Warren further at a later date, I hope you’ll enjoy these two brief one-on-one moments that I shared with him for the time being.

First up, Warren picks his favorite addiction and discusses the status of his screenplay:

Then, Warren talks about a possible reissue of a classic album and reveals his hopes and expectations for his new series:

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