Category: Reviews (Page 73 of 120)

Meet Bill

When you see as many movies as I do, it’s easy to understand why some films are released in theaters, while others are relegated to DVD, but I must admit that “Meet Bill” – which left the film festival circuit without a major studio’s backing – threw me for a loop. The movie has everything that makes an independent film marketable these days, and more importantly, it’s actually good. Aaron Eckhart stars as Bill, a successful businessman who hates his job has a wife (Elizabeth Banks) who is cheating on him with the local news anchor (Timothy Olyphant). When he’s forced into participating in a mentorship program with his former preparatory school, Bill is matched up with a smug teenager (Logan Lerman) who ends up mentoring him on how to turn around his life. Though the story goes south midway through the film, the performances help to keep it afloat – namely Eckhart, whose nuanced portrayal of the title character is alone worth seeing the film. Additionally, Jessica Alba’s role as a sexy lingerie saleswoman may seem completely pointless (in fact, her introduction marks the beginning of the story’s downfall), but it’s some of the actresses best work to date. Supporting turns by Kristen Wiig and Craig Bierko are also enjoyable, as is the dark comedy peppered throughout the script. “Meet Bill” may have been considered a failure by some, but one could only hope that all direct-to-DVD releases were as good as this.

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Icons of Adventure

Starting in the late fifties and on through the seventies, England’s low budget Hammer film studios became known for a series of profitable reboots of classic gothic horror franchises, but the busy film studio actually produced all kinds of movies. This two-disc set gives us a mixed-bag of thrillers bringing the mean, lean, and graphic (by early sixties standards) Hammer touch to pulpy adventure yarns as well as featuring the considerable acting skills of go-to bad guy/monster man Christopher Lee as the chief villain of three of the four pictures.

The set gets off to an unfortunate start with “The Pirates of Blood River” — an insufferable bore thanks to some plodding pacing and an insipid performance by leading man Kerwin Matthews — Lee’s bad guy pirate, no Jack Sparrow, can only do so much. Fortunately, there’s more of Lee, actual ships, swordfights, and all-around piratical fun in “The Devil Ship Pirates.” The second disc brings us a pair of politically and ethnically suspect flicks set in English colonies. “The Terror of the Tongs” is a casting nightmare from the point of view of ethnic sensitivity, with innumerable Hong Kong Chinese characters played by English, French and, in one shocking instance, an actual Chinese actor. (Burt Kwouk – Kato from the original “Pink Panther” films — who, naturally, is killed five minutes into the movie). Still, it’s a surprisingly nasty and perversely entertaining film with some amazing low-budget production values and another strong bad guy performance from Christopher Lee (no relation to Bruce), speaking perfect English in a sort of practice run for his later performances as super-unPC villain Fu Manchu.

If “Terror” is the set’s Harold, “The Stranglers of Bombay” is it’s Anglocentric Kumar. It’s an fitfully entertaining, occasionally creepy tale of a stalwart British officer (Guy Rolfe) fighting Indian thuggees – those fanatical, kill-crazy bad guys who tried to overrun British India in “Gunga Din,” tried to off Harrison Ford and friends in “Indiana Jones and the Temple of Doom” and who, led by Leo “Rumpole of the Bailey” McKern (!), viciously tried to take Ringo’s famed ring finger, in “Help!”

With four commentaries – three of them featuring Hammer standby screenwriter Jimmy Sangster — this is a must for those obsessed with the famed studio’s history, but definitely optional for others. (Only one commentary, “Terror of the Tongs” is all that engaging, even by film geek standards.) Still, there are worse ways to while away a series of weekend afternoon. For all their flaws, these movies are far more noble time-wasters than most of today’s multiplex potboilers.

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Heroes of the East

Cursed with a misleading English title and a narrative flaw or two, this remarkably little known 1979 Hong Kong comic action fest is nevertheless an absolute must for serious martial arts fans and a treat for the rest of us. The young Gordon Liu (cruel tutor Pei-Mei from “Kill Bill: Volume 2”) stars as Ah To, a young man in an arranged marriage with the pretty Kung Zi (Yuzo Mizuno), recently returned from her native Japan. After some initial fretting, the two prove more than compatible. Actually, it turns out they may have a little too much in common — they are both martial arts experts and excessively proud proponents of their respective nation’s martial arts styles. Though frequently compared to “The Taming of the Shrew,” the first hour plays more like an early sixties sex comedy, only with comic physical jabs replacing the verbal sparring.

Early on, the action is nearly dominated by the spunky, hyper-talented Yuzo Mizuno — think a young Shirley MacLaine as a comically destructive martial arts virtuoso. Still, “Heroes” ultimately turns out to be Gordon Liu’s show, and quite a show it is as the reluctant Ah To must face a herd of angry Japanese martial artists who have come to defend their nation’s honor. Martial arts trained director Lau Kar-Leung’s good natured action rom-com – something of a (biased) plea for mutual respect between the Chinese and Japanese peoples – turns into a more traditional series of increasingly stunning action set pieces that concludes with a real bang as Ah To at last faces his romantic rival, a treacherous ninja (Kurata Yasuaki) who throws the ninjitsu book at our hero. It’s a stunning conclusion to a real whiz-bang of a late period Shaw Brothers martial arts extravaganza. Also, with relatively little in the way of anything like serious violence (for the most part the characters aren’t really trying to hurt each other) and only some very mild sexual innuendo, “Heroes of the East” is also appropriate for younger martial arts fans.

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Reno 911: The Complete Fifth Season

For anyone that found the fourth season of “Reno 911” seriously lacking in the comedy department, prepare for more of the same from season five. The men and women of Reno Sheriff Department may be aware that their act has gone stale, but despite some much needed changes – including the addition of Wanru Tseng as Cindy the Sex Slave – the show just isn’t as good as it used to be. Wrapping up last year’s many cliffhangers within the first episode, series creators Thomas Lennon, Robert Ben Garant and Kerri Kenney remind us once again that they will never take their stories seriously. That strategy was fine when the show was still creating hilarious interactions between the officers and eccentric criminals, but with their pool of guest stars constantly being reused for new characters, it’s about time they take the show in a different direction.

Thankfully, those steps have already been put into motion thanks to guest spots by Diedrich Bader (as a Dog the Bounty Hunter-like TV personality), Seth Green (as a pushy fast food manager), Ron White (as a drunken pilot who’s pulled over on his way to the airport), and Ryan Stiles (as an undercover acting coach), but none of them are ever quite laugh-out-loud funny. The same is true for the storylines, which are incredibly hit-and-miss. Some are very clever (like when Reno’s 911 operator is outsourced to India), but most feel like rejected ideas for “South Park.” In fact, an ongoing joke about Mary Birdsong’s character constantly getting shot is probably the only truly original gag of the entire season. Here’s hoping that comment will be nothing more than an afterthought by the time season six premieres.

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Summer of ’04

Mirjam (Martina Geddick) and André (Peter Davor) aren’t the kind of parents who worry that their typically sullen fifteen year-old son (Lucas Kotaranin) is likely having sex during their summer trip with his mature-for-her-age but nevertheless not yet thirteen year-old girlfriend, Livia (Svea Lohde). On the other hand, mother Mirjam starts playing the responsibility card when Livia, who has some disconcerting ideas about relationships, strikes up a sudden close friendship with a handsome grown-up (Canadian television actor Robert Seeliger, speaking fluent German). Before you can say WTF, Mirjam finds herself acting on her own attraction to the stranger. If nothing else, events play out believably and the upper middle class European milieu feels right-on (including some ironic U.S.A.-bashing) – up to an ending that’s supposed to be an emotional sucker-punch, but which plays more like an earnest attempt to imbue 97 minutes of well-realized, though apparently pointless, über-realistic banality with something like meaning.

A lot of critics use the word “thriller” to describe this meticulously achieved slice of upscale life from director Stefan Krohmer and writer Daniel Nocke. That’s stretching the definition, but “Summer of ’04” mostly fails without regard to genre. A moment of suspense, some hot but relatively discrete onscreen sex between consenting adults, and an unexpected revelation aside, the problem with this well-acted, character-driven film is that these five people feel very real, but they’re still lousy company. It’s not that they’re largely unsympathetic, it’s that they’re mostly uninteresting. See “The Ice Storm” instead.

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