Category: Reviews (Page 69 of 120)

Old Show, New Season: “America’s Next Top Model”

Anyone with a Y-chromosome who’s ever watched “America’s Next Top Model” will quickly testify that there are always at least fourteen good reasons to watch the series. Granted, you might need to keep a finger on the mute button at all times, but, still, over the course of the show’s previous ten seasons, the eye candy on display has generally been quite spectacular, and the status quo remains unchanged for Season 11 (premiering on Sept. 3rd at 8 PM), as you can see below:

I’ve never actually sat through a full episode of the series, but my mother-in-law is such a huge fan of the show that, when the screener for the Season 11 premiere arrived, I knew it would make her happy if we watched it when she came over to our house for dinner. As I watched the events unfold on the screen, my jaw kept dropping progressively lower with each passing moment, not because of the gorgeous women filing past the camera (though, certainly, the majority of them were indeed quite attractive) but, rather, because of the complete stupidity of the sci-fi scenario through which hostess Tyra Banks decide to approach the premiere episode.

Using only the cheapest special effects and most ridiculous wigs and costumes, the models were welcomed to The Top Model Institute of Technology, a top-secret, highly-classified building “where we build better models.” Seriously, to use the word “retarded” as a descriptor is to cause insult to the mentally handicapped, so let’s stick with a phrase like “stupid as hell” instead, shall we? One of the contestants makes the comment that she’s excited by this concept because she’s a big fan of “2001: A Space Odyssey,” but whatever she says after that is immediately blocked out by all the noise being made by the corpses of Stanley Kubrick and Arthur C. Clarke turning over in their respective graves. You may feel that the height of stupidity has been reached when one of the models feigns fascination with a piece of technology called the Glam-inator 11.0, asking in a shocked tone, “They got technology like that? Are we gonna come back like us, or are we gonna be transformed into a robot or something?” You would be wrong to do so, however, as the Glam-inator promptly overloads and spits out Tyra Banks, dressed in a costume straight out of “My Living Doll,” moving back and forth stiffly, and spitting out excruciating dialogue in a staccato tone because she’s – wait for it – the Tyra-Bot.

“I’m not looking for an ANTM as in America’s Next Top Martian,” says Banks. “I’m looking for America’s Next Top what…?” And when the models reply in unison with the appropriate answer, she responds in her best robot voice, “I’m having a…little bit of a…technical difficulty. I didn’t hear you.”

I believe it was at this point when I turned to my mother-in-law and said, “Really? This is the show that you’ve been watching with such dedication since it first came on the air…?”

“I swear to God,” she assured me, “it has never been this cheesy before. Never. This is awful. This is just…stupid.”

Boy, is it.

The big thing that’s going to bring in curious viewers this time around is the decision to include a trans-gender contestant in the bunch. The contestant’s name is Isis , and…look, I’ve gotta tell ya: no matter what gender she may be, she’s not consistently attractive (she’s definitely someone who needs make-up to be model-worthy), and her lanky figure gives her a really weird stride on the runway. Tyra and company seem to really like her, though, so I think there’s every reason to believe that Isis will be kept around for the long haul, but on the whole, here’s the contestant that I’m rooting for:

Her name is Analeigh Tipton, a 19-year-old from Sacramento, California, who’s a super-cute hippie chick. Whether or not she’ll make it to the end of the contest, I have no idea…and I wouldn’t begin to pretend that I’ll be tuning in every week to find out.

I’ll probably ask my mother-in-law how she’s doing, though.

How To Rob A Bank

“How To Rob A Bank” seems like it should be way more exciting than it actually is. It should be a gripping drama about a guy named Jinx (Nick Stahl) who starts his day battling with his bank over withdrawal fees and accidentally finds himself caught up in a bank robbery and locked in a vault with a sexy tech expert (Erika Christensen). Instead, we get a film full of almost nothing but people making phone calls to each other, and although it only lasts for 81 minutes, it still somehow manages to feel as though it drags on forever. Terry Crews (“Everybody Hates Chris”) remains mostly stoic throughout the flick, with Gavin Rossdale – yes, that’s right: the dude who used to be in Bush but who’s now better known for being married to Gwen Stefani – offering a more than serviceable job as one of the robbers, even if it’s only because British accents almost always make dialogue sound better than it actually is. So how do you rob a bank? If every would-be bank robber had to watch this movie in order to discover the secret, then the number of thefts within our nation’s financial institutions surely would plummet.

Click to buy “How To Rob A Bank”

Greetings to the New Series: “Raising the Bar” (TNT)

For someone who’s contributed so much to television, it’s rather surprising just how quiet Steven Bochco has been for the past few years.

Bochco is the man responsible for executive-producing such classic dramas as “Hill Street Blues,” “L.A. Law,” and “NYPD Blue,” as well as short-lived but highly regarded series such as “Murder One,” “Brooklyn South,” and “Over There.” After 2005’s well-intentioned but sketchily-executed “Commander in Chief,” however, Bochco’s name stopped appearing in the credits for any new shows, and in a 2007 interview with Newsday, he admitted that he had decided to take a step back from the broadcast networks, saying, “I don’t think there’s a big appetite for the stuff I like to do. You’re looking at 400-year-old cops and detectives who are vampires. . . . It’s fine. I don’t have any disdain for it. It’s just not what I do.”

Thankfully, Bochco has found a new home on cable with TNT, who seem to be welcoming him with open arms…and when he’s offering up a series like “Raising the Bar,” why wouldn’t they?

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Doctor Who – Timelash

It’s a fairly well known fan joke that “Timelash” is an accidental anagram of “lame shit.” The story has the reputation of being the nadir of the already dodgy Colin Baker era of “Doctor Who,” but it’s a reputation that may not be entirely deserved. Thing is, “Timelash” is the sort of fare that’s so bad it manages to swing back around into the “can’t take your eyes off the car wreck” arena. It’s gaudy, weird, over the top, and has probably three too many elements thrown into a mix that’s already failing to gel. The Doctor and Peri (Nicola Bryant, wearing the classiest attire she was given during her time in the TARDIS) arrive on the planet Karfel. A political coup is in progress, led by Maylin Tekker (played by Paul Darrow, late of “Blake’s 7,” at his hammiest) and orchestrated by a deformed dictator known only as the Borad. The Karfelons are at war with the Bandrils – cobra-like creatures, clearly high on something and achieved via a rubber hand puppet (only one is ever shown). Like many a classic “Who” story, Karfel looks to be less of a planet and more of a confined citadel; the sets are brightly overlit and the cheap costumes came from the back of the closet. Into all this garishness are thrown green androids who’ve seemingly inhaled ample doses of helium, brontosaurus-like creatures called Morlox, and a young, idealistic writer from 19th century Earth named Herbert, who is transfixed by the Karfelon Vena (um, “Weena”…stop me if you see where this is going…) The Borad at one point actually says, “Choose your next words carefully, Doctor. They could be your last!” As I watched, my wife, much to my amusement, asked if they were saying “Borat.” Sacha Baron Cohen’s antics would indeed have been an amusing addition, although they couldn’t possibly have made the proceedings any more surreal. Yup, “Timelash” earns the honor of being the absolute best of bad ‘80s “Doctor Who”…and the disc includes a doc called “The Good, the Bad, and the Ugly” that pretty much confirms this review.

Click to buy “Doctor Who: Timelash”

Postal

The last person that should be making political satires is Uwe Boll, a man that doesn’t even understand the concept of failure, let alone the lines that can and should be crossed in political incorrectness. Loosely based on the video game of the same name, “Postal” opens with the most inappropriate joke of the 21st Century: a view from within the World Trade Center as a plane crashes into it. That image alone is enough to guarantee an immediate boycott by most Americans, and it’s probably a good place to stop watching the film. In fact, even though the scene leading up to the crash is actually quite funny (two Islamic hijackers discuss the veracity of the 100 virgins theory, only to discover it’s not true), the rest of the movie is so amateurishly incoherent that the joke would have been better left to someone who could actually pull it off in good taste. Starring Zack Ward as the nameless protagonist, the movie follows the down-on-his-luck loser as he teams up with his cult leader uncle (Dave Foley) to rob a German-themed amusement park before Osama Bin Laden gets there first. One is looking to steal a shipment of hard-to-find plush dolls, while the other wants the vials of avian flu concealed within them. Can you guess which is which? It doesn’t really matter, since Boll is less concerned about a story than he is with jokes about Verne Troyer getting gang-raped by monkeys and Dave Foley showing his junk. You heard right, and that’s not even the worst of it. Just wait until he takes a dump with his junk still exposed…

Click to buy “Postal”

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