Category: Reviews (Page 12 of 120)

Greetings to the New Series: “Hellcats”

As someone who grew up preferring reading to playing sports and had more success as a comic book collector and Trekkie than a ladies man, it will probably come as no surprise to you that my years in public school didn’t exactly find me traveling in the same circles as the cheerleaders. For many years, I perceived cheerleaders as goddesses who deigned to walk among us mere humans, a breed of woman who existed so far above me in the school social structure that I considered it a major end-of-the-year coup if could get any of them to sign my yearbook…and I maintained that impression right up until my little sister became a cheerleader, at which point several things happened semi-simultaneously:

1) I was put in a position where I was forced to acknowledge that if this gaggle of hot girls in short skirts had allowed my sister into their ranks, then she too must be considered hot by the masses. Not cool. Nobody likes the idea that other guys are thinking of their sister like that.

2) I was also forced to acknowledge something which I’d long suspected but hadn’t wanted to admit: that my little sister was far more popular than I was. Even less cool.

3) Less important from a social standpoint but arguably most germane to this discussion, a steady stream of cheerleading videos went into rotation on the VCR in our living room. Whether the girls are hot or not, a guy can only stand to watch so many routines in a row before losing his mind, and I hit my maximum threshold pretty quickly.

The end result of these three things was that I quickly lost my interest in watching cheerleaders in action…and the effect was long-lasting: long after high school, I found little interest in films like “Bring It On” and “Sugar and Spice” because, frankly, I’d had enough cheerleading to last me a lifetime. As such, when it was announced that The CW’s fall line-up would featuring a full-fledged cheerleading drama, I reasonably presumed that I’d still be just as uninterested as I’d ever been.

This time around, though, I had a slightly different reaction to watching the cheerleaders. Sure, as a straight male, my instinct was still to unabashedly ogle the hot girls in the short skirts…but as a 40-year-old male, I realized that my daughter is closer in age to the girls than I am, and I felt – quite appropriately – like a dirty old man.

But, c’mon, man, have you seen the star of this show?

I think even the most chaste amongst our readership can concede that Aly Michalka is, quite simply, smokin’, but as history has shown us time and time again, it takes more than a hot girl…more, even, than a squad of hot girls…to make a quality television show.

Is there more to “Hellcats” than just a bunch of pretty faces?

Well, at the very least, there’s more to it than the average non-female viewer will probably want to admit – yes, that’s right, sir, I’m speaking to you – but your appreciation of it will depend heavily on how you approach the material.

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Mad Men 4.7 – If it’s Sunday night at 10 PM, it must be May 25, 1965

Tonight’s episode of “Mad Men” was one of the strongest offerings of the season, once again focusing on the unique relationship between Don and Peggy that’s been a hallmark of the series since the very beginning. He used to be the lord of the manor and she used to be as meek as a mouse, but Peggy’s come a long way, baby, and Don…well, he’s still got his title, but his power would seem to be somewhat on the wane. This week, the two went head to head, and while neither necessarily came out a victor in the end, they both learned a great deal about each other in the long run.

Mad Men - Peggy in green jacket and yellow hat

First, a look around the office. The gang’s all geared up to watch Sonny Liston battle Cassius Clay for the second time in their respective boxing careers, which places the precise date of the episode as May 25, 1965. As it happens, it’s also Peggy’s birthday, and since she’s 26, that means she was born in 1939…and, as it happens, on the same day as Sir Ian McKellen and the late Dixie Carter of “Designing Women” fame. Just an FYI. Before they can embark on their fun-filled fight extravaganza, however, they’ve got to present Don with their pitch for Tourister, which involves the then-mostly-unknown Joe Namath. It’s pretty funny, but Don all but sneers at it, saying, “Endorsements are lazy,” once again confirming that, for all of his gifts as an ad man, he’s destined to become a dinosaur sooner than later if he doesn’t change his attitude. And make no mistake: Don does have an attitude, snapping at Peggy, “I’m glad this is an environment where you feel free to fail.”

Ouch.

Peggy retreats to her office, where we find that good ol’ Duck has remembered Peggy’s birthday, which is more than Don’s don. Duck’s present to her: business cards with her name on them as well as a possible new title, provided that she’s willing to join forces with him. It sounds like a great idea at first, with his pitch about how it’s going to specialize in women’s products and his excitement over the likelihood that Tampax will be one of their first clients, but then things start to go south as it becomes evident that Duck’s been let go from his firm, probably because of his severely increased drinking habits. Peggy shifts from excitement to concern, Duck moves from business into personal, and when he begins to drunkenly plead with her to see him, she takes the opportunity presented by her co-workers entering her office and hangs up. I’m sure I’m not the only one who knew we’d see Duck again before episode’s end, but I can’t say as I quite expected to see him doing what he tried to do.

But we’ll get to that.

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True Blood 3.11 – “Be brave. We’ll die together.”

I’d like to begin this week’s blog with a plea to the publicists at HBO to provide us with some more photo assets for “True Blood,” because I have to believe that you’re just as sick of looking at this all-purpose promo shot as I am. But what can I do? We haven’t been given new shots in ages, and that’s really the most appropriate picture I’ve got to kick off the proceedings. Basically, what I’m saying is blame HBO, not me. In the meantime, though, have another look at the gift that keeps on giving, week after week after bloody week…

Okay, now that that’s out of the way, let me applaud Alan Ball and his crew for offering up an awesome nod to the competing programming – yes, the Emmys – by kicking off tonight’s episode with “True Blood: In Memoriam,” which was a little bit of genius…and, if I’m to be honest, was more effective that the Emmy’s “In Memoriam” segment. (Loved the song, Jewel, but the pacing of the whole thing was off, possibly because they’re not used to scoring it to something other than just some plain old orchestral music.)

On to the episode proper. Bill blows into Fangtasia on a quest to find Sookie, but on his way toward the basement, he’s stopped by Pam, who tries to tell him that he just needs to chill out and put things into their proper perspective. He ignores her and heads for the stairs, but he’s taken down by Pam’s handy-dandy silver spray. As it happens, Sookie looks to have another savior: Eric’s Russian stripper girlfriend, who’s bitter at being blown off by him – possibly because he’s been underestimating her (who knew she was a cardiologist?) – and decides to let Sookie go…and the timing couldn’t be more perfect, since she pops up and saves Bill from Pam’s wrath. Pam’s kinda pissed about the situation, since she’s of the belief that things are going to go to hell if Eric isn’t able to present Sookie as a gift to The King.

Lafayette and Jesus are coming down from their crazy-ass trip. Jesus was clearly moved by the experience, but Lafayette, while admitting that it was pretty unique even for him, isn’t particularly interested in revisiting the situation again…and that was before he had his first flashback. But how about that second flashback, with all of the dolls coming to life and talking to him? Loved it.

So Jason’s girlfriend is a were-panther, eh? You can’t blame him for being a little upset at this revelation, especially since – as he informs her – he’d figured that her big secret was “shoplifting or something.” He bristles at her suggestion that he might not be a real man, but, hell, compared to the guys in her family, he actually is kind of a wuss. With no one to talk to, Jason finds himself wandering over to the the football field, where he finds his young high-school student nemesis from earlier this season alienating his girlfriend and pissing off his teammates from working them so hard, but I can’t tell if it’s because he’s on something or if it’s because he’s just kind of an obsessive jerk. (It’s probably both.)

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Mad Men 4.6 – Life? Don’t talk to me about Life…

I’ll bet you thought I was going to entitle this week’s blog “The Cure for the Common…” or something relating to the gag that kicked off tonight’s episode. Believe me, I was tempted: I thought it was pretty hilarious that this young punk – 36-year-old Danny (Strong) claiming to be a 24-year-old – strolled into Sterling Cooper Draper & Pryce with half a dozen ads based around the same general theme, with his only real defense being, “Uh, did you see me shaking hands with Roger Sterling out there?”

Looks like the candidates are pretty slim pickings, which would certainly be enough to bum Don out even if he didn’t have all of this other stuff going on in his life, but, man, he really tried to drag Peggy down to his mood, despite her unabashedly optimistic attitude about how well things are going for her. You’d think he’d be in better spirits, what with his CLIO nomination and all. (By the way, is this the first time we’ve heard mention of the CLIO Awards? It seems like it might be.) Then again, you’d also think he would’ve noticed after all of this time that Peggy isn’t the same shy girl who used to cower every time he raised his voice…although, in fairness to Don, she does tend to fall back into that old pattern when she’s around him.

Huh. I wasn’t expecting a flashback to the first time Don and Roger met. Don was selling furs…? I don’t remember hearing that tidbit of information before, either. Funny how Roger’s first reaction to one of Don’s ad slogans was to disparage it. And, holy cow, look at Joan, would you? She’s a red-headed Marilyn Monroe, especially with her hair done up like that. Man, when she dropped that fur coat, I found myself wishing “Mad Men” was on HBO…and then I laughed out loud when they cut back to Roger reminiscing about what I’m pretty sure I was imagining myself.

I couldn’t begin to guess how many bowls of Life I ate as a child, so I had a smile on my face as soon as I saw the familiar multi-colored letters of the cereal’s name…which is the exact opposite of the expression on Pete Campbell’s face when we first see him. He’s so serious these days, not unlike a li’l Don Draper circa Season 1. (Probably not a coincidence.) I liked Lane’s dismissal of Harry’s attempt at namedropping as well as Joan’s reminder to New Boy that he can get up and get his own damned drink. Peggy’s not going to waste her time drinking, though. Instead, she has to do battle with Stan, the firm’s new art director. What a jerk. Clearly, she’s going to end up sleeping with him…or kill him. One or the other.

Mad Men - Don Joan and Roger

And speaking of jerks, here’s Ted Shaw, coming up to Don and Roger in order to be his usual dickish self. As a Marx Brothers fan, I had to laugh at Roger’s description of the purported general as “Rufus T. Bullshit,” which was almost as funny as the expression on Pete’s face when he realized that he might have to work with Ken again. Great guest spot from Mark Moses, getting a chance to play a drunken Duck Phillips. The menage a trois of handholding between Don, Joan, and Roger was too cute, but…wow, they’re really going to go for broke and head straight from the CLIO Awards back to the office to meet with the people from Life? Ballsy, Don, real ballsy…especially when it’s Harry who’s stuck having to entertain the troops until he gets there. Good thing most everyone was a “Peyton Place” fan back then, I guess. That, and it’s a good thing that the SCD&P bar is always well stocked.

Or is that a good thing?

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True Blood 3.10 – Once Evil, Always Evil

If I’m to be perfectly honest, this week is the first time since Season 3 began that I’ve been legitimately excited about tuning in for “True Blood.” Granted, you have to take my position with a grain of salt, since I wasn’t watching when episodes 3.7 and 3.8 originally aired, so I’m willing to admit that it’s possible I could’ve had that feeling as a result of one of those. Even so, though, I’m willing to bet that just about everyone who watched The King rip out the heart of that poor newscaster at the end last week’s episode was desperately seeking an answer to the question, “What’s going to happen now?”

I know *I* certainly was.

It was therefore mildly disappointing to have the episode begin not with The King but, rather, with Bill finally revealing Sookie’s true identity to her. Fortunately, Sookie’s reaction served as an instant salve for the wound: “I’m a fairy? How fucking lame!” I think you’d have to say that Bill didn’t exactly do the best possible job of playing up Sookie’s ancestry, and things only got worse when he was forced to admit that her people were reportedly wiped out of existence by vampires, owing to fairy blood being magically delicious. He can’t exactly confirm that the stories are true, but he can at least vouch for the awesomeness of Sookie’s blood. This immediately makes her suspicious of why Bill’s interested in her, but he swears up and down, “It’s not your blood I love. I love you – your mind, your heart, your soul – and I will foreswear ever feeding on you again if that’s what it takes to convince you of that.” Aw, isn’t he just the sweetest vampire?

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