Category: Reviews (Page 100 of 120)

Scare of the Day: “Alligator”

We get a lot of scary DVDs here at the Bullz-Eye offices…and we’re not just talking about “I Love New York: Season One,” although lord knows that certainly qualifies. No, we’re talking about stuff that falls into the horror genre; sometimes it’s legitimately good stuff, sometimes it’s absolutely excruciating, but whatever the level of quality, it’s all brought front and center whenever October rolls around and spotlighted as part of the festivities surrounding Halloween. Since we’ve got a pretty decent backlog of stuff lying around here, we decided that we’d offer up a Scare of the Day for every day this month…and what better way to start off than with something from the A’s?

I can still remember when “Alligator” played at the Great Bridge Twin, in Chesapeake, Virginia. I didn’t actually see it there – I was only nine years old when it opened – but I definitely saw the trailer for it before some movie or other, and, damn, it scared the hell out of me…and I was still intimidated by the film a few years later, when we finally got cable and it was showing in regular rotation on some premium network or other. Unsurprisingly, watching the film now doesn’t exactly provide the same level of fright (to say the least), but what is surprising is that “Alligator” is actually a highly entertaining flick.

The original goal of “Alligator” seems to have been to parody “Jaws” while still creating a legitimately frightening film. The grade-B special effects means that it succeeds more at the former than the latter, but, for the record, I can still see how a 9-year-old boy, even if he wasn’t as naive as I was at that age, would get freaked out by it. (I mean, come on: a kid gets devoured by a giant alligator in his own pool, for God’s sake! It’s one thing to be scared of sharks in the ocean, but when even your own pool isn’t safe…?) Of course, the 37-year-old me is far more impressed by the fact that the film stars Robert Forster, who played bail bondsman Max Cherry in “Jackie Brown,” and was written by John Sayles, who went on to write and direct movies such as “Matewan,” “Eight Men Out,” “Passion Fish,” and “Lone Star.”

The premise of the film takes the old urban legend about baby alligators being flushed down people’s toilets and growing to gargantuan size in the sewers, then explains away the growth by claiming it’s the work of various scientific experiments with growth hormones; actually, the experiments are being done on dogs, but the dog corpses are being disposed of in the sewers, where the alligators are feasting on them. Forster plays the cop who first sees the giant alligator, but, naturally, no one believes him until the creature goes more public with its dining. Given that the movie is an unapologetic “Jaws” parody, “Alligator” provides a Quint equivalent in Colonel Brock, a big-time big game hunter who vows to catch the beast; Henry Silva plays the character with all the bluster and ego he can muster, even going so far as to hire urban youngsters to serve as aides to the Great White Hunter. Silva isn’t the only great character actor in the film; we’re also treated to enjoyable performances from Dean Jagger (Harvey Stovall in “Twelve O’Clock High”), Sidney Lassick (Charlie Cheswick in “One Flew Over the Cuckoo’s Nest”), and Michael Gazzo (Frank Pentageli in “The Godfather Part II”).

Probably the best bits about this DVD reissue are the special features; we’re treated to a lengthy on-camera interview with John Sayles about his experience working on the film, as well as audio commentary from Forster and the film’s director, Lewis Teague, who went on to helm “Cujo” and “Cat’s Eye.” Given this information, it may not surprise you to learn that Stephen King once went on the record in describing “Alligator” as his all-time favorite monster movie…but, frankly, if you don’t dwell on the highly iffy FX or the unabashedly fake blood and instead just enjoy the fun, you’ll totally see where King’s coming from.

Pilots Revisited: “Bionic Woman”

I might have some bad news for anyone who walked out of my Fall TV Preview thinking that “Bionic Woman” was going to be one of the best shows of the new season. Not that I’d blame you for thinking that, given that I offered the very dangerous claim that “it’s hard to imagine this not being the ‘Heroes’-like break-out series of the 2007 season.” But now that I’ve watched the recast and slightly-retooled pilot, I find that I’m not nearly as excited as I was when I watched the original pilot…and, ironically, the reason why doesn’t really involve the things that have been changed!

But, okay, even so, we should first focus on what has been changed. In the original pilot, the character of Jaime Sommers’ (Michelle Ryan) sister, Becca, was played by Mae Whitman (“State of Grace,” “Arrested Development”), but she’s since been replaced by Lucy Hale. More importantly, though, Becca used to be deaf; now, however, not only can she hear, but she’s also developed a talent as a computer hacker. Hmmm…maybe it’s just me, but this feels like one of those cases where someone in Research & Development said, “Yeah, here’s the thing: deaf characters don’t play real well in the sticks, but, hey, you know what does? Super-cute, super-smart teenage girls who have a natural aptitude that meshes well with their older sister’s newly-acquired bionics!” A deaf character would’ve been extremely interesting, but as it stands right now, this revised version of Becca feels less like a character than a plot device.

Yet, as noted, the change to Becca really isn’t what made me start to feel less confident about my initial assessment of “Bionic Woman.” No, basically, what happened was that as I watched the revised pilot, I began to realize that I’d been so taken by the awesomely kick-ass fight scene at the end of the show that I’d essentially forgiven it for anything and everything that had happened before it. This time around, however, I realized that even though it still has a dark look and feel to it that makes for good viewing, it’s riddled with way more cliche-ridden dialogue than I’d remembered. Also, Katee Sackhoff’s attempt to deliver the lines of her character – Sarah Corvus, the first bionic woman – like she’s a too-cool-for-school bitch actually plays more like she’s reading off cue cards. I did not, however, share the feelings of some of my fellow Bullz-Eye / Premium Hollywood contributors about Ryan’s performance; they didn’t think she had much in the way of charisma…and, somehow, I don’t think my suggestion that she reminded me of Ione Skye did do my contrary opinion any favors. But my take on Ryan’s take on the role, however, is that Jaime Sommers is a normal, ordinary woman who’s been placed in an extraordinary situation, and it’s gonna take some time for her to step up to the plate and become a larger-than-life heroine type…and, okay, admittedly, once she gets to that point, I hope she develops a more confident and threatening delivery than she has at the end of the pilot when she utters her farewell line to Jonas (Miguel Ferrer), the director of the bionics program. (Even *I* groaned at that.)

So, anyway, if you’re taking notes, here’s my new, revised opinion of the new, revised “Bionic Woman” pilot: I get the feeling that someone at the network might be pulling the strings to produce a show that’s focused more on thin characterizations and action at any cost than it is on the more interesting possibility of an intellectual technology-centered drama…and the fact that Glen Morgan has evacuated the project makes me even more concerned that that’s the case. Also, as the turmoil with CBS’s “Moonlight” has shown us, there’s nothing like the departure of a member of a show’s creative team to totally screw with its creative direction…and, unfortunately, that’s generally an ailment that all the nanite technology in the world can’t repair.

In closing, here’s a trailer for the show for your viewing pleasure:

Old Show, New Season: “30 Rock”

Well, this morning’s FedEx delivery brought the screener for the 2nd season premiere of “30 Rock,” and the good news is…it’s still funny! Hooray!

Actually, that’s particularly good news, given that the series just won the Emmy Award for Outstanding Comedy Series…not that an Emmy Award has ever been anything approaching an indicator of what the public likes. After all, the two highest rated episodes of “30 Rock” during its first season were its pilot and the episode where Tracy Jordan (played by Tracy Morgan) goes on “Late Night with Conan O’Brien.” Okay, so, basically, people were curious enough to tune in the first week, but then the only other thing that caught their fancy was the idea of seeing Conan O’Brien in prime time…and we attribute that to the fact that most prime-time viewers have never stayed up until 12:30 and finally wanted a chance to see what all the fuss was about with this lanky, red-headed young upstart. And given that these episodes rated #58 and #57 in their respective weeks means that even when people were curious, they weren’t that curious.

Clearly, however, someone at NBC saw this trend and said, “Hmmm…well, if they’re mildly curious about seeing Conan O’Brien in prime time, I’ll bet dollars to donuts that they’ll be super crazy curious about seeing Jerry Seinfeld return to an NBC sitcom for the first time since ‘Seinfeld’ ended!”

My God. It’s crazy…but it just might work!

Actually, the way they work Seinfeld into the show is one of those concepts that you can almost imagine a panicked television network executive…like, say, Jack Donaghy (Alec Baldwin)…coming up with: they take all the unused footage of Seinfeld that they have lying around, then use it to digitally insert him into every single show on the network. (Yes, they do show examples; no, I’m not going to tell you which shows you’ll get to see him in.) Unfortunately, the problem is that Jack has decided that it’ll be much easier to move forward with the idea if they just, uh, don’t tell Jerry ’til after it’s already on the air. Seems easy enough, since the Seinfeld family is supposedly out of the country on vacation…except that – cue the dramatic music – they’re actually not!

My only complaint about the season premiere is that things mostly start out focusing on the same main triad of characters: Jack, Liz (Tina Fey), and Tracy. Not that they’re not funny, but it’s like I said in my review of the Season 1 DVD set: it’s the episodes that explore the intricacies of the ensemble that prove the most memorable. Yes, it stands to reason that we’d want to know what Liz did during the summer hiatus – even if no-one on her staff does – but the goings-on of the lesser members of the cast are barely touched on…well, except for Jenna. that is. But the fact that the explanation about what’s kept her occupied for the last few months (and the effect it’s had on her) is one of the funniest parts of the episode really only goes to prove my point. C’mon, let’s spread the wealth a little more for the rest of the cast, shall we?

Well, let’s blame that on the fact that everyone’s storylines probably got shrunk as a result of trying to be sure Mr. Seinfeld scored enough face time in the episode and just hope for the best, shall we? In the meantime, have a look at a wrap-up of Liz Lemon’s worst dating experiences from Season 1…

Quickhit review: “Gossip Girl”

Man, Kristen Bell’s voiceovers sure are comforting. The creators of “Gossip Girl” were smart to enlist Bell to be our unseen guide through the happenings of the teenage elite in Manhattan. Her blog is the proverbial finger on the pulse of all the social happenings at a ritzy prep school in the Upper East Side. Think “Cruel Intentions” for the CW set.

Bell’s aural presence draws fans of “Veronica Mars” in, but “Gossip Girl” is lacking her old show’s depth. Granted, it’s just the pilot, but the character of bad boy Chuck is written thin, an amalgamation of every soulless rich boy we’ve ever seen on TV or in film. Even at their worst, Logan Echolls and Dick Casablancas were funny, witty and somewhat charming. Chuck is none of that.

In “Gossip Girl,” too-familiar triangle of personas exists within each gender. There are the evil and shallow (Chuck and Blair), those floundering in the middle (Serena and Nate), and those goodhearted souls that are simply struggling to fit in (Dan and Jenny). There were a few good lines in the pilot, and by the time the credits roll there are heroes and relationships you can root for, but it lacks the intrinsic charm of “Veronica Mars.” Maybe it’s not fair to compare the two, but when the same network cancels one and develops another, using the star of the former as its invisible poster girl, the comparisons are inevitable – especially to a still-bitter “Mars” devotee, like myself.

I’ll tune in for another week or two, but I don’t get the feeling that I’ll still be watching “Gossip Girl” in a month.

What did you think?

For another (more extensive) take, be sure to check out Will Harris’ review. If you missed the premiere, the CW is airing it again in most cities this Sunday.

Old Show, New Season: “Bones”

After two seasons on the air, developing its characters to the point where it’s clearly not just the Emily Deschanel and David Boreanaz show, “Bones” will be returning on September 25th with Dr. Temperance “Bones” Brennan’s (Deschanel) team getting at least as much play as the show’s two leads.

Season 2 ended with Angela Montenegro (portrayed by Michaela Conlin) and Dr. Jack Hodgins (portrayed by T. J. Thyne) forced to abandon their wedding because of a last-second revelation that Angela was actually still married, and the credits rolled with Bones and Booth (Boreanaz) standing together at the altar. Anyone who spent the summer rooting for hope that the ceremony continued with those two basically spent the summer kidding themselves, but the matter is brought up in a discussion that the pair have in the Season 3 premiere. Speaking of discussions, there’s also much talk about Angela’s husband, who turns out to be this guy she married while on vacation several years ago; they were both very drunk, she never saw him again, and she can’t really even remember what he looked like, let alone his name, which makes it a little hard to find him and get a divorce. You may also recall that, at season’s end, Dr. Zach Addy (Eric Millegan), was off to Iraq. Does he come back? Well, given that he’s still in the opening credits, it’s a safe bet that, at the very least, he’s not gone for good; in the meantime, however, Bones needs to find a replacement for him.. Despite the fact that he left a few months ago, she still can’t bring herself to put someone else in his place, and she’s using that as a crutch to avoid going into the field with Booth, which is really starting to annoy him.

So that’s where we stand. But without offering up too many spoilers, it’s worth mentioning that the season premiere sets up a plot line connected to the case the team investigates during the episode which has the potential to continue for several episodes, if not the entire season. I think it’s a good thing, although I can’t help but be reminded of other procedural dramas which have gone with similar plot lines; “Bones” is one of those shows that maintains a solid viewership without necessarily being one of Fox’s matinee series, and I don’t know that they need to shake up the dynamic but so much…but, y’know, even with that having been said, clearly, it’s about time Bones and Booth got together already! (After all, the show’s creator, Hart Hanson, said it himself: “It’s season three; I think we’d better see something!”)

Here’s a teaser for what to expect in the upcoming weeks:

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