Category: Reality TV (Page 97 of 118)

The Next Food Network Star: Judges Stall

Last night’s episode of “The Next Food Network Star” featured the remaining three–Adam, Lisa and Aaron–in another Las Vegas battle to decide who would reach the finale. This week’s guest was Guy Fieri, who won this very competition in Season 2 and is now a star on the network with two shows of his own, “Guy’s Big Bite” and “Diners, Drive-ins, and Dives.” The three finalists look at Guy and know that they want to win badly.

So the first challenge was all Vegas. They had to each perform in front of the camera for a 30-second promo. But of course, there is that walking and chewing gum at the same time thing again. Lisa went first and had to be one of those “wine angels” in a restaurant that has a very high wine rack and uses people in harnesses to bring them down. Lisa was asked to go up really high while doing her lines. Yikes. I mean, what if she was afraid of heights? Then, Aaron was asked to do his promo in a casino while throwing craps. Clearly that was the easiest of the promos. Adam was asked to do his on a stage with two showgirls at his side.

Then it was on to the main challenge. Each contestant was asked to come up with a Vegas style buffet Continue reading »

TCA Press Tour, Day 9: ABC, Pt. 2

Life on Mars: As you may (or may not) have read in my previous posting, there have been a lot of rumblings on the ‘net about how this show has had to deal with the dreaded “R” word. That’s right: retooling. It’s one of the dirtiest words in the TV business, since it implies that something’s gone so horribly wrong with the show…or, more likely, it never gelled in the first place…but whether or not this is truly the case with “Life in Mars” depends on how much you trust the ‘net.

The original series told the story of Sam Tyler of the Greater Manchester Police, who, after being hit by a car in 2006, found himself in the year 1973, where he split his time between being a cop and trying to figure out what the hell happened to him. But what’s going to happen when this thing gets Americanized?

According to producer Josh Applebaum, the differences aren’t quite as dramatic as you might want to believe, but there was a version by David Kelley at some point. “I think the main difference,” said Applebaum,” is that we’re moving the show to New York, which, for us, is a huge part of it. We’re New Yorkers. We think the show kind of will live beautifully being set in New York. When we think of the early ’70 cop genre, it speaks so much to New York as a whole, and that’s primarily the difference. David’s version was set in Los Angeles. We’re moving it to New York and just trying to recapture the spirit of the British version.

“We actually spoke to the creators from the BBC, and we sort of asked their permission to change the mythology of what’s going on with Sam Tyler, because in their version, ultimately, he was in a coma. And for us, to be doing hopefully a long-running series where you know that the whole thing is a dream or that he’s in this coma state, it felt unsatisfying. So with their permission, we are changing the mythology. And each week, we’ll be kind of deepening that mystery as to what’s going on with him. They have the three options that they sort of posed. Has he traveled through time, has he lost his mind, or is he in a coma? ”

Time will tell which of the three it is. We certainly don’t have a clue; the original pilot was scrapped, of course, but no new pilot was available for our perusal. As stands right now, I guess we should just be glad that the clips we saw did indeed feature the Bowie song which gave the show its title. (American tastes in the ’70s were just nowhere close to as cool as the UK’s tastes.)

We’re psyched that Michael Imperioli decided to sign onto the show, given that his only truly notable post-“Sopranos” appearance has been a short, underrated stint on “Law & Order”….and even that was only a temporary gig. “Well, I definitely was picky,” admitted Imperioli. “I mean, something like ‘The Sopranos’ that fulfills your creative drive for such a long period of time and challenges you is a hard act to follow. If I’m going to commit to something that hopefully is going to be on for a long time, you want something juicy and you want something different. That’s really what I was looking for. I got the script, and I was not familiar at all with the British show. To be honest, I’d never heard of it! But I thought it was very well written and a really cool idea, and the idea of doing New York detectives in 1973 really, really appealed to me a lot, just of the flavor of it and the period. Culturally, what the city was like then…the ’70s is a period of time that I have an affinity for – the music and just politically what was going on – so I was really into it. And the character…I thought there was a lot of truth to the character, and I thought he’s different enough from what I had done in the past…although it seems to be most of the stuff I’ve been doing is either a cop or a robber! But if that pays the bills, that’s okay. The other thing was that it shot in New York, which was something that I was hoping to do; if I was going to do another series, it would be in New York. So it kind of satisfied all those things at once.”

Not much else to tell you, really, except that all the Anglophiles in the viewing audience will be ready to rip this thing to shreds, so they’d better come roaring out of the gate or be ready to face the consequences.

No pressure.

Opportunity Knocks: While you have to pat the guy on the back for carving himself a niche as a television producer when just about everybody expected him to fall flat after “That ’70s Show,” I’ve never been a huge fan of Ashton Kutcher’s reality series. “Punk’d,” like all hidden-camera prank shows, had its moments, and as a self-professed geek, it would be a lie if I didn’t find myself rooting for the the guys in “Beauty & The Geek” once in awhile, but I’m pretty sure I’ve never actually seen an entire episode of either series. As such, there was really only one reason I stuck around for the panel for Kutcher’s new traveling game show, “Opportunity Knocks,” and that’s that…well, I just wanted to see Ashton Kutcher. (He’s a pretty big deal, you know.)

As it happens, the panel ended up being a lot of fun. The premise of the show is that the producers of the show go to the contestants’ houses, talk to their friends, family, employers, and even their friendly neighborhood postal carrier, and then they ask personal questions that, in theory, they should know the answers to. Or sometimes they’ll flip it around and play it “Newlywed Game” style, where they asked the contestant a question about themselves, and people close to them have to get it right before they reveal the answer.

The show’s host, J.D. Roth, decided that the best way to get the critics involved in the series was…well, to get them involved in the series! They called TV Guide’s Matt Roush up to the stage, and when he arrived, they revealed that, while he’d been out at the TCA Tour, they’d been in his office at TV Guide…and they had the footage to prove it. They then quizzed him about what was written on a cue card that he had saved from his work on “America’s Next Producer.” He was unable to do so…so they brought up Brill Bundy from Zap2it.com, along with both her husband and co-worker, to see which of them knew her best. Which one did? Well, let’s just say that her co-worker won’t be sleeping on the couch for the next week or so…

Sounds like a cute enough show, and the questions don’t appear to be malicious. It wouldn’t surprise me if this turned into a sleeper hit come the fall.

TCA Press Tour, Day 9: ABC, Pt. 1

I’d just like to pat myself on the back for a moment, if I may, and say that this is the first time since the first day of the tour that I’ve actually caught up to the point where I’m writing about a network’s presentations while that network is still doing their presentations. I don’t know how many people are reading my stuff with any regularity, but given how hard I’ve been trying to knock this panel coverage out in a timely manner, those of you who are keeping up will know how much ass I’ve kicked to get this close to being completely caught up.

Okay, enough self-congratulation. On with the ABC coverage! And…what’s this? Why, it’s another executive session! Welcome, if you would, the President of ABC Entertainment, Mr. Steve McPherson.

I posted about the first question of the panel the other day, but it was so funny that it bears repeating, so here’s the exchange as it went down:

Jimmy Kimmel: Hi, my name’s Tom Weinerman from the Sarasota Star-Herald Tribune. There are rumors that ABC is actively courting Jay Leno for 11:30. Is there any truth to those rumors? And if so, I have a follow-up, then.
Steve McPherson: I don’t really feel comfortable answering that in this forum. What’s the follow-up?
Jimmy Kimmel: Is it McPherson or McPhorson?
Steve McPherson: McPherson.
Jimmy Kimmel: If anything were, God forbid, to happen, would that mean…would Ted Koppel get fired, or how would that work?
Steve McPherson: Yeah. It would be doomsday for Ted.
Jimmy Kimmel: If you were even to talk to Jay Leno, wouldn’t that be like contract tampering? Wouldn’t that be illegal? Couldn’t you go to jail for that?
Steve McPherson: It’s possible, but…you know, you have any other questions?
Jimmy Kimmel: How do you keep your hair so nice?
Steve McPherson: Can we get this guy out of here? Obviously, the Leno situation, we figured…
Jimmy Kimmel: Are you at all afraid that, if you do replace Jimmy Kimmel, he might do something crazy to you or your car?
Steve McPherson: Yes. Actually, very afraid.
Jimmy Kimmel: I’ll be out in the parking lot.

Genius.

After Kimmel headed off to do untold damage to McPherson’s car, his boss assured us, “I can’t say enough about Jimmy. His show has just exploded this year. He’s done an amazing job. You know, I think everybody knows all the YouTube stuff, and the videos have been just an explosion. The live commercials he’s doing are groundbreaking. The show creatively is firing at all cylinders, and we’re hugely supportive of it. The Leno situation…to me it’s a question for NBC. I can’t believe that they’re going to let this guy go at the top of his game, and if that happens, I guess we’ll look at it at the time, and Jimmy will be involved in those discussions. And that will be that.”

So there you go.

As to other notable revelations from McPherson, they were as follows:

* Will this be the last season of “Scrubs”? More details on that later from the horse’s mouth, but as far as McPherson’s concerned, “After talking to Zach, talking to Bill, and whether and/or all of the cast is a part of that, I still think there’s a great amount of growth there. It’s a show that, despite being moved around into like 17 time periods and really never being given the marketing support, has really performed unbelievably well on NBC. So we’re excited to have it as part of our comedy assets, and we do think that it will not hopefully be a one-season situation. But we’ll just take that step by step.”

* The unique tone of “Pushing Daisies” will remain unchanged. (I guess there was some concern about that…? I couldn’t imagine they’d change a thing about it, given how it so defiantly stands apart from anything else on the television, but at least we have confirmation now.)

* “Private Practice,” meanwhile, will be tweaked to a certain extent…not the cast (thankfully, since it’s one of the best ensembles out there), but the direction. “If you watched the show last year, maybe the best episode was about the baby that was switched, and the kind of moral and ethical dilemmas that go on with that and real medical drama. We’re going to get Kate (Walsh’s) character back to actually doing surgery as part of that, which I think will be a big proponent for getting some more energy back, getting some medical drama. There’s going to be more interaction with the hospital, because I think she does an unbelievable job of character, but it works best when it’s laid over kind of a palette of these really great medical stories.” (Again, we’ll have more details when we cover the actual “Private Practice” panel.)

* As far as his position on Katherine Heigl’s war of words with the “Grey’s Anatomy” writers, “I think it’s unfortunate when there’s any kind of turmoil on a show. There’s so many people who work so unbelievably hard to make that show the #1 show in the country. I think it’s a beautifully written, beautifully acted, beautifully produced show. Everyone from the grips to the writers to the EPs, I think, deserves an enormous amount of credit, and I never like to see when any of them are in any way taken lightly, so I think that was really unfortunate. She’s absolutely staying with the show. There’s an unbelievable storyline for her this year, which is really central to everything that’s going to go on this season. We’re really excited about that. Shonda (Rhimes) is really excited about that and is the one who actually crafted that. I think you’ll hear more about that from her as the season goes on…and maybe at the Show Runner Panel.” (That’s a big 10-4, by the way.)

* According to McPherson, everything is just ducky with “Life on Mars.” “I don’t know where the rumors come from,” he said, perhaps rather naively. (Clearly, they come from the internet!) “I think people are kind of searching for something. There’s no conspiracy. It’s in great shape. We are keeping some of the cast. We’re in the process of recasting certain elements. Michael Imperioli is joining the cast. We’re pursuing a big element right now that we’re hoping will close. We’re shooting in New York, which we’re really excited about. So we continue to be extremely excited about that show. I don’t look at it as a troubled show at all. We’re really enthusiastic. We had a piece of casting that we booked two nights ago. It is a work in progress, certainly. But I would certainly not root against it at this point. It’s really one of my passion projects. It’s something we’ve been trying to bring to life for a few years.”

* The rumors are true: Katie Holmes will indeed be guest-starring on “Eli Stone.” “I was at the table read. She was fabulous,” says McPherson. “It’s a great role for her. There’s actually some singing and dancing that she does, and she’s exquisite. It’s a really special piece of business. And obviously, for a show that we really creatively believed in and had a tough launch because of the strike, it helps us from a promotional standpoint. But first and foremost, Greg (Berlanti) came to me with the idea because he really had a creative way to do it, and him and Katie wanted to get back together and do something, so we were really fortunate that she agreed to do it, and we’re excited.”

* The greatest lost ABC project of recent years: “A Will Ferrell Christmas.” “We had signed a deal to do a Christmas special variety show with Will Ferrell a couple years ago,” said McPherson, “until he realized how much money he made in features and decided to go do that instead.”

* “Boston Legal” is ending because David Kelley has 13 episodes left him. Yes, it’s apparently really just that simple. “He really wanted to end it,” said McPherson. “He really wanted to do some things with our two core characters. It was really his decision, and I really like being able to know when shows are going out. Let’s let these creators who have created unbelievably compelling characters and iconic pieces of television end it with dignity and integrity and, to me, compelling content. And we can market it as such. For us, it’s an advantage. We really appreciate David signing up and getting excited about these final 13. We’re talking about how to really sell them as this kind of final crescendo for what, for us, has been a terrific series.”

And those are pretty much the highlight’s from Mr. McPherson’s neighborhood. From there, we move on to…

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TCA Press Tour, Day 7: Fox, Pt. 2

We’re returning to Day 7 of the TCA Press Tour…and the second part of Fox’s first day of panels…with a moment or two of unabashed bitching.

The recipient of this bitchfest…? “24.”

See this picture of Kiefer Sutherland?

See all those microphones and tape recorders surrounding him? This was the only access any of us had to him or the other members of the “24” cast and production team who were in attendance at the press tour…and let me assure you that not pictured here are probably at least 47 other microphones and tape recorders that were just outside of the range of the camera. (As it is, I’m forced to wonder if the photographer was either standing on a chair or hanging from a chandelier to get this shot, since he couldn’t possibly have gotten close otherwise.) Instead of doing a proper panel for what’s ostensibly the most talked-about show returning to Fox’s line-up, the network opted to provide a casual affair, where we all mingled about the lobby of the ballroom during lunch together and struggled to get anywhere near Sutherland. They used the same methodology for “Prison Break” during the breakfast period (“Prison Break”-fast, get it?), and though it was a slightly less frantic affair, possibly due to the early hour, it was still less effective than a proper panel would have been, to be certain. I realize that Fox had a bit of a scheduling crunch due to the TCA swiping half of one of their two days for a luncheon with “The Bonnie Hunt Show” and a set visit to “Mad Men,” but I’d much rather have had a “So You Think You Can Lunch” function with Cat Deeley and company and gotten a proper “24” panel instead. Not getting proper time with the “24” folks after such a long time between seasons made for easily the biggest disappointment of the TCA tour to date.

Okay, moving on…

Secret Millionaire: I’m going to fall back on the press release again, lest I fall into snark mode while discussing this well-intentioned series, then I’ll speak more of it afterwards.

Here goes:

“‘Secret Millionaire’ is a dramatic unscripted series that takes America’s wealthiest individuals away from their lavish lifestyles, sprawling mansions and private planes and places them undercover into some of the most impoverished neighborhoods in America. The inspirational series reveals the dramatic personal return that the participating millionaires receive when they leave their fortunes to invest in those less fortunate. Challenged with living on minimum wage, the millionaires will immerse themselves in situations beyond their comprehension. They will work side-by-side with community members and befriend those in need to decide who should ultimately receive their extraordinary gifts of a lifetime. The millionaires will be touched by the people they meet. Some will inspire with their dedication to helping others, while others will relay stories of overcoming tremendous odds. On the final day, the Secret Millionaires meet with the chosen recipients and reveal their true identity and intention: to give them at least $100,000 of their own money and to change their lives forever.”

Okay, so the rich folks learn how the other side lives, right? Fair enough. The millionaires sounded like nice enough guys, aided in no small part by the fact that a couple of them were self-made millionaires, so they know at least a little bit about struggling through an ordinary life (as opposed to be handed everything on a silver platter). The cynic in me, though, can’t help but view this as Fox finally getting around to doing a well-intentioned reality show long after just about everyone else has gone this route. I’m probably wrong. But I also probably won’t watch even if I am.

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TCA Press Tour, Day 7: Fox, Pt. 1

Okay, now that the Executive Session is out of the way, let’s get into the show-specific panels.

So You Think You Can Dance: Proving yet again that I’m not the target demographic for reality shows, I don’t think I’ve ever watched a full episode of this series…or, if I have, it was almost certainly one of the first episodes of a season, solely so that I could get a laugh out of the auditions by the various not-ready-for-prime-time dancers from around the country. Those of you who are fans, however, will probably be impressed by the fact that we were gifted with performances by Matt and Kourtni as well as Thayne. Heck, I’m not even a fan, and I was impressed by their moves.

As to the comments made during the panel, the only one that really caught my ear occurred when Nigel Lythgoe was asked if he thought that America ever got it wrong when voting off contestants.

“From my point of view, the public often gets it wrong…on this program and ‘American Idol,'” he said. “At the end of the day, they sort of put things right; it’s along the way they get things wrong. It’s like losing Tamyra Gray or something. But at the end of the day, Kelly Clarkson justly deserved to win. With dancers, it’s the same. I think we’ve lost some really good dancers along the way, but at the end of the day, when you look at Benji and you look at Travis and you think one’s a brilliant dancer and one’s a brilliant performer, the brilliant performer won. Last year, brilliant performer in Sabra and her whole story. Brilliant dancer in Danny. Sabra won. I have never seen the best dancers necessarily win ‘So You Think You Can Dance.’ Personalities have got so much to do with it, as in any form of competition on television. It’s about your charisma. What’s the difference between a brilliant actor and a star? Charisma.”

True enough.

Well, I’ll just close with the comment I made in a Facebook update I posted during the panel: I don’t really care anything about “So You Think You Can Dance,” but I could watch and listen to Cat Deeley all day…and while I can’t readily provide you with a soundbite, I can at least provide a picture:

Fringe: J.J. Abrams, creator of “Lost,” comes to Fox with his mysterious new show which – you may or may not be pleased to know – is nowhere near as impenetrable as the series for which he’s most recognized. Bill Harris and I were discussing it, and I was considering approaching Abrams and saying, “Hi, I watched ‘Fringe,’ and…I was able to follow it. Are things okay at home?” Bill’s plan, meanwhile, was to indicate to Abrams that he wasn’t at all confused while watching the pilot, then ask, “Is this a problem with me or with you?” In the end, neither of us asked our questions, mostly because Abrams tackled head-on the issue of his shows being problematic for casual viewers.

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