Category: News (Page 35 of 401)

Because WW II is getting a bit old now…

The new trend is to rewrite it. Deadline’s Tim Adler featured another trailer, presumably for English audiences, for “Jackboots Over Whitehalll,” but this one explains what’s going on so that even we dumb Americans can understand it.

So, I understand that this is being touted as “Team America” meets “Inglourious Basterds.” I’d throw in “Robot Chicken” as well. Except, of course that all of those were funny. And while “Team America” and “Robot Chicken” revel in their primitive technology which often makes the jokes all the funnier, here, the characters seem completely inert. I’m frankly surprised this is getting a theatrical in the U.K. or any first world nation. I know British humor doesn’t always translate, even for someone like me who adores Monty Python and British cinema in general. This just looks kind of weak.

One fun casting note. The voice of Winston Churchill is provided by one of my favorite British character actors, Timothy Spall, who is also playing Churchill in “The King’s Speech,” which I highlighted yesterday.

First Blood for the Fall 2010 TV Season

“Lone Star,” we hardly knew ye…and we’ll never get to know ye: our ever-faithful friends at Fox have pulled the plug on the freshman series after a mere two episodes, slotting “Lie To Me” as its replacement starting next Monday.

One word, two hyphens, seven syllables: un-fucking-believable.

Except, of course, it really isn’t.

Even though I formally declared it to be the best drama of the fall season, I also made two separate proclamations within Bullz-Eye’s 2010 Fall TV Preview that there was little hope that the show would survive long enough to build an audience, let alone legitimately thrive:

*Critically, I feel like it’s tracking higher than anything else out there, but it’s a thinking man’s show and it’s on Fox. This is traditionally not a combination that equals ratings success…or a second season.”

*It’s an intriguing premise for a drama that takes a lot of interesting turns in its first hour, which is probably why it feels way more like an FX series than a Fox series. As such, it hasn’t much hope to make it to the end of the season, let alone beyond.”

You can’t say I didn’t call it. I just wish I hadn’t.

Gosh, it seems like only yesterday that I was sitting in a ballroom in Beverly Hills, listening to the head honchos at Fox talk about their enthusiasm for the series. Kevin Reilly praised creator Kyle Killen’s “singular voice and vision,” saying, “We could not be more impressed with him,” and when asked about the fact that “Lone Star” didn’t feel like a Fox series, Reilly was quick on the draw with a response:

“Well, I think it is a Fox show because I think it’s a noisy conceit. Although many of our biggest hits have had an action component, I mean, you certainly know as you break down our schedule over the years, there’s been plenty of big hits, from ‘Party of Five’ to ‘Ally McBeal.’ We can name many of them, particularly going on the comedy side. I don’t know how much action sustains ‘Glee.’ If you’re talking about just a level of octane, I think that there is a lot of octane in this concept because it is provocative. And it’s going to be provocative both in its central conceit and in terms of the character relationships that you see unfold. And I think they said it very well. It’s going to walk the line. This is not black or white. This is going to be an area of gray area and watching characters make decisions. And I think it’s going to keep people on their toes in terms of how the stories unfold, and that’s what’s going to be exciting about it.”

Hey, it sure kept me on my toes…for two episodes.

As ever, Fox, thanks for very, very little. Next time, maybe take some of that “American Idol” money you’re hoarding and give a show a chance to breathe, huh?

RIP Sally Menke (updated)

I’ve rearranged previously-scheduled posts slightly this morning because of the very sad and unexpected death of editor Sally Menke at age 56. Ms. Menke was best known as the editor of all of Quentin Tarantino’s movies and, it was obvious from interviews, a hugely valued collaborator to the director. It appears she may have been a victim of the record heat yesterday. (It’s not unusual in Southern California for the highest temperatures to come right about this time.)

It’s sometimes hard for people to understand who’ve never worked on a movie to understand how important a good editor is and how much of a truly creative task it is. It’s also not that easy for outsiders to understand an editor’s contribution because we don’t see all the raw material they work with. I’ve seen editors take some pretty horrible stuff and make it usable and they can take good-to-okay material and make it near perfection. It’s a kind of alchemy. In any case, our sincere condolences to all of her friends and family, including Mr. Tarantino. I’m sure he’ll agree that his movies from this point forward will be inevitably somewhat different. I think you’ll get an of just how crucial Sally Menke was from what’s below.

After the flip, the final “Hi Sallys.”

Continue reading »

“Retribution this Christmas”

The Coen Brothers certainly have been no strangers to the American West or movie Western iconography. Still, there’s a difference between borrowing Western tropes for such more or less contemporary tales as “Raising Arizona” or “Fargo” or “No Country for Old Men” and making an actual western with six-shooters and cowboys and all of that. Hence, this teaser for “True Grit” makes me very, very happy.

H/t the Film Drunk, who very correctly reminds us that this may perhaps be more fairly described as a new adaptation of Charles Portis’s novel. I haven’t read the book yet — at least I don’t remember ever reading it — and its been decades since I’ve seen the hit John Wayne/Henry Hathaway version from the sixties, but I understand from people in the know that, surprisingly, that version was mostly very faithful to the book.

Weekend box office: greed is still pretty good

Things turned out at this weekend’s box office more or less as predicted on Thursday. “Wall Street: Money Never Sleeps” came in on top at an estimated $19 million for Fox, according to the Box Office Mojo chart, about a million or two shy of the figures being bandied about, but close enough for an adult skewing film expected to have decent legs. Nikki Finke thinks it may have missed it’s moment in terms of being a topical must-see and also avoiding some bad press provided by the mouthy Oliver Stone. Maybe. She also points out that Fox hasn’t exactly been on a hot streak this summer. Still, this is actually a career high, raw cash wise, for Stone and not too bad a showing for the longest break between an original and a sequel since Martin Scorsese and Paul Newman dared to follow-up the genuine classic, “The Hustler,” with his underrated non-classic, “The Color of Money,” a quarter century after the fact.

Following not so far behind, really, is Warners’ “Legend of the Guardians: The Owls of Ga’Hoole” which earned an estimated $16.3 million. Anthony D’Allesandro is calling the film a “bomb” along the lines of the recent “Cats and Dogs” sequel. That may be accurate compared to what family films like this usually make and in light an as yet unspecified large budget but it’s still within a couple of million of this weekend’s $50-70 million live-action hit.

gahoole22

While the books might have had an audience, something just seemed generally awry and the film lacked a clear premise for non-fans other than “owls fighting.” Whether or not Zack Snyder, whose early hits are receding in the memory of Hollywood, no doubt, gets to remain in the high end movie big leagues may now be largely dependent on what happens when his strange and zany looking action fantasy, “Sucker Punch,” comes out on 3/25/11.

Continue reading »

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑