Category: News (Page 303 of 401)

Introducing…”Halfway Home”

Comedy Central’s original series have a tendency to be wildly uneven. With “The Sarah Silverman Program,” however, it looked like the network’s fortunes had changed…but, now, we have “Halfway Home,” and we’re somewhere between the two poles.

It seems like a great idea: an improvised show about five ex-cons living in a residential rehab facility. (Y’get it? A halfway house…?) Improvised comedy generally tends to result in big laughs, but if you’re expecting something akin to “Curb Your Enthusiasm” or one of Christopher Guest’s flicks, you’re expecting a little too much; in this case, the cast tends to fall back on lowbrow comedy way too often. Example: the second episode revolves almost entirely around the guys in the house attempting to get erections…and it ends with them all taking horse viagra by mistake. Of the three episodes made available for preview, however, two of them contain quite a lot of laughs…and, okay, there’s at least one hilarious line in that erection episode, when Jordan Black, in his quest to rise to the occasion, says, “I’m gonna handle my junk like Fred Sanford.”

Undoubtedly, the big selling point among comedy fans will prove to be the inclusion of this man in the cast:

Oscar Nunez

Given that Oscar Nunez produced the pilot for “Halfway Home” and sold it to Comedy Central, you can’t accuse him of accidentally falling into typecasting, but is it really all that wise to follow up his role as Oscar the gay accountant on “The Office” with this role as a gay male prostitute? Sure, it’s nice to have that funny-gay-guy niche locked up, but, really, Oscar, how about some variety in your resume? It’s not like you’re actually gay. (At least, he says he isn’t in this interview.)

Anyway, it looks like “Halfway Home” is two-thirds of the way to being consistently funny…but let’s see how the rest of the season goes.

Box Office Roundup: Nicolas Cage’s soul fetches $11 more than Eddie Murphy’s

Based on Sunday’s estimates, courtesy of boxofficemojo.com:

1) Ghost Rider: $44.5 million (owner: Will Harris, What’s All This, Then?)
Ladies and gentlemen, meet the steal of the first round. Taken with the ninth pick of the draft (two spots after this week’s fifth place finisher), Nicolas Cage shows that his ham still has some legs. Wow, was that a bad joke. Oh well, the movie didn’t deserve a better one.
2) Bridge to Terabithia: $22.1 million (Bill Clark, Norbit Will Tank)
Disney didn’t even screen this one for critics (well, they screened it for Cincinnati, but Columbus was skipped), and they still took home a very handsome sum of money. The news surely bodes well for Nights and Weekends, who took “Meet the Robinsons” with the first pick overall.
3) Norbit: $16.8 million, $58.8 million to date (owner: David Medsker, Republicans for Voldemort)
A 51% drop-off from last week, meaning that every other person who saw this movie on opening weekend told someone they should see it. Hey, check out the oceans! Are they turning red?
4) Music & Lyrics: $14 million, $19.5 million to date (Mark Pfeiffer, Reel Times)
Gosh, are the ‘80s over…again?
5) Tyler Perry’s Daddy’s Little Girls: $12.1 million, $17.8 million to date (Kevin Carr, But I Liked Lady in the Water)
No fat suit, no cash cow.
6) Breach: $10.3 million (Deb Medsker, Punch and Pie Pictures)
Hey, Chris Cooper’s back! What do you mean, who?
7) Hannibal Rising: $5.4 million, $22.1 million to date (owner: Kristin Dreyer Kramer, Nights and Weekends)
To give you some perspective on just how spectacular a fall this is for the “Hannibal” franchise, the 2001 sequel “Hannibal” made $58 million its opening weekend. This “Hannibal” won’t come within sniffing distance of that in its entire run. In other news, sales of Chianti have plummeted.

This week: Another super-crowded weekend, led by Jim Carrey’s the-numbers-are-evil thriller “The Number 23,” Billy Bob Thornton’s “The Astronaut Farmer,” “Reno 911!: Miami” and “Amazing Grace, which we couldn’t tell you a thing about.

Hyperbole ahoy!

Not that we didn’t expect anyone and everyone to try and make a quick buck from Anna Nicole Smith’s death, but we really figured that most people would keep things in perspective when hyping their product…but MTI Video, who will be releasing Smith’s last film – “Illegal Aliens” – on DVD in May, apparently have no such intentions.

John James, the film’s executive producer, has declared it the Abbey Road of films for Anna Nicole fans,” adding that while, “at first look, ‘Illegal Aliens’ appears to be just another low budget sci-fi comedy poking fun at Hollywood’s big-budget flicks, now, with the passing of its star, you’ll find it replete with metaphors of her life.”

Oh, I bet. You can totally see them in the trailer…particularly when Anna Nicole offers the poignant query, “Why’s my poopy hole sore?”

Box Office Roudup: Eddie Murphy sells soul for $33.7 million

Based on Sunday’s estimates, courtesy of boxofficemojo.com:

1) Norbit: $33.7 million (owner: David Medsker, Republicans for Voldemort)
Several league members came up to me after the screening and said, “I hope you’re proud of yourself.” Bill Clark’s new studio name, “Norbit Will Tank,” has been reduced to wishful thinking.
2) Hannibal Rising: $13.3 million (owner: Kristin Dreyer Kramer, Nights and Weekends)
At last, we learn the awful truth: the Nazis are to blame for Hannibal Lecter. Sweet Jesus.
3) Because I Said So: $9 million, $25.6 million to date (Will Harris, What’s All This, Then?)
Kristin claims that the Diane Keaton character is a lot like her mother. I wanted to hug her after she told me that. Poor, poor girl.
4) The Messengers: $7.2 million$24.7 million to date (owner: Kevin Carr, But I Liked ‘Lady in the Water’)
Kevin’s fifth-round pick has racked up a phenomenal amount of money. My fifth-round pick, “Balls of Fury,” was moved to September.
5) Night at the Museum: $5.7 million, $232.1 million to date
This might be the worst top five in movie history.

This week: Rom-com goddess Drew Barrymore drops “Music & Lyrics,” and Chris Cooper makes a welcome return in the spy thriller “Breach.”

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