Category: News (Page 276 of 401)

Close Encounter of the Keifer Kind

As you’ve probably determined over the course of the past week or two, I’ve had a lot of close encounters with a lot of different folks thanks to this TCA press tour, but certainly one of the most high-profile of the bunch would have to be the one tonight with Keifer Sutherland. Sutherland made an appearance at Fox’s all-star party at the Santa Monica Pier, and although he pointedly hovered by himself in a corner for several minutes after his arrival, he was, thankfully, gracious enough to make himself available for a brief press scrum…

As far as the new season goes, Sutherland admits, “We’re still really working on it. We tend to do shows…well, map out ideas…eight episodes at a time. I don’t know if that’s a conscious effort or if it just happens that way, and we really are…and I say “we” kind of very generously…Howard (Gordon) and Joel (Surnow) and Bob (Cochran) have really been focused on making those eight records right. I know, because someone else said it to me, that you all know about the female president. I think one of the things that the show’s always done, even though Jack Bauer is a real apolitical character, they’ve had a really interest comment on American politics through the different Presidents, and I certainly think this is going to be a very strong one, so that’s something to expect.”

The relationship between Jack and the new President is, as far as Sutherland can speak to at the moment, relatively nonexistent. “They don’t start off…she’s not on his radar at all. Jack is starting from a very, very different place this season. You know, at the very end of Season 6, he was abandoning this as a life, and so we kick off and see not so much that it keeps drawing him back in a context that he wants to pursue anti-terrorist work but that certain things that he has done over the years that start to come back to get him. So that’s really where he starts off in the season: he’d like to let it all go, but he can’t. And then how the President and Jack Bauer will cross paths at some point in that day, I honestly can’t tell you. It’s not that I don’t want to, I just couldn’t!

The first four episodes that they write…and last year, I thought that the first four episodes of Season 6 were really four of the best episodes we’ve ever made…but (those first four episodes) inform the rest of that day. They’re also very aware that they’re seen over two nights, back to back. So they’ve all got a different context, these four episodes, than the rest of the twenty, and they have to really write and cater to those for that reason. They have to be right. We’ve been known to go to the absolute wire, and this year will be no different. But (those episodes) will also open up everything you get to do for the next twenty episodes, or it’ll shut you down, and we have learned that…and again I say “we”!…they have learned over the last six years, and every year is an effort to make fewer mistakes. Every year’s got them, we run into bumps all the time, that is the cost of trying to do something different or new. And each year, we start the season off a little slower, trying to avoid as many bumps as we can before we start.”

Sutherland says the new season will take place mere months after the previous season finale, and that it will start in the morning again, although he admits that “that’s as much a production issue as anything else. We shoot in the summer when it’s daytime and we get longer days, and we shoot night scenes in the winter when we have longer nights.” Hey, wait a minute: if it’s only a few months, then how is there already a new President? “That’s a great question,” he acknowledges. “In all fairness, they haven’t put an absolute time down.”

Sutherland is only vaguely apologetic when it comes to discussing the backlash against the show from the fans and critics after the previous season. “I felt the same about last year as I did every year,” he shrugs. “Every year, there are moments that are better than we had ever expected, and there are moments that are disappointing for us. I read a lot of the criticisms, and some of them I agreed wholeheartedly with, and some of them I did not. Again, I thought the first four episodes of last year were four of the best episodes we’ve ever done, and I felt the same way about the last four, and there are moments in-between where we settled. I think that the writers…and I don’t want to speak too much for them…but I think they had a hard time getting my storyline going without my doing a whole lot of stuff that I’d already done. So, y’know, last year was a huge learning experience for us…but, again, it doesn’t feel any different to me than any other year. I mean, all the way back to the first year, there’s stuff where all of us go, ‘What were we thinking?’ But we have done well, and we have been given so much incredible support by all of you, but you have to have your shot (at us) at some point, and last year was as good as any. And we certainly hear you. We’re always looking over our shoulder a bit! But, y’know, it is what it is. Our job stays the same. We try to do the best we can, but it’s such a complicated format to write for, with the real-time aspect, and every year, there will be struggles.”

In closing, don’t hold your breath waiting on that long-rumored “24” movie showing up anytime soon, though. “We are so focused on the show right now that I couldn’t imagine that any of the writers have even thought about that,” says Sutherland. “I think we’ve collectively agreed that that will be the first thing that we’ll do after we finish the show.”

Damn you, Drew, you held out on me!

I haven’t posted about it yet, but a few nights ago, I spent a really enjoyable 20 minutes chatting with Drew Carey about this and that. Admittedly, the bulk of the conversation was spent focusing on the reasons behind his declaration of “Boat Trip” as the best bad movie ever made, but, still, I am stunned and hurt that I had to read about it elsewhere that he has now been declared as the new host of “The Price Is Right.”

Oh, well, I’m not bitter…mostly because he apparently didn’t know it was official until about 15 minutes before he took the stage as a guest for tonight’s episode of “The Late Show with David Letterman.” And, Hell, I might actually watch “The Price is Right” now!

TCA Press Tour: Have we learned nothing from “Cop Rock”?

Well, if we have, it’s only that if we’re gonna try to create a television show that blends a family drama about a casino in Laughin, Nevada, with singing, you’d better at least have a major star or two in the cast in order to up the “must see” factor…which might well explain why “Viva Laughlin,” CBS’s new “dramatic television show with music” (choice of phrase courtesy of producer Bob Lowry), features recurring appearances by Hugh Jackman and Melanie Griffith…and while I haven’t seen the pilot yet, in the clips we saw before the panel, we bore witness to the former making his entrance by way of The Rolling Stones’ “Sympathy to the Devil,” while the latter cooed Blondie’s “One Way or Another” through a seduction scene.

I’m not saying there isn’t a certain amount of curiosity there. I’m just saying, when the curiosity factor has passed, will the series be able to maintain that level of interest when that responsibility lands on the shoulders of the show’s regular cast?

Maybe that’s why Lowry is, at least to a certain extent, trying to downplay the level of music in the series, throwing out the stat of “two and a half to three” when asked how many songs he was anticipating to appear per episode. “The way I get the fraction out of it,” he explains, “is sometimes we use a reprise.

“What I love about this show — one of the many things that I love about this show — is we always have about four balls in the air,” explains Lowry. “We always have the grounded stories in the casino franchise. We have a murder mystery which we need to have in the air. We have a family drama, we’re juggling that. And how these three areas interweave with our characters and how they play off of each other within these three different dramatic elements. And then, fourth is music. So music doesn’t really outweigh the other three. It’s a question of balance. And I think if we were excessive with music or if music weighed more heavily in these four elements that I’m talking about, then it would be perceived more as a musical. When we’re approaching these stories, we’re telling story first. And I tell them what we are doing is addressing all of these stories as if music did not exist. Because if you were to remove the music, we still want to have a very entertaining, dramatic piece, so we need to have solid story to tell. And then, the music we use to enhance that is sort of an emotional soundtrack of our characters and to support the essence of the scenes.”

As far as song selections, don’t be expecting any Beatles; they simply aren’t down with licensing out their songs for…well, much of anything, really. (Just ask the producers of “The Singing Bee.”) And don’t go looking for Pink Floyd’s “Money,” either. “We wanted to use (‘Money’) because we’re about a casino, and we were simply denied the song. But,” shrugs Lowry, “there are a lot of songs about money.”

As far as how often we’ll see Mr. Jackman pop up during the proceedings, Lowry says he appears a few times during the first few episodes, but “he’s doing a movie in Australia now with Baz Luhrmann, and he has a terrific feature career, and his availability is purely limited to us. I hope we will be able use him more and more up until our 22 episodes, even though we don’t have a pickup for 22. I hope that we will go to 22 and (that) we will use him more.” (Adds star Lloyd Owen, “I think if he sees me getting too many good songs, he’ll start making more appearances.”)

Fortunately, the Tony Award-winning Jackman won’t have the pressure to do all the show’s singing…which, given his apparently rare appearances, stands to reason, really. Even so, star D.B. Woodside acknowledges, “I believe we can all carry a tune…which is good!”

As someone who monitors the release of TV series on DVD, however, I couldn’t help but raise my eyebrows when Lowry admitted that he had no idea if, in fact, the songs in the show were licensed for DVD release purposes. I mean, I wouldn’t bet on this thing being the big fall hit, but crazier things have happened…and if it IS a success, can you imagine what a let-down it would be for fans to discover that, hey, sorry, we can’t actually do it. You’d like to think that people have learned their lesson after the issues with shows like “The Wonder Years” and “WKRP in Cincinnati,” but I guess we’ll see…

TCA Press Tour: How nerdy can a comedy be and still score mainstream success?

That’s the question one really has to ask of “The Big Bang Theory,” the latest production from Chuck Lorre, the man responsible for CBS’s most popular sitcom at the moment, “Two and a Half Men.” The premise involves two complete nerds named Sheldon (Jim Parsons) and Leonard (Johnny Galecki) who have a new sexy neighbor named Penny (Kaley Cuoco) move in across the hall; Leonard is instantly smitten and tries to work out if it’s even remotely possible that he can get together with Penny, while Penny, perhaps inevitably in a sitcom like this, is completely oblivious to both her incredible beauty and the way it affects these two geeks.

Don’t get me wrong: I liked it a lot, and I laughed repeatedly. But I also found my head spinning at the sheer complexity of the punchlines on occasion…and, to be fair, I also felt a little outed as a geek when I saw Sheldon wearing a t-shirt bearing the image of DC Comics hero The Flash and realized that I had the same shirt.

Parsons acknowledged the major mouthfuls he gets saddled with in the pilot. “It was a lot of memorization (and) a lot of writing down lines,” he admitted. “But it was a pleasure. It was…”

“…a lot of takes,” interjected Galecki.

“…a lot of takes,” repeated Parsons. “No, it wasn’t. I did very well. It’s a wonderful thing, actually, that many words, because it’s something good to rely on when you get out there. You got that behind you. You don’t have to think as much. You have to concentrate on getting that damn line out, and then everything else is taking care of itself.”

At the end of the pilot, we’re left wondering if Leonard really has a shot with Penny…and, surprisingly, it doesn’t seem as far-fetched as you’d think. Penny’s a sweetheart, and Leonard clearly really likes her, so you do find yourself rooting for the two to get together. Don’t hold your breath on it happening any time soon, though; Lorre hopes you’ll keep wondering about it for quite some time. “It’s a question that we ask ourselves all the time as we’re writing the series,” he says. “How to develop this long, and if there’s sexual tension, you know, how to take it in ways that it hasn’t been taken before. Are there new paths to take with this kind of a relationship? Can it be consummated? I mean, those are the questions we sit around and ask ourselves all day long when we’re writing the show.”

Adds co-producer Bill Prady, “It’s important to try to listen to the characters, to be true to what Leonard would do next and then to ask the question of, given that he’s done that, does that move him closer to his goal.”

Honestly, I hope they don’t move too fast on moving the pair together. The heart of the series seems to be the relationship between Sheldon and Leonard – and, yes, TV geeks, those names are a very intentional tribute to the famous comedy writer, Sheldon Leonard – as well as the one between the duo and their other two geek buddies, Howard (Simon Helberg, late of “Studio 60”) and Rajesh (Kunal Nayyar). Obviously, watching all four of them react to Penny is hilarious, but, in general, the mere concept of watching these guys attempt to function in normal society is where the comedy really lies for me.

I can’t imagine why I relate to it so much.

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