Category: News (Page 256 of 401)

A Chat with “Jericho” executive producer Carol Barbee

Okay, it’s a week ’til the second season of “Jericho” premieres. Time to really start getting excited…

As regular readers of Premium Hollywood know, we’ve been fans of “Jericho” from the get-go. Yes, we laid it on the line and acknowledged when we didn’t love everything we were seeing – both myself and John Paulsen went so far as to channel our inner Stephen Colbert, each of us putting the show on notice at one point or another – but when the series came back from its network-imposed midseason hiatus, it came back with all thrusters firing. Naturally, CBS then proceeded to cancel the series….and, just as naturally, the show’s fans rebelled. Defying the law of averages, the fans won: CBS reversed its decision and renewed “Jericho” for a second season. Yes, it’s shorter this time around, earning only a seven-episode shot at Round 2, but based on what I’ve seen, the crunch has worked in the show’s favor.

I was fortunate enough to get the show’s executive producer, Carol Barbee, on the phone for a few minutes, and she offered up quite a lot of scoop about the upcoming season…and although I did make sure to follow CBS’s requests to keep mum about certain specifics within the episodes, you should be forewarned that there are still plenty of small spoilers sprinkled throughout. (Also, I promise that there’s less of me talking as the conversation progresses; she just asked my opinion, so I felt obliged to give it!)

Bullz-Eye: Hey, Carol, how are you?

Carol Barbee: I’m good! How are you?

BE: Battling a cold, but hanging on. It’s a pleasure to speak with you; I think we spoke for about five seconds during the TCA Press Tour.

CB: Yeah, that sounds about right. (Laughs)

BE: Well, CBS has sent me six of the seven episodes in Season 2 of “Jericho,” and from what I’ve seen, my first reaction is that, for as much as I already loved the way the show had taken such a significant upswing at the end of Season 1, it looks like you even managed to fix the few problems I still had with it!

CB: Oh, wow, I’m so glad to hear that!

BE: I have to be honest that circumstances have kept me from putting in the second disc, with episodes 4 – 6, but…

CB: (In a hushed voice) Oh…!

BE: …but now that I’ve finished the first three episodes, I’m chomping at the bit to watch them!

CB: Well, at some point, I want to hear the problems that you think we fixed, because that’s really good to hear.

BE: Okay, well, granted, a lot of those problems were well on their way to being fixed as the second half of the first season found the show evolving. Like, I know there was a whole lot of talk about how the show would be partly like “Little House on the Prairie,” and it had definitely begun departing from that. Which was good, because, y’know, with a premise involving nuclear bombs going off in the United States, it just seemed like it should’ve been a darker show.

CB: Yes, thank you!

BE: And I’m sure that, with its new 10 PM timeslot, that’s going to help with that.

CB: Yeah, I think so, too.

BE: Did you ask for the later timeslot for that reason, or was that something the network just gave to you?

CB: It was luck of the draw. I mean, honestly, it depended on what their new shows did, so we could’ve been on Sundays at 8 PM or Tuesdays at 10 PM or Fridays at 9 PM. So we were prepared for anything. But we’re thrilled to be a 10 o’clock show. I think we are a darker show, and I think that’s the right place for us.

BE: I know that Season 2 was originally going to take place in Jericho, Cheyenne, and New York, but how did the direction of the season change when you got a smaller episode order than you’d anticipated?

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Because no-one demanded it!

According to TVShowsOnDVD.com, NBC-Universal is releasing a DVD set of episodes from the new and incredibly disappointing “Bionic Woman” series, optimistically titling it “Volume 1.”

All right, I’m laying it right on the line: this stinks of NBC scrambling to create a dedicated audience for a show that doesn’t have one. And don’t tell me it does have one, because if there’s one thing that these neverending “Moonlight” and “Farscape” responses have taught me, it’s that a show’s fans are always surfing the ‘net, looking for new information or opinions about that show. If what they find is positive, they say so; if it’s negative, they say even more so. I’ve made a lot of disparaging comments about “Bionic Woman” here on Premium Hollywood, and nary a one of them have been contested by diehard fans of the show…which leads me to believe that there is no such animal.

The most interesting piece of trivia I’ve learned in the wake of Heath Ledger’s death…

…came via an article from Daily Variety which discussed the fate of Ledger’s films, “The Dark Knight” and “The Imaginarium of Doctor Parnassus.”

Offering some historical context to the sad but often financially necessary scenario of actors dying in the middle of a production, the piece cited examples like Brandon Lee in “The Crow” and Natalie Wood in “Brainstorm,” but it went on to speak to the matter of films that were in the early stages and could still be recast. I’d heard about “Interview with a Vampire,” where River Phoenix’s role ended up being passed to Christian Slater, but I was surprised to read that the title role in “Shrek” was originally to have been voiced by…Chris Farley?

True story…as you can read about in more detail at Jim Hill’s blog, which makes it sound – not unrealistically – that Farley’s attachment was a major reason the film got greenlighted in the first place.

The plot was notably different as well, as Hill explains:

Of course, back then, “Shrek” was supposed to have had a very different storyline. It wasn’t a movie about an ogre who just wanted to be left alone in his swamp. But — rather — it was about a teenage ogre who wasn’t all that eager to go into the family business. You see, young Shrek didn’t really want to frighten people. He longed to make friends, help people. This ogre actually dreamed of becoming a knight.

Y’know, I actually like Mike Myers, but, that said, I just get this feeling that I would’ve liked the Farley version better…and if you head over to the blog and read how impressed people were with Farley’s initial sessions, you might agree with me.

Heath Ledger: dead at 28.

I’ll just write here what I wrote to the other Bullz-Eye editors when I first read that Heath Ledger had been found dead of a presumed (but not confirmed) drug overdose:

* My first thought was a general, all-purpose “omigod.”

* My second thought was, “What an idiot,” which is invariably what I think when I hear about anyone dying from a drug overdose.

* My third thought was a more specific “omigod,” namely, “Omigod, his poor little daughter…”

And, lastly, I thought, “Somewhere at Warner Brothers, some suit has already said, ‘Goddamn motherfucking Heath Ledger! Oh, wait: this’ll be probably actually be good for box office. Never mind!”

Oscars ’08: The show must go on

The Academy Award nominees were released this morning, and if nothing else, they only further proved just how worthless this year’s Golden Globes really were. Most of the categories filled out as expected, but there were a few surprises, including Best Picture and Best Director nods for “Juno,” a Best Actor nod for Tommy Lee Jones, and Sean Penn’s crapfest “Into the Wild” getting almost completely shut out; save for the deserved nomination of Hal Holbrook in the Best Supporting Actor category.

Check out the nominees in all of the major categories, and then click below to read the full list. I’ve also attached stars to my predicted winners, so come back and let me know what you think.

BEST PICTURE
“Atonement”
“Juno”
“Michael Clayton”
(*) “No Country for Old Men”
“There Will Be Blood”

BEST DIRECTOR
Julian Schnabel (“The Diving Bell & the Butterfly”)
Jason Reitman (“Juno”)
Tony Gilroy (“Michael Clayton”)
(*) Joel and Ethan Coen (“No Country for Old Men”)
Paul Thomas Anderson (“There Will Be Blood”)

BEST ACTOR
George Clooney (“Michael Clayton”)
(*) Daniel Day-Lewis (“There Will Be Blood”)
Johnny Depp (“Sweeney Todd”)
Viggo Mortensen (“Eastern Promises”)
Tommy Lee Jones (“In the Valley of Elah”)

BEST ACTRESS
Cate Blanchett (“Elizabeth: The Golden Age”)
Julie Christie (“Away from Her”)
Marion Cotillard (“La Vie en Rose”)
Laura Linney (“The Savages”)
(*) Ellen Page (“Juno”)

BEST SUPPORTING ACTOR
Casey Affleck (“The Assassination of Jesse James”)
(*) Javier Bardem (“No Country for Old Men”)
Philip Seymour Hoffman (“Charlie Wilson’s War”)
Hal Holbrook (“Into the Wild”)
Tom Wilkinson (“Michael Clayton”)

BEST SUPPORTING ACTRESS
Cate Blanchett (“I’m Not There”)
Ruby Dee (“American Gangster”)
Saoirse Ronan (“Atonement”)
(*) Amy Ryan (“Gone Baby Gone”)
Tilda Swinton (“Michael Clayton”)

ADAPTED SCREENPLAY
Christopher Hampton (“Atonement”)
Sarah Polley (“Away from Her”)
Ronald Harwood (“The Diving Bell & the Butterfly”)
(*) Joel Coen & Ethan Coen (“No Country for Old Men”)
Paul Thomas Anderson (“There Will Be Blood”)

ORIGINAL SCREENPLAY
(*) Diablo Cody (“Juno”)
Nancy Oliver (“Lars and the Real Girl”)
Tony Gilroy (“Michael Clayton”)
Brad Bird (“Ratatouille”)
Tamara Jenkins (“The Savages”)

BEST FOREIGN LANGUAGE FILM
“Beaufort” (Israel)
(*) “The Counterfeiters” (Austria)
“Katyn” (Poland)
“Mongol” (Kazakhstan)
“12” (Russia)

BEST ANIMATED FEATURE FILM
“Persepolis”
(*) “Ratatouille”
“Surf’s Up”

ACHIEVEMENT IN ART DIRECTION
“American Gangster”
“Atonement”
“The Golden Compass”
(*) “Sweeney Todd: The Demon Barber of Fleet Street”
“There Will Be Blood”

ACHIEVEMENT IN CINEMATOGRAPHY
Roger Deakins (“The Assassination of Jesse James”)
Seamus McGarvey (“Atonement”)
Janusz Kaminski (“The Diving Bell and the Butterfly”)
(*) Roger Deakins (“No Country for Old Men”)
Robert Elswit (“There Will Be Blood”)

ACHIEVEMENT IN COSTUME DESIGN
Albert Wolsky (“Across the Universe”)
Jacqueline Durran (“Atonement”)
(*) Alexandra Byrne (“Elizabeth: The Golden Age”)
Marit Allen (“La Vie en Rose”)
Colleen Atwood (“Sweeney Todd: The Demon Barber of Fleet Street”)

BEST DOCUMENTARY FEATURE
“No End in Sight”
“Operation Homecoming: Writing the Wartime Experience”
(*) “Sicko”
“Taxi to the Dark Side”
“War/Dance”

ACHIEVEMENT IN FILM EDITING
Christopher Rouse (“The Bourne Ultimatum”)
Juliette Welfling (“The Diving Bell and the Butterfly”)
Jay Cassidy (“Into the Wild”)
(*) Roderick Jaynes (“No Country for Old Men”)
Dylan Tichenor (“There Will Be Blood”)

BEST ORIGINAL SCORE
(*) Dario Marianelli (“Atonement”)
Alberto Iglesias (“The Kite Runner”)
James Newton Howard (“Michael Clayton”)
Michael Giacchino (“Ratatouille”)
Marco Beltrami (“3:10 to Yuma”)

BEST ORIGINAL SONG
(*) “Falling Slowly” (“Once”)
“Happy Working Song” (“Enchanted”)
“So Close” (“Enchanted”)
“That’s How You Know” (“Enchanted”)
“Raise It Up” (“August Rush”)

ACHIEVEMENT IN MAKEUP
“La Vie en Rose”
“Norbit”
(*) “Pirates of the Caribbean: At World’s End”

ACHIEVEMENT IN SOUND MIXING
“The Bourne Ultimatum”
“No Country for Old Men”
“Ratatouille”
“3:10 to Yuma”
(*) “Transformers”

ACHIEVEMENT IN SOUND EDITING
“The Bourne Ultimatum”
“No Country for Old Men”
“Ratatouille”
“There Will Be Blood”
(*) “Transformers”

ACHIEVEMENT IN VISUAL EFFECTS
“The Golden Compass”
“Pirates of the Caribbean: At World’s End”
(*) “Transformers”

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