Category: News (Page 187 of 401)

Harry Potter and the rodents of surprising popularity

I’m still very much at at Comic-Con so I’m going to be keeping this one simple.

As usual, my Thursday preview was wrong, wrong, wrong.  “Harry Potter and the Half-Blood Prince” only managed an estimated $30 million, somewhat below the $31 million Carl DiOrio suggested as a kind of “floor.”

Meanwhile, the poorly reviewed but family-friendly guinea pigs of “G-Force” showed extra strength and became the highest grossing film with a weekend take of somewhere in the neighborhood of $32.2  million. That marks a new success for producer Jerry Bruckheimer, who certainly has a history of high profitability, medium-to-low quality hits like the “Pirates of the Carribbean” and the “CSI” franchise, to name only two of the more recent examples.

Harry and Hermione ponder the impermanence of the #1 spotIt’s possible that the progression of the Potter story arc makes the films extremely safe bets but somewhat self-limiting to those who are not up to speed on the Potter epic. I hope it isn’t true that stronger than usual reviews somehow damage the sixth Potter film. Still, the news wasn’t all bad for the kid from Hogwarts, as the latest chapter in the story did win the international derby with $84.4 million.

The number 3 spot went to the film that many thought would take second. The R-rated rom-com, “The Ugly Truth,” seduced enough audience members to earn an estimated $27 million, which is not bad at all. “Orphan,” however, turned out to be the red-headed stepchild at the nation’s cinemas with a relatively forlorn $12.8 million, making it a somewhat disappointing weekend for movies involving young people from Warner Brothers.

Comic-Con mess o’ stuff


I might have missed my Joss Whedon panel yesterday (clearly, I didn’t want it enough and failed to get in line an hour early), but lots of other folks aren’t missing a thing.

* Apparently, Robert Downey, Jr. is claiming his martial arts using, womanizing (at least that’s how I remember the trailer), and druggie Holmes is closer to the Arthur Conan Doyle character that the scads of cinematic and TV Holmesessess we have had up to now. Well, the literary Holmes did use cocaine. Let’s just say I share Luke Thompson’s differing memory on those points.

Maybe it was all a product of the squirrelly Downey sense of humor we’ve seen in so many unusual performances over the years. I’m also skeptical of why Steven Zeitchik thinks the Guy Ritchie-directed Holmes is a particularly tough sell to geeks. Isn’t Data one of our patron saints? The geeks I grew up with actually used words like “Holmesiana.” The Aleister Crowley-cult thing won’t hurt with a certain breed of gothy nerd, either.

* John Lasseter presented one of the real greats, still very active and hoping for his first stateside hit: Hiyao Miyazaki.

Continue reading »

Comic-Con treats and tricks

I’ll be writing a little bit more about the unwisely dropped direct-to-DVD festival hit, “Trick ‘r Treat,” after I return from the con. That particularly includes what I gleaned from a trio of round robin interview things with writer-director Michael Dougherty and co-stars Lauren Lee Smith (“CSI”) and Brian Cox, definitely one of the toppermost of the poppermost, acting wise. Including Mr. Cox, all very personable folks, which never hurts in show bidness.

My reaction to the film was muted by my own tiredness, but I do think there is something there. Dougherty, a co-writer on the last couple of Bryan Singer superhero projects, has an outstanding eye for creepy beauty and he certainly brings human values and humor to his horror. However, the muddy acoustics of the hall drowned out much of the dialogue for me, and the impossibility of obtaining coffee at the convention center  in the evening dulled out much of my brain. (Why, oh why, Mrs. Fields, have you abandoned me this year?) The audience reaction was, as far as I could tell, divided between wild enthusiasm and muted nitpicking. More to come.

And now, a few other more high-profile movie related con related matters live from my horrifyingly small shoe box hotel room. Also, I wonder how long I can hold out without ever setting foot in the dreaded Hall H.

Continue reading »

“The Ugly Truth” is that no one will beat “Harry”

A slightly rushed Comic-Con box office preview….

This week sees the release of three movies with a certain degree of box office potential, middling-to-awful reviews, and little hope of outdoing the projected $31 million-floor for “Harry Potter and the Half-Blood Prince.” The most likely runner-up, says THR‘s Carl DiOrio, is “The Ugly Truth,” which got a facially challenged 08% “fresh” rating from Rotten Tomatoes. DiOrio says the tracking augers about $20 million worth for the R-rated comedy featuring beefcake Gerard Butler and beauty Katherine Heigl.

Guinea PigAlso hitting theaters is the 3-D CGI animated “G-Force,” a critically derided action-comedy focusing on what Jason Zingale terms “the goldfish of the rodent world.” This one, of course, has the benefit of family appeal, and 3-D doesn’t seem to be hurting movies these days. Variety is calling $20-30 million, and I personally wouldn’t be surprised to see either a photo finish or a minor upset here with “The Ugly Truth.”

“Orphan” has aroused some minor controversy and outright disdain with its horror variation on the old “Bad Seed” storyline, but apparently its tracking (whatever that is, I’m still trying to figure) isn’t showing all that strongly. Ironically. This is actually by far the best reviewed of the three new releases, with a not-even-close-to-steller 50% “fresh” RT rating. Everything is relative.

Finally, a couple of smaller films are continuing to gradually grow wider as they show some promise of breaking through. Kathryn Bigelow’s highly acclaimed and buzz-heavy “The Hurt Locker” continues to roll on to what I’m guessing is a more than possible “Best Picture” nomination given the doubled number of slots this year. “(500) Days of Summer” is already experiencing what may be the start of a small critical backlash, which is seemingly inevitable with successful indie comedies. Given the track record of “Juno,” “Little Miss Sunshine,” etc., this is probably a good sign, commercially speaking.

Comic-Con in the morning and the “Dead of Night”

This morning started out movie-ish, as I arrived just a couple of minutes late for the annual “Master of the Web” panel devoted to online geek film blogging and reportage, this year featuring such occasional or frequent guest stars here as Devin Faraci of CHUD fame and ex-Moriarity Drew McWeeney, now of HitFix. After answering many of the usual questions — no, they don’t allow advertising to influence reviews, if you’re want to start a career writing about movies, expect years of hard unpaid labor, to be followed by severely under-paid harder labor, etc — the movie stars arrived.

Brandon Routh and Sam Huntington, pals in real life, will be reprising their winning hero/sidekick act from “Superman Returns” with a darker but comedic, action/supernatural edge in the upcoming “Dead of Night.” An adaptation of the  “Dylan Dog” comics series from Italy’s Tiziano Sclavi. After some semi-rough clips from the upcoming film, Routh and Huntington were accompanied onto the very crowded podium by lovely co-star Anita Briem (“Journey to the Center of the Earth,” “The Tudors”), who had to put up with a question about a supposed liaison with Megan Fox. (I couldn’t find any links to back this one up. My apologies to pervs and gossip hounds alike.)

Continue reading »

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders Noren — Up ↑