Category: News (Page 151 of 401)

Think Finke

One item I skipped over recently that I don’t want to ignore forever was the recent New Yorker profile of Nikki Finke, complete with an illustration of her from “Love and Rockets” cartoonist Jaime Hernandez. Finke’s response was a nasty — even by her standards — megasnark smack down of the article which basically had her bragging about how she hates the venerable magazine these days, how she, various industry types, and Harvey Weinstein supposedly  manipulated the content of the article, and how she claims to have played editor David Remnick and writer Tad Friend in a way that the legendary Finke could, of course, never possibly be played.

Nikki Finke as drawn by Jaime HernandezMaybe it’s my lingering demi-illness throwing me off, but am I to understand that I’m to applaud Finke for doing the same thing she regularly attacks people for doing with regard to manipulating the press? Or is it okay to manipulate, but not to be manipulated? Does it only take one to tango? Or is it just cool to be as nasty as you can possibly be? It sure seems to work for her commenters. It’s as confusing as the time she counseled me not to be a “hater.”

Of course, when we’re dealing with someone as apparently mercurial as Finke, the levels of double and triple meanings in a post like hers are so deep as to basically cancel themselves out. While it’s level of absolute metaphysical truth is impossible to discern, personally, I think Friend’s article does a pretty good job of capturing the appeal and power of Finke and the sort of inherent meanness of so much of the business side of Hollywood which, all to often, Nikki Finke seems to celebrate.

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Top Gear 11 & 12 Coming To DVD in January

Although “Top Gear” has been floating around the British airwaves in one form or another since the 1970s, I must admit that my knowledge of the series didn’t kick into overdrive (automotive pun utterly intended) until earlier this year, when “Top Gear 10” of the series was released on DVD here in the States. I realize I’m highly late to the game, since not only is it one of the top rated shows on BBC America and BBC Canada, but it’s aired in more than 100 countries, thereby officially making it an international phenomenon. In my defense, I figured, “This is absolutely not a show that I would care about,” but even though I’m someone who could care less about the car he drives, a fact evidenced by my ownership of a 2000 Hyundai Elantra with well over 100K miles on it, I quickly fell in love with “Top Gear,” describing it as “a show about cars that isn’t strictly aimed toward those who think of themselves as ‘car people.'”

“(‘Top Gear’) approaches the whole fast-cars-are-awesome concept without taking it too seriously, which is often the problem with American coverage of NASCAR and whatnot. Hosts Jeremy Clarkson (a staple on the show since its original inception), Richard Hammond, and James May go out on various tracks and test-drive new vehicles – occasionally aided by the mysterious test driver known only as The Stig – and that’s all fine and well, but it’s when they venture forth into the real world that things really begin to take off. Sometimes it’s a challenge, other times it’s a race, but you don’t have to be a car enthusiast to find yourself enthralled by the concept of making a truck into a seafaring vehicle and attempting to cross the English Channel. It’s ridiculous, but they take it completely seriously, and with their very real reactions to the situations combined with some wonderfully dramatic music, you can’t take your eyes off the proceedings.”

Given my obvious enjoyment of “Top Gear: The Complete Season 10,” you can imagine my excitement when I was made privy to the news that the subsequent two seasons of the series will be heading to stores in the early part of next year, helping to kick off 2010 with a bang.

The news comes to us straight from BBC Worldwide’s publicity offices that both “Top Gear 11” and “Top Gear 12” will be speeding to retail…sorry, that was their joke, not mine…on January 12, 2010. Messrs. Clarkson, Hammond, and May tackle fresh challenges, push extraordinary and ordinary cars to the limit, and fill every episode of these two seasons with exhaustive road tests featuring some of the world’s most exotic supercars. In short, if you’ve got the money to actually buy any of these vehicles, you’ll be able to watch the show and find out if you’ll be getting your money’s worth.

In “Top Gear 11,” the new batch of cars includes the Mitsubishi Evo X, Brooklands Bentley Super Coupé and Mazda’s Furai concept car, and the crew invents a new sport: fox-hunting Jeremy-hunting with a Daihatsu Terios 4×4. Additionally, they race across Japan in a Nissan GTR in a competition against public transport, then dare to beat their German rivals in a series of grueling automotive tests.

When “Top Gear 12” kicks off, it’s with a crash, a bang and an overwhelming smell of burning…but, then, what scent would you expect when the guys are behind the wheels of a trio of second-hand trucks? They also visit our fine country – feel free to pause and chant, “USA! USA! USA!” – and take three big-engine ‘muscle’ cars on an epic road trip from San Francisco to Utah. Other escapes during the course of the season include explorations of the Fiat 500 Abarth, Porsche 911 and Pagani Zonda F Roadster, but if you’ve come for the celebrity guests, you won’t come up short there, either; Mark Wahlberg, Sir Tom Jones, and British talk show legend Michael Parkinson all stop by to chat after they’ve buckled up and done their time as a “Star in the Reasonably Priced Car.” On the special-feature front, there’s audio commentary on the guys’ Vietnam special (where the boys attempt to travel the entire length of the country in just eight days) and Botswana specials, deleted scenes, photo galleries, and the highly nonspecific claim of “more.”

“Top Gear 11” and “Top Gear 12” race into stores…again, not my joke…on January 12, 2010 for the suggested retail price of $29.98 and $39.98, respectively, but in the meantime, you can pick them up on iTunes. (You certainly wouldn’t be the first person to do so: Seasons 10 and 11 both debuted at #1 for “Top TV Season” on iTunes Store in the U.S.). You can also keep yourself occupied by exploring the show’s new site for U.S. and Canadian fans, TopGear.com, which features a Top Gear America blog, exclusive video clips, and contributions from Jeremy, Richard, James and executive producer Andy Wilman.

I’ll close things here the same way I closed my Season 10 review: with an assurance to those of you who, like myself, aren’t car people. Personally, I don’t get any thrill out of racing, but I was moving from episode to episode of “Top Gear” without a moment’s hesitation. It’s top-notch television, entertaining even to those who have no interest in the subject at hand. That’s impressive stuff, and I have no doubt that Seasons 11 and 12 offer more of the same.

Rainy days and movieland Mondays… (Updated)

…Can really get you down. Especially if you’re a deposed big time executive.

* Marc Shmuger and David Linde are both now former honchos at Universal. As reported in the show biz paper of record, having a far better and busier Monday are Adam Fogelson and Donna Langley, from the marketing and distribution departments respectively. As for the why, I’m sure it can mostly be summed by a number of fairly expensive/high profile box office disappointments/flops including “Duplicity,” “Funny People,” “State of Play,” and the one that got almost no respect from anyone (except Roger Ebert), “Land of the Lost.”

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Still, you can trust Nikki Finke to find a more down and dirty side (Shmuger was “‘The Schmuck'”! Poor Linde was “collateral damage”) while Anne Thompson provides her usual sober assessment and notes that the real killer might have been the lack of any apparent “tentpoles” coming any time soon.

* On a similar note, the Rich Ross ascension at Disney is starting to look like a sure thing amidst an overall shake-up — or at least that’s what they’re saying today at Variety. We’re told to expect “a greater emphasis on tentpoles and family fare.” Not a surprise…gotta have them tentpoles.

UPDATE: Ross’s promotion is official. Anne Thompson has the press release.

* Nikki Finke also has an item to gladden the heart of our own Chris Glotfelty. “Paranormal Activity” has had what the Finke terms “freakishly good” business with $15,000 per screening averages (matching the amount I’m seeing reported as the film’s budget…very spooky!) in a special midnight-only engagement in 33 cities Thursday through Saturday, which means some theaters were making those numbers not only at midnight but even on a day when most people had work/classes the next morning. The film will be expanding into a regular release in 40 cities on Friday.

After reading a few reviews and seeing some comments online in addition to what Chris wrote, I have to say that in the wake of so-called “torture porn” and considering that filmic horror has, long ago, sometimes gone to places so horrible and extreme an awful lot of us won’t even consider following (and I don’t just mean silly gorephobics like me), it’s nice to see you can still scare an audience, including hardy souls like Chris (and supposedly Steven Spielberg), to death with not much more than a big, slow build-up and some very inexpensive atmosphere and basic special effects. Is it possible that our filmgoing innocence still lingers?

* Work on the “Arrested Development” movie continues. Yay.

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Sony’s “Zombieland” and “Meatballs” satisfy at the box office

zombieland

“Zombieland” led our carnivorous movie weekend and met expectations almost on the nose with a horror-comedy-curse breaking estimate of $25 million on it’s opening weekend, thereby breaking the back of one of the most irritating box office canards of recent times. Another misunderstanding being promulgated by Nikki Finke, who is back with all vitriol-guns blazing this weekend, is that star Woody Harrelson was box office poison, but the “zom-com” was so appealing it did well anyway. Personally, I have a hard time with the whole notion of once popular stars becoming antithetical to good box office, but that’s a complicated rant for another day.

Cloudy With a Chance of Meatballs
The #2 spot went to “Cloudy With a Chance of Meatballs” which showed some really meaty legs and dropped a terrific 33% in its third weekend with an estimated $16.7 million, says Andrew Stewart of Variety and everyone else. Once again, the only sure thing in Hollywood is a family film that parents enjoy watching themselves, and 3-D, at least for the time being, is a proven deal-sweetener for the right kind of movie. By the way, both “Zombieland” and “Meatballs” are from Sony, which means there’ll be delight at the old MGM lot in Culver City tomorrow.

And, as if the prove my point about family films and 3-D, this weekend’s third top grosser was the Disney/Pixar double-feature 3-D retreads of “Toy Story” and “Toy Story 2.” Not at all surprisingly, the combination of the two beloved animated features was an appealing entertainment value to parents and fun for kids, getting a very solid $12.5 million in just under 1800 theaters. It’s more impressive when you consider that the entire package runs 174 minutes, plus trailers. Considering the limited number of 3-D screens, both “Toy Story” and “Meatballs” doing so well is an interesting development.

After that, we have a bit of divergence from what I wrote in my preview post, in that the #4 film is the Ricky Gervais vehicle from Warners, “The Invention of Lying.” It brought in a modest — but possibly sufficient, given the budget — estimated $7.4 million via just slightly over 1700 screens. I’m going to guess that the growing cult of comedy demigod Gervais plus the film’s easy-to-grasp and inherently amusing premise, as well as the strong and well known supporting cast, gave it enough of a bump to beat the crowded low-end competition this weekend. Beaten by a pug nose was the much higher budgeted ($80 million) Bruce Willis science-fiction film “Surrogates,” with somewhere in the neighborhood of $7.3 million.

Ellen Page and Juliette Lewis in The well-reviewed and, you’d think, appealing sports comedy, “Whip It” disappointed with a mere $4.85 million estimated despite a strong cast led by Ellen Page, and Drew Barrymore’s involvement as both director and cast member. However, the studio is hoping that this underdog will benefit from word of mouth and ultimately win the big game with an unexpected surge. Who doesn’t love an underdog?

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Another Friday night news dump

I’ve been distracted wrapping up another project, but a few things of note did transpire to cap off this doozy of a week while I was otherwise absorbed.

* Both Variety and Nikki Finke are reporting that Miramax, the once groundbreaking “mini-major” founded and eventually sold by Harvey and Bob Weinstein that was named after their parents, Mira and Max, is being downsized/restructured by Disney. Meanwhile, grinning Disney Channel head Rich Ross is apparently a near-certainty to step into the void left by the departed Mousehouse chair, Dick Cook. I’m not sure why, but I have a funny feeling about this.

* Finke also has word that The Hollywood Reporter (aka THR) may well become a weekly as well as going behind a ‘net “wall.” If so, that’s going to leave a heckuva void for someone to fill online. If Finke has any visions of empire, this could be her moment — but she can’t do that alone. Personally, I’ll miss the video versions of the box office prognostications of the man I call “jolly Carl DiOrio.” He just seems so happy when he talks how well movies are going to do each week.

* THR has details on the 1993 settlement between Roman Polanski and his now adult victim. The odd part is that the records here don’t show whether or not Polanski ever paid it. If he didn’t, the woman is one extra-forgiving lady. I suspect he did.

* I’m not quite a diehard member of his cult, but I’ve always had a soft-spot for director John Carpenter (“The Thing,” “They Live,” “Escape from New York”) since seeing the original “Assault on Precinct 13” — a clever combination of Howard Hawks “Rio Bravo” and George Romero’s “Night of the Living Dead” with gang members replacing frontier desperadoes and zombies. His latest project, reportedly called “Riot” deals with another relic of my childhood, Arnold Shapiro’s “Scared Straight.” I’ll never  forget how shocked I was to hear F-words coming from my TV set. Who knew that one day cable TV would make that a near daily occurrence.

Now, I was the kind of kid who freaked out if a teacher even looked at me in a cross fashion. Nevertheless, it definitely worked on me as I’m here to tell you that I’m pretty sure I’ve never committed a felony, even by accident, though it’s always possible I’ve forgotten something. On the other hand, my parking ticket past is thoroughly checkered.

Anyhow, the latest news on the project via Krystal Clark at ScreenCrave is that Nicolas Cage, who was at one point attached, has likely left the project and the same may also go for Carpenter. Could’ve been fun, I guess.

And now a moment of vintage Carpenter.

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