Category: Movies (Page 496 of 498)

My take on the Star Wars saga

One of my earliest childhood memories is sitting in a dark theater at the age of four, watching the first Death Star explode into a gazillion pieces. Back in those days, people actually applauded when the spirit moved them, so there was a big roar in the theater at the climax of the movie. I don’t remember much else from my first viewing of Episode IV, though my parents tell me that on the ride home, I stood up on the back seat of our 1966 Pontiac Executive (seat belts weren’t exactly in vogue then) and proclaimed, “That was the best movie I ever saw!” Aside from the fact that, at that point, it was the only movie I had ever seen, it was obvious that my first Star Wars experience had forever changed me. Now, twenty-eight years later, the double trilogy is complete. There was a rumor that Star Wars creator George Lucas envisioned a nine part series, but now it’s clear that there are no more Star Wars movies in the pipeline. So it was with a pair of misty eyes that I watched the credits roll on the final installment, “The Revenge of the Sith.” This is the first time in almost three decades that I don’t have a new Star Wars movie to look forward to and I’m not all that happy about it.

Much has been written about the original trilogy. “Star Wars” and “The Empire Strikes Back” are widely considered the two best movies of the series. Growing up, “Star Wars” was always my favorite, but with subsequent viewings in recent years, “The Empire Strikes Back” has narrowed the gap. “Star Wars” is upbeat and has a happy ending – all that a kid could ask for. “Empire” is darker and has a downer for an ending, characteristics which are now quite refreshing after seeing much of the formulaic sci-fi dreck that Hollywood has put out in the last two decades. The third film “The Return of the Jedi,” while still entertaining, just doesn’t measure up to the first two chapters. This is mainly due to Lucas’ choice to use the cute and cuddly Ewoks as main characters in the story. As a kid, the Ewoks were entertaining, but as an adult they come off a bit goofy. I realize that I’m handicapped by my own age-induced cynicism, but there is no getting around it – talking teddy bears are flat out goofy.

After a sixteen-year hiatus, Lucas returned with “The Phantom Menace,” which received mixed reviews from critics and (objective) fans alike. In preparation for “Sith,” I recently watched “Menace,” and while it doesn’t measure up to the first three films, it is still entertaining. Since 1995, I can only name a few other sci-fi movies (not counting comic book movies) that are superior – “The Matrix,” “Signs,” “Contact,” “Pitch Black,” and maybe “Terminator 2.” What “Phantom” didn’t do was meet our bloated expectations, and a backlash ensued. Truth be told, there is definitely room for improvement. The indecipherable Jar Jar Binks is an easy target. He is quite unfunny for a character that is supposed to provide comic relief and it is pretty painful to watch him on screen. Had Lucas just made him a normal scoundrel – Lando Calrissian comes to mind – it would have made him more tolerable, if not likeable, and improved the movie immeasurably. Politics also plays a large role in “Menace” and I don’t think the Star Wars fan base was really prepared for it. The original “Star Wars” began after diplomacy failed, and the subject was only touched on briefly throughout the first three movies. People want to see lightsaber battles, not diplomats addressing some crazy intergalactic senate. There were also rumblings about the acting of young Anakin (Jake Lloyd), but I thought his performance, given his age and inexperience, equaled that of Mark Hamill in the original. These complaints aside, there is enough in “Menace” to make it enjoyable: a cool villain in Darth Maul, solid heroes in Qui-Gon Jinn and Obi-Wan Kenobi, and an exciting lightsaber fight amongst the three. I thought it was smart to kill off Qui-Gon, but Lucas should have found a way to extend Darth Maul’s presence deeper into the prequels.

Next up was “Attack of the Clones,” and while Lucas (may have) listened to his fans and limited Jar Jar’s role, he chose to dedicate a large part of “Clones” to the growing romance between Anakin Skywalker and Padme Amidala. Like politics, romantic love just feels out of place with fans of the series. The relationship in “Star Wars” between Han Solo and Leia Organa worked because of the humorous bickering that went on between the two. The romance grew grudgingly and it was funny, and that’s the way the Star Wars audience likes it. Not only are these characteristics absent from the romantic relationship featured in “Clones,” the scenes between Anakin and Padme contain some of the worst dialogue ever uttered in a Star Wars movie. Lucas should take most of the blame for this, as he did write the screenplay. Politics again play a large role in “Clones,” and it is sometimes confusing who the audience should be rooting for. Other than the increasing role of Darth Sidious, the main villain is Count Dooku, an unimpressive middle-aged human, and “Clones” would have benefited had Lucas continued to use Darth Maul in this role. But once again there is enough about “Clones” to make it entertaining: Jango Fett’s battle with Obi-Wan, the origin of Boba Fett, and the battle at the end of the movie culminating with fan-favorite Yoda showing off his impressive skills with a lightsaber.

There was a good buzz about “Revenge of the Sith,” so I was optimistic about Lucas’ chances of bringing the series to a satisfying conclusion. After seeing the film, I think it is very good, much better than the previous two releases and on par with “Return of the Jedi.” The dialogue between Anakin and Padme is somewhat improved, but the strained humor still leaves a lot to be desired. Fortunately, there are less politics and more action in “Sith” than in the previous two movies, and Lucas does a decent job with the tough task of credibly taking Anakin to the dark side. However, a few things bother me about the story itself. For being the “chosen one,” Anakin sure isn’t very bright. Despite the Jedi Council’s ongoing suspicions, Anakin can’t see Palpatine’s true nature until it is too late. It also never occurs to him that his dreams about Padme’s death during childbirth – which were the root cause of Anankin’s fall from grace – may have been planted in his head by the Sith lord as a means to turn him. The droid doctor at the end of the movie supports this theory when it explains that there isn’t anything physically wrong with Padme, she has just “lost the will to live.” This is presumably due to her disappointment in Anakin’s actions in the second half of the film, and indicates that had he not gone to the dark side, Padme would have survived childbirth. This only serves to make the end result – Darth Vader – seem more dense than evil.

There was much talk throughout the first two prequels that a prophecy foretold that the chosen one would “bring balance” to the Force. It wasn’t clear what this meant until someone (Obi-Wan, I believe) said in “Sith” that the chosen one would actually destroy the Sith completely. It was at this point that I finally realized that Anakin did fulfill the prophecy, just not as soon as everyone thought he would. There is also some debate as to whether or not Darth Sidious staged his battle with Mace Windu for Anakin’s benefit. Windu is a Jedi Master, but it is hard to believe that he would be able to defeat the Sith lord on his own. This seems especially improbable after Sidious easily kills the three Jedi that arrived with Windu. Sidious also seems to play possum once Anakin arrives – again, Anakin doesn’t notice – before unleashing a lightning attack on the overmatched and surprised Windu. Also, it seems a bit farfetched to think that Anakin could fall so hard so fast, immediately heading off to murder all the young Jedi at the request of his new master.

These issues aside, I found “Revenge of the Sith” to be an entertaining and satisfying conclusion to the Star Wars saga. The film answered most of the ongoing questions left unanswered by Episodes IV-VI – how Anakin became Darth Vader, how most of the Jedi were killed during the Clone Wars, and why Yoda exiled himself to Dagobah. It was also quite funny to watch R2-D2 defend himself early on in the movie and it was great to see my favorite character, Chewbacca, appear again on the big screen. Lucas took a lot of criticism for Episodes I and II, and he certainly had some missteps along the way. But without his genius and creativity the Star Wars universe never would have existed, and some other film would have been the “best movie I ever saw.”

DVD shuffle: 11/22/05

Out on DVD this week:

1) War of the Worlds – PASS: Fans of Spielberg’s work will eat up the two-disc special edition of the film with hours of bonus material, but anyone else semi-interested should just take it for a test drive.

2) Alien Vs. Predator: Special Edition – PASS: This has generated about as little bit of buzz as humanly possible, namely because Fox released a not-so-special-edition of the movie less than six months ago.

3) Senifeld: Seasons 5 & 6 – BUY: How can you not buy these two seasons? This is exactly when the series realized its full potential and became a ratings giant for NBC. Also, with every DVD box set offering a collection of hilarious extras, it’s hard not to indulge.

Other notable titles releasing today include “The Polar Express” and “Aeon Flux: The Complete Animated Collection,” but if I were you, I’d hold out one more week when a number of great films debut on disc.

More fun than a Judas Priest concert

I guess it’s not so surprising that it took this long for a 16-minute documentary to make it to DVD, but at least it’s finally here…and contains two HOURS worth of special features. If you’ve never seen it, read this and see if you can avoid going straight to FilmBaby.com to order it…

HEAVY METAL PARKING LOT is considered one of the greatest rock & roll movies of all time, although it’s actually a hilarious documentary tribute to rock & roll’s GREATEST FANS. Filmed in 1986 at a Maryland concert arena parking lot before a heavy metal show, HMPL is an unvarnished anthropological study of American metalheads in their mid-’80s glory. It is the quintessential ’80s magnum opus, made complete with a vast display of muscle cars, spandex, bleach-blonde frizzy perms, bare-chested dudes, Mullets From Hell, faded denim metal chicks, and the largest collection of late ’70s Camaros ever seen in one location. Virtually unknown to mainstream audiences for two decades, HMPL was a VHS bootleg favorite among musicians, movie stars and cult-video fanatics worldwide. This limited-edition DVD includes a pristine digital-video transfer of the original uncut 16-minute documentary, plus over two hours of exclusive content! Viewer discretion: explicit language, drug references and loud music.

Box Office Roundup: Johnny Cash gets his ass kicked by a 14 year-old

Based on Sunday’s estimates:

1) Harry Potter and the Goblet of Fire – $101.4 million (first weekend).
Bored with setting £100 notes on fire, J.K. Rowling decides to buy the Isle of Man, renames it Azkaban, and sinks it into the Irish Sea.
2) Walk the Line – $22.4 million (first weekend)
No wonder Johnny had such a rough upbringing: his dad was a freaking Terminator.
3) Chicken Little – $14.7 million (third weekend, $99.1 million to date)
For their next CGI feature, Disney will make a movie about a virgin (voiced by Rachel McAdams) who crashes weddings by day and spends her evenings as a vigilante fighting to free clones from a utopian facility where their organs are harvested for profit. The soundtrack will not feature a single song released after 1978.
4) Derailed – $6.5 million (second weekend, $21.8 million to date)
We’d come up with something witty to say about this movie, but Weinstein Co. didn’t want to show it to us, and we didn’t want to see it.
5) Zathura – $5.1 million (second weekend, $20.2 million to date)
Scores of kids whose parents couldn’t score tickets to “Potter” flock to “Jumanji in Space,” are subjected to playground ridicule for at least a week.

What on earth happened to: Jarhead? Onetime Oscar hopeful, unceremoniously booted out of the top 5 by an unpronounceable kids movie.

Halloween III

So I rented “Halloween III: Season of the Witch” from Netflix because I read a lot of stuff about it, since it’s the only one to not feature Michael Myers, etc. because the original idea for the series was to only have him in the first two and then the rest of them be independently different. Well, that didn’t happen and we know the rest. Anyway, it’s a pretty cheeseball flick with this evil dude putting weird-ass transmitters in kids’ Halloween masks that react to a special commercial shown on TV with embedded junk in the transmission to make the masks…well…I’m not quite sure what they do really. They kind of bubble up and then the kid collapses and bugs and snakes crawl out of the remains. What the hell? How does that make any sense at all? I get the suspension of belief with horror flicks, but what kind of acid was John Carpenter and his co-writers on when they came up with that idea? I expected the kid’s head to explode or something, but not have reptiles and insects come forth!

The only other interesting and wacky thing about the movie is that it features a death by a nose break. Awesome! That’s gotta be a once in a blue moon idea as well. Say what you want about the genre, but the ’70s and ’80s were at least rife with horror movies that varied a lot in scope, versus the kinds of things we’re used to these days. Even if most of ’em did suck back then, at least they had a campy feel to them that you could laugh at and scratch your head to wondering where the re-writers were.

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