Category: Movies (Page 464 of 498)

Damn, Harold, why couldn’t you give US the exclusive…?

At the tail end of his interview with Bullz-Eye.com, director Harold Ramis hemmed and hawed about the film he was starting to work on with Owen Wilson, not wanting to chat it up very much because “I’m so afraid someone will get wind of what it’s about,” conceding little more than that “it’s odd. Not odd in an uncommercial way, but it’s risky. It’s a big movie. So we’ll see if the studio has the heart for it.”

Finally, however, Ramis has gone on the record – though, sadly, not with Bullz-Eye – and admitted to VH-1 that the script he and Wilson have co-written is a comedy entitled “The Year 1,” that it’s vaguely reminiscent of Mel Brooks’ “History of the World, Pt. 1” (though, one hopes, more consistently funny), and that “it’s driven by fundamentalism and my concerns about fundamentalism.”

“It’s a look at the early history of civilization,” Ramis said, “using Genesis, the first book of the Bible, as kind of an emotional psycho-social template. It’s a comedy, and when you see it, it’s gonna feel like a broad ‘Ten Commandments’ parody more than anything. A sandal epic comedy.”

Hmmm. Well, all we can say is “tread carefully.” We still remember the poor, misguided people who picketed “Monty Python’s Life of Brian.”

John Krasinski: The next Zach Braff?

To fans of NBC’s “The Office,” relative newcomer John Krasinski isn’t a stranger. In fact, he’s arguably the best part of the show and is on track to become the next big thing in Hollywood. Along with co-starring in a hit comedy series, John will be headlining two new features in 2007 (including “Brief Interviews with Hideous Men, which he also wrote), as well as appearing in a handful of upcoming films like the Gregg Araki-directed “Smiley Face” and Christopher Guest’s latest “For Your Consideration.”

Fellow NBC alum Zach Braff has already proven that he’s a triple threat with his directorial debut “Garden State,” so it’ll be interesting to see what John can come up with over the next few years. You’ve got at least one fan, John. Keep up the good work.

Box Office Roundup: You can’t spin crazy

Based on Sunday’s estimates:

1) Mission: Impossible III: $48 million (first week)
At least $12 million under the rival studios’ expectations. On Tuesday, Paramount unceremoniously outs Tom Cruise, just to goose the box office a little bit, then issues a reluctant retraction after the movie’s theatrical run is over.
2) RV: $11.1 million ($31 million, second week)
Think of all the good that could have been done with that $11.1 million. Makes you sick, doesn’t it?
3) An American Haunting: $6.3 million (first week)
And like that, the “true horror” genre is over before it’s begun.
4) United 93: $5.2 million ($20 million, second week)
After just 10 days, it appears everyone has forgotten/ignored the 9/11. Sweeping our feelings under the rug: that’s the American way.
5) Stick It: $8 million ($17.9 million, second week)
Just wondering: has anyone made a good movie about gymnastics yet? They all look like “Gymkata” to us.

What you should go see instead: “Brick.” Best teenage film noir movie ever.

Rapid Fire Rejects, Volume V

Japon
Carlos Reygadas’ directorial debut is an incredibly lackluster tale about one man’s journey to the Mexican countryside as he prepares for his imminent death. Why it’s called “Japon” (“Japan” in English) is beyond me (I didn’t get that far), but whatever the reason, it hardly justifies making the audience watch the unceremonious death of an innocent pigeon. Next!

Battle in Heaven
Oh god, not another film by Carlos Reygadas! A quick note to the director: watching a fat Mexican couple have sex isn’t art, it’s disgusting. Further more, “Battle in Heaven” is filled with so much dead time that you’re bound to fall asleep and miss the one redeeming thing about the film: sexy newcomer Anapola Mushkadiz. I can’t seem to understand why Reygadas’ films have been treated so gloriously by the critics. They’re amateurish at best, and quite frankly, not worth all the commotion.

Plan B
What the hell is Diane Keaton doing in a low-budget mobster comedy? Was her career on that bad of a downswing at the turn of the millennium? If so, isn’t this what good agents are supposed to keep talented clients away from? And if my rhetorical questions aren’t convincing enough, how about this little tidbit of information: the film was shot five years ago and has been sitting in the Warner Brothers vaults the entire time. They’ve finally released it on DVD, but I doubt anybody is dumb enough to buy a movie where Paul Sorvino is the second biggest lead.

The Nanny: The Complete Second Season
Let me be quite clear when I say that I’d rather eat a bucket of nails than watch a single episode of “The Nanny” ever again. Fran Drescher drove me crazy enough in the 90s, and the simple fact that her series ran for six seasons (when shows like “Arrested Development” only get three) makes me want to throw up. That being said, not even my DVD player would accept any of the three discs from the second season release, perhaps because it’s worried that it may never work again. You heard me right. Even my DVD player is rejecting Fran Dresher. Now that’s good craftsmanship!

As if you need one more reason to see “Snakes on a Plane”

This girl is in it.

Elsa Pataky

Her name is Elsa Pataky, kids. She’s an Iberian 29-year-old, and if we’re really, really lucky, she’s the one in that Mile High Club scene they recently shot. Man, her and Sunny Mabrey in the same movie? For those unfamiliar with Sunny Mabrey, that means you never saw “xXx: State of the Union,” which makes you very fortunate. But here’s what she looks like:

Sunny Mabrey

August 18 cannot come soon enough. Elsa, Sunny, Samuel and snakes. Sweeeeeet.

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