Category: Movies (Page 417 of 498)

“How’s that for a topper…?”

Charles Nelson Reilly, who spent much of the 1970s as both a staple of “The Match Game” and a regular on Saturday morning television, has died at the age of 76.

Funnily enough, I just did an interview with Marty Krofft – soon to be posted on Bullz-Eye – where he and I discussed Charles Nelson Reilly’s role on “Lidsville” as the evil magician Horatio J. Hoo Doo (seen above). I always thought Reilly was a hoot, one of those staples of ’70s television who – rather unfairly, I thought – never managed to escape from his reputation as a staple of ’70s television. But the guy was a Tony-winning actor for “How To Succeed In Business Without Even Trying” who studied acting alongside Steve McQueen and Hal Holbrook, and although his film career never really took off (career highlight: “Cannonball Run II”), he stayed active on TV and doing animation voiceovers ’til the very end. His most memorable work in recent years…? I think you have to give it to his role as Jose Chung on “The X-Files,” a part he reprised on a later episode of “Millennium.” But he did a great comedic turn as himself on an episode of “The Larry Sanders Show,” and he also turned up on a couple of episodes of “The Drew Carey Show” as well.

Me, I always remember him for his role as Uncle Croc. “Uncle Croc’s Block” was a very, very short-lived Saturday morning series where Reilly played a crotchety kids show host, and although I have no idea how it would play for me today, at the time, I thought it was hilarious because it was so different from anything else on Saturday mornings as the time.

Sorry to see you go, Charles. Hopefully, one of these days, the film of your one-man show, “The Life of Reilly,” will make it to DVD…although there’s a line in this trailer for the film that isn’t nearly as funny any longer.

In the meantime, we’ll leave you with the final word on one thing you absolutely weren’t:

A Couple of Questions with…James Lipton

Yes, that’s right: the host of “Inside the Actor’s Studio.” The series is continuing onward, with Kyra Sedgwick as its latest guest, and we had the opportunity to pose a few questions to Mr. Lipton – who, if you can believe it, is eighty years old! – about a few items on his resume, as well as one we’ve always wondered about the students in the audience of the Actor’s Studio…

Bullz-Eye: Hi, Mr. Lipton.

James Lipton: Hi.

BE: Could you speak a little bit about your experiences working on “Arrested Development”?

JL: I loved it. Why wouldn’t I? Those people are extraordinary, beginning with Brian Grazer and Ron Howard at the top, and those actors are amazing. It was a wonderful show; I wish it were still on the air. It came as a surprise. They called me, and they pleaded with me to be on the show – don’t ask me why – and I couldn’t. I said, “Look, I…” At this point, I was still the dean of the (Actors Studio Drama School). I said, “I’m a dean, which is a full-time job, I’m executive producer, writer, and host of ‘Inside the Actor’s Studio,’ which is a full-time job…I can’t expand my week! I work 14 hours a day, 7 days a week, without exception, from the beginning of September ‘til the middle of June. I take two days off – Thanksgiving and Christmas – and that’s it. And I can’t come.” Finally, they got in touch with me, and they said, “Look: if you will come, we will do all your scenes in one day. Everybody else will lay off, and only the people involved in your scenes will come in and do your stuff with you, and we’ll get it all done in one day. We’ll fly you out, do it one day, and fly you back.” I agreed to do that. And then about a week before I was to arrive, they said, “Hey, we’ve written a second script for you…but we’ll do it all in the one day.” And then the night before I was to get on the plane, I got an E-mail which contained a third script, and they said, “But we’ll do it all in one day!” I did them all in one day! I did three shows in one day. And subsequently, of course, several months later, I did the final show. I came back for one show. And it was a great experience.

BE: I know that David Cross’s impression of you was not quite as good-natured as Will Ferrell’s…

JL: His was much less good-natured. I’d never seen it – I was only told – but do you want to hear a story about that?

BE: Sure!

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Box Office Roundup: “Shrek” threequel redefines cutting-edge humor as “making fun of dinner theater”

Based on Sunday’s estimates, courtesy of boxofficemojo.com:

1) Shrek the Third: $122 million
Somewhere in Hollywood, Mel Brooks is thinking to himself, “If I set the campfire scene from ‘Blazing Saddles’ to CGI animation, I’d be rich! Rich, I tell you! Muaaaahhh ha ha ha hahahahahahaha!”
2) Spider-Man 3: $28.5 million, $281.8 million to date
Only $220 million to go before it recoups the promotional budget.
3) 28 Weeks Later: $5.1 million, $18.6 million to date
Eeek. We’re guessing there’s been a rage outbreak at Fox Atomic over the performance of this movie.
4) Disturbia: $3.6 million, $71.3 million to date
Like we said, Shia LaBeouf is about to become the Biggest Star on the Planet.
5) Georgia Rule: $3.4 million, $12.6 million to date
Wave goodbye to women in movies, everyone. You’ll see them again in the fall.

11) Next: $1.1 million, $16.5 million to date.
Look at that again. This $70 million Nic Cage movie has made $16 million to date. We can hear the conversation already. “Sure, Cage is interested, but he’s no Shia LaBeouf.”

Hero Worship: A Look at Comic Book Movies

Here’s a tip for all you struggling actors out there: If you even get the slightest whiff of a comic-book-inspired or superhero-themed script, screw the whole “reading it beforehand” thing and jump straight to the “try desperately to get an audition, no matter what” phase, because that’s where the money is these days.

Yes, friends, we said it last summer, and it still holds true today: it’s a beautiful time to be a comic book fan. Even better, it’s no longer the domain of the kind of guy who’s already pressed and folded his “My Virginity Is In Mint Condition” t-shirt for the opening day of Comic-Con 2007. (Not that there’s anything wrong with that.) When one of the most buzzed-about original dramas on network television centers on people with abilities beyond those of mere mortals – and if you haven’t jumped on the “Heroes” bandwagon yet, you’re really missing out – even the most macho of men can probably stop claiming that they only watched the “X-Men” flicks because they wanted to see Rebecca Romijn covered in nothing but blue body paint.

Comic books and superheroes have taken a long and winding path to get to their current position of mainstream acceptance, however, and nowhere has that been more evident than on the silver screen. In fact, when speaking of the comic book film genre, you can very easily divide cinematic history into two parts: before “Superman: The Movie,” and after “Superman: The Movie.”

To read the rest of our historical retrospective, click here.

To investigate the status of future comic book flicks, click here.

To read the first of our three roundtable discussions about various and sundry comic book film related topics, click here. (You’ll find links to the other discussions on that page as well.)

And, lastly, to check out a shopping list of graphic novels and trade paperbacks to check out after you leave the theater, click here.

Oh, yeah, and if you’ve got any feedback, feel free to leave it below…

Rapid Fire Rejects: Volume XIV

Beneath Still Waters
It’s no secret that Lionsgate has fast replaced New Line as the go-to studio for all things horror, but as we know, with great power comes great responsibility, and that doesn’t exclude releasing every single B-movie horror flick onto DVD. Sure, the direct-to-DVD market is a very profitable business (and if there’s one genre that’s tailor-made for it, it’s horror), but does that mean that moviegoers should forego their expectations of quality because of it? Hell no, especially when men like Brian Yuzna (perhaps best known for producing the horror/comedy cult classic “Re-Animator”) are taking advantage of the system. His latest is a melting pot of bad acting, terrible effects and one of the lamest stories of the year, and it should be avoided at all costs.

.45
I truly hope writer/director Gary Lennon never plans to work in Hollywood again. Any movie that opens with a monologue devoted completely to the size of its character’s dick (though his name is Big Al) is suspect to some pretty heavy criticism, but the fact that he continues to insert these “interviews” throughout the rest of the movie only further proves just how lazy of a screenwriter he is. Can he not tell a simple story without some sort of lame voiceover or confessional to do it for him? Quite simply: no. Of course, it never helps when Milla Jovovich and Stephen Dorff (who are having trouble even finding work in B movies these days) are your stars, though Angus Macfayden looks to be having fun with this over-the-top criminal.

The Mad
In what can only be described as “Fast Food Nation” meets “Shaun of the Dead,” Billy Zane stars in this horror comedy about disease-ridden beef patties that transform their digesters into flesh-eating zombies. Trying oh-so-hard to be the goofy zombie romp that has since made “Shaun of the Dead” a cult classic, “The Mad” is mildly amusing, but easily forgettable. Zane hams it up as the lead protagonist, a former rocker-turned-doctor on a road trip with his new girlfriend and daughter, but the laughs are too few and far between to consider this a recommendation.

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