Category: Movies (Page 412 of 498)

DVD Spotlight: Long live the King

…and greedy movie studios? That seems to be the theme of this month with the re-release of Elvis Presely’s entire film catalog. But while Paramount’s lackluster “Lights! Camera! Elvis!” set failed in offering anything new for fans of the musician-turned-actor, Warner Bros. – who just so happened to produce a majority of his films – has digitally remastered Elvis’ most popular movies just in time for the 30th anniversary celebration.

While every film is available individually in stores, Warner Bros. has packaged some of the King’s less impressive roles in “The Hollywood Collection,” a six-disc box set designed to save purists a few bucks. Let’s face it: Elvis may have made a lot of movies in his short time on this Earth, but a lot of them were really bad. Movies like “Charro,” “Kissin’ Cousins,” “Tickle Me” and “Stay Away, Joe” don’t have a very big built-in audience outside of the diehard fanbase, so it makes sense that WB would try to move a few more units by forcing the consumer to by all six. The lone classic of the bunch – “Girl Happy” – also happens to be the only film that has received a new digital transfer and a previously cut musical number added to the DVD.

Not crappy enough to make the box set, the rest of Elvis’ Warner Bros. catalog has been released, including “Harum Scarum,” “It Happened at the World’s Fair,” “Spinout,” “Speedway,” and “Double Trouble,” as well as deluxe editions of “Jailhouse Rock” and “Viva Las Vegas.” I really don’t know what the difference is between the regular releases and the deluxe editions, but the “Viva Las Vegas” disc does include an audio commentary, a never-before-seen new documentary (“Kingdom: Elvis in Vegas”), and a Dolby Digital 5.1 soundtrack, and I can only imagine that “Jailhouse Rock” (the other major Elvis picture from Warner Bros.) features much of the same.

Rounding out the August cash grab is “This Is Elvis” and “That’s the Way It Is,” two more special edition DVDs that include multiple versions of the film, featurettes on the restoration process, and never-before-seen footage. If I had to choose between one or the other, though, I’d have to go with “That’s the Way It Is,” the King’s sold-out 1970 performance at the International Hotel in Las Vegas. We’ve all seen The Story of Elvis before, but you’re not an Elvis fan until you own this seminal concert film.

Watch it, if you care: the opening scene to “Saw IV”

This is just depressing. The first four minutes of “Saw IV” are now online, and man, does it look a mess. It looks like someone doing an impression of a “Saw” movie, using people who have never acted before. And just try not to scream “Just chop the damn chain already!” Dumb people in horror movies deserve to die, even if someone has sewn their eyes shut.

To view the clip, click here.

Comic-Con: Day Three – Marvel Studios

The Marvel Studios panel wasn’t only one of the weekend’s final movie-related panels, but it was also perhaps the most anticipated panel of all of Comic-Con. After word spread on Thursday afternoon about the killer footage that director Jon Favreau showed during the presentation, fanboys were so adamant about seeing it again (or for the first time), that many sat through six hours of panels just to guarantee that they’d see it again. It also helps when you have the best star-to-minute ratio of all the panels thus far, because though the presentation only lasted for one hour, attendees were treated to appearances by Ed Norton, Liv Tyler, Robert Downey Jr., Gwyneth Paltrow and Terrence Howard. Not exactly the kind of cast you’d expect would be involved in two comic book movies, but then again, that’s what makes these movies so amazing.

“The Incredible Hulk” (guests: Ed Norton, Liv Tyler, Louis Leterrier, Avi Arad and Kevin Feige)

Since there wasn’t any footage to show (production began only two weeks), the panel jumped right into taking questions from the audience, and the first question was a little too obvious – “Why another big screen Hulk?” – to which producer Kevin Feige replied, “Because it’s the Hulk.” The panel when on to expose a few things people may not know about the new film:

* First things first: this is not a sequel to the Ang Lee “Hulk” from a few years ago. This is part one in what they hope to be a trilogy and the big green machine will remain one size throughout the course of the movie.

* Ed Norton is writing the script. That may come as a bit of a surprise to many, but it definitely shows that Marvel means business. Not only is Norton a great actor/director, but he’s a massive fan (referring to playing the Hulk both “an honor” and “hilarious”), and so I’m sure his rewrite of the Zak Penn script will be great.

* Norton was also adamant that the only reason he signed on board to play Bruce Banner is because new technology will allow him to contribute to the acting performance of the CG Hulk; much like Andy Serkis did with King Kong.

* Everyone involved is a big fan of the Bixby/Feringo television series, but they won’t be drawing influence from just one source. This is a brand new take on the Marvel superhero that is different from all other entities – whether it be the TV series or past story arcs in the comics.

* The filmmakers showed off concept art for what they envision the Hulk to look like. I didn’t photograph the image because I didn’t want to get in trouble at my first Comic-Con, but anyone who’s interested can check it out here. For fans of the character, he looks closest to the Hulk from the Ultimate series, but with a much better haircut.

“Iron Man” (guests: Jon Favreau, Robert Downey Jr., Gwyneth Paltrow, Terrence Howard, Avi Arad and Kevin Feige)

After Jon Favreau came on to stage to announce his cast (sadly, no Jeff Bridges), they jumped quickly into a screening of the exclusive Comic-Con trailer that some of us already saw on Thursday. Those looking for a detailed description of the footage can read about it here, but I wouldn’t recommend watching it on YouTube, because, well it’s really dark and just doesn’t look as good. I enjoyed the trailer just as much the second time around (as well as the third, when they showed it again at the end of the panel), but what was more entertaining were the faces of Downey Jr., Paltrow and Howard as the trailer ended and the lights came up. Their eyes were wide open, their jaws dropped, like they were kids in a candy story. I don’t think they realized just how good this movie is going to look, and it’s a testament to Favreau’s skills as a filmmaker when you realize that nothing in the trailer has been CG-enhanced. It’s all practical.

Aside from that, the rest of cast seem really excited to be participating in the film. Robert Downey Jr. was so jazzed about wearing the suit that he told Jon Favreau to put him in it as much as possible, Gwyneth Paltrow was just happy to be working with Robert (who she calls “one of her favorite actors”), and Terrence Howard couldn’t stop talking about how cool it was to go up in an F-16 and vomit… seven or eight times.

The Q&A session didn’t reveal much more about the project (except for how the cast worked together on set), and I’m kinda glad I didn’t, because less then an hour after the panel had finished, I took my place at a series of roundtable discussions with Favreau, Downey Jr., Paltrow, Howard and Feige. Full transcriptions of all five interviews are in the works and should hit Bullz-Eye or Premium Hollywood within the next few days.

Comic-Con: Day Three – Rogue/Focus

One of my favorite up-and-coming studios in the business, Rogue/Focus is directly responsible for importing “Shaun of the Dead” and “Hot Fuzz” to American theaters, and as such, I’m willing to listen to anything they have to say about projects in the works. And over the course of the next year, they’ve got some pretty cool stuff coming out, including the often-rescheduled “Balls of Fury” (more on why later), the new Liv Tyler thriller “The Strangers,” and Neil Marshall’s latest.

“Coraline” (guests: Neil Gaiman and Henry Selick)

I can’t remember if anything related to this movie was originally scheduled for presentation during the panel, but Neil Gaiman made a quick visit to announce that his graphic novel is indeed receiving the big screen treatment, it’s going to all be done in stop-motion (and by the guy who did “Nightmare Before Christmas,” no less), and that the soundtrack will feature They Might Be Giants. Sounds pretty cool to me, and I’ll be sure to add this to my radar. No release date was announce, but I’m thinking it will be ready no later than Christmas 2008.

“Balls of Fury” (guests: Ben Garant, Thomas Lennon, Dan Fogler and James Hong)

“Iron Man” may have had the most exciting presentation, and “Midnight Meat Train” the most fucked up on, but it was the guys from “Balls of Fury” who provided the most entertaining panel of the weekend. Here to show off some footage from their new film were “Reno 911” and “The State” alum Robert Ben Garant and Thomas Lennon (in full costume and makeup), and star Dan Fogler. But before I get to any specifics on the panel, it’s probably important to address the film’s constant rescheduling issues. Apparently, the CGI effects for the film took longer than anticipated (seven months), but now that they’ve finally finished, the movie is coming out… for real.

The Comic-Con attendees were treated to a clip from the film, and I have to say, this could surprise a lot of people when it’s released in theaters. The clip in question featured Dan Fogler’s character’s first competition in the tournament (against Freddy Fingers, played by Terry Crews), and between the taunting before the match, the over-the-top “Matrix”-style effects during the match and, well, Christopher Walken as the “Enter the Dragon”-esque villain of the film, I couldn’t stop laughing. Regrettably, I’ve been disappointed by both Garant and Lennon in the past, and so I don’t want to get my expectations too high until I see the completed project. Here are some other highlights from the panel:

* Lennon was the only of three panelists to appear on stage in costume, and later attacked Garant for tricking him into wearing it all day long on the showroom floor: “Dude, I was getting made fun of by a guy dressed like Daredevil. Some asswipe dressed like Daredevil – and I mean new Affleck Daredevil – was pointing at me like I was a douche. I’m sorry, this might be gay (pointing to costume), but it’s not new Affleck Daredevil.”

* After a kid dressed like Superman asked Dan Fogler how it felt working with Christopher Walken (in a horrible Walken impression, by the way), Fogler fired back with a spot-on impersonation. It’s too bad so many people were laughing when it happened, because my audio recording of the moment is completely ruined.

* Cedric Yarbrough (of “Reno 911”) sneaked into the Q&A line to ask Ben and Thomas why he wasn’t cast in the Freddy Fingers role, while Comic-Con staple Bob Stencil (“That’s Stencil with a dollar sign”) came to the mic to ask why Ben and Thomas weren’t rocking their mustaches. “They’re owned by 20th Century Fox,” Garant said, while Lennon claimed they were taken to the Smithsonian.

* Late into the presentation, “Big Trouble in Little China” baddie James Hong appeared on stage to fool around with the other panelists. It was a bit weird at moments – as he was literally stroking Dan Fogler’s hair – but there’s nothing cooler than seeing the dude flash the Lo Pan sign. I’m kinda mad about not thinking about it later in the day when I sat down to talk with “Iron Man” director Jon Favreau, but if a second film is ever greenlit, Hong would make the perfect Mandarin.

* Lennon and the rest of the guys shared a hilarious anecdote about Christopher Walken that you have to hear to believe. Apparently, the guy likes to pretend it’s his birthday. So much so that he did it three times just during the production of “Balls of Fury,” and this isn’t the only film it’s happened on. Some people know about it and others don’t, but what he does is buy himself a birthday cake, sets it down by him in the makeup trailer, and looks really sad. He waits for someone to ask him what’s wrong, and he tells them that it’s his birthday, and so everyone gathers around him to sing… while he just sits there smiling and enjoying every minute of it.

“The Strangers” (guests: Liv Tyler, Scott Speedman and Brian Bertino)

As I’ve mentioned here several times before, I’m not a really big fan of horror movies. Nevertheless, I’d like to say that I’m really looking forward to Brian Bertino’s “The Strangers.” Of course, the movie isn’t really horror in the conventional sense, but is rather more of a suspense movie about a newlywed couple who are stalked and terrorized by a trio of would-be killers. These are real people facing off against a very real threat. Stars Scott Speedman and Liv Tyler joined first-time writer/director Bertino on stage to show a few clips from the film (including a slick teaser trailer) and answer questions from the audience. The panel wasn’t quite as revealing as others – they just showed a few clips, answered a few questions (including the mandatory “Can you say something in Elvish, Liv?”) and left the stage – but it’s nice to see that every horror/suspense movie that comes out these days isn’t rooted in torture porn.

“Doomsday” (guests: Neil Marshall)

Director Neil Marshall has made some pretty unique movies over the last few years. “Dog Soldiers” is the ultimate in B-movie camp, while “The Descent” reinvented the horror/suspense genre from the days of “Alien.” His newest film, “Doomsday,” will be released sometime in the first half of 2008, and for fans of films like “Mad Max” and “The Warriors,” well, they’re in for one helluva treat. Marshall didn’t bring any footage with him other than a short teaser trailer (narrated by Malcom McDowell, no less), and though it certainly reeks of been-there-done-that material, the last time it was done was 20 years ago, and so, it’s just as good of time as any to bring it back.

Comic-Con: Roundtable with Ed Burns

While waiting to speak with director Zack Snyder during the series of Warner Bros. roundtables on Friday, my table was given a bonus: a brief chat with Ed Burns. Of course, unlike our incredibly limited time with Snyder, Mr. Burns was more than happy to answer our questions about, among other things, his return to acting in “One Missed Call” and the future of filmmaking.

Reporter: So is this your first Comic-Con?

Ed Burns: It is, yeah.

Reporter: And was it everything that it had been hyped up to be?

EB: I thought it was a lukewarm reaction, honestly. But I’m not really the guy who, you know, we just had a little clip reel, I’ve never done a horror film or sci-fi, so, I don’t know how many “[Brothers] McMullen” fans were in the audience. They really weren’t giving it up for the Irish guys from Queens.

Reporter: What do you think it is about Japanese horror that – because the torture porn thing has kind of come and gone – but for whatever reason Japanese horror has continued to hold a major interest internationally. Why do you think that is?

EB: Quite honestly, I don’t know. I think the reason the genre is popular in the States for so long is, you know, there are so many different options people have now in terms of their entertainment. You know, theatergoing has changed in a big way. You talk about “McMullen,” like, people use to go see small movies at small theaters, and that’s basically over, and I think the reason like comedies to such big business and power and, you know, big special effects movies is… you can watch a small drama on your flatscreen and it’s a similar experience. Sitting in a theater with 400 people and getting the shit scared out of you is a fun experience. That’s why I go, and it’s like, there are certain films that you wanna see in a theater to have the community type of experience with a certain genre of film.

Bullz-Eye: Is this the first horror movie that was pitched to you, or the first one that you’ve wanted to do?

EB: The first one that was pitched. It’s kinda weird. My career periodically, I go through these stages were I don’t wanna act anymore, I’m just gonna focus on making a few small movies, and then after I do two or three of those, like I did with this, I don’t wanna make another small movie, I wanna go act, so this was – I had just finished shooting something – and this was the first script that came up and I was like ‘You know, I like the genre, I’ve never done one, let me give it a shot and see. The director was an interesting guy. His whole thing was that he wanted to make it more suspenseful and atmospheric, more like a “Rosemary’s Baby” or – remember that Donald Sutherland film…

Reporter: “Don’t Look Now.”

EB: “Don’t Look Now,” okay. “Don’t Look Now” was the other film that he referenced a lot, so, and I think it is, it’s just a little bit more keeping with that style than it is sort of more traditional, sort of blood and guts horror movie.

Reporter: “Purple Violets” was very well received at Sundance. What’s going on with that film, when is it going to come out?

EB: “Purple Violets” is probably the best film that I’ve ever made. It’s a small, talky drama, dramedy, and there’s absolutely no audience for the film, theatrically, I’m sad to say. We got a couple of half-assed theatrical offers, but the last couple films I’ve done I’ve done that and, you know you do all this publicity and then the movie’s released in New York and LA, and maybe Chicago and San Francisco, and if you’re anywhere outside of those four major cities, your audience can’t find it. So, we’re gambling and we’re gonna be the first film that is released exclusively through iTunes. It’ll be available for four weeks exclusively, and the idea is we’ll promote it the same as you would a theatrical release and we’ll see what the numbers are. If the attendance, if the downloads, which we expect to be a much higher numbers than the attendance, I think it’ll be the way I would go in the future for small movies like this. You know, and then we’ll do more festivals than you might normally, so you can hit kinda smaller markets for the theatrical experience, but for everyone else it’s available, kinda like what people do…

Reporter: When did you say it would be available?

EB: Um, October 9th.

Reporter: Is iTunes promising you a huge amount of promotion for doing this?

EB: Huge is a relative term. We’ll have to see, but they’re promising promotion. I hope it’s huge.

Bullz-Eye: With the future of moviegoing moving closer and closer to a Pay-Per-View business model – where you’re paying a larger flat fee than you would in a movie theater, but in the comfort of your own home – how do you think this affects the industry?

EB: I think it’s changing so dramatically, I mean, just two years ago none of us were talking about YouTube – now it’s part of everybody’s daily life. Who knows what technology is going to come out in six months from now, or two years from now. That’s going to revolutionize the way we think about watching films. You know, the idea that people watch a movie on an iPod for someone my age, that’s insane, yet I recognize if you’ve grown up watching small images on your laptop or you’ve been downloading via friends to your phone, an iPod is a pretty good invention. So, I think it’s changing and you have to embrace it. You know, digital cinema is coming at us fast and furiously, film will die, day and dark releases are here already, and like I said, people go to movies for different things. And I mean, even a guy like me that always thought I wanted to make small, talky dramas, that business is a dead business. So the thing that I’m doing right now – that I just announced today – is developed a graphic novel with Virgin Comics called… I had an idea for a movie, a 1920s gangster story – again, New York City, Irish-Americans, kinda my milieu – but I thought, ‘Well, why not sort of look into giving these gangsters slightly hyper-human abilities and strengths. Pitched Virgin Comics on it, they loved it, and a guy named Jimmy Palmetti I think is how you pronounce it, he’s writing it based on my outline, comes out in November, and I’m writing the screenplay while he’s doing the books. And it’s a film we’ll make hopefully next year. So it’s like, I think you’ve got to look at how it’s changing and you’ve got to embrace it.

Reporter: So the way you approached directing… what you’re basically saying is that other than family movies and comedies, it’s going from a larger than life experience to get a smaller than life experience?

EB: Yeah, I think that’s what you have to do. I became an indie filmmaker more out of necessity than – and I certainly loved those films – but I’ve always been a fan of mainstream Hollywood moviemaking, whether it’s something like Scorsese or Spielberg, or “Star Wars.” But I think you have to recognize it’s changing… so one thing I’m looking forward to is how do you take what I do – and take these characters and voices – and put them on a bigger canvas.

Reporter: I just can’t imagine watching “The Godfather” on iTunes for the first time.

EB: But you know what? I think it’s analogous, in a way, to music. You know, you have to embrace the change because I know, like, our parents did not buy albums, they only listened to the radio. And then in the ’60s, albums came out and people were obsessed with the LP. And then when CDs came out, all the purists were like ‘What the fuck is this? I’m never going to listen to a CD,’ and CDs are over now, and nobody buys full length albums when they download it digitally anymore, so it’s almost like we come back to the way your guys’ grandparents listened to music where it was an individual song by an individual artists that was playing on the radio as opposed to the computer. So it’s that thing that happened in 70 years of music that I think is happening now for us in movies, and we’ll just have to see where it goes.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑